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Book, Science Fiction/Fantasy

[October 2, 1964] Terrestrial Adventures (October 1964 Analog)

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[Don't miss your chance to get your copy of Rediscovery: Science Fiction by Women (1958-1963), some of the best science fiction of the Silver Age.  If you like the Journey, you'll love this book (and you'll be helping us out, too!)


by Gideon Marcus

Close to Home

Time was, science fiction meant space adventure.  As far back as Burroughs, trips to Venus and Mars were commonplace, and by the '50s, authors routinely took us to the stars.

But while each week sees a new satellite launched toward the heavens, tremendous advances are taking place here on Earth, too.  In just the last week, the news has been filled with some stunning achievements in the field of travel.

In the Air

For instance, the YF-12A interceptor, a Mach 3+ interceptor capable of flying at 100,000 feet, was just publicly unveiled.  It's a beautiful, wicked-looking machine, and unlike the X-15 rocketplane, it's about to be an operational part of the Air Force's inventory.

With planes like the F-12, it's no wonder that this Mach 3 bomber, the B-70 Valkyrie, has been restricted to just two prototypes — fast as it is, it's not fast enough to evade modern interceptors!  Still, it's a beautiful bird, and I think engineers will get useful data from flying it — if for nothing else, lessons to be learned for the upcoming Concorde trans-Atlantic passenger jet!

On Land

The new "Shinkansen" train, linking the cities of Tokyo and Osaka, may not be jet-propelled; nevertheless, the speed with which it whizzes across the Japanese countryside is certainly Jet Age.  Now, one can travel between Japan's two principal cities in less than three hours. 

I can't wait for Governor Brown to build one of these babies between Los Angeles and San Francisco!

At Sea

Operation Sea Orbit is coming to an end: the three nuclear-powered ships, CVAN Enterprise, CGN Long Beach, and DLGN Bainbridge circled the Earth without refueling, the first global showing of the flag since Teddy Roosevelt's "Great White Fleet". 

Between the Navy's nuclear ships, the Air Force's atomic space drives, and the proliferation of nuclear power plants around the county, the latter 20th Century will definitely be the Age of the Atom!

And on Paper

With all this big news of Earthbound traveling, it's perhaps no surprise that Analog, the most read science fiction magazine has most of the stories of its October 1964 issue set on our planet. 


by Robert Swanson

Inconstant Moon, by Joseph H. Jackson

Or, in the case of the science article, the Earth's closest neighbor.  It has been speculated for some time that there may be some kind of vulcanism going on under the dead-seeming crust of the Moon.  In support of that are the occasional observations by astronomers of new craters, of colored puffs of smoke, and other oddities.

There is something of a breathless quality to Jackson's piece, and the fact that it appears in Campbell's Analog makes it more suspect.  In any event, it sure would have been nice if there were color pictures of these phenomena instead of the black and whites included in the article.

Three meteorites.

Sweet Dreams, Sweet Princes (Part 1 of 3), by Mack Reynolds

Author Reynolds is no stranger to the Eastern Bloc, having extensively traveled through it in the '50s (as well as many other parts of the world).  It's no surprise, then, that his stories set in the nearish future, in which the Soviet Union has reached parity with the West, smack of plausibility if not inevitability.

Mack first projected the future with his African series starring Black American Homer Crawford, who goes to the continent to unify its northern portions.  It's a flawed pair of books, but the political scene is well developed.

The subsequent series starring Joe Mauser, in which everyone is on the dole and corporate disputes are resolved by division-level mercenary engagements, is better.  It may well be in the same universe, just further along in time. 

The background is that the North America has evolved into a stratified society, employing "People's Capitalism" wherein all get a basic income and a supply of tranquilizers and television entertainment.  Maybe a quarter of the populace is employed.  Behind the Iron Curtain, the "Sov-World" has developed similarly, though the external trappings remain Marxist-Leninist.

Between them lie Common Europe, led by the ambitious French under The Gaulle, and the "Neut World", the underdeveloped fourth corner of the power square.


by Robert Swanson

Unlike the previous stories in this universe, we get a new protagonist, Etruscan Studies professor Denny Land, of the "Middle Middle" class.  His enthusiasm for researching ancient combats gets him embroiled in the new gladiatorial games, which to his great surprise, he ends up winning.  But when he tries to go back to teaching, he finds that his superior, a member of the 1% "Upper" caste, resents Land's fame and sends him on indefinite leave.

This leaves Land ripe to be recruited by the American government as a spy, providing cover for a mission to Spain to turn, kidnap, or eliminate a French professor whose recent invention could break the decades-long balance of power of the early 21st Century.

There is something compelling yet mechanical about Reynolds' writing — it always makes you want to turn the page, but it is never flashy or inspiring.  His world building is fascinating, however. 

I think, in the end, it merits four stars.  I suspect the latter parts will fall into the standard three star zone, but we'll see.

The Mary Celeste Move, by Frank Herbert


by John Schoenherr

Do you remember that sense of trepidation when you first got on Ike's superhighway system?  The panic you felt when you realized you had to navigate four lanes of traffic to get around?

Frank Herbert offers up this minor piece in which the freeway system has become something like the jet-speed expressways of Rick Raphael's Code Three universe.  The problem at hand is that people are getting on, panicking, and deciding it's easier to resettle at the other end of the country than to risk the nerve racking trip home.

Two cars.

Flying Fish, by John T. Phillifent


by John Schoenherr

On a distant planet (this is the one off-planet story), humanity meets an alien race that tells us we are limited and incapable of advancing to their lofty level.  This being an Analog story, of course it's the alien that's wrong — and limited, to boot — and anyway, if humanity has limits, those only make us better.

It's not a great story, and I rolled my eyes at the pivotal character, Captain Beefcake, being infinitely selfless and flawless (as proven mathematically by the protagonist!) Still, it's not poorly written, and I was about to give it three stars until I wrote the above and convinced myself out of it.

Two ubermenschen.

Professional Dilemma, by Leonard Lockhard


by Leo Summers

Lockhard (really attorney Thedore L. Thomas) has penned some interesting stories of the intersection of patent law and science fiction.  This one is of the same subject matter but not the same quality — it rambles, it's not really SF, and it's conclusion is a ho hum.

Two trademarks.

Situation Unbearable, by Herbert Pembroke


by Michael Arndt

Our last story, by a brand-new author, begins with the premise of Brian Aldiss' recent novel, Greybeard.  To wit, humanity's birth rate has declined to almost nothing, and nobody seems to know why.  Well, almost nobody, but the one geneticist who might have a clue seems to have gone catatonic after encountering some horrific truth.

Can he be snapped out of it before it's too late?

This one takes a long time to get going, and the ending is a bit silly (the story is presented as a mystery, but the embedded hints aren't strong enough — did any of you guess what was going on?) I think Pembroke has the makings of a decent thriller writer, but he whiffed on this one.

Two baby bottles.

Summing up

All told, this was not a stellar issue of Analog, clocking in at just 2.6 stars.  I don't think it has anything to do with where the stories took place, though — this is just becoming a tired mag whose heyday was two decades ago.  Still, I am interested to see where the Reynolds goes.

As for the other mags, Science Fantasy was the clear winner, garnering an impress 3.5 stars with its first issue under new management.  Worlds of Tomorrow was also worthy, scoring 3.1 stars. 

Everything else was pretty dismal.  Amazing is tentatively a 2.7 (jury remaining out on the Brunner serial), Fantasy and Science Fiction got 2.7 stars, Galaxy was an unusually low 2.6, as was IF (also a Pohl mag), and Fantastic finished at 2.4.

Women writers got extremely short shrift.  We only saw a 6% participation; "Partners in Wonder" indeed.

As dreary as those numbers are, most magazines had at least one piece to recommend them, often their longest.  You could take all the better than average stuff from this month's crop and fill two magazines.  Thin ones.

Which gives me hope for next month, on or off the planet.  Come space travel with me?

[Join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




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[January 28, 1964] Beatles, Prisons and Doctors ( New Worlds, February 1964)

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by Mark Yon

London Calling

Hello again!

The Winter rolls on here in Britain. I must admit that last month’s news about New Worlds has left me here in a bit of a blue mood. I’ve realised that with the loss of the two remaining British magazines there’s not a lot of opportunities for British s-f left. As much as I enjoy reading your American issues, even the ones fellow travellers don’t like (when I can get them), I do feel that we’re missing a trick here. The loss of such a laudable attempt to reinvent the genre means that we are lesser for it. Even when I don’t like all the attempts to push the envelope. 

In this month’s “Beatle-Watch”, the mop-tops have continued their reign of madness and world domination. They are now playing concerts outside Britain, most recently in Paris.  I understand that they may well be heading back to your fair shores by the end of February, so keep an eye out if you want an idea of what their fans here are going mad about.

Since we last spoke, I did get chance to go with the family to see The Sword in the Stone over the holiday season. It was fun, but there’s not too much of Mr. T. H. White’s original novel left beyond the basic outline. The youngsters in the cinema seemed to enjoy it, though, especially with the added musical numbers. 

I’m very pleased that Doctor Who has continued to go from strength to strength. As fellow traveller Jessica has said, the latest serial, The Daleks, is a real triumph. It is scary and exciting. I can’t wait to see what happens next. 

The Issue at Hand

To the magazine, then – the February 1964 New Worlds:

I’ll not say much about the cover this month, other than it is orange.

possible worlds of the mind, by Mr. L. H. Barnes

Intriguingly, but perhaps expectedly, this is heralded as “the last in our series”. Mr. Barnes examines the role of s-f in today’s society. After suggesting a number of possibilities – escapism, the continuity of myth, for an insight into the possible extensions of technology – Mr. Barnes concludes with the idea that the mainstreaming of s-f contributes to modern man coping with a world-in-flux. It is an effective summary of editor Mr. John Carnell’s aims as you could expect.

Onto the stories!

open prison, by Mr. James White

I guess that this could be the last serial to be published in New Worlds, but as is usually the case with Mr. White’s work, it’s an interesting tale, though very different to Mr. White’s Sector General stories. This one tells of a planet that is used as a prisoner-of-war camp and the prisoners upon it. What makes it interesting is that we have tension created between those prisoners who have given up and decided to make the best of their new lives and those who feel that it is their duty to escape. It seems to be really a comment on social class and the order and discipline of the military life. Well told, if hardly original. Even the tagline suggests that this is an old-fashioned war story transmuted into a future prison escape story.  4 out of 5.

counter-feat and one-way strait, by Mr. Brian W. Aldiss

Next, we have two short stories back-to-back from the redoubtable Mr. Aldiss. They are simply short logic puzzles in a science-fictional setting. Goofy fun, typical Aldiss, but relatively minor work from this well-loved author. 3 out of 5.

the unexpected martyr, by Mr. R. W. Mackelworth

This story looks at a revolution through the eyes of an anarchist recordkeeper in a future surveillance society. Could they be thinking of a future Russia, perhaps? I liked this one – a nice tone with a pleasing style in the manner of Orwell’s 1984 – in that it shows how important the minor characters are in moulding and changing society, though it seems to suggest that trusting your female descendants is not advisable. 4 out of 5.

the time dweller, by Mr. Michael Moorcock

Mr. Moorcock’s latest is, like his story Flux in the July 1963 issue, a story that deals with time. Set in a far future wilderness, the story tells of the journey made by a warrior, The Scar-faced Brooder. Whilst travelling this barren wasteland the Brooder discovers that he can travel through time, in the timestreams, based on his own will. It repeats an idea proposed by Mr. Moorcock before, that the notion of Time is a state of mind and will change depending upon context. Echoing both Mr. Jack Vance and Mr. Edgar Rice Burroughs, I found this tale to be vividly imaginative, very similar to Mr. Moorcock’s Elric tales. It is also a salutary lesson in the dangers of obsessing about keeping to time. 4 out of 5.

die and grow rich, by Mr. John Rackham

Like Mr. Mackelworth’s story, Mr. Rackham’s tale is another piece utilizing computerization this month. die and grow rich is a story for anyone fed up with filling out insurance applications, set in a future where insurance policies are computerized. When the computer seems to malfunction, one of Mr. Rackham’s ‘X-persons’ is brought in to help sort it out. It becomes, basically, an insurance scam in a very unusual manner. This seems to be an extreme method to obtain money for research, even when the research involves bringing dead people back to life. More worryingly, it is another story whose underlying message seems to be “Don’t trust women”. 3 out of 5.

Lastly, this month’s Book Reviews.  Mr. Leslie Flood looks at the books this time around. It is a very positive set of reviews this month. Mr Brian Aldiss’s The Dark Light Years shows an author reaching his “literary maturity” and is thoroughly recommended. The story collection Spectrum III edited by Messers. Amis and Conquest is ”a splendid collection” and Mr. Flood cannot praise too highly Mr. Damon Knight’s ambitious project A Century of Science Fiction, a useful summary for the aficionado and “a masterly and knowledgeable introduction to science fiction for the new convert.“

The Upshot

In summary, there’s a couple of strong stories here that I really liked and Mr. White’s serial has potential. New Worlds may be going, but it is clearly determined not to go without a fight. 

Until next month.




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[October 28, 1963] … Beatles, Spies and Spacecraft (New Worlds, November 1963)

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by Mark Yon

Hello again.

Since we spoke last time, the dominance of British popular music by the so-called “Fab Four” has become complete. According to The Daily Mirror newspaper we are now in the grip of “Beatlemania”. This seems to be groups of screaming teenagers which are increasingly commonplace wherever they appear, such as onstage at the prestigious London Palladium:

By comparison, a quiet month here as I hunker down in front of the coal fire and catch up with some reading — in this case, the November 1963 New Worlds.

Perhaps to reflect the sombre blue cover of this copy, this month’s guest editorial begins the issue with a sobering description of the real Space Race.

satellite hunters, by Mr. John Ashton

With all of the constant reporting and news-film footage I see of NASA’s journey into space, it is easy to forget that across the Iron Curtain similar events are happening but obscured with a dark veil of secrecy. Mr. Ashton, a reporter from the much-respected London daily newspaper, The Evening Standard , reports that for every successful Russian flight there may be a number of them less reported that ended in failure and death. His sombre, no-nonsense tone gives the article a feeling of quiet authenticity, which is horrifying if even part of it is true. For all of our stories of bravery and derring-do here, the reality shows us that truth can be as strange as fiction. 

To the lower-cased-titled stories! (Yes, it’s still annoying.)

the dark mind (Part 1 of 3), by Mr. Colin Kapp

After the completion of the Brunner novel last month, we begin the fiction in November with the return of the much-loved Mr. Kapp. This first part’s great – a fast paced, relentless tale of detective Ivan Dalroi being hunted down because he’s taken on a case against mega-business Failway. At one point it seems that everyone is after him: Failway, the police, the elite Black Knights government security agents, even members of the committee he’s been hired to help. In terms of tone and style, the dark mind reminded me of the Lan Wright serial a few months ago, but this is so much better (provided you don’t stop to think about the implausibilities). It has a cliffhanger ending that makes me want to read the next issue – a sign of a job well done. 4 out of 5.

crux, by Mr. John Rackham

Another issue, another Rackham “X-men” story.  After this series’ rather wobbly start, to my surprise I find I’m starting to actually like the more recent stories. This time around, the X-person is Arthur Sixsmith, whose skills as a doctor are required by a gangster who has been shot. This gangster holds Sixsmith’s girlfriend to ransom, and Arthur discovers that the predicament forced on him leads to the unleashing of his X-powers, which up to now have been a mystery to himself and others. The plot is an interesting conundrum, but the eventual solution also leads to a conveniently straightforward resolution. 3 out of 5.

the postlethwaite effect, by B. N. Ball

Does the surname ‘Postlethwaite’ translate across the Atlantic? Not sure…but the story is plain enough. It is a tale of academics and administrational ineptitude. The Postlethwaite Effect is how something which started as a joke – some made-up honorary titles on letters – is mistaken for something much more serious. The result is that the scientist who receives the letters climbs academically and socially, to the point where his continued incompetence leads to a revolutionary invention.

I guess that the key point of the story is that sometimes mistakes make right. The irony is that Postlethwaite (who is given the honour of having the invention named after him) is not the inventor, but the junior scientist who sent the strangely titled letters. It reads well enough, but it is one of those stories that may have been funnier in the writing than the reading. 3 out of 5.

interlude, by Mr. John Baxter

This is Mr. Baxter’s irregular return to New Worlds, his first story since Eviction in New Worlds in March 1963. interlude is about a retired combatant saving the life of a space pilot injured on a distant planet. The medic who helps is surprised to find that the patient is an enemy soldier – and a girl. It’s told well enough, but is nothing particularly original. The downbeat ending is typically British. 3 out of 5.

return visit, by Mr. P. F. Woods

This is the story of an alien invasion with a twist in the tale – or even the tail, once you discover what the invader looks like. Mr Wood’s story is a mildly-humorous story of skepticism that hinges on one aspect at the end, that boils down to the point that insects have been around on this earth longer than humans. A slight story, nothing particularly bad about it, but rather unmemorable once read. 3 out of 5.

no ending, by Mr. David Busby.

Mr. Busby’s story is set in a far future from the point a view of a person who believes himself to be God. The result is much pontificating and bluster from a character who feels that he has the power of a religious deity. There is a rational explanation for the delusion, but we don't learn it until the man has murdered others and undergone psychological analysis and a trial. The ending is as open-ended as the title would suggest. I can’t help but feel that the story is attempting to be controversial in its use of religion, but to me the whole thing feels like introspective navel-gazing of a rather dull nature. I struggled to finish it. 3 out of 5.

In summary, this month’s New Worlds is another mixed bag, with a slight turn towards the lighter side of things. On the whole, the best that I can say about it is that with the exception of the story serial, the issue is unmemorable. Even the new serial, which treads familiar ground, albeit well, has the potential to easily turn sour. I guess we will see over the coming months.

And with that I will wish you a Happy Halloween, or a great Bonfire Night here in the UK. 

Until next month.




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[September 27, 1963] Beatles, Birds and Brunner (New Worlds, October 1963)

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by Mark Yon

Hello again. September means that we get to Autumn, which is perhaps my favourite time of the year. The nights are getting colder and darker and the lure of a warm home with a good book or magazine grows ever more favorable.

Outside the house (when I do venture outside!) those mop-top-lets, The Beatles, are still taking the pop music world by storm. They are on tour in Britain and filling their venues as they go. Their latest recording is an EP of their hits so far –  From Me to You, Please Please Me and Love Me Do, with a B-side track, Thank You Girl.

Even though this is really a re-release, “by popular demand,” as they say, like all their other releases I suspect that this one will go to the top of the British pop charts. Their upbeat energy and enthusiasm is quite infectious.

Movie-wise, I have been to see Alfred Hitchcock’s The Birds, which finally got to Britain this month. I thought it was good. There are some chilling scenes in the movie, although on the whole I felt that it’s more of a slow burn of a movie than Psycho ever was. The creepiest thing, that I realised after seeing the film, was that there is no reason given for the bird’s unusual behaviour. It just happens, which means that it could happen to you or me: anytime, anywhere.

Perhaps the most exciting news to me is the announcement made by Mr. Kennedy a couple of days ago that there should be a joint Soviet-US mission to the Moon. Being a positively minded sort of chap, I’m thinking, “Wouldn’t that be a wonderful development?” I find it hard to imagine that such a positive comment for exploration could be made less than a year after the Cuban Crisis. I guess the opposite view is that the US government may be worried about how much progress the Russians seem to be making?

On science-fictional matters, last month I did say that I would pass comment on the Hugo Awards. It sounds like it was a good time with the Good Doctor Asimov in charge of proceedings. I’ll mention him again later.

My Hugo predictions were, as I rather expected, a little off.  I was disappointed, though not surprised, that the novel The Man in the High Castle won, though I have yet to actually read it myself. Well done also to Galaxy and Mr. Jack Vance for The Dragon Masters which I was pleased with. It was one of my favourite novellas last year. I was very surprised on there being “No Award” for Dramatic Presentation. Was The Twilight Zone, my prediction for winning, really that bad?

I’ll try again next year.

Right – to this month’s New Worlds.

After a couple of variable, though stronger issues, this month we seem to be back to our usual standard.

s.x, s-f and c_________p, by Mr. G.H. Doherty

No, that title’s not a misprint- that’s how it’s written. This month’s Guest Editor is someone unknown to me. However, the matter he discusses is a topical one – how does and should science fiction tackle sex in its fiction? There is a long history of the topic in s-f  being avoided or ignored, partly because the fiction has grown up from the pulps and partly because its typical matters of science and technology do not lend themselves easily to the issue.

Mr. Doherty’s Editorial is part Convention Report and part-thought-experiment, in that the issue was raised by a presentation from Mr. Harry Harrison at this year’s BSFA Convention. What was meant to be a slightly humorous talk ended up as something more serious. There’s some very interesting comments made by the participants and this leads Mr. Doherty to conclude that if the genre is to make progress then it needs a more grown-up attitude. It’s not quite a return to the ranty tirades of old Editorials, but it is more anecdotal than analytical.   

To the lower-cased-titled stories! (Yes, it’s still annoying.)

man-hunt , by Mr. John Rackham

This month’s Rackham story is more traditional than his recent “X-person” stories, a Galactic Police detective tale that wouldn’t be that amiss from the 1940’s pulps. Combining a man-hunt adventure with a healthy dose of Galactic Empire order, it is a story of a competent cop who meets and is tested by senior management. It is good fun. There’s a bit of ruminating about the characteristics you need to be a person with great powers and responsibility, and how sometimes meeting your heroes is not always a good thing, but nothing really new here. 3 out of 5.

breakdown , by Ms. Hilary Bailey

This story is written by – gasp – a woman! It is good to see a change in this male-dominated magazine. A sign of the times, perhaps. It’s not really a coincidence, though. Ms. Bailey is a friend of Mr. Michael Moorcock, which might explain the connection. As a social-science story, it is OK. The characters visit Neurodram Park, a place where visitors can watch others placed there for cathartic therapy by the Welfare State. This story is really about the voyeuristic attractiveness of watching other’s lives (I’m sure television scratches the same itch) and the need for people to let off steam. Shows us that perhaps we’ve not come that far from Bedlam Asylum of the 1800’s, where members of the public could watch patients. As stories based around an idea go, its OK. It made me think of the dystopian tales that Mr. J. G. Ballard does well, but without the cutting bite of his prose.  3 out of 5.

forty years on , by E. R. James

A time travel story of sorts, although really it is the sort of time travel tale typified by stories like Mr. H. G. Wells’ The Sleeper Wakes. Space miner Greg Dormer finds himself waking from cryogenic sleep forty years on than he expected to be. Seen by some as a hero, with his own Fan Club, in hospital he discovers that he is actually a suspect being investigated for the destruction of his original spaceship and the loss of the rest of the crew. This is a solid enough tale of wish-fulfilment and space piracy. It reads well enough, though the motive for the crime at the end I found a little unconvincing. 3 out of 5.

project 13013 , by Mr. Bill Spencer

Last seen in the July 1963 edition of New Worlds, with The Nothing, Mr. Spencer’s story this month is a run-of-the-mill laboratory tale. This time the drug being trialled is an attempt to achieve life longevity, with (surprise surprise!) its testing having unfortunate side effects. Ho-hum. 3 out of 5.

yutsy brown , by Mr. Pino Puggioni

Here’s something we haven’t seen for a while in New Worlds: a reprint, from a story first published in the author’s native Italian in August of this year. It is clearly part of Mr. Carnell’s commitment to publishing s-f beyond the traditional British and US markets. Others might say, uncharitably, that it is a money-saving effort. Nevertheless, the story is a jaunty tale of the eponymous author of the future meeting one of his harshest literary critics – a publishing machine!  yutsy brown is entertaining and not-too-serious, which brought a certain degree of lighter relief to the issue. At the same time it also raises the sobering point that literary criticism is entirely subjective, something I must always bear in mind! In the end it was one of the issue’s stronger stories for me, which, considering my usual low opinion of ‘funny stories’, was a surprise. I must be mellowing. 4 out of 5.

To Conquer Chaos (Part 3 of 3), by Mr. John Brunner.

In the final third part of this serial we find things pretty much tied up. Much of this portion is about the joining-up of the two halves of the plot, when Idle Conrad and Jervis Yanderman meet Nestermay and her grandfather inside the dome of the barrenland. The purpose of the dome is revealed, as is the cause of Conrad’s visions.  The general feel is that the story’s a little unbalanced, with a lot being revealed through information-dump in the last few pages. Much of the dialogue goes along the lines of “I don’t know why, you’ll just have to trust me,” which is rather depressingly convenient. Nevertheless, the novel’s been worth a read and it is still one of the most memorable serials of late. It shows what you can get when you get work from an experienced writer.  4 out of 5.

book reviews , by Mr Leslie Flood.

Most highly recommended this month is Mr. Kurt Vonnegut’s Cat’s Cradle, which I guess should not be a surprise judging by the comments from your side of the Atlantic. Plaudits also for Mr. Brian Aldiss’s “qualitatively erratic and erotic” The Airs of Earth but Mr. Frederik Pohl’s “failed experiment” The Expert Dreamers is less successful. Worst of all, Mr. Derek Ingrey’s Pig on a Lead is reviewed as “the strangest and most sickeningly desolate (novel), both physically and spiritually” read recently by Mr. Flood. A reason to rush out to your nearest bookshop if ever you needed one.

Personally, I really want a copy of Mr. Isaac Asimov’s anthology of The Hugo Winners, all the novelette and short story winners from Mr. Walter M. Miller’s The Darfsteller in 1955 to Mr. Poul Anderson’s The Longest Voyage in 1961. I have read most of them already, but it is great value.

***

In summary, I’m pleased that this was a fairly solid issue of New Worlds this month. The serial was good, and the reprint of a non-English story has given life to an issue that otherwise would be a little mundane, even with an editorial that discusses the ever-controversial issue of sex in s-f.

Until next month.




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[July 12, 1963] Shine, little glow-worm, glimmer, glimmer (the August 1963 Amazing)

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by John Boston

The August 1963 Amazing features Daniel F. Galouye’s novella Reign of the Telepuppets, a splendid title that apparently evokes a bit of editorial discomfort.  “Editorial director” Norman M. Lobsenz is at pains to explain that “‘Telepuppets’—despite its pulp-fictiony sound—is a word already in good repute with the soberer elements of the scientific community,” brandishing as evidence a statement from the National Research Council.

The story itself, like Galouye’s earlier novella Recovery Area, is ambitious but a bit of a misfire.  The Bureau of Interstellar Exploration has left a crew of telepuppets—robots designed for particular tasks—somewhere (“a satellite,” no explanation) in the Aldebaran system.  They are named to fit their tasks: Bigboss, Sky Watcher, Scraper, Peter the Meter, etc.  Bigboss has decided he’s the Supreme Being who created everything but somehow forgot the details, which doesn’t affect the puppets’ work or Bigboss’s role in supervising them, but they have stopped communicating with Earth.  Also, Minnie—Mineral Assessor—is jealous of Bigboss’s position and keeps attacking him.  The source of these derangements is not clear, in part because the telepuppets’ capabilities and limits are not much explained, compared, say, with Asimov’s I, Robot sequence, which contains much more and better handwaving on that subject. 

Meanwhile, back on Earth, the Bureau is mounting an expedition to stop off at Aldebaran and straighten out the puppets en route to the more distant Hyades, where seven or eight Earth-type planets have been discovered.  But upon their arrival, the telepuppets quickly fade out—there’s a spaceship full of reptilian aliens lurking, its megalomaniac captain looking for an opportunity to start an interstellar war.  That plot line is followed for a bit, then the rug is pulled out entirely: nothing is what it seems.  Then the rug is pulled out again; there’s a new revelation, and the story ends rather quickly thereafter.  While some SF writers have made effective use of this kind of plot device, here it just seems that Galouye couldn’t decide which story he wanted to write and wound up with something of a mess.

Galouye does decide to let the girls into this clubhouse, though execution does not quite match good intentions.  Carol Cummings joins the crew because she is a “radio empathy specialist,” practicing a talent which is mainly confined to women.  The men refer to her as the Maid of the Megacycles.  When she pulls a mild prank on one of them, he is about to spank her when another crewman appears and interrupts him.  She is (of course) good-looking (pause for mention of “the shapeliness of her lithe, five-foot-four frame”), and by the end she is (of course) paired off with the main character.  For a while it seemed like a nice try, though.  Overall, three stars for competent and readable copy, and a clever idea (the telepuppets’ becoming independent) poorly developed.

Galouye’s long novella is followed by four short stories—very short, in the case of Thomas M. Disch’s three-page “Utopia?  Never!” It’s a well-written but cartoony gimmick story, in which a visitor insists to his tour guide that this planet can’t be the Utopia it seems, and finds out all too quickly that he’s right.  Three stars for arid but well-turned cleverness.

Next up is John Rackham’s Dr. Jeckers and Mr. Hyde, in which young Katherine, secretary at a research facility, makes a play for mild and befuddled Dr. Jeckers, whom she drives out to her aunt’s country house, except that he gets so unexpectedly fresh en route that she shoves him out the door and over a cliff.  But . . . moments later, Dr. Jeckers, driving his own car, is right behind her, trying to get her to stop.  She doesn’t, and he goes over the cliff too.  Suffice it to say we have not seen the last of Dr. Jeckers, or Dr. Jeckerses.  This ridiculously amusing story might make a good Twilight Zone episode if TZ had a sense of humor.  Four stars, believe it or not, for the usually mediocre Mr. Rackham, or John T. Phillifent as I believe he is known to Inland Revenue and readers of Analog.

David Rome’s The Lesson for Today sharply changes the mood.  It’s a child’s-eye view of going to school in a starship fleeing an apparently ruined Earth, told seemingly with Bradbury in the back of the author’s mind and a prudent study of David R. Bunch in front.  Remarkably, Rome brings off this tightrope walk; four stars for avoiding mawkishness.

Mine is the Kingdom by Roger Zelazny, disguised once more as Harrison Denmark, is something else entirely.  There’s one human left on another ruined Earth, and aliens—the “puffies”—are trying to persuade him to leave, to go where the other humans went, so they can convert what’s left of Earth to their own liking.  The protagonist is apparently being cared for by nearly omnipotent machines who can manufacture any illusion that he wants while keeping him drunk, as he demands.  It’s theatrical in the most literal sense; Zelazny is making the most of his education in drama here, with the events obscured, or transfigured as you prefer, in oratorical language and gaudy imagery.  (“The walls were rough-woven allegories of bright color, the heads of vanquished predators, and axes with complexions of smoke and eyes of rust.”) Pretentious?  Yeah, but hand it to the guy, he delivers on his pretenses, at least to my taste.  Feller does have a way with words.  You could also call it decadent, I suppose, but who cares?  Four stars, leaning towards five.  Nothing rotten in this Denmark.

Gosh—three stories in a row in Amazing that I am actually glad I read.  That is amazing! and suggestive of better things to come, except we’ve been around that track before.

Coming down to Earth, here’s Sam Moskowitz again, with John W. Campbell: The Writing Years.  This task is tailor-made for Moskowitz, who doesn’t like to acknowledge work from any later than the 1940s, since with one minor exception Campbell stopped writing in 1940 or so.  It’s the usual perfectly competent rehash of a (brief) career, enhanced by much hitherto-unknown (to me at least) biographical data.  Most interestingly, Campbell’s mother had a twin sister who didn’t much like him, and at times young Campbell didn’t know who he was dealing with, an experience that gave rise to Campbell’s most powerful story, Who Goes There? It’s not clear to what extent that is Campbell speaking, versus Moskowitz amateur-psychologizing.  In any case, three stars, and a more interesting job than some recent entries in this series.

So, three pretty good stories, and two adequate ones.  Amazing is above water for now, but it never seems to last.  What ho—be that the specter of Robert F. Young, there lurking in the shadows?

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[June 28, 1963] Here Comes Summer… (New Worlds, July 1963)

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by Mark Yon


British heartthrob, Cliff Richards, sings "Here Comes Summer"

The coldness of the now classified as ‘record-breaking Winter’ (record-breaking for all the wrong reasons!) has given way to lighter and warmer things weather-wise here, which is good, bearing in mind what seems to be happening in British SF circles this month. Let's dive right in to the July 1963 New Worlds, shall we?

And we’re back to the no-picture, dayglo colours of earlier New Worlds covers.  The bilious green is certainly…eye-catching. 

Let’s Build A Bridge, by Mr. E.C. Tubb

Following the completion of his serial in June, this month Mr. E.C. Tubb points out that most s-f alienates itself from readers by the language it uses. In an attempt to bridge the gulf between “the outsider and the addict,” he suggests that, if s-f is to survive, it must entertain, communicate, educate and (most essentially for s-f) enchant.  Nothing wrong with this point of view, in my opinion. After some of the aggressive views exhibited of late, it’s nice to read a conciliatory piece, but I do feel that this need to make the genre accessible to ‘outsiders’ may be out of date. My impression is that most s-f readers like their use of special genre terminology, psi-beams and all, which makes them part of a select group who ‘get it.’

Refuge, by Mr. Joseph Green

As heralded last month, we begin with what is being touted as the last story in Mr. Green’s ‘Loafers’ series. Refuge is a so-so story of how humans and the Loafers continue to get along for planetary unity and mutual benefit. Here we see the consequences of this interaction, as one of the young Loafers decides to go ‘walkabout’ to determine the effects of such mutual co-habitation. Whilst many authors would try to use this to tell a story of communal compromise and future progress through social integration, here the ending is, instead, a rather typically British dystopian view. I’m sure that someone could make a connection between this and the current Race Riots going on in the USA, or Native American/American relations or even Australian/Aborigine relationships but, really, that would be pushing a simile too far. Nevertheless, it’s one of the better efforts in the series, if rather bleak, but nothing particularly ground-breaking.  3 out of 5.

The Last Salamander, by Mr. John Rackham

The return of another series, Mr. Rackham’s tale is another of his ‘X-men’ stories, those people with special powers last seen in Confession in New Worlds in May 1963. Surprisingly, for superhero stories, they’ve all been pretty mundane up to now, but The Last Salamander is a more interesting, if unoriginal, prospect. It’s basically an alien monster story where the creature is inconveniently found feeding off the energy generated in a power station. It all seems rather Twilight Zone-esque to me, but made depressing by the point that the automatic reaction of the humans is to decide how to kill it. 3 out of 5.

The Nothing, by Mr. Bill Spencer

Mr. Spencer last appeared in May 1962, although I remember nothing of the story myself. Ironically, The Nothing is another story of interstellar instantaneous travel (see also Mr. David Rome’s story, Moonbeam, back in the September 1962 issue) and the intrepid guinea-pigs who risk travelling into the unknown in doing so. Dare I say it, for a story about facing the unknown it’s nothing special – nothing of importance!  2 out of 5.

Pattern of Risk, by Mr. R.W. Mackelworth

You may have noticed that I’ve liked a lot of this recent author’s work in New Worlds, so I had high hopes of this story. Pattern of Risk is a story of what happens when the insurance risk of spaceships can be accurately predicted. Like Mr. Asimov’s psychohistory it’s a bit dodgy in its logic, and in the end, ironically, it lacks risk!  2 out of 5.

Point of No Return, by Mr. Philip E. High

Mr. High’s work has varied enormously of late, but this is a better one. It’s an unsurprising story of what happens when a new bioweapon is created on a planet to deal with insurgents. There’s a nice take on how machines and humans could one day be symbiotically combined in warfare – I’m sure it could happen one day – and it does raise ethical questions about such actions. Machines may one day take over the world! Not a new idea (Ms. Anne McCaffrey did something similar in a story a couple of years ago, for example) but done well. 3 out of 5.

Flux, by Mr. Michael Moorcock

And that leads me to the story that indicates the return of Mr. Michael Moorcock. Last time Mr. Moorcock appeared in New Worlds I was pleasantly surprised, and this time Flux also entertains. It is a time-travel story, but written with enough style and panache to make the tired old cliché seem new – the sort of entertainment which Mr. E. C. Tubb was suggesting s-f should be aiming for in his Editorial, I think. At times, the language is a little over-worked in purple prose – “What did it mean, he wondered, this Gargantua which sat perpetually bellowing athwart the whole content?” for example – but I liked the story’s energy and its take on travelling the timelines, even if it is rather similar to Mr. Spencer’s story in the same issue! Whilst it is not Mr Moorcock’s best – he may be best suited to continuing writing Fantasy rather than s-f – it is an intriguing advance on the linear nature of Mr. H.G. Wells’ time travels.  3 out of 5.

Book ~Reviews, by Mr. Leslie Flood

In this month’s selection, Mr. Robert Sheckley’s Immortality Inc. is ‘slickly written’, we see the reprint of Mr. Robert Heinlein’s Red Planet, another in the current trend of ‘catastrophe novels’, this time Mr. Robert Bateman’s When The Whites Went and Mr. Clifford Simak’s ‘also-ran’ They Walked Like Men. Readers of Galactic Journey will probably recognise most of the stories in a ‘superb assortment’ from The Best from Fantasy & SF – 10th Series. There’s a brief review of a controversial book, The Dawn of Magic.which gets a brief mention, that its study of scientific unorthodoxy should generate discussion, but seems to be here more because its authors are at the film festival mentioned next.

ARTICLE: The First International S-F Film Festival, by Mr. John Carnell.

After the film review last month (The Day of the Triffids is being shown here, coincidentally) we now have an advance notice of this cross-genre event in Trieste, even though it is actually over by the time we’re reading this.

There’s nothing much to get excited about here, although the event itself looks like fun, and I am pleased that the event celebrates the international nature of s-f. It is so easy to become parochial in such matters, if you are not careful. There will be a report next month, evidently.

In summary, the July issue of New Worlds is odd, frankly. There’s a combination of old and new, but overall it’s a bit of a mess. Strangely, the stories I hoped would like have underwhelmed, whilst some of the more mundane offerings have been better than I was expecting. It really does seem to reflect that transition of the genre, from the old to the new, but I’m not sure that it’s entirely successful.

Until next month..




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[April 25, 1963] A Brighter Future?  New Worlds, May 1963

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by Mark Yon

Last month I decided I would try and NOT mention the English weather in future transmissions. But I’m a Brit, and it’s become a tradition! So, suffice it to say that the commute to work has been easier this month and, since we last spoke, the weather has been more typically Spring. 

As the weather has improved, so has my mood. Another cause for cheer has been the radios being full of Britain’s latest pop sensation, The Beatles. Some of our other Travellers have mentioned their continuous rise.  Their third single, From Me to You is something we can’t really avoid. 

Thankfully, I do like it a lot. It’s got a great beat and terrific harmonies. I can only see these boys from Liverpool continue to dominate the charts here if they keep this up.

Mind you, the cinema also seems to be determined to dispel the bleak Winter. Britain’s answer to Mr. Elvis Presley, Mr. Cliff Richard, has recently been filling our cinemas with a cheerily bright and colourful musical, Summer Holiday!

It’s very popular and might just chase those Winter Blues away. We may not be quite there yet, but at least we can see that brighter times are ahead, even when the news is somewhat bleaker. The newspapers here are full of stories about marches against nuclear weapons, which seem to be growing year on year:

Onto this month’s New Worlds.

Can you see a problem with that cover? No, not the bright daffodil-yellow colour, nor the lack of author photographs, although that is disappointing. Look at the title of the Mr. Aldiss novella. See it? Such mis-spellings are shoddy and frankly embarrassing. A big minus mark for Mr. John Carnell this month. Does he really care about this magazine?  It’s a shame, because there’s a lot to like in this issue. There’s even a common theme, as many of the stories this month seem to look at the conflict between order and chaos, between discipline and dissent. This also applies to the Editorial! 

From The Edge of the Pond, by Mr. Lee Markham

Australian Mr. Markham has been a regular contributor to the stories of late and here in the capacity of Guest Editor he brings a forthright summary of the ongoing debate on the state of s-f. He doesn’t mince words, though.

“I don’t think any of us were surprised when some of the opinions expressed turned out to be, in turn, introspective, belligerent, and, in the case of John Rackham and Brian Aldiss, personally prejudiced and blandly indifferent.”

Well, I guess that’s telling us! For all that, it’s an interesting summary to this (still) ongoing discussion, made impressive by the sheer number of other authors and works used to argue its case.

Speaking of Mr. Aldiss, it is his novella (with the mis-spelling!) that holds prime position on the cover this month, albeit back at the rear of the magazine again.  More later…

To the other stories.

Confession, by Mr. John Rackham

Like last month’s story from Mr. Rackham, another tale of ‘supermen,’ here called an ‘X-person,’ which even the story banner admits has “slan-like” similarities. Despite this unoriginal concept, Confession was more enjoyable than last month’s effort. It’s set on a nicely imagined thixotropic (ketchupy) world, but really examines the tension created between discipline and intelligence when in a military situation, which was nicely done. Three out of five.

The Under-Privileged, by Mr. Brian W. Aldiss

The return of Mr. Aldiss to New Worlds is a welcome one, especially after his recent success with his Hothouse series in the United States. Mr. Aldiss himself celebrates this return with his usual sense of humour in an inside-cover Profile:

The Under-Privileged is a fine story of immigration and alien resettlement which, under its positive tone, left me with a certain degree of unease, as I suspect is its goal. As ever from Mr. Aldiss, it is a story of social s-f rather than the traditional, but the style and the underlying nuances of the plot suggest a superior piece of work. It’s not Hothouse, but I enjoyed it.  Four out of five.

The Jaywalkers, by Mr. Russ Markham

Mr. Markham’s tale is another reasonable effort in the Galactic Union Survey stories, this time on a planet which is not what it seems. It’s based around a nice idea, but it almost drowns in its scientific gobbledegook explanation towards the end. Three out of five points.

I, the Judge, by Mr. R. W. Mackelworth

I really liked Mr. Mackelworth’s debut in New Worlds in January, but this one is even better. I, the Judge is a story of future law and order, in a style very different from his first story. Shocking and revelatory, I, the Judge, in terms of its literary style and its complexity of concept, dazzled. I felt that it even put Mr. Aldiss’s effort in the shade. Rather made me think of the stories of Mr. Harlan Ellison, and echoes this month’s running theme of discipline and disorder , by highlighting the value of defiance against obedience. This may be the future of s-f. It is one of the most memorable plots I’ve read in recent months. Four out of five, my favourite story of the issue.

Window On The Moon, by Mr. E. C. Tubb

The second part of this serial moves things on-apace, as it should. Our hero, Felix Larsen, tries to get to the bottom of things, whilst others pick up a mysterious means of communication leaked from the British base, which leads to a visit from the Americans. There’s a rather unpleasant parochial part about how the Brits ‘see’ Americans and vice versa, but that aside, it was surprisingly exciting, to the point where I’m going to increase last month’s score from three-out-of-five to four this month. Really looking forward to the conclusion next time.

At the back of the issue there is the return of the Postmortem letters section, although there is only one, admittedly lengthy, letter, where Mr. John Baxter eviscerates Mr. Lan Wright for his Editorial in the December 1962 issue. It makes entertaining reading, if rather painful.

There’s also another The Book Review this month from Mr. John Carnell. There’s reviews of the “interesting revival” of Mr. Robert Heinlein’s Orphans of the Sky, Mr. William Tenn’s Time in Advance and the “thoroughly enjoyable, non-cerebral” entertainment of Mr. Mark Clifton’s “wonderfully witty” When They Come from Space. Mr. Eric Frank Russell’s collection of his early work, Dark Tides is rather less polished than his latest efforts, but still recommended.

In summary, the erroneous cover belies an issue that is much better than that typo would suggest. Whilst some stories seem to be marking time, some are great, making this one of the strongest issues I’ve reviewed so far. The future may be bright. However, I am beginning to question Mr. Carnell’s editorship, particularly after the efforts of Mr. Moorcock last month. I am starting to feel that his attention is elsewhere or, just as bad, that he is rather too stretched to focus on producing a quality magazine. This is a concern.




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[March 26, 1963] The Wind of Change: New Worlds, April 1963

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[While you're reading this article, why not tune in to KGJ, Radio Galactic Journey, playing all the current hits: pop, rock, soul, folk, jazz, country — you might just hear a song from the album released by a new British band: The Beatles!]


by Mark Yon

It’s the end of March, and with the arrival of Spring, at last, the long, long Winter of 1962-63 has cleared. All in about a fortnight. I can’t tell you what a joy it is to feel warmth outside the house, even if the snow has now turned to rain and damp. Many meteorologists are claiming that ‘The Big Freeze’ is the coldest on record, which it certainly felt like.

I’m not sorry to see Winter go. Hopefully now normal routines can be resumed, if a little damper than usual.

Whilst I try and dry out, let’s look at this month’s New Worlds.

Play With Feeling, by Mr. Michael Moorcock

This month’s Guest Editor is one of my personal-favourite authors at the moment, but not for science fiction. I really like his Fantasy stories of Elric, the albino warrior with a blood-lust, but Mr. Moorcock has been steadily building up a reputation in science-fiction as well. Perhaps more relevant here is that he is also one of the advocates, like Mr. Brian Aldiss and Mr. J. G. Ballard, of the so-called “New Wave” of writers who are determined to rewrite the conventions of science fiction. 

It may therefore not be a surprise that Mr. Moorcock uses this opportunity to explain his viewpoint and set out his stall, so to speak. It’s done well, and I expect that this Introduction may be a rallying call to others. The ongoing debate in this magazine continues, but Mr. Moorcock gives a convincing case for change. 

To the stories. There’s a lot of one-word titles this month, and,
like last month, a mixture of space exploration, strange aliens and espionage stories…

Window On The Moon, by Mr E. C. Tubb

Here’s my first surprise of the issue. After the movement of the serial to the back of the issue in the last few months, here it’s the first story we read. It’s also the return of a once- New Worlds regular, Mr. E. C. Tubb. Window On the Moon is a rip-roaring, hyper-sexed tale of ‘Brits-in-Space’, with a snap-inspection, a British espionage agent and a bio-computer.

Much in the breathless style of old Tubb tales, Window On the Moon has more than a touch of Mr. Arthur C. Clarke about it, which in my opinion is not a bad thing! Admittedly it is rather more sexual than Mr. Clarke’s work and also what I remember of Mr. Tubb’s usual material, although I rather suspect that the reason for this will be explained in later issues.  Certainly, after the bombast of last month’s serial, it is a pleasure to read something that just does what it needs to do. But is it memorable? Almost a four out of five, but, in the end, a three out of five. [The Journey does not give half-stars for shorts… (Ed.)]

Quest, by Mr. Lee Harding

The return of Mr. Harding gives us a story of one man’s search to find something ‘real’ in an increasingly artificial world, although it is never clear exactly why there is this need. It reminded me of Mr. Philip K. Dick’s stories about the nature of identity and artificiality. There’s a twist at the end, which isn’t as original as it would like to be, but the story was an enjoyable read. Three out of five.

Dossier, by Mr. John Rackham

From another New Worlds regular, Mr. Rackham’s tale this time is a variant of the old ‘superhuman’ idea, with the key character using his superior powers of deduction to retrieve an important scientist captured by an enemy. It’s an exciting story, but I felt that the story hindered for being a retread. Three out of five.

Compensation, by Mr. James Inglis

Continuing this month’s issue trend of one-word titles, Mr. Inglis’s story is one of very different aliens meeting. When an Earth expedition meets the Thorm, the interspecies communication is more than the humans expected, or hoped for. The story ends with a pleasingly positive revelation, which suggests the uplift of the human race — but the ending felt a little insipid. Three out of five points.

Adaptation, by Mr. Roy Robinson

We finish this month’s fiction with a novelette from an author new to me, but who was actually last in New Worlds in 1959. An expedition team are sent to a new planet to trial conditions before the colonists arrive, and there find a rapidly adapting species that challenges their presence. A story that was more engaging than I thought it would be, the escalating events had a great sense of peril throughout until an ending that seemed appropriate. Four out of five — my favourite story of the issue.

At the back of the issue The Book Review from Mr. Leslie Flood returns this month, with reviews of Mr. J.G. Ballard’s The Drowned World (“local boy done good”) and the “thoroughly enjoyable, non-cerebral” entertainment of Mr. Poul Anderson’s After Doomsday.

In summary, the editorship of Mr Moorcock has produced a much-needed breath of fresh air this month. An issue with less filler than of late. This may be the sign of a change. The serial and novelette in particular seem stronger and generally better overall, combining aspects of the traditional with the ‘New Wave’.




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[Sep. 25, 1962] Peaks and Valleys (October 1962 Analog)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

There are two poles when it comes to how science fiction magazines like to fill their pages.  The Fantasy and Science Fiction approach involves lots of short stories — it makes for an impressive Table of Contents and a lot of bite-sized pieces.  Analog tends toward the other extreme: its stories tend to be novellas and serials, and you only get 4-5 piece of fiction each issue.  As a result, the average quality of any given issue relies on a very few pieces.  With Analog, if you don't like several of the authors, you're pretty much out of luck (and 50 cents). 

The October 1962 Analog is, fortunately, not that bad, but a wide swath of it is taken up with a pretty lousy novella.  If I'd started with it, I don't know if I'd have made it to the rest of the magazine.  It's a good thing I read from the back first…

Ethical Quotient, by John T. Phillifent

You've probably run into the British author, Mr. Phillifent, under his more common pseudonym, "John Rackham."  Quotient takes up the most real estate of any piece in the issue, and it's a shame.  The set-up is pure Campbell, with a Terran science-historian winning a trip aboard Earth's first starship to meet the superior, psionically endowed humanoids of the Galactic Federation.  To ensure his safety, the historian is surgically equipped with a psychic transmitter that mimics the native powers of the aliens. 

In short order, the Earther is beset by murderers, whom he dispatches with his uncommon athletic ability.  A beautiful princess, daughter of the noble whose cabin was hastily vacated to give the historian passage on the starship, also gets involved. 

As to what happens next?  Well…I can't tell you.  You see, I made several attempts to finish this story, and I found myself continually foundering on the shoals of page 20 (of 55!) Somehow, I kept finding the newspaper, or The Andy Griffith Show, or this month's excellent issue of Fantastic more worthy of my attention.

I give up.  One star.  Let me know what I missed.

… After a Few Words …, by Seaton McKettrig

I've never head of McKettrig.  He's either new or (more likely with Analog) someone writing pseudonymously.  The title of this piece gives the gimmick away of this short tale of the First Crusade, but it's not bad, and the idea of the "televicarion" is an interesting one.  Three stars.

Gadget vs. Trend, by Christopher Anvil

Sometimes the transformative effects of a technology on society are subtle and slow; other times, they are dramatic and quick.  For instance, the creation of linen-based "rag" paper provided a welcome improvement over parchment, but it was the development of Gutenberg's printing press (which used the fine paper) that caused a revolution.

Anvil's Gadget explores the latter kind of invention, a "quasi-electron" barrier developed in the 1970s that leads to complete societal chaos.  Short, punchy, and pleasantly satirical, it's one of the better stories Anvil has produced for Analog.  Three stars.

Hypergolicity, by Edward C. Walterscheid

I generally anticipate Analog's science fact articles with a sense of dread.  They are often not worth the slick paper they are printed on (in an attempt to add respectability to his magazine, editor Campbell has included about 20 pages of magazine-quality paper for a couple of years now.) Walterscheid takes on a genuinely interesting and current topic: the use of spontaneously igniting fuel and oxidizer mixes for rockets.  These combinations are frightfully dangerous, but also convenient, for no spark or fuse is required to set them off, and rockets that employ hypergolics can stop and restart their engines.

It's technical and not as adeptly written as Asimov's or Ley's stuff, but I found it highly informative.  Three stars.

A Life for the Stars (Part 2 of 2), by James Blish

Since my report on the first half of Blish's newest novel, I have learned that the "Oakie" setting, featuring nomadic Earth cities powered by faster-than-light "spindizzy" drives, has been around at least since 1950, when Bindlestiff was published.  If the other entries in this universe are as good as A Life for the Stars, then I have some catching up to do.

When we last left our hero, Crispin deFord, an impressed resident of the spacefaring city of Scranton, he had been exchanged for food to the much larger community of New York.  As a promising citizen-candidate, guaranteed immortality should he be granted the franchise, Chris is force-fed a torrent of computer-inscribed education so that his true calling might be made evident by his 18th birthday.

But space is a dangerous place, and the potential for planetside treachery, shipboard revolution, or even inter-city conflict is high.  Suffice it to say that Chris has several adventures in store for him before he can become a full-fledged New Yorker…and that outcome is far from certain.

The pacing, writing, and characterization are all excellent, and if it occasionally feels as though history and society have stood still for the Oakie universe since 1960, it can be forgiven for all the novel inventions Blish presents.  Aside from the flying communities, there are also the "City Fathers," benevolent computers that guide, but don't run, the cities; beamed power that wirelessly runs the electronics; the powered military armor reminiscent of, but presumably predating, Heinelin's Starship Troopers; and more.  Five stars, and I'm betting it'll be on 1963's Hugo shortlist. 

Buy this issue for, if nothing else, the Blish. 




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[November 13, 1961] (un)Moving Pictures (December 1961 Fantastic)

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by Victoria Silverwolf

The last decade saw a boom in written science fiction as well as science fiction cinema, due in part to both the fear of atomic warfare and the promise of space exploration.  Both trends have tapered off recently, possibly due to the many stories and films of poor quality offered to a public grown tired of cheap thrills.  (No doubt such a fate awaits the countless Westerns currently dominating American television screens.)

In any case, the two media have had an influence on each other, not always to the advantage of either.  Although science fiction movies have sometimes made use of the talents of important writers within the genre, such as Robert A. Heinlein’s contribution to Destination Moon, too often they have turned to the most juvenile pulp magazines and comic books for inspiration.  In turn, some written science fiction has lost the sophistication it gained under editors such as John W. Campbell, H. L. Gold, and Anthony Boucher. 

These musings come to mind when one peruses the pages of the latest issue of Fantastic.  Of the two longest stories in the magazine, one is reminiscent of recent science fiction films, while the other deals directly with the movie business.

It seems likely that Daniel F. Galouye’s lead novelette Spawn of Doom (note the melodramatic title, which would not be out of place on a theater marquee) was inspired by Lloyd Birmingham’s cover painting.  The scene depicted by the artist is described in great detail within the story, down to the exact number of tentacle-like things coming out of the meteorite on display in a museum.
This tale of a dangerous alien life form brought to Earth on a chunk of rock from outer space inevitably reminds the reader of movies like The Blob.  However, the author brings imagination and intelligence to a familiar theme.

The story is told from three points of view.  First we meet the humanoid Lumarians, aliens who patrol the galaxy in search of deadly creatures known as EGMites.  These beings subsist on electro-gravito-magnetic energy, hence their name.  When they land on a world after traveling through empty space in an unconscious state for immense periods of time, they prepare for reproduction by tearing the planet apart and sending spores out in all directions.  Obviously this poses a threat to life everywhere in the cosmos.
Next we enter the newly awakened mind of an EGMite which has reached Earth.  Filled with the desire to reproduce, and to destroy anything which seeks to interfere, it soon begins wreaking havoc on its surroundings, starting on a small scale but quickly escalating to the point where it is demolishing entire buildings.

Providing the viewpoint of endangered humanity is the curator of the museum where the EGMite’s meteoric hiding place is being exhibited.  This rugged young hero is ably assisted by a capable and attractive archivist, who not only provides romantic interest, but is on hand to scream when the monster from space attacks.  One can’t help wondering if the author has his tongue firmly in his cheek while describing these characters.  However, the tale never degrades into farce, and the quick-moving plot builds the necessary amount of suspense.  The transitions between the three points of view are sometimes abrupt, and the story has nothing particularly profound to say, but it’s solid entertainment.  Three stars.

During the intermission between our two feature presentations, let’s take a look at something quite different.  David Ely’s unusual story, The Last Friday in August, offers much food for thought.  The protagonist dwells in a large city, and finds the crushing presence of the vast crowds nearly unbearable.  He only finds peace through long periods of meditation.  One day he finds that he has a strange power over others.  This leads to an unexpected climax, which will leave the reader pondering its meaning.  Well-written, subtle, and evocative, this tale is likely to haunt the reader for a long time.  Four stars.

Back to the movies.  Point, by John T. Phillifent (perhaps better known under his pen name John Rackham), deals with a group of filmmakers who travel to Venus to make their latest blockbuster.  The proposed feature involves beautiful female Venusians, and seems intended to provide a bit of satire of silly science fiction movies such as Queen of Outer Space.  Although the author’s description of Venus is a bit more realistic than that, it’s still not terribly plausible.  The Planet of Love is a very dangerous place, inhabited by all kinds of deadly creatures, but its atmosphere is breathable, and humans can walk around on its hot, steamy surface without spacesuits.  The plot deals with a pilot who agrees to take the film crew into the Venusian wilderness.  As you might expect, things quickly go very wrong, and the story turns into a violent account of survival in a hostile environment.  All in all it’s a fairly typical adventure yarn, competent but hardly noteworthy.  Two stars.

After the double feature of novelettes we have a pair of short stories, one new and one old, to round out the magazine.  Up first is The Voice Box, by Allan W. Eckert, a very brief tale about a man who hates and fears telephones.  Written in a rather baroque style, it leads to a grim conclusion.  Since I share the narrator’s loathing of that terribly intrusive instrument, I am forced to award three stars to what is admittedly a minor piece.

This issue’s "fantasy classic" is by Robert E. Howard, a prolific author of pulp fiction who committed suicide decades ago at the age of thirty.  Best known to readers of speculative fiction for his tales of Conan and other fantasy adventures and horror stories, Howard also produced numerous stories in other genres ranging from sports fiction to Westerns.  Published near the end of his life in the August 15, 1936 issue of Argosy, The Dead Remember is a tale of the supernatural set in Dodge City in 1877.  The first part of the story takes the form of a letter from a cowboy to his brother, in which he confesses to the killing of a man and his wife during a drunk argument over a game of dice.  Before she dies the woman places a curse on him.  The second part of the story consists of several formal statements of witnesses to the fate of the murderer. 

Although this is a typical story of revenge from beyond the grave, the unusual structure provides some novelty.  Of most interest, perhaps, are the racial implications.  The murdered man is a Negro, and his witch-like wife is a "high yellow" of mixed race.  Although at first the killer seems to treat the married couple no differently than whites, when tempers flare the racial insults come out.  The author seems to imply that a woman of mixed race would be closer to the supernatural than others.  For its historical value, I’ll give this story two and one-half stars.

Overall this issue comes very close to a three star rating.  It certainly provides a wide variety of reading material, and is almost certain to have something to please any reader of imaginative fiction.

See you at the movies! 

And as luck would have it, the next article will feature a movie – the latest monstrous spectacular straight from Japan.  Stay tuned! [the Traveler].

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