Tag Archives: Dan Morgan

[March 20, 1966] Two of A Kind (March Galactoscope #2)


by Mx. Kris Vyas-Myall

Whilst the comedy double act has been popular since the days of music hall, they seem to be having a moment on British Television.

Morecambe and Wise

Eric Morecambe and Ernie Wise are probably the biggest draw, with their ATV series Two of a Kind being more widely known simply as Morecambe and Wise.

Mike and Bernie Winters

Whilst the BBC’s primary double act are Mike and Bernie Winters who have just concluded Blackpool Night Out and we will soon be getting The Mike and Bernie Show.

Peter Cook and Dudley Moore

There are, however, others coming up as well. In particular, the irreverent Peter Cook and Dudley Moore are currently in the second season of Not Only… But Also, which has been getting great acclaim, as well as a strong following among younger viewers.

The format tends to work on having a funny man and a straight man, in order to play off against each other. The books from two British Veterans I picked up looked like they could be their own comedic duo, however they might end up getting booed off the stage:


The Not-so Funny Man:

The Richest Corpse in Show Business by Dan Morgan

The Richest Corpse in Show Business

The outside of this books gives next to no detail about the plot. The Keith Roberts cover sketch of a bearded man gives nothing away. Instead, we get a warning notice on the front:

WARNING! Earnest students of SCIENCE FICTION who deprecate hilarity on the subject should avoid this book like the plague.

Is this a marketing ploy? Absolutely! But an intriguing enough one to catch my attention.

At the same time Dan Morgan had always been one of the stronger of Carnell’s set but he is also much less prolific than many of his counterparts. As such I usually look forward to whenever he finally does publish something.

So, what would Mr. Morgan be writing? Perhaps a madcap adventure, like a cross between Jerry Cornelius and Bill the Galactic Hero? A comedy about a zombie who becomes a pop star? Disappointingly the whole affair is rather more pedestrian.

It tells of Harry Trevey, the producer of Just Folks at Amalgamated Tel. This seems to be a kind of documentary show following real-life subjects throughout their entire lives. This is an incredibly important part of Amalgamated Tel’s line-up as there is currently a long-fought and bitter actors' strike going on, meaning that scripted programming is not available.

At the start the terrible news emerges that their current star, door-to-door salesman Carmody Truelove has died of a heart attack. However, the biggest initial concern is he died off-camera, and no one seems to know him well enough to try to do a memorial show afterwards. Now, Carmody would appear to be the titular “Richest Corpse” and it would seem that the story was going to be about finding out his past. But this plot turns out to be only so much pre-amble for the main story and frustratingly just fizzles out about a third of the way through the book.

It turns out the meat of the story is actually about what will fill Just Folks after Truelove’s demise. They decide to use a hunter (the fellow pictured on the cover), who has a licence to hunt down humans and get him to announce his next victim on the show. Things finally appear to be going Trevey’s way until he is selected as the victim and has to fight for his life against one of the most skilled killers in the world. He will be paid incredibly well, though, for being the star of the series, making him The Richest Corpse in Show Business.

Anyone who has read Robert Sheckley’s Seventh Victim will probably recognise this plot. Morgan does attempt to put his own spin on it by using it to skewer the media’s desire for increasingly sensational content (also demonstrated by the character of Dick Gordon, who is trying to setup his own network of pornographic stations) but it is all done very bluntly and clumsily.

It also doesn’t help much that everyone in it is very unpleasant, although Trevey himself most of all. At one point he even attempts to rape the main love interest. This happens for no good reason I can fathom other than to justify the claim on the back that it contains a:

…a deliciously amoral line in sex…

I know there are still some fans that like this kind of thing. For example, John Christopher’s much praised Death of Grass features a gratuitous rape scene that seem to be there mainly to show how bad the world is. Or in Robert A. Heinlein’s Let There Be Light the protagonist forces a women into a literal shotgun wedding.

William F. Temple wrote an editorial in New Worlds saying that having women in SF stories directly was the problem:

Bring women into it, and they gum up the works.
The solution, as I see it, is to try one’s best to leave women, as characters, out of the plot if possible.

I would disagree with both of these sentiments. The issue with the women in The Richest Corpse is not that they are present; it is the fact that Morgan writes them in cliches and uses them as tools for Trevey’s story, instead of showing them as people in their own right. Even Isaac Asimov (who is infamous in fan circles for his treatment of women) managed to create the wonderful Susan Calvin. If people like Mr. Morgan are scratching their head, why not just try talking to a woman and asking her opinion on a scene? Even if you lack female friends or work colleagues, maybe you have a wife, a mother or a sister you could go visit and listen to?

But, perhaps, the biggest issue is I simply didn’t find it funny. From everything involved in the promotion of the book I expected it to be a laugh fest but it doesn’t even appear to be written as such. Maybe it could be said to try to raise a smile, like The Midas Plague, but even in this aspect it doesn’t really achieve its goal.

Overall, it is just a mid-level satire of the entertainment industry. Not truly terrible but certainly not destined to be the next Space Merchants either.

Two Stars


The Wobbly Straight Man:

The Crystal World by J. G. Ballard

Crystal World JG Ballard

This story may be familiar to SFF magazine readers as this was previously published as Equinox in New Worlds in 1964.

Equinox New Worlds

Although, confusingly, the second part of the Equinox serial from New Worlds is named The Illuminated Man in the book format, which is the name of a similar story in F&SF in the same month, also about a petrified forest and likely set in the same world. This has led some people to conclude this is actually a fix-up story. However, this is not the case as far as I can tell.

Putting them side by side my copy appears to just be an expanded version of Equinox. Specifically, with additional conversations throughout and two new chapters:

Chapter Three – Mulatto on the Catwalk: A chase scene in Port Montarre.
Chapter Eleven – The White Hotel: Whilst staying in the chalet they become acquainted with an abandoned hotel and former leper colony.

I would not be surprised if these were simply excised for space from the New Worlds version as neither add anything more to the conclusion of the tale.

Ballard Books

The Crystal World seems to be part of his continued look at elemental catastrophes. We had air in The Wind From Nowhere, water in The Drowned World and fire in The Drought, so it makes sense to complete the set with an earth based catastrophe (or crystalline at the very least).

Genocides Earthworks

These seem to be somewhat in vogue right now, as Disch’s debut novel The Genocides is about a tree-based apocalypse and Aldiss’ Earthworks is about an environmentally damaged Earth. Is it a sign of increasing environmental awareness since The Silent Spring was published? Or does the New Wave just not like nature?

Anyway, the text itself. As those of you who read the New Worlds serial or Mark’s excellent write ups will probably recall it concerns Dr. Sanders and his running around a crystalline landscape near Mont Royale getting into various scrapes and lots of discussing what it is all about. In less skilled hands this could be a terrible book. But as this is Ballard, he manages to pull this one off…just.

Predominantly this is because this is not so much a book about ideas and events as one about atmosphere. The mystery of why the jungle is crystallizing and the gun toting antics are not why you should read. Rather it is for the dream-like and magical feeling you get as you go through this environment, along with the word-for-word quality of Ballard’s writing. For example:

In a few places the affected zone had crossed the highway, and small patches of the scrub along the roadside had begun to vitrify. Their drab leaves gave off a faint luminescence. Suzanne walked among them, her long robe sweeping across the brittle ground. Sanders could see that her shoes and the train of her robe were beginning to crystallize, the minute prisms glancing in the moonlight.

Few other writers can create an atmosphere as beautiful and written with such style as J. G. Ballard and it is why he remains a master of the field.

Heart of Darkness Things Fall Apart

We have to address the big elephant in the room when it comes to this story, colonialism. Ballard seems to have taken a lot of influence from Conrad’s Heart of Darkness. However, he is taking on many of the mistakes Chinua Achebe critiqued in his modern classic Things Fall Apart.

The African characters seem to be treated as incidental to what is happening and throughout rarely even have names, referred to instead with terms such as “The Mulatto” “The Negro” or “Natives”.

I don’t think it is beyond the scope or capability of contemporary western science fiction writers to address these kinds of themes with more thoughtfulness. After all, they are able to handle making critiques of colonialism through extra-terrestrial cultures, such as in Aldiss’ The Dark Light Years or MacLean’s Unhuman Sacrifice. So how about we make sure to use the same care and attention when writing about real people on our own planet?

Overall, I think that this is a readable but flawed and unnecessary publication. It is still better than a lot of science fiction out there, but one I would only recommend for Ballard completists.

Three Stars






[May 6, 1965] Back To Our Roots (New Writings in SF4 & Over Sea, Under Stone)


by Mx. Kris Vyas-Myall

A Musical Introduction

Bob Dylan is in the middle of his sellout tour of England and folk revival is hitting the mainstream as a result. Dylan himself has 2 singles and 4 albums in the charts.

Bob Dylan 1965 UK Tour

Also accompanying him on tour is Joan Baez who has reached mainstream attention with We Shall Overcome. Then we have home grown efforts such as the Iain Campbell Folk Group and Donovan, already proclaimed by some as The British Dylan.

Catch the wind

At the same time Country is doing pretty well with King of the Road sitting at number 2 and Jim Reeves continuing his presence with Not Until Next Time.

King of the Road

Whether this foreshadows a more permanent move away from the kind of pop music we have seen in the last few years remains to be seen. However, this is also true in today’s reviews, where the two books of May's first Galactoscopes represent a norm and a departure from it: Carnell presents us with a selection of tales representing many of the traditional themes of science fiction and we get a fantasy novel that is very much part of an older tradition.

New Writings in SF4 ed. by John Carnell

New Writings in SF 4

John Carnell continues his quarterly anthology series, with another solid but unremarkable edition. Whilst he talks in his editorial about each edition having a particular flavour, it seems to me that they are pretty much of a piece. In fact the main difference here from last time is the presence of a slightly higher number of reprints.

High Eight by David Stringer

This is not a new author but rather a new pseudonym for Keith Roberts, the ridiculously prolific writer for every British SF publication. In this piece Rick Cameron, a line maintenance boss at Saskeega Power, is investigating a series of deaths by electrocution, where people are apparently going too close to the lines. But is something else happening?

Unlike many I am not highly enamoured with Mr. Roberts' writing and the seeming combination of hard-boiled speech and use of offensive terms such as “halfbreed Indian” put me off this tale particularly.

Even putting that aside the main aim of this story seems to be to make electricity scary but doesn’t really succeed in doing it any more than it naturally is. It is certainly not the thought-provoking tale Carnell promises in his introduction.

One Star

Star Light by Isaac Asimov

The first of our reprints is this short vignette from the good doctor, originally appearing in Scientific American. Trent and Berenmeyer have stolen a fortune in Krillium, used to make robot brains, but now need to make a hyperspace jump to escape the police pursuing them.
I get the sense of Asimov writing on auto-pilot. It is not actually bad but if I was to get someone to write an imitation of his work it would end up something like this.

A high two Stars

Hunger Over Sweet Waters by Colin Kapp

On Hebron V, Blick and Martha are both stranded at floating processing stations after the power goes down and they set about working out how to survive.

The introduction says that Colin Kapp is “fast becoming one of our most popular sci-fi writers”, which is certainly news to me. Like The Dark Mind I thought this was fine, just a little old fashioned. This is the kind of problem story which would have looked at home in Astounding a decade ago. Well written, enjoyable but forgettable.

Three Stars

The Country of the Strong by Dennis Etchison

Our second reprint, this one from Seventeen magazine. This is a short evocative piece exploring a landscape after some kind of an apocalypse (probably a nuclear war from the description). Doesn’t have much meat to it but some good bones.

A high three stars

Parking Problem by Dan Morgan

A more silly satirical piece from another of the old New Worlds regulars. In the late twentieth century a solution to parking problems in inner cities is resolved by the development of extra-dimensional parking garages. Crunch and Pulver, two small-time criminals, attempt to break into one of these to steal high-priced vehicles.
Things end up taking a more surreal turn as it goes along and I found it quite sharp in the end.

Three and a half stars.

Sub-Lim by Keith Roberts

It seems you can never just have one Keith Roberts story in any issue, though this one appears without any pseudonym. Here he takes on subliminal messaging where drawings seem to be able to control people’s minds.

Whilst the subject matter is a rather well-trodden theme Roberts brings a great style to it and has an excellent twist ending.

Four Stars

Bernie the Faust by William Tenn

As noted in the introduction this piece, originally from Playboy, has already been reprinted in one of Judith Merrill’s excellent 'best of the year collections' (which I highly recommend), and it is easy to see why. Bernie is a salesman who has an unusual man, Mr Ogo Eskar, come into his store asking to buy increasingly more ridiculous things and thinks he is on to a great deal. But ends up regretting his choices.

As the name suggests, this is a modern take on the Faust story but with a nice twist and a real understanding of human psychology.

Four Stars

On the whole, a solid issue which got better as it went along. The only real disappointment was High-Eight and that could well be due to my aversion to some of Roberts’ work.

One other note. Paperback editions have started coming out for these from Corgi which, at 3/6 much more reasonable than the hardcover editions, at 16 shillings. Whilst I wouldn’t recommend picking these up over a copy of Science Fantasy and New Worlds, these are still very much worth the price.

Over Sea, Under Stone by Susan Cooper

Over Sea Under Stone

Whilst I had more books as a child than many people I knew, with a school teacher for a mother, juvenile fantasy was not as big as it is today. We had Edith Nesbit’s, TH White’s and Mary Norton’s stories, along with The Hobbit, but primarily I read more adventure stories in the style of The Famous Five or Swallows and Amazons.

It seems since the release of The Lion, The Witch and The Wardrobe there has been an explosion in excellent British fantasy stories from the pre-teen market. These include Roger Lancelyn’s Green take on King Arthur, Tom’s Midnight Garden, the Green Knowe and Alderley Edge stories, as well as more unusual works like Stig of the Dump or the Paddington books.

I now have a twelve-year-old sister and a nine-year-old brother who live in rural Ireland. As such they do not tend to see many of these books, so I like to try to find the best ones and send them over. This one certainly does not seem to be doing anything particularly new but looks like it could be another enjoyable series for the pre-teens.

We start off in the same mode as is traditional for British fantasy at least as far back as Nesbit, with a group of children (Simon, Jane and Barney) going to visit relatives in the countryside, this time their great uncle Merry in Cornwall.

The children decide to pretend to have a treasure hunt in the house they are staying in. In doing so they find first a secret attic filled with strange artifacts, then hidden within that, an ancient map. Taking it to their great uncle Merry they are told this relates to King Arthur, the battle between Good and Evil, and the Holy Grail.

In spite of the ominous tones that suggests for the story, it is actually rather an old fashioned jolly jape. Whilst there is a threat from another interested party, much of the time is spent with the three children (and a dog named Rufus) wandering around the countryside searching for clues. As such there is little doom and gloom but instead a real sense of fun.

One disappointment is the children feel rather thinly sketched here. In each of the Narnia books whoever is in the adventures has a distinct personality. Here it often feels Barney, Jane and Simon are interchangeable, merely serving the story function.

I am also trying to work out the time period this is meant to be set in. The children refer to the old fashioned way of speaking of some of the people in Cornwall but the main family still sound like they are from my childhood. Cooper was apparently inspired to write this story in response to a competition to write in the style of Nesbit so maybe this is an intentional artistic choice?

But in spite of my quibbles this is still an enjoyable story. What Cooper manages to do just as well as Blyton or Ransome have ever done is capture the joie de vivre of being a child having adventures in the English countryside and cast me back to my own young trips to Cornwall and Devon, clambering around Glastonbury or Tintagel hoping I might find the Sword in the Stone or a knight’s tomb. Certainly one I will be posting to my siblings when it comes into paperback and an author I will be keeping my eye on.

Rating: Three and a half stars

Coda

Is this a good direction for science fiction and fantasy? Honestly I think it can depend more on what the writer does with it. Both of these are enjoyable but not revolutionary publications. What I would like to see more of is works doing new things with these themes, as Tenn does with the Faust myth, rather than wholesale revivals as Doc Smith seems to be doing currently in If.

Whilst I wait to see which side it comes down on, I will join with the rest of the listeners of Big L in trying to guess what the actual the lyrics to Subterranean Homesick Blues are. Did he really sing "clients are in the bed book"?



Our last three Journey shows were a gas! You can watch the kinescope reruns here). You don't want to miss the next episode, May 9 at 1PM PDT, a special Arts and Entertainment edition featuring Arel Lucas, Cora Buhlert, Erica Frank…and Dr. Who producer, Verity Lambert! Register today and we'll make sure you don't forget.




[March 28, 1965] Detectives, Curses and Time Travel New Worlds and Science Fantasy, March/April 1965

by Mark Yon

Scenes from England

Hello again!

As the weather changes to Springtime, things seem to be gathering a-pace here. So, I’ll get straight to it.

First up: Science Fantasy.

Another ‘arty’ cover – though to me, being uninitiated in such matters, the photo that makes up the cover just looks out of focus. The artist is (perhaps justifiably) unknown.

The Editorial this month takes on the issue of reader’s opinions made through letters to the Editor. The Editor comments on how both gratifying and depressing it is to read the letters, those that say how good the newly reinvigorated magazine is and those that ask why the magazine is not like ‘the old days’. He then launches into the now-familiar refrain that the magazine and the genre itself has to adapt and change to survive.

Which it seems to be doing very well at the moment.

Despite his protestations that he enjoys reading them, it seems that the Editor has agreed to give a Letters Column a try. Suspect that’ll be a job passed down to the (relatively-new) Associate Editor, then!

To the stories themselves.

A Man in His Time, by Brian Aldiss

Another month, another big name. Last month it was the usually wonderful Harry Harrison, this month it is Harry’s friend and often co-collaborator, Brian Aldiss.

A Man in his Time is a time travel story, of sorts. Despite this being a hoary old cliché, Brian uses his formidable skill to write a story that takes the cliché and turns it into something new. Jack Westermark is the only survivor of an expedition to Mars but has been mysteriously found on Earth with no memory of how he got there. Over the course of the story it appears that he is living 3.3077 minutes ahead of present Earth time, an event which has considerable effect on himself and his wife and family. There’s a lot of disjointed, fractured sections to reflect Westermark’s state of mind, and put forward the idea of a non-linear temporal existence – that Jack may be living both in the present and the future at the same time, something that may be due to different planets having their own time field. By travelling to Mars it may be that he has crossed over, so to speak, into a later time, but has returned to Earth at its earlier time.

A Man in his Time is pleasingly mature in nature and the sort of thoughtful and literate story that shows the more serious side of Aldiss’s writing. The story focusses on the various consequences of the temporal event by concentrating on the psychological effects on Westermark and his family – the dislocation between Westermark and his wife and also his mother, the effect on the children and even suggests that the situation may be leading to Jack having a mental breakdown, which gives it that New Wave kudos and a story firmly placed in its time. Less 1940’s sense of wonder, more 1960’s inner musing, to bring an old cliché (dare I say it?) bang up to date. Another strong start to an issue. 4 out of 5.

The War at Foxhanger, by Keith Roberts

To lighter material now. This is another Anita story, which is an ongoing series. This time teenage witch Anita and her annoying Granny are involved in an ongoing feud with the newest member of their sisterhood, who lives at the titular Foxhanger Farm. In this story things quickly escalate and become more of a personal attack, so much so that at one point the frantic battle makes the story read like a demented version of Mickey Mouse’s The Sorcerer’s Apprentice in Fantasia.

Although Anita is involved, this tale focuses on Granny, so expect lots of writing in a strangled dialect. Nevertheless, this is up to par with previous stories and will therefore be equally loved by some readers and create annoyance in others. 3 out of 5.

The Chicken Switch, by Elleston Trevor

A story of the Space Race, set in what is presumably the near future. Scientists and astronauts are preparing for Mankind’s exploration of the Moon. The story deals with the stresses and strains on those involved, with ‘the chicken switch’ (the button pressed to bail out on the deal) always being an option. Unsurprisingly, there’s lots of angst and drama, which read easily enough.

Mr. Trevor is a seasoned writer – you may know him for his novel The Flight of the Phoenix published last year – though not an author usually known for sf, and it shows in this well written story. At times it did feel a little like something out of a soap opera, but it can’t be denied that the twist at the end was a good one. 3 out of 5.

Susan, by Alastair Bevan

Another story by Keith Roberts under his pseudonym.

Susan is a schoolgirl who is more than she seems to be in this strange little tale. It works, but reminded me too much of the first episode of Doctor Who in its telling of the effect Susan has on things at school and what happens to her on her way home. Well written but not particularly original. 3 out of 5.

The Excursion, by B. N. Ball

This is about what happens on a day excursion as part of a holiday tour to Old Sol and its planets. Its simplistic caricatures of personalities (pompous military man, stuffy academic, young woman as an ex-escort, old woman more concerned with finishing her knitting than the visit) make this at first feel like it is going to be one of those lighter efforts, but it does turn darker when the tourists inadvertently find themselves incarcerated and put on trial by an automatic defence system as suspicious aliens on restricted territory. The two styles don’t mix very well and even if this implausibility wasn’t enough, there’s even an unfortunate racial aspect, with talk of ‘Orientals’, ‘Asiatics’ and ‘Neo-Negroids’. It left me thinking that this is this issue’s weakest offering; an unbelievable adventure story of the type I thought we’d left behind. 2 out of 5.

Over and Out, by George Hay

And covering similar ground, Over and Out is a short one-idea story told through telex messages sent by someone who has been locked into their home by the computers whilst they rewrite history. It was difficult to take seriously after the story before it, but it is very short.

Like the computer’s attempt to change history, its point is quickly forgotten. 2 out of 5.

Hunt a Wild Dream (part 2), by D. R. Heywood

This story started well last month but then bizarrely stopped dead just as it was getting going. This one starts exactly where we left off – no preamble, no explanation. Hunter Cullen continues his expedition into the African savanna searching for the something rather odd. He finds it, and a strange connection between Cullen and the creature is revealed. I did say last month that this story could develop into an interesting and scary story or fizzle to nothing. Sadly, this one fizzled. Not sure why it was split but it wasn’t worth the effort. A bit of a damp squib to finish the issue. 2 out of 5 this month.

Summing up Science Fantasy

After last month’s Science Fantasy was nothing too special, this month’s was slightly better. It’s not perfect, but it generally was a good read, with some noticeable disappointments. The Aldiss is a stand-out. As Kyril said in his Editorial, “Look – we have survived where others have failed – and we are still improving.” I can’t disagree with that.

The Second Issue At Hand

This month’s New Worlds features the return of a veteran: stalwart E. C. Tubb, whose name is displayed with enthusiasm on the cover. Whilst we’re still on the circles theme for the cover, it can’t be denied that it is eye-catching.

The Editorial is a short one, extolling the merits of Anthony Boucher’s The Magazine of Fantasy and Science Fiction, presumably for those who find it hard to get copies over here. It then repeats the message already given in Science Fantasy that things are changing, then asks whether New Worlds should accept science-fictional material of a substandard quality but which is obviously science fiction or whether it would be happy to accept material less obviously science-fictional but outstanding.

Personally, I think that’s a tough call. There is a risk that by broadening its remit the magazine may lose its identity, although at the same time it might just pick up newer readers who wouldn’t have previously considered looking at the magazine. But it is, nevertheless, a gamble.

The Life Buyer (part 1 of 3), by E.C. Tubb


[Art by aTom]

So, here’s the first part of a three-part serial from a long-time SF writer who is one of ‘the old guard’, but one Moorcock has said before is one of his favourites, and is here, according to the banner, “By popular request”.

The setup is intriguing. Marcus King is a billionaire with unlimited wealth in a future world where, for the right price, most things seem possible. An assassination attempt leads detectives Markham and Delmonte to try and discover whodunnit, which becomes more complicated the more is revealed. The twist is that the pilot of the plane that flew into King’s building was wearing one of King’s products – a krown, which when fitted to your head can adapt mental and physical reactions. It has replaced drugs, anaesthetics and provides restful sleep if the wearer wishes it.

This then raises questions: Who is to blame? Why are they trying to kill King? And why is King haunted by dreams of death and decay. What do they mean and why is he getting them?

A well-written story, it shows how much things are changing in SF. This is a detective story, which is not that unusual in SF, but it is also a psychological story – the dream state and the ability to manipulate the brain makes this a tale of inner space, if you like. The pacing is great, the setup is clever, and the cliff-hanger ending left me intrigued enough to want to read more. And one of the lead characters is named ‘Marcus’ – I’m sure my fellow traveller will be pleased! A great story and a good start to the issue. 4 out of 5.

The Changing Shape of Charlie Snuff, by R. L. Mackelworth

Another odd one by Mackelworth. It’s the story of a shape-changing alien currently in human form and his connection with a young girl and an atomic scientist. The key aspect is that his shape changes depending upon the need of the person he is with – the greater the need, the more likely it is to change to what they want. A nice idea but limited in its development. It’s quite dark and deliciously cynical. 3 out of 5.

In One Sad Day, by George Collyn

This is also a story about odd creatures by another returning author. It’s a sombre piece about what seems to be an alien on a strange world whose communication with another being leads to a revelation at the end. I didn’t see the twist coming, but it is a bit of a cliché once revealed. 2 out of 5.

Death of an Earthman, by Gordon Walters

It’s good to see some fiction from this author, otherwise known as George Locke, and last seen in the January 1965 issue of New Worlds writing a non-fiction article about Space Drives.

Death of an Earthman is another detective story with a science-fictional setting. The lead character this time is a police detective who works on empathy, an issue that comes to the fore when there is a murder onboard The Seas of Deimos, the spaceship that he is travelling on. What makes the story interesting is that the key suspect is an ex-Captain of the spaceship – a man who, when he lost his captainship, also lost his arms. This is an issue as the victim appears to have been strangled! A great setup that works well, except at the end where it all falls apart in some kind of awful Flash Gordon type melodrama. As a result, this one scores between 2 and 3 out of 5, but I’m going to suggest 3 out of 5 in the end.

Third Party, by Dan Morgan

Morgan is a new name to me. This short story deals with the future of marital relationships. Harry Pierce has had an affair and as a result he and his wife Madge have had a month-long Trial Separation Period, the consequences of which are to be decided by the Marriage Integration Department. Things all get a bit Kafka-esque. Although definitely chilling, it does seem a little far-fetched. 3 out of 5.

What Next?, by Edward Mackin

And here’s a Mackin novella that many readers of the old New Worlds and Science Fantasy will appreciate, as it involves fan-favourite character, the cyberneticist Hek Belov (last seen in Science Fantasy in October 1963.) This time around, Hek is employed by Jonas Pinquil, an eccentric with lots of money and seemingly not too much of a grasp on reality. When asked to help setting up a matter transmitter with an old adversary, Meerschraft, Hek finds himself involved in a scam that goes awry. It’s a jaunty little novella that was great fun to read and not to be taken seriously at all, towards the end turning into some sort of science-fictional screwball comedy. I like Hek as a character, who for some reason makes me think of a grumpier version of Asimov’s detective, Wendell Urth. 3 out of 5.

The Flowers of the Valley, by Keith Roberts

We just can’t get away from the prolific Keith Roberts, can we? As if it wasn’t enough with him taking up almost permanent residency over at Science Fantasy, here he is in New Worlds with a strange tale about how Nature will be manufactured in the future, and at the same time deals with a fractured relationship between the botanist narrator and his partner Priscill. It’s odd, but remained with me after I finished reading it, so 3 out of 5.

Reactionary, by P. F. Woods

And lastly a story by Barrington J Bailey under his nom-de-plume.

Reactionary is about a dinner-table gathering who are drawn together to witness something seemingly impossible – something that proves that Newton’s third law of motion is wrong. It’s a slight little tale, but the last paragraph has a good little twist. 2 out of 5.

Articles and Books

There are no Articles this month, which is interesting considering the push they have been given in the last few issues. (Surely the feedback can’t have been that bad already?)

In terms of Books this month, Assistant Editor Langdon Jones points out what I suggested earlier – that Sf is changing. To illustrate this, he reviews Arthur Sellings’s The Silent Speakers and The Sundered Worlds by New Worlds’s own Editor, Michael Moorcock.

Sellings’s story is a ‘fascinating’ tale of a meeting of minds, whilst Moorcock’s is typical of ‘the outward-directed story’, all galaxies and space opera. It is full of ideas, but Langdon Jones dares to criticise the writer/editor by saying that the ideas get in the way of the story. Lastly, Richard Matheson’s A Stir of Echoes is a welcome reissue.

The Letters Pages are surprisingly brief this month – there is one (admittedly quite lengthy) letter! It is one of praise, discussing the value of magazines in the past of bringing SF to people’s attention and then pointing out New Worlds’ importance as a result. Again, it is a nice summary of where we’ve been and how things are changing.

Ratings this month for issue 147 (that’s the February 1965 issue). We have another tie, this time between John Baxter’s More Than A Man and John Hamilton’s When The Skies Fall. The winner, Arthur Sellings’ second part of The  Power of Y isn’t a surprise, though.

Summing up New Worlds

Another strong issue. Particular favourites were The Life Buyer and Death of an Earthman (until the last part), although One Sad Day was a cliched low point.

Summing up overall

Another good issue for Science Fantasy, but New Worlds is again the winner this month.

And that’s it for this time. Until the next… which will include the 150th issue of New Worlds!