Tag Archives: damon knight

[September 12, 1969] Earthshaking (October 1969 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Time for a change

My local rag, The Escondido Times-Advocate, isn't much compared to, say, The Los Angeles Times.  But every so often, they are worth the subscription fee (beyond the TV listings and the funnies).  Take this article, for instance, which might well be at home in a Willy Ley column:

Basically, CalTech has a new timepiece with more precision, accurate to the hundredth of a second, so that when it is used in conjunction with a seismometer, earthquakes can be better mapped.  More excitingly, the new clock weighs just eight pounds—less than a tenth that of the hundred-pound monster it replaces.

Transistors have made it to geology.

We hear all about small computers and more efficient satellites, but this story really drives home just how quickly the miniaturization revolution is diffusing to all walks of life.  Is a computerized pocket slide rule or a Dick Tracy phone that far off?

Making waves


by Gray Morrow

A lot has happened this year at the old gray lady of science fiction, Galaxy.  They changed editors.  They lost their science columnist.  And as we shall see from the latest issue, things are starting to change, ever so slightly.

Tomorrow Cum Laude, by Hayden Howard


by Jack Gaughan

The revolution does not begin with this piece, a direct sequel to "Kendy's World", which came out at the end of last year.  If you'll recall, Kendy was a boy during the National Emergency, a time of civil and racial strife that rocked the nation into a semi-permanent police state.  Kendy was recruited by a Mr. Smith, who gave him a scholarship at National University—which turned out to be a training camp for spies.  "Tomorrow Cum Laude" details Kendy's first mission.

He is sent to the University of Southern California to take pictures of a biological centrifuge.  Why he is sent on a domestic espionage mission when he has been trained in Russian is never explicitly stated.  Moreover, the overarching mystery remains: why did the first cosmonaut to Mars chicken out after finding…something…on Phobos, and why are the Soviets building a secret base on the Moon?  Did they find a monolith?  Two?

All of this is background to Kendy's personal story, his slow, jerky maturation into adulthood.  His growing feelings for his accidental roommate, the beautiful woman, Amani, from the southern Californian all Black city-state of Nairobi.  His conflicted loyalties to the government of the United States.

Aside from an overuse of the word "amble" (hint: try sprinkling in a "saunter" or two), it's not a bad story, actually.  It reads a bit like a juvenile except the subject matter is rather deep, and at one point, Kendy describes himself as, frankly, horny.

I'm enjoying this series more than his first one, about the Esks.

Three stars.

Truly Human, by Damon Knight

Here is where the change becomes noticeable.  Knight, who predates but has embraced the New Wave, offers up this interesting piece about triune aliens, who can only think as trios.  They abduct three humans to see if they can be adapted to their way of thought.  The test is, unfortunately, not altogether scientific.

The beginning and end are the most interesting bits, creatively rendered.  The middle part is wanly droll, though effectively conveyed.

Three stars.

The God of Cool, by J. W. Schutz

A smuggler is shot by fellow gang members on the steps of the hospital.  As he had willed his body to the organ banks, he finds life after death in a myriad of don-ee bodies.  There are three wrinkles:

  1. The recipients of his organs end up being members of his gang;
  2. The smuggler retains a degree of consciousness in his frozen state; and,
  3. The smuggler retains a degree of control over his scattered parts…

The setup sounds a little silly, but I actually found it quite an effective story.  It's not played for silly, as it might have been in F&SF, and it doesn't try to explain the psi in scientific terms, as might have happened if it had shown up in Analog.  It sure wouldn't work in Niven's universe as detailed in "The Organleggers" and "Slowboat Cargo", though!

Five stars.

Element of Chance, by Bob Shaw

Cytheron is a young being on the cusp of adulthood.  He fears maturity, afraid to lose his identity in the adult shared mind, so he flees to the edge of a quasar.  There, he believes he is free from pursuit as no information can leave the gravitational warping of the dead star/collection of stars.  But he is also trapped—and for him to be freed will require a minor supernova, one which might have an effect on a neighboring star system with a familiar number of planets.

It's a mildly cute story, but I am generally averse to Catastrophism in my science fiction.  The universe seems to work by general rules; our Sun is not unique.  In any event, the piece feels like a veneer of fiction on a science article Shaw happened to read recently, sort of how Niven's "Neutron Star" is based on an Asimov science fact article (I can't remember when it came out—probably '64 or '65).

Two stars.

The Soul Machine, by A. Bertram Chandler

Yet another tale of John Grimes, this one from early in his career when he was a Lieutenant in command of a tiny courier ship.  It is, in fact, the direct sequel to "The Minus Effect", which came out just two months ago.  Is a fix-up novel in the works?

In this tale, the exalted passenger isn't a chef-cum-assassin, but rather an amiable robot on a mission—to lead a mechanical movement that places humans on the bottom of the command chain for a change.  Luckily for Grimes, not all computers think alike.

As always, pleasant but not particularly memorable.  Three stars.

Ersalz's Rule, by George C. Willick


by Jack Gaughan

Two aliens have been playing a competitive sport for the last forty years.  Their playing pieces are one human being each, born at the same time.  The winner of the game is the one whose human survives longer.

At first, it seems one alien has all the advantages: his human can do no wrong, suffer no lasting malaise.  He is, however, bored and reckless.  The other alien's piece is a slob whom the breaks never favor.  These circumstances lead to the rare invocation of Ersalz's Rule, which affords the possibility of the two pieces switching places.  It's a Hail Mary gambit, but it's all the player's got at this point.

The problem with this tale, aside from its heavy handed clunkiness, is that everything is arbitrary.  The rules of the game are introduced such that there are no real stakes, and the ending is just kind of stupid.

Two stars.

Take the B Train, by Ernest Taves


by Jack Gaughan

On a train trip through France with his distant wife, a fellow discovers that his garage opener doesn't just trigger his door—it also swaps out his spouse with parallel universe versions of herself.  Investigating further, the man determines that the gizmo does a lot more than just that, and he ends up hip-deep in a temporal, spatial, and emotional trip from which he may never return.

This would have been a fantastic setup for a stellar novel, perhaps by Ted White.  As it is, I still enjoyed the romantic and fulsome writing of the the piece.  I also appreciated the protagonist's mixed feelings toward the various might-have-been marital partners.  Taves never does explain how how our hero acquired the device, though there are hints.

Four stars, but a bit of a missed opportunity.

For Your Information (Galaxy Magazine, October 1969), by Willy Ley

At the beginning of the century, there were just 92 "natural" elements.  Humanity has added 12 to the roster by dint of atom-smashing effort.  Ley talks about them and provides tables describing their stability (or lack thereof).

Asimov would have done it better (though we might not have gotten tables in F&SF).  Three stars.

Stella, by Dannie Plachta

A lonely man, perhaps one of the last, is sitting on the frozen surface of his world, watching as The Last Star rises.  He is alone, as his estranged wife has sought shelter and warmth underground.  Only a surgically implanted broadcast power receiver protects him from the elements.

Then Stella arrives on a dot of blue flame.  She is invisible, but she describes herself as desirable, and her voice and touch certainly indicate that she is.  When she begs the man for his receiver, he finds he cannot resist her entreaty, though it means his death.

It's all very unclear and metaphorical, and I suspect if I knew what Plachtas was trying to say, I might like it less than I did.  Nevertheless, I found it moving.  Maybe it's a Rorschach Test of a story and it hit me at the right time.

Three stars.

Dune Messiah (Part 4 of 5), by Frank Herbert

This was supposed to be the final installment of Dune Messiah, but the editor said he had just too much good stuff to fill the magazine.  Hence Part 4 rather than Part Ultimate.  Of course, having trudged through the prior three bits, I was not looking forward to yet another slog.

I was pleasantly surprised.  Oh, it's still a series of conversations.  Sure, not a whole lot happens.  But we do have an interesting situation set up and then resolved: Hayt, the resurrected ghola of Duncan Idaho, is mesmerized by Bijaz the Tleilaxi dwarf and given a frightful compulsion.  The tension of Part 4 is how this episode will play out, and Herbert manages it reasonably well.

Sure, there is way too much time spent on the now eyeless Paul and his frightening visions.  Yes, I could give two figs about Chani, Paul's true love, destined to die for the last two installments.  True, everything in the last 150 pages could probably be compressed to 50, and I'm still not sure if the payoff will be worth it.

That said, I was not disposed to skim, as had happened in each of the prior sections.  For that, Frank Herbert, you get…

Three stars.

Aftershocks

Thus, nothing Earth-shattering.  Nevertheless, there's a certain gestalt to this issue that feels a bit fresher than prior ones—even though almost half of the issue is devoted to continued serials!  Maybe it's because those authors are finally turning in better work than they have in a while.

Perhaps we are finally witnessing a moment of change for this fading pillar of SFnal fiction.  It would be pretty neat to see Galaxy transform itself into a leading magazine again.

Stay tuned!


Hopefully, the magazine will fare better than this Ocotillo Wells home that got damaged in last April's quake…






[September 8, 1969] Another Orbit around the sun (Orbit 5)


By Mx Kris Vyas-Myall

Having a teacher first as a mother, and now one for a wife, I think of the year as mirroring the school terms, with the new year beginning in September. But, looking at the newspapers, it doesn’t appear the world has changed much in the last twelve months.

On the home front, the troubles in Northern Ireland keep getting worse, with the presence of British troops now seeming to be resented by both sides. Meanwhile, The Conservative party base is pushing the party to take a harder anti-immigration line, and union chiefs clash with the Wilson government.

British Troops in Ulster in front of a burnt out shop
British Troops in Ulster, caught in the middle of escalating violence.

Peace talks over Vietnam are once again being held in Paris and apparently going nowhere, there are continued conflicts in the middle East and the Junta in Greece seems as unstable as ever. A harsh crackdown has just finished in Czechoslovakia and the Soviets are still making threatening noises at the rest of Eastern Europe.

Protesters running from tear gas on the streets of Prague
Scenes from the streets of Prague, one year on from the Soviet Invasion.

But, whilst the depressing politics of our time continues, so does the regularity of publishing. As such another anthology arrived in the post for me to review.

Orbit 5
Hardback cover of Orbit 5 from 1969

Somerset Dreams by Kate Wilhelm

We open with another tale from the ever-reliable Mrs. Damon Knight.  Here Janet Matthews returns to her hometown of Somerset after working in medicine in New York, where she wishes to look after her disabled father. At the same time, a Dr. Staunton is in town to study dreams. Annoyed by his pomposity Janet decides to join in with the project.

This is beautifully described, albeit with some unusual turns of phrase, but it goes on far too long for my tastes, only really becoming more SFnal towards the end. There are also a lot of interesting concepts, but I am not convinced they are explored well enough here to justify their inclusion.

Three Stars

The Roads, the Roads, the Beautiful Road by Avram Davidson

Highway Chief Craig Burns loves his vast new road constructions and does not accept any argument to the contrary. However, one day he misses his turn-off and finds himself in a labyrinth of tunnels and cloverleaf interchanges.

This is the kind of joke story Davidson used to regularly publish when editing F&SF, a feature I have not missed. Add on to this my general dislike of vehicular tales and I was not well disposed to this at all.

A very low two stars

Look, You Think You've Got Troubles by Carol Carr

Hector, A Jewish father is estranged from his daughter, Lorinda, because of her marrying a form of Martian plant-life named Mor. Months later, the parents receive a letter from her, saying she is pregnant and asking them to come visit her on Mars.

I believe this is the first story from a well-known fan (and wife of Terry Carr) and it marks a strong start. It follows the familiar routes you have likely seen on television programmes but they are not as common in the SF realm. In addition, this is told using a great tone of voice that makes it feel believable.

Four Stars

Winter's King by Ursula K. Le Guin

King Argaven XVII of Karhide is having a recurring visions of executing a crowd of protesters. This madness is attempted to be treated by physician Hoge, but what could be the real cause?

I was originally unsure if this planet is indeed meant to be Gethen from The Left Hand of Darkness, as it is only referred to as “Winter” and the gender changes in the book are not referenced here. However, its connections to the Ekumen seem to confirm that it does indeed take place on the same world.

I found this a confusing read. I started again four times and afterwards I was constantly jumping back and forth to try to get to grips with what was happening. It does not have the usual easy style of Le Guin, instead told through a series of “pictures”. Honestly, I am scratching my head over what to make of it.

Three Stars, I guess?

The Time Machine by Langdon Jones

Jones seems to be emerging as one of the great polymaths of English SF. He has been involved in editing New Worlds for a number of years now, writes prose and poetry, has produced photographic cover art, is helping the Peake estate put together new editions of the Gormenghast trilogy and has an original anthology coming out in a couple of months. Amazingly he still had time to sell this tale to Orbit.

In an unnamed prisoner’s cell sits a photo of Caroline Howard. We hear the story of his past relationship with her and the construction of a time machine to see her again.

This tale is told in a passive distanced voice with the connection of the four different situations not immediately obvious. As such, I imagine it will be alienating to some, but I found it quite beautiful and cleverly constructed.

The titular Time Machine is not a HG Wells type of mechanical construct but a strange device containing a Dali painting and creating a “concrete déjà vu”. This may actually mean that it does not really “work” as such but these are merely the memories and delusions of the prisoner. I believe the ambiguity is intentional on the part of the author and makes the tale all the stronger.

Some may find the conclusion and meaning of the tale a bit mawkish, but I liked it a lot.

A high four stars

Configuration of the North Shore by R. A. Lafferty

John Miller goes to analyst Robert Rousse to resolve an obsession he has had for the last 25 years, to reach the mythical Northern Shore. In order to cure this desire, they sail there in dreams.

Whilst I am a fan of what Mr. Jones does, the same cannot be said of Mr. Lafferty. As such this may work better for other people, but I found it all a little silly.

Two Stars

Paul's Treehouse by Gene Wolfe

Sheila and Morris’ son has been in a treehouse since Thursday and is refusing to come down. As they work with their neighbour to try to get him out, disorder is spreading throughout the town.

This is probably the Gene Wolfe story that has impressed me most so far. Not that it is brilliant, but it is well told and has a solid theme. Hopefully the start of an upswing in his writing.

A high three stars

The Price by C. Davis Belcher

The millionaire John Phillpott Tanker is in a traffic accident that caves in his skull. Whilst his body is still alive, he is braindead. After several tests the doctors conclude he is medically dead and use his organs to save a number of people. Whilst this is controversial, journalist Sturbridge writes a number of articles to win the public around. However, in a surprising turn of events, the recipients of the organ donations sue the Tanker’s estate claiming they are still the living John Phillpott Tanker.

These organ transplant stories are becoming a subgenre in their own right, and, unfortunately, this is among the poorer examples. Lem told a better version of this story in three pages last month than Belcher told in 27.

A low two stars

The Rose Bowl-Pluto Hypothesis by Philip Latham

At a track-meet at the Rose Bowl, three athletes all ran 100 yards in less than 9 seconds. If this wasn’t surprising enough, a whole set of other new running records were set that afternoon. What could be happening?

This spends a lot of time doing pseudo-scientific explanations for something incredibly silly. I was annoyed at having read it.

One star

Winston by Kit Reed

The Wazikis buy the four-year-old child of geniuses as a status symbol. Whilst he has an IQ of 160 they soon grow frustrated he is not yet able to win crossword competitions or answer any trivia question they pose.

This story irritated me for a number of reasons. First off, there is more than a whiff of eugenics about the concept here, with the child of a college professor being inherently smarter than this family with a name we seem to be encouraged to read as Eastern European or North African. At the very least, the way the Wazikis are portrayed feels classist.

Secondly, the fact that smart people are selling children to less intelligent people seems to imply that earning potential and IQ are inversely related. But the Wazikis see Winston as an investment, so are they just meant to be stupid and bad with money?

And then the story is just unpleasant with the amount of child abuse taking place in it. Maybe I am overly sensitive, as I am from the gentler school of parenting, but I found it to be gratuitous instead of aiding the storytelling.

One Star

The History Makers by James Sallis

John writes to his brother Jim about his arrival on Ephemera, a planet where the inhabitants live on a separate time-plane to humanity.

Sallis gives us another epistolary tale which, as usual, is written in a literary style and full of artistic allusions (including, strangely, the second mention of the same Dali painting in this anthology. I blame Ballard). I am not sure this has the same depth as his other works but it is still a wonderfully atmospheric read.

Four stars

The Big Flash by Norman Spinrad

The US military has a problem. Their war against a guerrilla insurgency in Asia is not going well and they want to use tactical nuclear weapons to sort it out. However, the public are squeamish about this sort of thing. The solution? Using a violence obsessed rock group The Four Horseman, to spread their message.

A biting critique of both the American military-industrial complex and the hippy groups selling out. Incredibly timely, clever and disturbing.

A high four stars, bordering on five.
(I recently discussed this with some friends over at Young People Read SF if you want to see more of our thoughts.)

The Cycle Continues

8 albums:
Johnny Cash: At Folsom Prison and At St. Quentin
Bob Dylan: John Wesley Harding and Nashville Skyline
Tom Jones: Delilah and This Is
Moody Blues: In Search of a Lost Chord and On the Threshold of a Dream
Some of the same artists, still in UK charts a year on

And so we complete another Orbit anthology, with it feeling pretty similar to the last one.

The main difference is that there is more New Wave influence creeping in (having stories by two of the editors of New Worlds will do that) but many prior authors reappear, doing similar things. Some of it brilliant, some mediocre, the rest best forgotten.

Will either Orbit or our politics break out of this cycle by autumn 1970? Only time will tell.






[July 20, 1968] Beloved Institutions (Orbit 3 and Famous Science Fiction #7)


by Mx. Kris Vyas-Myall

Last month marked the 20th anniversary of the founding of the UK’s National Health Service. There are many issues with it, patients often wait for hours to see a GP, doctors trained by the service are regularly leaving for better paid work overseas, and many of the hospitals taken over from the private sector are in disrepair and not fit for the modern era.

Line of people queuing in a hospital from a BBC documentary about the NHS 1968.
Long hospital queues. A perennial issue

Many of the major issues come down to spending choices. There are continually new innovations coming out that are expensive to use. For example, would it be better to spend the money on the new dialysis machines, rebuilding hospitals or reducing staff to patient ratios? All are important but they cannot all be achieved.

Person lying in a hospital attached to a dialysis machine, from Tomorrow's World 1965.
Is it better to invest in new technology or more staff?

However, in spite of this, it has already become a beloved institution. There are few that want to go back to the system of voluntary hospitals and medical aid societies, and the principle of a health service free at the point of use is hugely popular.

Both of the publications I am reviewing this month are similar to the NHS in this manner. They may be relatively recent and not without their flaws but are still loved for what they do.

Orbit 3

Cover of Orbit 3
Cover by Jack Lehr

Much like its British equivalent New Writings in S-F, Damon Knight seems to have a stable set of writers to draw from, with 4 of the 9 authors in this issue having appeared in a prior volume.

Mother To The World by Richard Wilson
Martin Rolfe and Cecelia “Siss” Beamer appear to be the last survivors of biological attack on the US by China. Whilst Siss is devoted to Rolfe, she also has an intellectual handicap, and he grows increasingly depressed about his situation.

Yes, this is yet another “Last Man” story, the twist being that the lead here is an unpleasant creep. Maybe others want to read about domestic abuse and incest. I do not. Add on to that statements about being surprised that a “backward country” like China could develop powerful weapons (the same country that built a hydrogen bomb last year) and I found myself annoyed at the entire thing.

One star

Bramble Bush by Richard McKenna
We are told that McKenna’s back catalogue has finally been exhausted so this is the last of him we will see in Orbit, and it is his most baffling tale.

In a future where man has explored much of the galaxy, a team is dispatched to Proteus. This planet, in Alpha Centauri, has never been landed on, as every prior mission has mysteriously had to abort before arriving. After making landfall they encounter what appear to be primitive humans who they are unable to communicate with. But after these Proteans perform a ceremony, the world gets a lot stranger for the crew.

We are told this story “…deals with one of the most perplexing questions in relativity…If all four spacetime dimensions are equivalent, how is it we perceive one so differently to the rest? [Mckenna gives a] solution which involved the anatomy of the nervous system, symbology, anthropology, the psychology of perception and magic."

It is possible that is what the story is about. I was honestly utterly confused throughout.

Two Stars, I guess?

The Barbarian by Joanna Russ
Continuing the adventures of Alyx in this fourth installment of her tales. She is now 35 and back in the ancient world (I presume after the novel Picnic on Paradise as there is a reference to her disappearance) when she is approached by a mysterious powerful figure who offers her anything she wants for just one deed. To kill a future dictator who is currently only six months old.

Russ continues to impress with these adventures, finding ways to expand the world and offer new situations for Alyx to grapple with. Here the tables are turned on her somewhat, as she is now dealing with someone more powerful who looks down on her. How she navigates the situation is fascinating and reveals much more about her. Whilst I wouldn’t rate this quite as highly as the prior installments, it is still very good.

Four Stars

The Changeling by Gene Wolfe
A Korean war veteran returns to his hometown in the US. Everything seems much the same except for young Peter Palmieri, who has not aged. What is more, no one else remembers Peter as being alive back then. Is our narrator suffering from Gross Stress Reaction? Or is something stranger going on?

I found this a well-told story but also fairly obvious and not doing anything I hadn’t seen before.

Three Stars

Why They Mobbed the White House by Doris Pitkin Buck
Hubert is a veteran who has become frustrated with the growing complexity of completing his tax return, so he leads a movement to have them done by supercomputers. But will the machines be any happier with this state of affairs?

As I come from outside the US, the complexity of filling out their tax returns is such a mystery to me. Not only could I not relate, I found this silly and dull.

A low two stars

The Planners by Kate Wilhelm
In a large research facility, monkeys are being given pills to test if it will increase their intelligence, along with the intellectually handicapped and prisoners. Do they have the right to do this? And is this all that is going on?

This is another of the kind of story popularized by Flowers For Algernon. It has some interesting touches, but I don’t think it rises significantly above the crowd.

Three Stars

Don't Wash the Carats by Philip Jose Farmer
In this experimental vignette, surgeons find a diamond inside a person.

A couple of years ago I considered Farmer to be one of the best people writing SF, but he has recently gone off the rails. This is described as “a ‘polytropic paramyth’ – a sort of literary Rorschach test”. Well what I see is pretentious nonsense.

One Star

Letter To A Young Poet by James Sallis
In this epistolary tale, Samthar Smith writes to another young poet back on Earth about his life and works.

This is a pleasant little piece where a writer looks back on his life and ponders about it. There is not a huge amount to say about it, but it is enjoyable.

Three Stars

Here Is Thy Sting by John Jakes
It all starts when Cassius Andrews, middling journalist, goes to pick up his brother’s corpse and finds it missing. This sends him on a surreal journey involving an old WBI agent, a superstar singer and a mad scientist.

I found it fitting that this is the longest piece in the anthology but has the shortest introduction. It rambles on for pages without much there and I found the conclusion to be rather odd. I don’t see that if we could remove the fear of the act of death (not the ceasing to be, but the momentary pain) everyone would become melancholy and cease to have a purpose. If anything would that not make people more willing to take bigger risks? The one thing I will say for it is Jakes is able to spin a yarn well enough to keep me reading to the end.

Two stars…just.


Famous Science Fiction #7

Famous Science Fiction #7 Cover

This quarter’s cover is a detail of the cover from August 1929’s Science Wonder Stories by Frank R. Paul.

Science Wonder Stories August 1929

I have to say I find this Famous version much less effective. In a short article on the subject, it states that it is the first time a space station was illustrated on a magazine cover but adds some criticism for it seeming old fashioned, due to the lack of technical articles available to work from in the period. Interesting enough for what it is.

Men of the Dark Comet by Festus Pragnell
This story and the next are from the summer issues of Science Wonder Stories in 1933.

In a far distant solar system, a planet’s natural satellite had been set loose in order to escape a disaster from their sun. This “Dark Comet”, as it becomes nicknamed because it absorbs all light, eventually enters Earth’s system.

Heathcoate, the commander of the spaceship Aristotle, is rendered unconscious by the application of the Martian drug Borga. He wakes up on an out of control ship, his cargo gone and the only person left on board being a prisoner, the drug addict Boddington. Boddington is able to deduce Martian pirates were behind this, working with the native authorities to secretly build up their own space fleet.

Crossing paths with the comet, they manage to effect a landing. Inside they find themselves among a species of alien “Plant-Men”, Boddington hopes to stay and learn more, Heathcote wants to return to Earth to warn of a potential Martian invasion.

Two men attached to strange apparatus by the plant men
Art by Frank R. Paul

Whilst I am not opposed to slow starts in fiction, this novella is glacial. So much irrelevant detail is included it is hard to get a grip on the central plot for some time. It includes some interesting elements, such as Martians having three sexes for reproduction and an interplanetary drug trade, but mostly it is irritating. At the same time, the Martian invasion plot feels cliched.

What is interesting enough to raise it up are the attempts to communicate with the plant creatures. Pragnell does a good job of making them seem truly alien, with contact taking place via the electro magnetic spectrum.

A very low three stars

The Elixir by Laurence Manning
We now come to the conclusion of the five part Man Who Awoke saga. To quickly recap for the unfamiliar, Norman Winters developed the means of putting himself to sleep for thousands of years and has been waking up further and further in Earth’s future. At the end of the last story we learnt that Winters has set his device to wake him up in the year 25,000, but that Bengue has also decided to duplicate his process and follow him.

After awakening and traversing the wilderness, Winters finds himself in the laboratory of Ponceon. As luck would have it Ponceon has been developing an elixir of immortality. Now he is able to travel into the future without sleep, instead he can live through the millenia himself.

These advancements are possible due to the development of voluntary social contracts across mankind, stating they will not force any person against their will and to never refuse anyone help. Colonies now exist on Mars and Venus, machines can convert any raw material into products and currency has been abolished, with workers simply sharing new inventions for the common good.

Now able to use the process to explore the universe, humanity spreads away from the Solar System. Winters joins the disciples of Calcedon, who live on a far-off planet searching for the meaning of life. There they work on trying to use the Temples of Thought to understand the nature of creation.

Person watching a group of people in a round domed hall where many people are in there, attached to domed caps who in turn connect to a large device.
Art by Frank R. Paul

This is a more sedate story. Any moments of conflict are solved quickly, instead we are simply meant to explore this utopian world we find ourselves in, and hop between locations and philosophical musings. However, it manages to avoid being dull.

Bengue’s appearance is an odd one. A big point is made of it in the prior story but here he turns up for a single paragraph where we are merely told:

…he had awakened a few months after Winters had left Earth and had actively been engaged on some breeding experiments ever since. The two spent a year and a half together and finding they had nothing of real interest in common, separated by mutual consent.

I can’t help but wonder if something was cut or if there was another story that was never published.

Not as strong as some of the other parts but a satisfying conclusion.

Four Stars

Why Bother With Criticism by R. W. Lowdnes
Another of Lowdnes’ editorial essays, this time looking at reading for fun vs art and looking at how criticism can be mind-expanding. It is an incredibly kind and well thought out section, with some standout parts such as:

When someone proclaims that something you have enjoyed is inferior…you will want to defend it. Because if something you enjoyed…is proclaimed inferior or bad, then there is an implication that you are a person who enjoys the inferior, enjoys trash – so there must be something wrong with you. If you are secure enough in your own estimation of your worth as a person so that you can shrug off such implications…then you might even acknowledge that a particular story is not great art…and let it go at that. Or others might be wrong, but your own security will not require you to produce defensive reactions. It is the insecure person, who has serious doubts about himself who has to be excessively defensive…under such conditions.

Advice I wish I was able to follow more often. Highly recommended for every reader.

Five Stars

Away From The Daily Grind by Gerald W. Page
In the first new story in this issue, Mr. Federer wants a way to hide away from civilisation and is put in contact with Mr. Parkhurst, but what does the deal entail?

Unlike the rest of this issue, I found I would completely forget this story after finishing it. It is not badly written but inconsequential and built around a bad pun.

Two Stars

The Fires Die Down by Robert Silverberg
This is a bit of a rarity. Not a new piece but one from Silverberg’s absurdly prolific period in the 50s, previously published in Britain in the much missed Nebula magazine.

Cover of Nebula Science Fiction #21

The Thanians, a multi-galactic civilisation, have come to colonise Earth. Finding a low technology civilisation on a sparsely populated planet they expect to be worshipped as Gods. To their surprise humanity has given up this kind of imperialism millenia ago and are simply unbothered by their visitors. What could have happened?

What a wonderful surprise, I do recall some of Silverberg’s efforts in the British magazines but this one was not in my collection. It goes counter to so many of the clichés of science fiction and critiques the idea of expansionist space operas that dominate the genre (and thereby colonialism itself), instead showcasing a form of rural anarchistic utopianism. A story that still feels fresh now and I would easily call it the best work of Silverberg’s I have ever read.

Five Stars

Not By Its Cover by Philip K. Dick
We finish off with the other new piece, possibly by the most Famous author to grace these pages.

A publisher creates a series of special editions of famous books coated in the rare indestructible Martian wub-fur. However, the Wub’s consciousness lives on in the pelt and has opinions on the books it is coating.

It is easy to forget that sometimes Dick can be very funny when he wants to be, elevating what could have been a forgettable vignette to something better.

A high three stars

Imperfect Pieces

Your New National Health Service On 5th July the new National Health Service starts Anyone can use it - men, women and children. There are no limits and no fees to pay. You can use any part of it, or all of it, as you wish. Your right to use the National Health Service does not depend upon any weekly payments (the National Insurance contributions are mainly for cash benefits such as pensions, unemployment and sick pay). Diagram indicating: You and your family Down Arrow Circle Containing: "Your Family Doctor" Arrows going out from it saying: - Hospital & specialist services - Dental services - Maternity services - Medicines, drugs and appliances - Eye service - Dental services Choose Your Doctor Now
Advert for the NHS from 1948

As you can see, the quality varies considerably in both publications, some good, some bad, but I am glad that we have them here.

Are they to remain around for 20 years like the NHS has? Or are they destined to be experiments cast by the way-side, like Gamma or Star Science Fiction before them? Only time will tell.






[July 10, 1968] Back in the Saddle Again (August 1968 Galaxy)


by Gideon Marcus

Not F-UN

Bjo Trimble, a superfan from the wayback, put together a fan shindig in Los Angeles last weekend.  Called F-UN Con, it is not only an SF convention, but it's also the first Star Trek convention, with a whole day of programming dedicated to the show.

This article is not about F-UN Con.

Why did we fly to the Bay Area this past weekend rather than trundling up to L.A., which is closer?  Well, we know the gang in 'Frisco, and they've been putting together informal conclaves every year.  We couldn't very well shuck tradition just for a new event, even if it's nominally in our back yard.

It was a good decision.  For one thing, they had a bit of Star Trek up there–this lovely reproduction of the captain's chair.

And now that The Prisoner is showing in the States, we're getting some lovely costumage, too!

Speaking of traditions that are worth upholding, the latest issue of Galaxy feels like a return to the quality of yore.  Usually, magazines pack their summer issues with their least impressive offerings, but such was not the case this time around.  Take a trip with me!


by Vaughn Bodé

Among the Bad Baboons, by Mack Reynolds


by Vaughn Bodé

Mack Reynolds continues his stories of life under "People's Capitalism" in the '80s, this time focusing on the last of the Bohemians, living in the decaying ruins of Greenwich Village.  With most of the country now on the dole, and white flight having been taken to its logical extreme, the cities are now all but abandoned, save for the "babboons"–lawless squatters–and the "hunters", who go downtown to shoot for thrills.

This story is more a vehicle for philosophical discussion than plot, and I found the end a bit distasteful.  That said, there are some fascinating suppositions in this tale.  One is that the current regime, in which prospective authors send their manuscripts to editors, who then publish them through traditional channels, will be supplanted by a revolutionary new process.  In the '80s, any author can take their novel (or story, or artwork) to a computer and have it stored for infinite reproduction.  These reproductions can then be read on a tv-phone (or in the case of art, facsimile duplicated).

This means that anyone can be a writer or an artist, and anyone can appreciate any work, any time.  And since everyone is on the dole anyway, why not be an artist or a writer?  Well, it does mean there's a lot more competition, and it's harder to become a phenomenon, but on the other hand, there's no barrier to entry.

Now, Reynolds assumes most people won't want to be artists, and they will be content to watch 24 hours of television a day while tranked up on cheap drugs.  Maybe he's right.  But as someone who already publishes nontraditionally (what is Galactic Journey and The Fantasy Amateur Press Association if not decentralized publishing), it's an exciting prospect.

Three stars, for the ideas, if anything.

Going Down Smooth, by Robert Silverberg


by Brock

Silverbob puts on his best Ellison impression with this tale of a therapist computer gone nuts listening to neurotic patients all day.

It's not bad, but it doesn't go anywhere.  I'd stick with the original.

Three stars.

A Specter is Haunting Texas (Part 2 of 3), by Fritz Leiber


by Jack Gaughan

I really had not been looking forward to this second installment of Leiber's tale.  Last time, as you recall, a spaceman-actor had landed in post-apocalyptic Texas (now ruler of all North America save the two Black republics in the southwest and southeast) to 1) perform in a short tour and 2) make good on a pitchblende claim in the Yukon.  The eight-foot tall, cadaverous, cybernetic thespian was recruited in a hit on the current President of Texas, whereupon he escaped to join causes with the revolutionary Mexican underclass.

It was all a bit silly, and while I appreciated what Leiber was doing, it didn't quite resonate with me.  This time, however, the needle fell into the groove.  As Chris Crockett La Cruz assumed the role of La Muerta, spurring the downtrodden Mexicans with promises of Vengeance and Death, Leiber's writing took on sublime proportions. The way he navigates the line between satire and seriousness so deftly, with such beautiful language and characterization, even as the characters are all caricatures, is an accomplishment for the ages.

Five stars for ths installment.

For Your Information: In Australia, the Rain …, by Willy Ley

The topic for this month's non-fiction piece is an interesting one: the artificial lakes, rivers, and resulting hydropower systems of Australia.  The presentation, however, leaves much to be desired.  I want to know the impact of these developments, both on settlement and on the environment, not be given pages of details of their precise geographical location.

Three stars.

The Time Trawlers, by Burt K. Filer


by Dan Adkins

A thousand years from now, humans will fish the future just as they now fish the seas.  As the solar system's population grows to number into the quadrillions, our race must pluck planets from 30 billion A.D. to plunder them for their resources.  An 18-year old fisherman with "the knack" for finding rich worlds, decides he doesn't want to do it anymore after seeing what the process does to already-inhabited planets.  He embarks on a one-man crusade against the practice, hatching a novel scheme to bring it to an end.

Never mind the silliness of the premise, or the fact that culture looks pretty much like 20th Century Earth in the tale.  It's a good story, well-told.  Sure, it feels a bit like early vintage Galaxy, but I like that era!

Four stars.

The Star Below, by Damon Knight


by Jack Gaughan

Thorinn, that diminutive traveler introduced in The World and Thorinn and later in The Garden of Ease, has returned.  This time, he has stumbled across an enormous warehouse filled with all manner of wondrous items.  From rich garments to strange engines to a talking box, all are marvels to the medieval-minded explorer.

Of course, it's at this point that our suspicions are confirmed that the myriad of worlds Thorinn passes through are all parts of a giant generation ship, this being the cargo hold.  What makes this segment so compelling is the description of these (to us) more-or-less familiar items to a man with no conception of technology.  The interactions between Thorinn and the little computer, particularly the way the box learns English, feel very natural.  I only wish Thorinn could have taken the box with him; it'd make an interesting companion.

Four stars.

HEMEAC, by E. G. Von Wald


by Joe Wehrle

Long ago, the robots took over the human power plants, and they also claimed a number of human hostages, who they began to educate in their own, logical images.  But the robots are breaking down, and the "renegade" humans are pounding at the gates.

What is HEMEAC, a teenaged robot-trained youth supposed to think when his teachers all start behaving erratically and the wild people defile the sacred halls of cybernia?

This is another tale with a classic (i.e. '50s) sense to it.  I particularly enjoyed the rendering of the robots, and HEMEAC's not-entirely-successful attempts to make rigid his thought processes.

Four stars.

Missed it by THAT much

Put it all together, and you get an issue that soars almost to four stars in quality–surely to contend for the best magazine of the month.  It's reads like this that keep me going, and also cause me to commend editor Pohl for keeping the proud publication on an even keel.  I know some disagree with his lambasting of the New Wave (and, indeed, Pohl is not averse to printing examples of it), but I think there is value to the continued production of novel, interesting, but also conventional SF prose.

I can't wait for next month!






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[May 10, 1968] Horse race (June 1968 Galaxy)


by Gideon Marcus

Three and Two make Two

I imagine Vegas bookies are tearing their hair out trying to predict the Presidential race this year.  On January 1, the hard money would have been on President Johnson beating Governor George Romney in a fairly easy race.  Then McCarthy and Nixon won in New Hampshire.  The former sent LBJ announcing his resignation and the latter gave the former Vice-President the first victory of his own since 1950.

Then Bobby Kennedy jumped in, trying to steal McCarthy's lunch.  Inevitably, Vice President Humphrey threw his hat in the ring, instantly commanding the loyalty of most democratic party bosses.  Meanwhile, Romney's dropped out, but Nelson Rockefeller, who said he wasn't going to play this year, has jumped in.

So, who will face each other come Labor Day?  It's anyone's guess, especially since both McCarthy and Kennedy just won recent primaries.  I guess we'll have to see if the New York Governor's campaign has legs, and if Humphrey's position translates to delegates at the convention.

Stay tuned…

Nine to Rule Them All

It's similarly a horse race with the latest issue of Galaxy, which presents a solid batch of stories.  Which one is the best?  That's a hard choice, too!


by Paul E. Wenzel

But first, the editorial.  Remember a few months ago F&SF ran competing ads from SF authors for and against the war in Vietnam?

Well, now Pohl's mags are doing it.

Pohl (Galaxy's editor) says it's not just enough to bitch about it.  Someone needs to come up with a solution.  He figures SF fans are about the smartest people around, so why don't we try our hand at it?

So now there's a contest, first prize $1,000, details at the bottom of this article.  Of course, given that you can't devote more than 100 words to the issue, and given that the war has been going on since 1945, in one way or another, and given that a lot of smart people have been trying to fix this thing…I somehow feel 100 words is not enough.

Or as my friend the divorce lawyer likes to say: "Imagine trying to fix a car.  Now try to imagine fixing that car while another party is actively trying to dismantle it."

Yeah.  Lots of luck, Pohl.

On to the stories!

The Beast That Shouted Love, by Harlan Ellison


by Jack Gaughan

Ever wonder why all people seem to go psycho all of sudden?  Why a race with countless religious texts devoted to peace, harmony, and brotherhood just goes buggy every so often?

What if some other planet, in order to preserve their peace, harmony, and brotherhood, is beaming all their psycho energy to us?  Sort of a bad emotions disposal process.

This is one of Ellison's lesser pieces.  It probably means a lot to him, but it's rather disjointed and vague and not as profound as he wants it to be.

Three stars.

How We Banned the Bombs, by Mack Reynolds


by Vaughn Bodé

Right now, the world population is 3.5 billion and rising.  Naturally, this has been the cause of concern and the topic of more than a few science fiction stories.  Bombs is one of the lesser efforts.

Reynolds posits a Reunited Nations government so powerful that, in response to the Population Explosion, it can enforce a ten-year ban on childbirth through mandatory provision of contraceptives to women.  At the end of the ban, it turns out that the contraceptive drug's effect was permanent, and all human women are completely sterile.

This, by the way, is the end of the story.  The rest of it involves characters talking to each other, telling tales they all know about how the world ended up in this predicament (which doesn't make for much of a story).

The whole premise is silly.  The population in this projected, not-too-distant future is 3.5 billion, same as it is now, yet resources are so scarce, they're banning the production of alcohol so as to husband their grain crops.  Somehow, the ReUN can sterilize EVERY woman on Earth, none slipping through the cracks.  And then, no one foresees or predetermines that the universal contraception has adverse effects.

In the words of Laugh-In's Joanne Worley: "Dummmmmb!"

One star.

Detour to Space, by Robin Scott Wilson


(uncredited artist)

Object 3574 is circling the Earth in a polar orbit.  Unannounced, the General is convinced it's a secret Russkie bomb.  NASA's long-hair thinks otherwise.  The majority decides to send up an Apollo to check it out.  The object is covered in green slime and pebbled with tektites, suggesting extraterrestrial origin…

There's a lot to like about this tale, especially the sting at the end of it.  Scott convincingly describes the apprehension with which we Americans greet the arrival of a new star in the heavens.  I know I scour the papers and call my Vandenberg buddies whenever anything goes up to get some insight into otherwise classified launches.

Where the story beggars credibility is the use of Apollo spacecraft, launched from Vandenberg, to intercept 3574.  You just can't do it–there's no way to get a Saturn there.  Much more likely would be to send up an Air Force Gemini (they're making them for the planned Manned Orbiting Laboratory).  But that would have killed the story.

This is what happens when you know too much about a subject, reviewing a story by someone who doesn't quite know enough… three stars.

Daisies Yet Ungrown, by Ross Rocklynne


Joe Wehrle, Jr.

After the big bombs created the time-space Rift, God told Rickert to jump through with Sears catalog robots and claim a new world 350,000 trillion light years from Earth.  But this is so far away that God's grace cannot reach, and Lucifer's tool, the newcomer Dorothy, has arrived to take his planet away from him.

This is an odd, poetic story that you, at first, think is going to be satirical, sort of a cross between Sheckley and Bunch.  Instead, it's kind of pretty and sweet, way different than I was expecting.

Three stars.

For Your Information: Jules Verne, Busy Lizzy and Hitler, by Willy Ley

This is a pretty interesting piece on attempts using a gun rather than a rocket to fire a projectile, if not into space, at least a terrific distance.  Essentially, it's like a rocket, but with the propellant on the outside.

Long story short: rockets are better.  Four stars.

Waiting Place, by Harry Harrison


(uncredited artist)

A man taking the matter transmitter home finds himself in the future version of Devil's Island, a colony for hardened criminals.  Surely, there has been some kind of malfunction, for he can remember no crime.  But the wheels of justice never make a mistake, or do they?

This would be a fairly slight tale if not for the execution.  Luckily, Harrison (who I understand has just retired from the editor helm of Fantastic and Amazing) is a master of execution.

Four stars.

The Garden of Ease, by Damon Knight


by Jack Gaughan

As expected, the first adventure of Thorinn, a human raised by trolls in a Nordic nightmare, has a sequel.  Last time, the resourceful Thorinn had been tossed into a deep well as an offering to the gods to end a ceaseless winter.  Making his way through the caves he found, Thorinn discovered a hatch that opened not onto but above a new world.  This story details what he finds below.

In an almost Oz-like setting, the people of the Vale enjoy a life of complete ease.  The grasshopper men and the doughwomen and the fancymen and the children, they eat the food that grows on trees and bushes, they frolic, they discuss, and when they want adventure, they seal themselves up in the pleasure pods for the night…or sometimes an eternity.

Thorinn is the snake in the garden, slowly poisoning the place with his foreignness and his willingness to kill.  Ultimately, he hatches an escape plan, but not before leaving his mark.

This is an interesting episode, but not as compelling or as clever as the first one.  Three stars.

Booth 13, by John Lutz

Here's a new author, or at least, new to me.  John paints a grim future in which populational ennui has settled in.  All that's left is war, the tranquilizer lysogene, and the death booths.  If life gets just a bit too monotonous, there's always a quick and easy exit–and now, people are taking it in ever-increasing numbers.

It's not badly done, but my biggest issue is not enough explanation is given as to why everyone is so melancholy.  Perhaps that's the point–if you give everyone an easy out, even the mildest inconveniences can trigger a snap decision.  Or maybe the author is simply extrapolating from the current, profound American despondency.

At the very least, I liked it better than Sales of a Deathman.

Three stars.

Goblin Reservation (Part 2 of 2), by Clifford D. Simak


by Gray Morrow

Last time, if you recall, Pete Maxwell has gone off to do research at the crystal planet, a world with the accumulated knowledge of two universes (it had lived through the last Big Crunch).  The fading intelligences of the planet offered all of its wisdom in exchange for The Artifact, a featureless black object dating back to the Jurassic period.  When Maxwell got back to Earth, he found that he'd already come back, duplicated by some quirk of matter transfer, and died.

This datum takes a back seat to bigger concerns–the Wheelers, bags of insect colonies bent on acquiring the lore of the crystal planet, have already purchased The Artifact, and once it is in their possession, plan to take over the universe.  It is up to Maxwell, his tentative ally Carol, her sabre-tooth tiger Sylvester, their Neanderthal pal Alley Oop, the Ghost, William Shakespeare, the librarian who sold The Artifact, the goblin O' Toole, and several bridge-dwelling trolls to somehow stop the transaction before it's too late.

I must say, Simak pulls off a large set of emotional tones very well.  You feel the sense of impending dread when it seems the Wheelers have clinched the deal.  The comedic scenes are genuinely amusing.  Yet, there is a grounding to the story that keeps it from being Laumerian or Anvilian lampoon.  The revelations of the true nature of the fairies, little people, banshees, and whatnot are pretty good, too, though a bit abrupt.  Perhaps they'll have more time to breathe in the novel version.

The only bit I had trouble with was The Wheelers, for whom I felt sympathy once I learned their motivation.  There's an undertone of unconscious racism where they're concerned–they're bad because they're icky, different.  When you learn what their status had been vis-à-vis the crystal planet, it all becomes a bit more unsettling.

Nevertheless, pleasant reading by a master.  Four stars.

Picking a Winner

Well.  It's obvious which story was the loser here (let's just call the Reynolds tale 'Harold Stassen').  But as to a winner, well that's a little harder.  Several of the three-stars are quite nice; my four-star to the Harrison may be arbitrary.  We can exclude the Simak because it's a serial, but it anchors this and the last issue well.

I suppose in an issue where (all but one of) the stories are good, the real winner is…us.

Happy reading!  And don't forget to write to Pohl…






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[March 6, 1968] Trend-setter (April 1968 Galaxy)


by Gideon Marcus

Back in the saddle again

It's been a long time since the halcyon days of the early '50s, when Galaxy was setting the standard to beat, ushering in the Silver Age of Science Fiction (along with the more avante garde F&SF).  But now that editor Fred Pohl has collapsed his empire to just two mags, it seems he can afford to be more picky.  Indeed, IF is unusually good this month, and the April 1968 issue of Galaxy is by far the best I've read in a long time, and a strong contender for best magazine of March.


by Gray Morrow

Brave new worlds

Goblin Reservation (Part 1 of 2), by Clifford D. Simak

Simak is back with a odd brew of a story, perhaps in the same universe as Here Gather the Stars, as reference is made to a Wisconsin transit station.  Eschewing (for the most part) his usual pastoral motif, instead we get the first installment of the book-length adventure of Peter Maxwell, professor at the Time University in North America.  At least he was.  It seems that, while on the way to do fieldwork on the planet of Coonskin, Maxwell was duplicated.  One of him went on to his intended task.  The other ended up on a crystalline, roofed-over planet.  This world is some 50 billion years old, its inhabitants little more than ghosts, and they possess the knowledge of two universes since they lived through the last cosmological crunch and survived the most recent "Big Bang".

This latter Maxwell is the one we follow, since the other one died in a traffic accident upon arriving home.  Now, Maxwell is officially dead, out of work, and at loose ends.  Add to that there seems to be conspiracies, both human and alien, to get the secrets of the crystal planet from him, and things get very hot indeed.

That would be a twisty enough tale in and of itself.  Throw in the existence of fairies and ghosts (they've been around all along, but now they're acknowledged creatures who live on reservations) as well as working time travel (one of the main characters is Alley Oop, a brilliant Neanderthal), and things are complicated to the extreme!


by Gray Morrow

And yet, somehow Simak makes it all work.  It's an unusually humorous story, though the Morrow illustrations are perhaps too comic, and I tore through the half novel in short order.

I am looking forward to seeing where this all goes.  Four stars.

The Riches of Embarrassment, by H. L. Gold

Why does Miss McGiveney always seem to happen upon her neighbors at the most embarrassing moments?  It may just be her superpower.

This slight tale in particular feels like vintage Galaxy, perhaps because it's written by the magazine's first editor.  I hope Fred Pohl edited the story savagely…what's good for the goose is good for the gander.

Three stars.

Brain Drain, by Joseph P. Martino


by Dan Adkins

Tom Harrison, a field agent of Intelligence Imports Incorporated, is in Thailand searching for a particular kind of student, and he thinks he has his target in high school graduate Manob Suravit.  It turns out that Triple-I is on the hunt for brilliant PhD candidates, and apparently there aren't enough in America (and/or perhaps there is value in recruiting from beyond our shores).

At first, I thought it would turn out Harrison was looking for folks with psi powers–I was glad to find the object of his search was more mundane.  Most of the story is excellent, redolent with such authentic color that I have to think Martino has spent time in Thailand.

The problem is the ending, where Harrison convinces the local schoolmaster to be happy about the loss of promising students.  Not so much the reasoning, but the near-polemic way the reasoning is delivered.  What could be a thoughtful piece, with shades of gray woven in (as the story appeared to promise earlier on) becomes something more suited for Analog.  Along the lines of "Hey, sure we take your smart kids, but you weren't using them, and you've still got plenty."

A missed opportunity.  Three stars.

Sword Game, by H. H. Hollis

A bored middle-aged topologist and a grubby would-be Gypsy team up with their tessaract-based circus show.  Said mathematician shoves his partner into a cylinder of fuzzy time and space and stabs her vividly, but harmlessly, with a sword while the audience marvels.

But said topologist bores of this, too, and the result is truly macabre (though ultimately happy).

Three stars, but I could see someone going to four.

For Your Information: The Devil's Apples, by Willy Ley

Willy Ley offers up a short, but interesting piece on potatoes.  Not much to say, really.  Three stars.

Touch of the Moon, by Ross Rocklynne


by Dan Adkins

What an odd piece this is, about a romance broken when one of the partners goes to the moon.  Gravity has an irrevocable effect not only on the body, but also the psyche.  But happily, loosing one's ties to Earth is ultimately good for the species if it ever wants to claim the stars.

This could have been a good story, but it's written far too amateurishly and with too implausible a premise.  The former is surprising given that Rocklynne dates back to the Golden Age.  On the other hand, I haven't seen hide nor hair of him since I began reading SF regularly (1954), so perhaps he's out of practice.

Two stars.

The Deceivers, by Larry Niven


by Jack Gaughan

Our old pal Lucas Garner is back, this time with a shaggy dog story about the first fully automated restaurant that opened in 2025.

Niven has a real knack for creating whole worlds with a few strokes.  He also joins multiple time periods with ease: Lucas Garner was born in 1939, so he is our contemporary.  He lives in the 2100s, and he reminisces about the 2000s.  Thus, his stories have touches of the futuristic as well as the familiar.

Four stars.

Galaxy Bookshelf, by Algis Budrys

I don't often comment on Algis Budrys' column, but this time, he has some important things to say…and a friend named Brian Collins (who has his own commendable 'zine) did an excellent job of summing it up while adding his own observations:

Algis Budrys dedicates the whole review column to Dangerous Visions, giving us a review I'd say is about 1,500 to 2,000 words long. Budrys has shown us before that he's one of the more "literate" people in the field, but he has a unique challenge with Dangerous Visions, a book he both highly recommends but is highly mixed on as far as its content goes.

He argues pretty well as to why this is a major work in the field and why you should get yourself a copy, despite a lot of the stories therein not holding up to scrutiny. It helps that he and I mostly agree on what works and what doesn't (I'm admittedly one of the few people who liked the Farmer), and it pleases me in a morbid way to find that I'm not the only one who was incredibly disappointed by the Sturgeon. But Budrys notes that while the bloated pseudo-lecture from Sturgeon is a failure, and far under Sturgeon's caliber, it works as a sort of counter-piece to the Emshwiller, which, as Budrys says, feels more like a classic Sturgeon story than the Sturgeon we got. Taken together, these two contribute immensely to a narrative that Harlan Ellison is trying to put forth with the book.

Will Dangerous Visions kick off a new movement in SF? No. We had already seen stuff published in F&SF and New Worlds that would have made fine contributions to Dangerous Visions. This book does not present a brave new world like Ellison claims, but rather as Budrys argues it serves as an essential reminder that change is inevitable and that the field has been changing and will continue to change. No doubt 50 years from now Dangerous Visions will be remembered for the best stories between its covers, but also as a historical artifact—a portrait of a genre in the midst of change, and change is often violent and unpretty.

The World and Thorinn, by Damon Knight


by Jack Gaughan

Finally, Damon Knight begins what looks like the first part of serial in all but name.  Thorinn is a human raised by trolls in a primitive, Scandinavianesque, not-quite-fantasy world.  When calamity befalls his family, they throw him down a well to appease the god Snorri.  Thus begins the first of Thorinn's subterranean adventures.

The first few pages are a bit slow, particularly when scenes are repeated from two different viewpoints (I really dislike that style), but the rest makes for an excellent puzzle story, written in a fine, almost Vancean style.

Four stars, and the anticipated book may rate higher.

The Other Show

Between the Simak and the Knight (both fantasy-tinged pieces), we have a couple of open promises.  We also have something of a new style: there's a lot more sex in this issue than I've seen recently in Galaxy.  Is Pohl taking a page from F&SF's book?  Or has the New Wave simply caught up to the Guinn publishing enterprise?

Either way, I like it.  More, please!



Don't miss the news — a new episode of KGJ's weekly round-up is being broadcast right now!



[December 6, 1967] Brotherly Love (Dangerous Visions, Part Two)


by Victoria Silverwolf

A couple of months ago we looked at the first third of a massive new anthology of original science fiction and fantasy stories, put together by one of the most colorful figures in the field of imaginative fiction. Let's jump into the middle of the book and see if it maintains the same level of quality and controversy. As before, I'll provide traffic signals to warn you how dangerous each story might be.

Dangerous Visions, edited by Harlan Ellison


Front cover by Diane and Leo Dillon.

Gonna Roll the Bones, by Fritz Leiber

A fellow with the incredible ability to throw small objects with extreme accuracy goes out to shoot dice at a very strange and disturbing casino. But is he ready to risk the ultimate bet with the Big Gambler?

I have to admit up front that I can't be objective here. I am head-over-heels, madly in love with this story. Leiber blends science fiction, fantasy, tall tale, horror, and every other kind of imaginative fiction you can name into a perfectly crafted work of art. Just read it.

Five stars. GREEN for fine writing.

Lord Randy, My Son, by Joe L. Hensley

A man dying of cancer has a very strange young son with seemingly miraculous powers. The boy observes a cruel world outside. What will he grow up to be?

The premise reminds me a bit of Jerome Bixby's story It's a Good Life and the Twilight Zone episode adapted from it. That was an out-and-out horror story, however, and this one is more ambiguous. Randy is capable of great good and great evil, and it looks like the people of Earth are going to get what they deserve. In a way, that's more chilling than Bixby's monster.

Three stars. YELLOW for religious references.

Eutopia, by Poul Anderson

The protagonist is from a parallel world in which Alexander the Great lived to a ripe old age, and the Hellenistic culture is dominant. They've colonized other planets, and have even figured out a way to visit alternate realities. (There are hints that the main character explored our own world, and found it utterly repulsive.)

In a North America inhabited by a mixture of Norse, Magyar, and Native American cultures, he violates a taboo and is pursued by folks out to kill him. He makes a desperate attempt to escape, eager to rejoin his beloved in his own, much more civilized world.

Anderson has obviously done his homework. The various parallel realities we learn about seem very real. The plot follows the action/adventure/chase structure we're familiar with, and which Anderson can write in his sleep. The only dangerous part of the story comes at the very end, when we finally figure out what taboo the protagonist violated. The revelation is more of a punchline, really, and not a major part of the story.

Four stars. YELLOW for the last line.

Incident in Moderan, by David R. Bunch

Here's the first of two brief tales from one of the most debated authors of speculative fiction. As the title indicates, it's part of his series about the dystopian future world he calls Moderan, a hellish place where people who have replaced almost all of their flesh with metal and who live in heavily fortified strongholds wage endless wars with each other. In this story, one of these hate-filled semi-humans meets a more normal person, barely existing in the no-man's-land between fortresses. Typical of the series, it's a dark and bitter satire of humanity's evils.

Three stars. YELLOW for grimness.

The Escaping, by David R. Bunch

Here's the other one. The narrator is imprisoned, and spends time imagining the rolling and unrolling of the sky. Something like that, anyway.

Two stars. YELLOW for surrealism.

The Doll-House, by James Cross

A guy who is up to his eyebrows in debt goes to his father-in-law for help. The old man isn't very sympathetic, but he gives his son-in-law a miniature house that contains a tiny, immortal oracle, who can answer all questions. Can you guess that this won't work out well?

This is an efficient fantasy story of the be careful what you wish for school. There's nothing particularly distinguished about it, for good or bad. Worth reading, anyway.

Three stars. GREEN for being a decent, typical yarn of its type.

Sex and/or Mr. Morrison, by Carol Emshwiller

The narrator is a rather strange woman who is obsessed with a very fat man who lives in the same building. She hides in his room, watching him undress, in order to find out if he's a human being or an Other.

You can interpret the plot as science fiction or as the delusions of the narrator. In either case, what it's really about is the human body, particularly those parts we're not supposed to expose or talk about. It's the kind of thing you expect to find in New Worlds.

Three stars. RED for New Wave writing and sexual content.

Shall the Dust Praise Thee?, by Damon Knight

God and his angels show up at the end of the world, just like it says in the last book of the Bible. The only problem is that there aren't any people around to witness the Apocalypse. A little digging around reveals a final message from humanity.

Knight is thumbing his nose at traditional religion here. This tiny little story is basically a grim joke. Don't show it to your local cleric.

Three stars. YELLOW for blasphemy.

If All Men Were Brothers, Would You Let One Marry Your Sister?, by Theodore Sturgeon

A guy figures out that valuable stuff is coming from a planet that official records claim doesn't even exist. Folks who know it's real make it nearly impossible to get there. On another world where just about all activities are tolerated, somebody who shows up from that planet is instantly attacked and is likely to be killed. The guy finally reaches the place, and finds out what the big mystery is about.

It's hard to talk about this story without revealing too much about the premise, although the title gives you a clue. It breaks my heart to have to give a poor rating to a work by one of the true masters of speculative fiction, but this is really a lecture in lightly fictionalized form.

The climax is nothing but a long discussion as to why one of the strongest of cultural taboos should be broken. Sturgeon makes his point carefully and logically, to be sure, but forgets to engage the reader with an honest-to-gosh story. Inevitably, this work is going to compared to his groundbreaking tale The World Well Lost, but that one worked perfectly well as fiction, and not just as a debate.

Two stars. RED for advocating something most people would rather not think about.

What Happened to Auguste Clarot?, by Larry Eisenberg

This is a madcap farce in which the main character tracks down a missing scientist. There's a lot of slapstick and general silliness. It's really out of place in this anthology. Even Ellison's introduction jokingly says he was crazy to buy it. You may get a few chuckles out of it. With the French setting, I pictured Peter Sellers as Inspector Clouseau in The Pink Panther as the protagonist.

Two stars. GREEN for wacky hijinks.

Ersatz, by Henry Slesar

In a future world devastated by war, a weary soldier reaches one of the few places where he can rest for a while. All he can get there is fake food, fake tobacco, and something else that isn't real.

This very short story depends on its ending for its impact. It definitely creates a grim, dystopian mood.

Four stars. YELLOW for unrelieved gloom.

Middle of the Road

The central portion of this massive volume isn't quite as consistent as the first part, although Leiber's story is the best in the book so far. Sturgeon's polemic is a major disappointment, and there are some other pieces that don't really work for me. Maybe the last third of the anthology will be better. We'll see.





[August 14, 1967] She Does Everything For Me (Orbit 2 by Damon Knight)


by Mx. Kris Vyas-Myall

After a mammoth twenty-four-and-a-half-hour Parliamentary session (the longest in 16 years) the Medical Termination of Pregnancy Bill, more commonly called “The Abortion Act”, proceeded through its third reading before the summer recess. Meaning it will be going for final vote in the autumn.

This has been a change that has been long campaigned for and fiercely fought over. The existing law in the UK is over 100 years old and states:

Every woman, being with child, who, with intent to procure her own miscarriage… [or] of any woman, whether she be or be not with child, [by any] means whatsoever…shall be guilty of felony, and being convicted thereof shall be liable… to be kept in penal servitude for life

This extremely restrictive law allows only where a medical professional considers the mother’s life to be in immediate danger or a risk of severe mental and physical impairment.

This is a very high bar has forced numbers of women to be stuck between to choosing to keep unwanted and\or dangerous pregnancies to term, or make use of an illegal “backstreet abortion” which can also be hazardous, without trained medical professionals around

These have been featured as plots in many major works of fiction lately, such as Ken Loach’s adaptation of Neil Dunn’s Up The Junction or big screen hit Alfie.

Still from Alfie of pain from backstreet abortion
Still from Alfie of a relevant scene

There are many objectors to reform, with objections to the new law including claims it will give Doctor’s a carte-blanche to euthanize infants, women claiming rape later as a means to have promiscuous sex without birth control, a method for genocide of the disabled by the back door, and other extreme claims.

The most dramatic moment in the debate came where the Bill’s sponsor David Steel brought out a seven-week-old half-inch fetus and said:

To talk of this in terms of crying, wriggling or anything like that is quite misleading. This is what we are weighing against the life and welfare of the mother and her family.

This was a direct refutation of the claim of The Society for the Protection of Unborn Children where Prof. Donald claimed at their conference that, at 28 days:

You have a live baby and it kicks, and goes on kicking for a long time.

Whilst there have been some amendments made in The House of Lords which will have to be debated when the Bill returns to The Commons in October, it looks set for there to be an expansion of abortion available on the NHS coming. And I myself am very glad of this. It has been a long time coming and represents a real move towards a women’s rights.

Perhaps this spirit of change is in the air, for in the latest anthology I am reviewing Orbit 2, the best stories are about the treatment of women in societies past and yet to come:

Orbit 2

Orbit 2 Cover

The Doctor, by Ted Thomas

Dr. Gant takes part in a time-travel experiment and finds himself back in the stone age. There he attempts to continue his practice and medically help the early humans.

That is it. I came out of it saying “…and?” If there is some kind of moral in it, it is that savage people don’t appreciate modern science and don’t know what’s good for them.

A low two stars

Baby You Were Great!, by Kate Wilhelm

In the future a new kind of entertainment has been developed where you can feel the emotions of another. The most popular is A Day in the Life of Anne Beaumont, eight hours of programming where they get to experience wealthy actress Anne Beaumont’s life.

Anne wants to break the contract as she is sick of the contrived situations they put her in and has fallen in love. However, at this point what is real and what is fiction?

This quite a terrifying story about the development of television as people seek out more shocking entertainment in the style of Candid Camera. The scenes of rape auditions are particularly striking, but in a way that I am sure was intended. It makes very fascinating points and is one of the most interesting pieces in this collection.

I do have a bit of trouble imagining why anyone would want to experience the edited highlights of the life of a rich starlet, but then I also don’t understand why so many people tune in to Crossroads or Peyton Place each week, so maybe these future TV producers are on to something.

Four Stars

Fiddler’s Green, by Richard McKenna

In an unpublished story from the late author, a group of different people are stuck in a lifeboat adrift in the Ocean. To survive, Krueger gets them to believe in another world they can access, one they call Fiddler’s Green. At first it is just them there, but soon more people begin to enter.

The longest piece in the anthology and, my word, does it need editing! There are diversions, huge sections of extraneous detail and filled with the most horrendous stereotypes. The entire thing was a real struggle to get through. It feels like a cross between A Voyage to Arcturus and Farmer’s Riverworld tales, but considerably inferior to either.

One Star

Trip, Trap, by Gene Wolfe

This is a multiple narrative piece where we see events from different letters describing the events. On the one hand we get a fantastical narrative between Garth, son of Garth, and The Protector. On the other, a more scientific narrative between Dr. Finch and Professor Beaty, both chronicling the events on planet Carson III.

Honestly, like the two prior stories by Wolfe I have read, this one failed to work for me. An interesting idea that just seemed to be stretched beyond my interest. I was regularly checking how many pages I had left.

Two Stars

The Dimple in Draco, by Philip Latham

A strange object has appeared on a photographic plate at the Institute of Cosmological Physics. Its spectrum is unlike anything else seen, exhibiting a huge Red Shift. It is up to Bill and MacCready to work out what it is. However, there is also the small matter of organizing a party…

We are told in the introduction the author is an astronomer and it shows here, although not in a good way. Most of this is just people discussing in dull technical detail the observations they have made. But, for some reason, the story also includes points that seem intended for children, such as a footnote:

Stars do not have points sticking out of them. Stars are spherical.

Maybe it works for others but this, along with the regular disparaging comments about women, put me badly off this piece.

One Star (a spherical one)

I Gave Her Sack and Sherry, by Joanna Russ

The first of two adventures from Russ following the same character, the swashbuckling Alyx. Although we are only told her name at the end of this tale, I will use it instead of “she” for the sake of ease.

"Many years ago,” Alyx is a seventeen-year-old woman married to an abusive husband who expects obedience. Sick of the beatings she receives she cuts her hair, escapes and joins the ship of Captain Blackbeard.

This is predominantly setup, consisting of situations of men underestimating Alyx and her then defeating them for their trouble. However, as entertaining as this is on its own, there are many fascinating elements Russ employs to raise this tail up.

As I noted at the start Alyx isn’t given a name until the end of the story, before being referred to as she. This really reflects the nature of this tale, with her finding herself and going through a metamorphosis on this journey.

Russ also doesn’t make use of the common tactic of trying to suggesting age by writing this in an aged manner, such as cod-Shakespearean. It instead combines an ironic narrative voice with modern speech patterns. For example:

SHE: I wouldn’t do it if you were a —
(Here follows something very unpleasant)
HE: Woman go back with those pails. Someone is coming tonight.
SHE: Who?
HE: That’s not your business
SHE: Smugglers.
HE: Go!
SHE: Go to hell.
Perhaps he was somewhat afraid of his tough little wife. She watched him from the stairs or the doorway, always with unvarying hatred; that is what comes of marrying a wild hill girl without a proper education. Beatings made her sullen. She went to the water and back, dissecting every step of the way, separating blond hair from blond hair and cracking and sorting his long limbs. She loved that.

This is very different from what we would get from Howard or Leiber, pointing to something more contemporary. A new kind of tale rather than just attempts to recreate the works of the 30s and 40s.

Four Stars

The Adventuress, by Joanna Russ

This story takes place significantly later in Alyx’s life. When she was 23, she had gone down to the city of Orudh as part of a mission to convert people to the Hill God Yp. Alyx grew disillusioned with the religion quickly, so when the mission was chased out of Orudh by the authorities, she took up as a lockpick.

Seven years later, Alyx is employed by Lady Edarra to help her escape from Orudh. Whilst originally uncertain about taking on this role, the rewards convince her, even if Alyx is unsure due to how naïve and proper Edarra is.

This represents an older and more confident Alyx, one who is experienced in the world and now able to take charge of her own destiny. Yet it does not sacrifice the stylistic elements and clever touches that made the previous installment so enjoyable.

Five Stars

The Hole on the Corner, by R. A. Lafferty

Homer Hoose comes home to his wife, but she realizes he is not the person she knows as her husband, and he proceeds to eat her. Another Homer comes home and retrieves his wife from the version that just ate her. They then need to work out why there are two different versions of himself in the same house.

In case you cannot tell, this is a darkly comic tale. Your enjoyment of it will probably depend on how much you like Lafferty’s shtick as all his usual tricks are on display. Unfortunately, it does not work for me–one for his fans I imagine.

Two Stars

The Food Farm, by Kit Reed

Nelly likes eating and enjoys being fat. Her parents want a thin daughter. Both are willing to go to extreme lengths to get what they want.

This is a delicious take on our current thinness obsessed culture. It is full of great lines providing clever commentary on people’s attitudes such as:

Her mother used to like to take the children into hotels and casinos, wearing thin daughters like a garland of jewels.

Sublime work

Five Stars

Full Sun, by Brian W. Aldiss

In a The Machine Stops style future, machines have become incredibly advanced and now take care of all human needs. People only leave their home cities for either specific reasons or if they are “abnormal”. Balank travels out with a trundler to hunt werewolves that inhabit the countryside. But after meeting a strange Timber Officer, Balank begins to wonder if the machines are the real danger to humanity.

This is more traditional Aldiss in the mode of Hothouse rather than his recent Ballard-esque Charteris tales. But that is no bad thing, it is a science fiction fantasy blend with great style and concept that showcases why he is one of the best people writing today.

Four Stars

Whither The Future?

In my previous article I asked whether these kinds of anthologies are the new magazines. I would say that whilst I do not want the magazines to completely disappear, both these show the way forward.

Last month 9% of the magazine fiction was written by women. In these anthologies it is one third. They also manage to get in a balance of new writers, old hands, hard to obtain reprints and ongoing series.

True they lack the factual articles, but can TV not provide those through programmes like Horizon and Tomorrow’s World? And is the fan community not more enriched these days by conventions and fanzines than by the letter pages of Analog?

Whilst there may be some kinks still to work out, I say “Long Live the Paperback!

Paperback covers of Orbit One New Writings in SF 9 and Pan Horror 8
Orbit, New Writings and Pan Horror, all out now in paperback!






[September 28, 1966] Garbage and Aliens (October 1966 New Worlds and SF Impulse)


by Mark Yon

Scenes from England

Hello again!

After last month’s changes, I must admit that I was really looking forward to this month’s issues. I was intrigued – would the change of editor at SF Impulse be noticeable yet? And could editor Mike Moorcock over at New Worlds manage to produce another stellar issue of the same standard as last month?

I’ll start with New Worlds.

Mike Moorcock’s Editorial is not-an-Editorial. Instead Mike extolls a writer, reviewing some of their work. This is usually something that I feel belongs in the reviews section of the magazine.

However, Mike this time tells us of the work of J G Ballard, last seen here last month (and will appear again, later). The Editorial is typically enthusiastic, claiming that Ballard is the “first clear voice” of a new movement in science fiction. To which I mused that his voice is clearly different, whilst his plots are rather obscure.

To the stories!


Illustration by James Cawthorn

The Garbage World (Part 1 of 2), by Charles Platt

The cover story first. Platt tells of a future where Kopra, a world used by the rest of the Belt to dump its waste, has become increasingly unstable on account of the amount of waste dumped upon it. The people there strive to survive in a world with pollutive skies and garbage-covered landscapes.

However, the arrival of an official with a construction team to build a gravity generator, and deal with the problem before it becomes a hazard to others in the Belt, is greeted with suspicion. The general feeling is that the real motive is to get the locals off the planet and then steal their hoards of accumulated “wealth”.

This is made worse when Isaac Gaylord, the mayor of Kopra, has his wealth stolen and as his stockpile is a sign of his authority, he is deposed. Although suspicion immediately falls upon the construction team, Gaylord blames the nomads from outside of the village for taking advantage of the new situation. The work of the space constructors is also slowed by attacks on them, determined to stop the work. Lucian Roach, a Recorder for the Belt party, and Gaylord and his daughter Juliette go to meet the outsiders to get them to allow a restart of the gravity generator construction but also to get his hoard back and regain his status. Whilst travelling around a mud lake, their tractor breaks down and their radio is stolen, leaving us with a cliffhanger until next issue.

I quite liked the premise of this one. The story makes use of a valid environmental issue – with a growing population, what should we do with our litter in the future? Unfortunately, whilst the idea is interesting, the characterisation is poor and the plot unoriginal. In particular, the mayor, Isaac Gaylord, comes across rather like Ralph Richardson’s Boss of Everytown in the film Things to Come – a man of the people, yet ill-mannered and decidedly small-minded. There’s a weak love story begun here too. Reminiscent of an old-school “planetary explorer” story, this was readable, but won’t win any prizes for its telling. 3 out of 5.

To the Pure , by Damon Knight

An appearance of an American author here, who rather like James Blish I seem to know more for his criticism than his fiction. I enjoyed this one. It is a story of human-Antarian relationships, a boy-meets-girl-meets-alien kind of story. When Mr. Nellith, a big bird-like Antarian, arrives to fix the hyper-radio, human technician Jeff Gorman is aggrieved and does everything he can to make the alien’s life horrible. Despite all of Gorman’s boorish antics and general unpleasantness, Nellith completes the job and leaves the planet, taking Gorman’s wife in the process. Although this may sound unreasonable, Gorman is particularly nasty, which gives the reader the feeling that in the end justice was served. Another that is quite readable, though totally predictable. 3 out of 5.

The Squirrel Cage, by Thomas M. Disch

And no sooner do we have one story from this promising young writer, but we have another. I was impressed by Thomas’s debut here in last month’s New Worlds. As for this month, you know the idea that with enough time, monkeys could type out the works of Shakespeare? Well, here’s a slightly different version. This time it is the story of a man named Disch and a typewriter, locked in a lighted room. The man has no idea why he is there – is it an experiment or an observation? – and without knowing what day or time it is, is reduced to copying out or making up dreadful poetry and stories to pass the time. The writer eventually produces the theory that he is in a squirrel cage, where the typing is purely exercise for him, and he is perhaps entertainment in a zoo.

Almost but not quite as good as last month’s effort, I think. Still readable. The trains of thought throughout are logical and there is a faintly amusing tone throughout to give the impression that the writer is in on the joke as well as part of the joke. The attempts at poetry and short stories are deliberately awful. Are we to make fun of the writer or sympathise with him? Not sure – but this confirms my idea last month that Disch is an author to watch. 4 out of 5.

Be Good Sweet Man, by Hilary Bayley

Hilary’s return to fiction after some time as a book reviewer. Whilst the setting is science fiction, this is really a story of sexual politics: on Mars the Conservative and Reform Party has dared to replace its previous candidate with a man! The main idea of the plot is that, after the Third World War, it is felt that it is time to let women run the place – the men made such a mess, after all.

It is amusing to read what can happen with gender stereotypes reversed, although the story makes the mistake, in my opinion, of simply swapping the genders and then letting the women behave like the stereotype of men and presumably the men more like the original stereotype of women. It lacks complexity and depth. 3 out of 5.

Crab Apple Crisis, by George Macbeth (for Martin Bell)

Mike continues his determination to foist poetry upon the readers. I know that there are many who like it, but generally it is not my thing. Having said that, this is a poem of war: of how an accumulation of minor events, namely the stealing of crab-apples, can lead to a major incident. 3 out of 5.

Divine Madness, by Roger Zelazny

Another American big-hitter. Roger’s latest is about a person experiencing time going backwards. The result? Lots of things in reverse – drinking, smoking – and sentences as speech written backwards. The attention is held by knowing that the narrator is about to repeat something that was unpleasant in reverse. It’s a nice idea, though rather impractical, and the reason for this happening is not entirely clear. However, this is pleasingly different from what we’ve seen from Roger so far – a sign of a talent, I think. Not his best, but good. 4 out of 5.


Illustration by James Cawthorn

The Steel Corkscrew, by Michael Butterworth

Michael is a relatively new talent that we’ve met before with Girl in the May issue of New Worlds. Eight outcasts return to land on a dusty deserted Earth. A strange corkscrew spire is all that remains. Lots of discussion about what it is and where it came from, before the crew find a way in. Death and strange things happen. All seems a bit pointless, although that may be the point. All is death and pain, it seems. 3 out of 5.

The Greatest Car in the World, by Harry Harrison

Just in case you haven’t realised, here’s Harry to remind us that he’s not just an editor and a critic over at SF Impulse, but also a writer. A story for petrol-heads, though you do not have to be one to like it: American Ernest Haroway visits in Italy the Maestro Bellini, the reclusive elderly creator of Bellini sports cars. Haroway returns an item from a Bellini car involved in a previous motor race crash and is given a prototype to drive home in, Bellini’s last ever effort. The ending describes the modifications Haroway will have to make to adapt the car for the US market, in other words to turn the genius of a once-in-a-lifetime car into an inferior mass-production model. Lots of technical talk, which sounds real, although it may not be. 3 out of 5.

Three Days in Summer, by George Collyn

George is now probably a veteran of these here pages, being a regular essay writer, reviewer and story writer at New Worlds. This one’s relatively minor, a re-tread of Orwell’s 1984. A Whitehall romance in a future despotic state, combining bureaucracy and public hangings with a horribly humid Summer. Very similar initially to A Hot Summer’s Day by John Bell in the July issue of Impulse, but this one is perhaps a little more restrained. Like Bell’s story, 3 out of 5.

Prisoners of Paradise, by David Redd

A new writer, I think. Shaamon is an artist who can change form and creates art with light. She finds and merges with a dying creature in a spaceship. The knowledge she experiences she takes back to her Nest mind pool to add to the group consciousness. The group decides to try and find more like this creature, who is clearly human. The purpose of the story seems to be that even in paradise, you should not stop pushing boundaries and acquiring new experiences for the greater good. Whilst this is a debut story, the lyrical writing and vivid imagery suggests that this is a writer with promise. 4 out of 5.

Notes from Nowhere, by J. G. Ballard

No doubt to go with Moorcock’s glowing recommendation in this month’s Editorial, here we have J G’s article "to produce these notes explaining some of his current ideas."

I am of a mind that if an author has to explain himself then I question the validity of their work. Nevertheless, Ballard does try to capture the impossible here. Interesting reading, although I suspect it will leave some readers as confused as ever. Some nice name-checking, though.

Book Reviews

This month James Cawthorn covers a pile of Jack Vance stories now available here in Britain: the stories in The Many Worlds of Magnus Ridolph, and the novels The Languages of Pao, and The Blue World. All are generally liked, although there are some weaker stories in the story collection.

Samuel R. Delany’s Babel-17 also deals with languages, and is highly regarded, which ”only occasionally trips over its hyperbole”.

Frank Herbert, he of Dune fame, has two books reviewed this month. Destination: Void and The Green Brain seem to cover all the bases here – "Journeys also figure prominently… as do giant brains, highly-sexed heroines, religion and characters who endlessly analyse each other’s motives.” And if you didn’t want to read those books before, now you do!

No Letters pages again this month.

Summing up New Worlds

This is another one of those odd issues of New Worlds where I found a lot to like but not to love. Compared with last month’s issue, this is weaker and yet I can’t say I disliked it. Moorcock is using a broad range here and trying to introduce more relatively new writers alongside the established favourites. Will an article by Ballard be enough to persuade readers to buy? Or a story from promising new writer Disch? Not sure.

The Second Issue At Hand

And now to SF Impulse, under the rule of its new editor Harry Harrison.

With the feeling that there’s a sign saying “Under New Management” hanging off it, Harry in his Editorial sets out his stall. He acknowledges the work of previous editor Kyril and present Managing Editor Keith Roberts, promising much, calming troubled waters, and being positive about the future.

Day Million by Frederik Pohl

Another author who is also an editor. This one is a bit odd, as is perhaps befitting the New Wave. A story of genetics and boys not being boys and girls not being girls in a far future. It is also a love story, though Dora is seven feet tall and Don is a cybernetic man. The style is interesting – a story that is written in a conversational style and raises your expectations before contradicting them. I liked it: it doesn’t take itself too seriously, although it is however another reprint, from Rogue Magazine in the US. I guess that this might be where the sexual content was first suited. 4 out of 5.

The Inheritors by Ernest Hill

Ernest’s a New Worlds regular, last seen in the June issue with the not-great Sub-liminal. This time around, we are set in a future where food is processed and much of the work is automated. The overly stressed manager of this world spends most of his time on the verge of a mental breakdown. His attempt to escape the rat race is futile, leading to an inevitable, weak ending. Over-excited and yet predictable, this is another one that seems to be doing little but filling space. 2 out of 5.

Book Review, by Brian W Aldiss

And it would of course not be right to have a Harrison production without some input via Mr Aldiss. Just to make it clear, this is not a story named “Book Review”, but a book review of The Clone by Theodore L Thomas and Kate Wilhelm. Whilst the book under review seems to be nothing new, Aldiss’s review is entertaining , as usual.

Breakdown by Alistair Bevan

Keith Roberts’ nom-de-plume returns with another story set in Bill Frederick’s garage – you know, the one with the demonised car back in the August issue. This time Bill’s mechanical skills are put to the test when he is asked by a local to slow his car down as it has become too fast for him. Investigating further, we discover that the car, having broken down, was tuned up by an on-the-road mechanic to be better than ever before. The twist in the story is that the roadside rescuer is an alien, and Bill has to come to his rescue to fix his alien spaceship. It is all as silly as it sounds, but I liked the pleasingly breezy style to this story.

What is it with all the motor car stories, though? 3 out of 5.

Fantasy and the Nightmare by G. D. Doherty

G. D. Doherty is an academic who has written for the analytical fanzine SF Horizons before.

Here he discusses the point made by Ballard that the most important aspects of SF are really just Fantasy. Doherty unpacks the idea of what Fantasy is – or isn’t – and refers to Ballard, James Blish, Brian Aldiss, as well as non-genre works to make this point. Quite dense stuff that is different in tone and depth to the rest of the work in the magazine, although it is worth comparing to Ballard’s notes in New Worlds.

The Boiler by C. F. Hoffman

Following on from a discussion of Fantasy, we now have a reprint of a classic Fantasy story, first published in 1842. One of those creepy Weird Tales type of stories about Ben Blower, a seaman trapped in a boat’s boiler room during a heavy storm. Its style is quite out of step with the modern material in the magazine, and its olde prose quite jarring in comparison also. Effectively claustrophobic. 3 out of 5.

The Man Who Came Back by Brian Stableford

You might remember Brian for his illuminating attempt to define science fiction in the November 1965 issue of Science Fantasy, or his promising story in the same issue, Beyond Time’s Aegis co-written as “Brian Craig” with Craig A. Mackintosh. This time we look at the idea of identity through William Jason, a space pilot who wakes up in the form of something else. The big debate is whether he is still William or not. Short – I rarely say these things, but actually this one feels like it could do with being longer. 3 out of 5.

The Experiment by Chris Hebron

A new writer. Alfred is a child that like many others has been born with esper powers. The Race Purity League see this as a threat and are determined to destroy the mutants or at least limit them. Scientists try to investigate the matter further. Lots of talk about the importance of the espers' rights and their need to survive follows. Shades of Slan from over 25 years ago, or even John Wyndham’s The Midwich Cuckoos from 1957 show that this idea never goes out of fashion. 3 out of 5.

The Unsung Martyrdom of Abel Clough by Robert J. Tilley

This is basically a cowboy western in space. Alien Vat on his first solo Hunt crashes on an alien planet. He hopes to make good his error by capturing some of the human inhabitants of a village and attempts to disguise himself before going to the local bar. He fails. The humans, straight out of the Old West, manage to see through this. A weak ending. 3 out of 5.

Make Room! Make Room! (Part 3 of 3), by Harry Harrison

The last part of this serial novel has a lot to live up to. In this last part New York’s Summer has given way to Winter. Where it was once a heatwave, it is now freezing. Sol, the friend of Police Detective Andy Rusch has broken his hip and is now recuperating in their shared flat, being looked after by Andy’s now-girlfriend Shirl.

The killer of crime boss “Big Mike” O Brien, Billy Chung, is forced to leave the Brooklyn Shipyards where he has been hiding with his vagrant-friend Peter.

The unremitting misery continues, even though there’s a change in the weather. (How do people in New York cope with this?) The story is still bleak. There’s much talk, especially from Sol, of a need for family planning and how uncontrolled births have led to the world as it is today.

I was interested to see if the story caught the murderer in the final part. I’m pleased to say that the ending is quite satisfying, although the demise of the killer is rather quickly wrapped up. It seems that that part of the story is not that important; the setting is most significant. Whilst it is enjoyable, I think that this part was not quite as good as the initial set up or last month’s part, so 4 out of 5. Nevertheless, this has been a notable story and one I’ll remember for a while.

Summing up SF Impulse

The first issue of a new regime, although with assistant editor Keith Roberts still doing much of the work. I can’t see that much of a difference, at least at the moment. Like this month’s New Worlds, there are a lot of stories here, and the issue gains by range if not really in depth. The Harrison finishes fairly well, but there’s a lot of filler here, including reprints. The introduction of more sf criticism is an interesting move, but the use of “classic” stories to fill space a negative one.

Summing up overall

A tougher decision to choose this month. Both issues are fair, and both have gone for range rather than depth. But with nothing particularly strong in New Worlds, though I quite liked Disch’s story, the winner this month for me is, I think, SF Impulse [the Editor's averaging of Mark's star ratings be damned! (ed.)]. It’s not perfect by any means, but it just shows that the magazine is going to keep on fighting – at least for now.

Until the next…



(Join us tomorrow at 8:30 PM (Pacific AND Eastern — two showings) for the next episode of Star Trek!)

Here's the invitation!



[June 14, 1966] Aliens, Housewives and Overpopulation: Orbit 1, edited by Damon Knight


by Cora Buhlert

Whale Hunt on the Rhine

Moby Dick on the Rhine
Moby Dick swims past the Duisburg copper smelter.

All of West Germany is currently kept on tenterhooks by Moby Dick. No, I'm not talking about the classic novel by Herman Melville, but about our very own re-enactment thereof on the river Rhine.

On May 18, the skipper of a Rhine barge reported having seen "a white monster" in the polluted waters of the Rhine near Duisburg. The river police initially assumed that the man was drunk, but other sightings were reported as well. The unfortunately named Dr. Wolfgang Gewalt (his surname literally means "violence"), director of the Duisburg Zoo, identified the creature as a beluga whale, which had somehow managed to swim 450 kilometres upstream.

Hunting Moby Dick
Dr. Gewalt and his crew hunt Moby Dick with stun guns and bow and arrow.

Discovering his inner Captain Ahab, Dr. Gewalt decided to capture the white whale and have it transported to his brand-new dolphinarium. However, he was about as successful as his literary counterpart and so Moby Dick, as the whale was nicknamed by the locals, repeatedly eluded the traps laid for him, with the aid of some people who believe that the whale should be free back to swim the ocean and not imprisoned in a too small basin.

Diving bell vessel Carl Straat
The specialist diving bell vessel "Carl Straat" with a tugboat on the Rhine. The "Carl Straat" was built in 1963. My Dad designed the handling gear for the diving bell.

Eluding his would-be captors, Moby Dick even swam as far upstream as the West German capital of Bonn, where he interrupted a parliamentary press conference, most likely to protest the treatment he had suffered at the hands of the West German police as well as the heavy pollution of the Rhine, which turned the pristine white skin of a whale a splotchy grey. However, there is a happy ending, because Moby turned around and made it back to the North Sea unharmed.

Moby Dick in Bonn cartoon
A cartoonist's impression of Moby Dick interrupting the parliamentary press conference, much to the chagrin of Chancellor Ludwig Ehrhard.

All-new Anthology, All-new Stories:

Moby's adventures are enough to keep the entire country at the edge of their seats. But nonetheless, I still found the time to read the new science fiction anthology Orbit 1, edited by Damon Knight, which I picked up from the trusty spinner rack at my local import bookstore. The blurb on the backcover promised nine brand-new stories by the best science fiction authors working today, so how could I resist?

Orbit 1, edited by Damon Knight

"Staras Flonderans" by Kate Wilhelm

Kate Wilhelm is not only one of the best up and coming science fiction authors, she also happens to be married to Orbit editor Damon Knight. That said, Knight wasn't playing favourites here, because Kate Wilhelm's contribution to the anthology is a genuinely good story.

A scout craft with a three person crew, two humans and the alien Staeen, approaches a derelict starship. The lifeboats are gone and the ship was abandoned by her crew in a hurry. However, our three brave explorers have no idea why, since the ship was in perfect working order. Nor is this the first time something like this has happened; other ships have been found abandoned as well.

Kate Wilhelm explores the mystery of the abandoned starship not through the eyes of the two human crewmen, but of the alien Staeen, who is described as looking like an inverted tulip at one point. Staeen is a truly alien creature, who can survive on land, underwater, in deep space and in high radiation environments. He is an empath, several millennia old and humans are ridiculously short-lived to him. In fact, Staeen's people, the Chlaesan, refer to humans as "Flonderans", which means "children" in their language. Staeen's human crewmates, two big, burly spaceman that would be at home in any issue of Analog, clearly have no idea how their comrade views them.

Staeen uses his empathic abilities and realises that the crew abandoned the ship in a fit of irrational panic. But whatever caused that blind panic is still out there, as our three brave explorers are about to find out…

At its heart, this story is a neat mystery in space that would have been at home in Planet Stories or Thrilling Wonder Stories twenty years ago. What sets it apart is Staeen's uniquely alien view of the world as well as Kate Wilhelm's writing skills.

Four stars.

"The Secret Place" by Richard McKenna

I wasn't familiar with the work of Richard McKenna, who passed away two years ago at the way too early age of fifty-one. So "The Secret Place", which was found among his papers after his death, is my first exposure to his work.

First-person narrator Duard Campbell recounts his strange wartime adventures. As a young geology student, Campbell was part of a team that was supposed to track down a uranium mine in the Oregon desert. For in 1931, a boy named Owen Price was found dead with claw marks on his back as well as some gold ore and a piece of uranium oxide in his pocket. When uranium suddenly becomes vitally important with the onset of WWII, the US Army sends a team to locate the source of the uranium oxide. The chief geologist Dr. Lewis believes that this venture is futile, because the area in question is a volcanic high plateau, where uranium does not naturally occur.

When the team departs, only Campbell is left behind. He wants to prove Dr. Lewis wrong and find the uranium vein. So he hires Owen's sister Helen, who can see things no one else can see, as his secretary to pry the secret of the uranium mine out of her. But the game Campbell plays with Helen quickly becomes dangerous for them both.

I enjoyed the vivid descriptions of the Oregon countryside, though I have no idea how accurate they are. The ending is a bit abrupt, though, and the central mystery is not really resolved, probably because McKenna died before he could finish the story.

Three stars.

"How Beautiful With Banners" by James Blish

James Blish needs no introduction to the readers of the Journey.

Dr. Ulla Hillstrøm is a scientist who runs into problems when her living spacesuit merges with a native creature, described as a floating cloak, during a research mission of the Saturn moon of Titan.

Dr. Hillstrøm realises that the cloak is trying to mate with her spacesuit. She notes a second cloak creature and deduces that it might be jealous, so she tries to use the second creature to separate the cloak creature from her spacesuit. However, she is only partly successful, because the separation destroys the spacesuit. The last thing Dr. Ulla Hillstrøm sees before she freezes to death is the mating dance of the cloak creatures.

Beautifully written, but inconsequential. The stereotype of the icy female scientist who never knew love and companionship is overused. Science fiction writers, please go and meet some actual women scientists.

Two stars

"The Disinherited" by Poul Anderson

Poul Anderson is another author who needs no introduction.

The government of an overpopulated future Earth ends the galactic exploration program and recalls scientific personnel and spaceship crews. Understandably, no one is very happy about this.

"The Disinherited" follows two characters. Jacob Kahn is a starship captain and has been for a very long time due to the time dilation effect of travelling at lightspeed. Kahn is also an Israeli Jew, something which should not be unusual, considering how many science fiction writers are Jewish, but which sadly still is. Kahn's first mate is Native American, his chief engineer is from India, the assistant chief engineer from Africa. Anderson presents us a still all too rare future populated by people other than white Anglo-Saxon Protestants, though most of them are still male.

David Thraikill is a scientist whose family has been living on the planet Mithras for three generations now and who has never been to Earth. As a result, Thraikill and the rest of the scientists do not want to leave Mithras, because this is their home now. Kahn tries to persuade them to leave by explaining that the human inhabitants of Mithras cannot maintain a high level of technology in the long run and that there will also be conflicts with the native population of Mithras, a race of peaceful kangaroo-like beings. Because as history shows, this is what always happens when one group of humans comes in contact with another group and colonises their homeland…

Considering how prolific Poul Anderson, it's no surprise that his works can be hit and miss. "The Disinherited" definitely falls on the "hit" side and offers a look at the dark side of colonialism, something our genre rarely explores.

Five stars

"The Loolies Are Here" by Allison Rice

Allison Rice is the only unfamiliar name in Orbit 1. However, the biographic note explains that Allison Rice is a joint penname used by Jane Rice, whose stories have been brightening up the pages of Unknown, Astounding and F&SF for more than twenty years now, and Ruth Allison, a mother of five and new writer.

The first person narrator – we later learn that she shares the name the authors have chosen to publish this story under – is a harried housewife and mother of four, who is dealing with a torrent of bad luck, appliances breaking down, children and pets misbehaving, etc… One day, she finds tiny footprints on the floor and wonders whether the loolies – mischievous goblins whom her sons blame for their own misbehaviour – are not real after all. Eventually, the narrator sees a bonafide loolie in the bathroom during a massive storm. But even though the loolie causes chaos, he does help the narrator get even with her useless husband.

"The Loolies Are Here" is very much a humour piece and the voice of the harried housewife and mother certainly rings true. In many ways, this story reminded me of Shirley Jackson's collection of semi-autobiographical short stories Life Among the Savages. It's a good story, but as a humorous domestic fantasy story, it doesn't really fit into what is otherwise a science fiction collection.

Four stars

Life Among the Savages by Shirley Jackson

"Kangaroo Court" by Virginia Kidd

Virginia Kidd is a well known name in genre circles as a member of the Futurians, poet, magazine publisher, literary agent, former roommate of Judith Merril and former wife of James Blish. Now she can also add short fiction writer to her resume.

A future Earth, where war is a thing of the past and space travel has been outlawed, receives strange messages from outer space, followed by the landing of a spaceship. A military officer named Tulliver Harms puts himself in charge of dealing with the alien Leloc, whom he is convinced must be dangerous – after all, they're aliens. Harms plans to annihilate the Leloc.

The only potential obstacle to this plan is the newly appointed liaison officer Wystan Godwin, who had no idea what is going on due to having spent the past few months on a retreat in monastery in Tibet. Harms does his best to keep Godwin busy and in the dark, but eventually Wystan gets to parley with the kangaroo-like Leloc, who are not just very alien, but who also believe that Earth is their long lost colony. Wystan has to muster all his diplomatic skills to avoid genocide or all-out war.

"Kangaroo Court" is an amusing story about how diplomacy rather than violence wins the day, featuring some truly alien aliens. However, it also goes on far too long and particularly the expositional sections in the middle about kangaroos, marsupials and the impossible nature of the Leloc spacedrive made my eyes glaze over like the gizmospeak in a bad Analog story.

Three stars

"Splice of Life" by Sonya Dorman

Sonya Dorman burst onto the scene a few years ago and has since established herself as one of our most exciting new writers.

"Splice of Life" opens with a young woman – she's only ever addressed as Miss D. – coming to after a car accident, just in time for a doctor to stick a hypodermic into her eyeball. The eye was injured in the accident and Miss D. worries that she may lose it. The doctors and nurses reassure her, but both Miss D. and the reader realise that something is not quite right in this hospital.

A neat tale of medical horror with a ending that packs a punch.

Four stars

"5 Eggs" by Thomas M. Disch

Thomas M. Disch is another newish author, who was one of Cele Goldsmith-Lalli's discoveries back when she was editing Fantastic and Amazing.

The unnamed writer protagonist of "5 Eggs" has been left by his lover Nyctimene on the eve of their engagement party. Gradually, we learn that Nyctimene was not quite human, but some kind of bird alien, as the reference to the figure from Greek mythology suggests. However, Nyctimene has left something behind: a basket of eggs. But leaving eggs lying around the house can be quite dangerous.

This story is well written, but there isn't much of a plot and the final twist is not as shocking as Disch probably thinks it is. The recipe for Caesar salad sounds good, though.

Two stars

Pure Food-Oil ad
If you're planning on making Thomas M. Disch's recipe for Caesar salad, mind the eggs.

"The Deeps" by Keith Roberts

British writer and artist Keith Roberts has been gracing the covers and pages of Science Fantasy and New Writings in SF for several years now, though this is his first US publication, as far as I know.

"The Deeps" starts with the by now familiar dystopian vision of an overpopulated Earth (for another recent take on this theme see Make Room, Make Room! by Harry Harrison, reviewed here by our own Jason Sacks). This time around, the ingenious solution to the overpopulation problem is cities on the ocean floor.

Mary Franklin is a suburban housewife living in one of those undersea cities. One day, her teenaged daughter Jen goes off to a dance and doesn't come home. Mary goes searching for her, wondering whether the children who grow up under the sea are not becoming steadily more fishlike.

"The Deeps" is well written. Roberts captures both Mary's frustration with her husband and her fear for Jen, though I wonder whether a frantic mother searching for her missing child would really spend two pages describing the infrastructure of undersea living. Atmospheric, but not a whole lot of plot and marred by long stretches of exposition.

Three stars

Summary Judgment

The Orbit anthology series is certainly off to a good start. The quality of the stories varies, but they do offer a good overview of the range of science fiction writing today.

Of the nine stories in this anthology, four are written by women. If we count Jane Rice and her collaborator Ruth Allison separately, we have five male and five female authors. Of course, women make up fifty-one percent of the Earth's population, so an anthology with fifty percent male and fifty percent female contributors shouldn't be anything unusual. However, in practice there are still way too many magazine issues and anthologies that don't have a single female contributor, so an anthology where half the authors are women is truly remarkable.

Three and a half stars all in all

Café on the Bremen market square
Enjoying the summer sun with a cup of coffee, a slice of snow mousse cake and a good book on Bremen's market square.