Tag Archives: Agosta Morol

[January 24, 1967] Absenteeism and Making Do SF Impulse, February 1967


by Mark Yon

Scenes from England

Hello again!

So generally, post-Christmas and in the cold of winter, 1967 is settling into a routine, I guess. Except in the British magazines, where things are rather more turbulent. My suspicions were raised when the postman only delivered a copy of SF Impulse this month.

Now it is possible that New Worlds has been delayed in delivery–y’know, Winter!–but after the recent rumours and rumblings that things were not well at the magazines, I did a little rummaging and asked around to see if I could find out what was going on.

Whisper it quietly, but it seems that things are really bad financially–even for New Worlds, which has the higher circulation of the two–to the point that the publishers are seriously considering closing not one, but both magazines.

More as I get it, but frankly, it’s not looking good.


Cover illustration by Agosta Morol

To the SF Impulse issue. There are also signs here that things are not good.

The Managing Editor (interesting phrase!) Keith Roberts points out at the start that the Editor-in-Chief Harry Harrison is “absent, having made tracks for Philadelphia”. Is this rather ambiguous statement just a case of Harry being busy? As a writer, critic and editor Harrison does have a lot of fingers in pies, to be honest, which is presumably why Roberts does most of the leg-work here at SF Impulse.

But all I can think of is that the last time this happened, with editor Kyril Bonfiglioli taking time off to go stargazing(!), the magazine changed from Science Fantasy to Impulse not long after. The phrase “Rats deserting a sinking ship” also springs to mind, though that would be most uncharitable–Harrison is most certainly not a rat! But it is worrying that things may be changing behind the scenes.

But at least this Editorial space gives Roberts the opportunity to step up, as he has been doing for a while, admittedly, and give his opinions in the Editorial on the material in the issue, which he does. All good, even if (like much of the magazine this month) it feels a little like space-filler.

Might be something to read after you’ve read the stories, though.


Illustration by Keith Roberts

The Bad Bush of Uzoro by Chris Hebron

After last month’s story Coincidences, from Chris, we begin with a story I liked more. This one has a Weird Tales vibe, in the form of a story of a haunted mission in Africa as told by a Catholic priest–it even mentions Lovecraft. Not bad, though, and endearingly different with its mentions of African culture, even if there is an element of imperialistic “fear the foreigner” to this one. 4 out of 5.

Just Passing Through by Brian W. Aldiss


Illustration by Keith Roberts

Harry Harrison may not be about much this month, but his friend Brian Aldiss is (Again: when do we ever see the two together?)

This is unusual for Brian: a style that is almost Ballardian, filled with ennui and decay. Colin Charteris is in France on his way to England. His general musings on his stop-over through a mouldering French town also reveals to us that this is a future after the superpowers have released psychedelic drugs in what is being called the Acid Head War. The result is that many of the population are insane, locked away in their own heads as much as they are in institutions. The remainder, such as those seen here in France, seem to live a transitory existence. Whilst this intriguing situation is slowly revealed, the point of the story is less clear, and just as the reader is reeled in, the story ends. More of a mood piece than an actual story, I think.

Brian deserves credit for deliberately pushing the experimental side of science fiction in this story. It is a lot more serious than much of his work, but it feels very much like it is the beginning of a longer story. Nevertheless, it is unusual enough and odd enough for me to give it 4 out of 5.

Inconsistency by Brian M. Stableford

Don’t be fooled by the “new writer” comment given at the top of this story. We have met Brian before, both as Brian Stableford in the October 1966 issue and as co-writer Brian Craig back in the November 1965 issue–not to mention his letters to Kyril back in the same issue. Here he’s writing a fantasy story with a deliberately allegorical touch. Characters live around a village slowly disappearing in the sea. They have no idea of why they are there or how they got there. At the end the sea covers all. BUT WHAT DOES IT REALLY MEAN? Another symbolic puzzle which will either be appreciated or cause befuddlement. 3 out of 5.

The Number You Have Just Reached by Thomas M. Disch


Illustration by Keith Roberts

More from Mr. Disch this month, on the creepier side. It is about Justin Holt, the last man in the world who, staring out from his fourteen-storey apartment, receives a telephone call from someone who may be the last woman in the world. But is she real or is she a figment of his imagination? A story of fear and claustrophobia that doesn’t end well. This one’s fine, but I didn’t like it as much as some of his more recent stories. 3 out of 5.

The Pursuit of Happiness by Paul Jents

Another story from the often-underwhelming Mr. Jents, who last appeared in the June 1966 issue. Krane lives on Aligua, a distant planet which has spurned technology due to once being enslaved by computers, but have integrated circuits implanted in their heads to cope with their lives. Another story that deals with what is real and what is imaginary. One of Paul’s better stories, but really nothing special. 3 out of 5.

It’s Smart to Have an English Address by D.G. Compton

D.G. is a writer who tends to make me think of Fred Hoyle, strangely. Not sure why, other than he has this very British tone. And so it is here. Paul Cassevetes goes to meet his old friend Joseph Brown, a concert pianist (see also Hoyle’s October the First is Too Late where the main character is a composer). Doctor McKay and Paul try to get Joseph to record brain patterns whilst playing one of his finest pieces to give listeners a better experience. Joseph is resistant, feeling that such techniques do not get to the essence of a performance. At the end Joseph suffers a stroke, which makes the process rather redundant. A story of friendship and rather elegiac, if a little bit convenient at the end. I liked it but could see some thinking the story is mawkish. 3 out of 5.

Impasse by Chris Priest

Chris is one of our new young writers beginning to make an appearance in the magazines: last time it was with his Ballardian pastiche Conjugation in the December 1966 issue of New Worlds. This one seems to be an attempt to write short satirical Space Opera and shows the futility of conflict. Insults and threats are made between a Denebian and the Earth Field-Marshal which escalate until one of them shoots the other. Not sure I really get the point. 2 out of 5.

See Me Not by Richard Wilson

Another returning writer. He is popular, I understand, though his stories rarely register with myself for some reason. So the fact that Keith Roberts mentions in his Editorial that this is a “long, complete story” made my heart sink. But I was surprised, even if we are reusing old ideas here. This time it is about invisibility–thank you, Mr H. G. Wells! (Actually, I’ve only just realised that this may have been written as a result of that recent centennial celebration of Mr Wells’s birth.)

Avery wakes up to find himself invisible. Much of the rest of the story is about how he deals with this situation with his wife, Liz, his children, Bobby and Margie, and his doctor, Mike Custer. Lots of social issues ensue. The scientists try to work out what has happened and why. At the end of the story, Avery and Liz, who also becomes invisible, walk off together to live happily ever after it seems.

This is an attempt to write a lighter version of Wells’s tale, but ends up something more akin to an episode of your TV series Bewitched than the original Wells story. Although nowhere near as good as Wells’s version, for me this is a better story from Richard. 3 out of 5.

Keith Roberts rereads ‘The True History’ of Lucian of Samosatos


Illustration by Keith Roberts

And talking of Keith Roberts… This is space-filler of the highest order, as the writer gives us his interpretation of an ancient Greek classic. Not quite sure of its purpose, although Roberts writes well enough and brings to light an old classic that may be worth a second glance. Made me yearn to read a Thomas Burnett Swann story, which may not really be the point of this piece. 2 out of 5.

Book Fare (Reviews)

Book reviews from Alistair Bevan, also known as Keith Roberts. There are reviews of Planets for Man by Stephen H. Dole and Isaac Asimov, Other Worlds Than Ours by C. Maxwell Cade, Colossus by D. F. Jones, Window on the Future edited by Douglas Hill, Ten From Tomorrow by E. C. Tubb and The Machineries of Joy by Ray Bradbury.

Letters to the Editor

Last month I said that the ongoing discussion about Sex in SF that E. C. Tubb started a couple of issues ago felt like it was an attempt to generate mock outrage. With hindsight I now realise that the magazine probably has enough drama going on. Anyway, this month the Letters pages have a spirited defense of “WSB”, better known as William S. Burroughs to you and me, and a discussion of the meaning of Science Fiction, a competition that Harry opened when he first took over from Kyril. There is a winner, step up Peter Redgrove!

Summing up SF Impulse

Keith Roberts is clearly working above and beyond the usual here and should be credited with pulling together an issue even if some material was not up to the usual standard. Let’s hope that the magazine continues, although the signs are doubtful.

An advertisement on the last page of the issue. Is this an omen or a cryptic clue? Is there life after death for New Worlds or SF Impulse?

Until the next (hopefully!)



[September 26, 1965] Allegory and Mythology Science Fantasy and New Worlds, October 1965


by Mark Yon

Scenes from England

Hello again!

After all the excitement about the Worldcon in London at the end of last month (I gather a good time was had by all!) we are back to normal this month.

The issue that arrived first in the post this month was Science Fantasy.

The cover by Agosta Morol hearkens back to mythology, as did the cover of the September-October 1964 issue. It’s clearly deliberate as the main story then, as now, was by Thomas Burnett Swann, who is by now developing quite a reputation for revisiting ancient myths and revising them for a modern-day readership.

After last month’s Guest Editorial by Brian Aldiss, this month the Editorial this month is by Kyril’s second-in-command. It rather makes me wonder what has happened to Mr. Bonfiglioni, although the top of the editorial states that he is away in Venice, stargazing – lucky thing!

Having said that, the Editorial is not that different to normal. Mr. James Parkhill-Rathbone begins in a roundabout way by talking of architecture and design before going on to make the point that because humans have a lack of logic then future trends are nearly impossible to predict accurately. I liked it – there’s an entertaining mix of anecdotal humour and serious point-age going on.

To the actual stories.

The Weirwoods (Part 1 of 2), by Thomas Burnett Swann

And so straight in with a bang. If you have been following my writings here, you may know that I really like Burnett-Swann’s re-imaginings of ancient myths and folklore. His story The Blue Monkeys was the first issue of Science Fantasy I reviewed here way back in September 1964, and since then his material has always entertained. So, having tackled Greek myths and Persian myths, this time he is telling a tale from Etruria. It is the story of two cultures – one human, the other mythological – and the difficult relationship the two groups have with each other. At the beginning there is a reluctant trade between the Etruscan people of the city of Sutrium and the many different species of the neighbouring Weirwood, where we have Centaurs, Sprites, Nymphs, Fauns and the like.

The main characters are Lars Velcha of Spina and his daughter Tanaquil. Whilst moving to Sutrium they stop at a lake, and Lars captures a young teenage Water Sprite called Vel to make him a slave for Tanaquil. When travelling troubadour Arnth visits Sutrium and is invited to stay at their house, he decides to free Vel and return him to his people of the lake. This involves Arnth going to the lake and negotiating with Vegoia, who is the sorceress of the Weir people. They return to Sutrium and end the story on a cliffhanger to be concluded in the second part next month.

Once again Burnett Swann entices with his expressive descriptions and context. His writing clearly shows an intelligent understanding of ancient myths. In this mystical land before the Romans he manages to eloquently and lyrically describe the different cultures. The Weir folk are appropriately unearthly, whilst the humans seem to reflect both the innocence and the avarice of human nature.

Although parts do read like a fairytale, it is definitely a story for adults. Whilst Thomas’s previous stories have always had an element of sexuality to them, The Weirwoods is perhaps the most explicit yet. There’s sex and a lot of nakedness and men in loincloths which may be too frank or even shocking to some readers – most of the men-slaves and the male creatures are naked, for example, and the author spends some time giving details of this. He doesn’t hold back too much on the youthful desire the virginal Tanaquil has for Vel and Arnth, either, or indeed the relationship of Arnth and the weir woman Vegoia. There’s also explicit scenes in the entertaining stories Vel tells his audience as part of his performances. Such aspects lend a certain degree of maturity to the story that, whilst not for everyone, add depth and detail.

It is a sign of confidence that the serial fills over 70 pages of the magazine’s 130 this month. As ever, literate and entertaining without being obtuse. 4 out of 5.

Ragtime, by Pamela Adams

A new name to me, and – good heavens! – a woman writer! (Actually, I think that both magazines have tried hard to include women writers in the last couple of years, although there is a noticeable dearth generally.) The story is really a ghost story told by a woman about the disappearance of her husband one night whilst staying on a river boat. There’s some “Be warned – I should tell you about the weird goings-on…” type of comments, but it is readable, if a tad predictable. 3 out of 5.

Green Goblins Yet, by W Price

Another new name. This month’s lightest tale is one of those jokey-style shaggy dog stories set in a diner, where a mysterious stranger immediately nicknamed ‘Egghead’ comes looking for a goblin after a newspaper story of sheep being savaged in the Kinder Scout area. After asking the locals in the diner for advice, Jigsy and Spike agree to help find it – which they do. A story in that category I normally think of that starts, “You’ll never believe it, but…” Entertaining enough. 3 out of 5.

State of Mind, by E. C. Tubb

The popular return of one of the old guard, E.C.’s story is about a man who begins to suspect that his wife, who he has been married to for more than fifteen years, is not who he thought she is. Is it the sign of a mental breakdown, or something more sinister? It is well told, but a lesser tale of paranoia and perception, one that slow-burns until the violent end. One for the Twilight Zone fans, I guess. (We still haven’t seen the television series here in Britain, by the way.) 3 out of 5.

The Foreigner, by Johnny Byrne

I said last month that Johnny has produced some very strange stories in the past, with varying degrees of success for me. This is another oddity, a story told by a man meeting his seemingly-eccentric new neighbour, who insists on trying to throw himself out of his window wrapped in a mattress plugged into the mains electricity. The reason for this is typical Byrne material, but I quite liked it. 3 out of 5.

Goodnight, Sweet Prince, by Philip Wordley

Philip last appeared in the May 1965 issue of Science Fantasy with Timmy and the Angel. This time his story (quoting Hamlet, literary fans!) is of a future where people can time-travel into the past. On this particular occasion film magnate Art Kirbitz and his crew have travelled to Shakespearean England to film an original version of Hamlet. Director Harry Gorrin goes in search of the original manuscript in Shakespeare’s own writing, but finds a letter being written by the Bard that puts a very different slant on the man. The twist in the tale at the end is nothing really new, but I quite liked this one, although the modern-day patois between the financier and his modern crew, full of “beefy cats” and “gonnas”, is a little too unsubtle for my liking. However, this is the best story I’ve read from Philip. 3 out of 5.

Summing up Science Fantasy

Any issue that has Thomas Burnett Swann makes me happy – entertaining storytelling giving us a glimpse into a different world. I’m pleased that this one doesn’t let me down and I’m already looking forward to next month’s continuation. The rest of the issue is a little more variable but, in the end, rather pedestrian. Not really a bad story there, but generally too bland for me. Overall then, a rather middling issue, dominated by the raunchy Burnett Swann.

Onto this month’s New Worlds.

The Second Issue At Hand


After the Aldiss issue last month, we’re almost back to normal with this month’s arrival of New Worlds. This includes a dreadful uncredited cover.

This month’s editorial from Mike Moorcock is short and rather perfunctory. He points out that the stories this month are “closer to the imaginative fantasies of Kafka, Peake or Borges than, say, the work of Asimov or Heinlein” before then reviewing an issue of one of the semi-professional magazines and finally making the point that emotion is as important in sf as much as conceptual ideas. It feels like a mixed hodge-podge of ideas without too much thought.

To the stories!

Bill, the Galactic Hero, Part 3: E=mc2 – OR BUST, by Harry Harrison

Straight into the final part of Harry Harrison’s parodic serial, where hapless Bill finds himself in court for desertion. He is placed in prison to do hard labour for one year and then sent back to the battlefront on a reduced rank. The place Bill goes to reminded me of Harrison’s other recent novel, Deathworld, as it is a deadly planet, and the story seems much more serious at this point. He meets old friends and enemies there. The end of the story turns full circle.

I really want to like this story, and I know many that do, but despite trying I just can’t warm to it. This one seems to totally run out of steam. In addition, the creation of a character that is an “Arabic-Jewish-Irish con man” seems to be wanting to offend as many people as possible. Others however find it hilarious. 3 out of 5.

The Golden Barge, by William Barclay

The first of Moorcock’s vaunted allegorical stories. (William Barclay is actually Michael Moorcock in another of his guises.) Jephraim Tallow finds himself chasing a golden barge down a river. His boat runs aground on a sandbar. Floundering onto land, he meets Pandora, a strange woman with green eyes, who takes him home. She seduces him and he falls in love with her. However, this idyll is interrupted when a group of drunken revellers turn up. After some sort of orgy, Tallow realises that he must continue his journey on the river, but to do so means leaving Pandora. Pleading by Pandora to stay leads to a sad end.

I get that the story is really a tale of a man’s life-journey and how he must continue to travel through life, despite the distractions that come his way. At times, the story is quite lyrical, but otherwise it didn’t really do much for me. I suspect that some of the allegory is beyond me. 3 out of 5.

Heat of the Moment, by R. M. Bennett

Nuts-and-bolts salesman Chris Parker finds himself rescued out of a burning building to be abducted by Collectors of the Prime Government of the Second Planet of Rigel as a sample of the fauna of Sol Three. Despite the good intentions of the aliens, the situation doesn’t end well. A one-trick tale that seems fairly pointless. 3 out of 5.

Emancipation, by Daphne Castell

For the second time in two months we have that rare event of a story written by a woman. It is something that we should see more of in these magazines and Ms Castell takes her opportunity well. Emancipation initially reads like an old-style fantasy tale with seemingly primitive alien lizard-men keeping the seemingly less intelligent women of the tribe penned up and looked after as if they were animals.

With names like “Krug of Stok”, at first I thought that this was a parody of the Robert E Howard Conan stories, although we later discover that the Stokka are a seemingly primitive race living on the planet Stok. When Krug hears from Skag and Lopp, Lopp tells them of the technological gifts that space-faring Terrans from Sunward 3 bring to newly discovered planets. The Stokka men realise that in return for the setting-up of a space beacon and a Galactic Embassy they could gain technological power, wealth and status on their rather run-down planet. The aliens decide it would be a good idea to fete the humans, despite their cultural differences, and to show willingness re-educate some of the Stok women into the ways of the Terrans. This leads to cultural change previously unimagined by the men.

Another ‘comedy’ story, this time a comedy of manners and different cultures, based around the idea that how people see different cultures is funny. It’s really one of those old adventure stories where explorers act as missionaries to primitive tribes, but in a science fictional setting.

In the end, the story was better than I thought it was going to be – as comedy I enjoyed it more than Bill’s story, for example – but not a memorable one. 3 out of 5.

Jake in the Forest, by David Harvey

This story describes a series of lifecycles. Firstly, Jake travels through a forest, marvelling at the complex ways in which patterns and processes are present. Like in the Golden Barge, he meets a woman who feeds him and puts him to bed, after which he appears to be back in the forest in a different form. Approaching a megalith, he appears to be buried by it but instead takes another form, appears in a cavern by a lake and then the sea. Finally, he appears to be in bed in a forest cottage, gets up, washes, eats and drinks, and meets a beautiful woman. It appears that this cycle keeps him eternal.

Another allegorical story, quoting Ibsen but little more than a series of expressive set pieces. Poetic in its descriptions, but it did little for me. Seems to want to be Ballard. Despite Moorcock’s attempt in the Editorial to explain its purpose here in the issue – it is written “from a creative need to find fresh methods of telling a story and making a point” – it gives lots of description but the point is weak, not to mention unintelligible. Not for me. 2 out of 5.

… And Isles Where Good Men Lie, by Bob Shaw


Illustration by James Cawthorn

The return of Bob Shaw after a long absence from this magazine is a good thing, although at first glance this one reads like a traditional sf space opera story. Lt. Col. John Fortune is commander of a military base at United Nations Planetary Defence Unit N186. Nesster spaceship Number 1753 looks like it is due to land at his base, and the unit is put on alert. The legendary ‘Captain Johnny’ is put on display to the press as a sign that all is well, as a hero of the Nesster War.

However, despite all of the surface sheen and bluster, behind the scenes the story is less rosy. Fortune’s friend and scientific genius, Bill Geisler, is asked by Fortune to try and find the guiding spaceship and shoot it down before it lands.

More so, Fortune’s personal life is falling apart. His wife, Christine, is clearly having an affair with charismatic youngster Pavel Efimov, something they barely seem to hide. The plot edges into a soap opera melodrama, rather than a space opera.

Nevertheless, all is resolved at the end.

An odd one this, in that Bob has taken a somewhat traditional sf plot and given it some modern, if unusual touches. Fortune is overweight and yet a figurehead hero, with a domestic life that is about as far from the American ideal as you’d expect. I liked the fact that it was set in Iceland, again somewhere different from the typical US missile base. There’s also some debate about what to do with the aliens, once seen as a threat and now possibly something more. On the downside though, at times the story can come across as a tale of macho-posturing which at times veers into near- hysteria. It’s good to see Bob back, but this is not one of his best. 3 out of 5.

Book Reviews and Dr Peristyle

In the review section, amusingly titled Self-Conscious Sex, only one book is reviewed this month. Charles Platt reviews Robert A Heinlein’s A Stranger in a Strange Land as “a remarkably dull book”, where “Stylistically, cloying American cliché and banter merge with a coyness…inconsistent with the self-consciously bold aim to be frank about sex…” Clearly not a fan.

In happier news, “Dr. Peristyle” (aka Brian Aldiss) is back. This month he holds forth on topics as wide-ranging as religion, the function of sf as ‘literature’, the importance of scientific accuracy and whether publishers are producing quantity rather than quality. It continues to make me laugh.

Summing up New Worlds

An issue with lofty ambitions but for me surprisingly mundane. The allegorical tone of some of the material is a worthy attempt to be different, but left me unimpressed. And whilst many readers will be sad to see Bill the Galactic Hero go, (see the ratings for the first part in issue 153 below), I won’t. Here’s to a fresh restart next issue.

Summing up overall

Although neither issue is an outstanding one, as you might gather, it is pretty clear which issue I enjoyed most this month. I appreciate what Moorcock is trying to do in New Worlds, but for me the more memorable read is Science Fantasy by far.

Until the next…



[February 24, 1965] Doctors, Hunchbacks and Dunes … New Worlds and Science Fantasy, February/March 1965

by Mark Yon

Scenes from England

Hello again!

As I briefly mentioned last time, much of this month has been about the country dealing with the death and subsequent state funeral of Sir Winston Churchill. It has felt like the passing of an era – the old guard, admittedly, but an end, nevertheless. It seems to have cast a cloud over everything.

I turned to the two magazines to try and cheer me up.

The First Issue At Hand

So: which magazine arrived first? The winner was (again)… Science Fantasy.


[Impressive cover this month. Remember the bad old days covers of the Carnell New Worlds era?]

Looking beyond the arty cover by Agosta Morol, I see that the magazine, like New Worlds, now has an Associate Editor. In this case its J. Parkhill-Rathbone (no first name given.) This is, no doubt, to cope with the extra volume created by the magazine going monthly.

Not that that is shown particularly by the Editorial, which even admits that there’s little to say this month and then fills the space by mentioning up-coming works of interest. There’s also an intriguing glimpse into the life of an editor, which involves Kyril, Jim Ballard, Brian Aldiss and some Liebfraumilch.

To the stories themselves.

The Outcast, by Harry Harrison

We start with a big name, the usually wonderful Harry Harrison. He has been here before but in his many guises as short story author, editor and collaborator. It is great to read a longer story. This is one of those “spaceships as cruise liner” type of tales, with a notorious passenger causing unrest amongst the passengers. I guess that it must be akin to being on a holiday with someone like Josef Mengele!

It’s told with the usual Harrison skill, with the occasional plot-point to keep the reader guessing. The protagonist is given a surprisingly nuanced character and is not the monster some would suggest, and by the end the story becomes one of redemption. Solidly thought-provoking, if unremarkable. It’s a good start to the issue. 3 out of 5.

Song of the Syren, by Robert Wells

A story about singing alien plants and the development of bad worker relationships, but also about the trouble women cause in space when surrounded by men. As bad as it sounds, this attempts to tell a mystery plot with misogynistic clichés that I thought went out with the pulps of the 1940’s. For example, “She was a sixth year student, one of the brightest in the unit’s botanical section, but it was an open secret that she would resign when her seven years tour of duty was complete and opt for a mating and reproductive role back in Solar.” Not one of the magazine’s brightest moments. 2 out of 5.

Moriarty, by Philip Wordley

A crime story about the protagonist’s relationship with a female telepathic cop in L.A. The twist here is that the policewoman wants the burglar to hold off from robbing a bank so that she can get a bigger catch, a big-time mobster planning to rob the same bank in a few days’ time. Another predictable story that doesn’t upset things too much. 2 out of 5.

Bring Back A Life, by John Rackham

Peter Raynor is a biochemist who finds himself abducted by a group of VIPs for a secret mission – the Prime Minister has been struck down with Ringer’s Parethis – a brain disease which has only been cured before by accident – before a major political conference in three weeks’ time. Raynor is asked to try and come up with a cure for the PM. The solution appears to be one in the past, so Raynor travels to get it. An adventure story, admittedly fast-paced, that seems rather contrived when you stop to think about it. 2 out of 5.

[Image by the writer]

The Jennifer, by Keith Roberts

What? Another month, another Keith Roberts story? This is the latest from a magazine favourite, an Anita story that was delayed from last month’s issue. If you like the continuing stories of this young teenage witch, described as “shameless” in the banner, I can’t see why you wouldn’t like this one – even with the still-present annoying Granny. This time Anita and Granny Thompson are on holiday at the seaside when Anita meets a mermaid, much to Granny’s disgust. Anita catches a Serpent ride into the sea… and then the story abruptly stops, as if the writer had run out of time and space. I would have liked more, which is the sign of a good story, although I’m going to dock a point for its abrupt end, which makes it feel like more of a story extract than a story. However, like most of these Anita stories, The Jennifer is light and fun, even if Granny still irks me. 3 out of 5.

A Cave in the Hills, by R. W. Mackelworth

Here’s an author you may recognise from the Carnell New Worlds days. He was last seen in the February 1964 issue of New Worlds with The Unexpected Martyr. This is the story of a bored housewife who in a utopian future finds that her boring husband has ended up in debt and in Debtors prison. Her own future is uncertain, dependent on a visit from the Adjudicator. But bigger issues are at play. This is another story of the value of identity and being different from the majority, themes that Mackelworth has examined before, but manages pretty well. 3 out of 5.

Hunt a Wild Dream, by D. R. Heywood

Another new writer. Do you remember recently when editor Kyril Bonfiglioni said that he was a fan of “time-travel safari” stories? Well, this one starts with a safari, at least.

Our hero of the piece is Manfred ‘Mac’ Cullen, known for “bringing them back alive” (which wins points from me, though I’m not entirely sure whether that statement means animals or tourists!) We follow Cullen as he starts a journey into the African grasslands, which suggests that he’s a more complex character than my stereotype might suggest. However, this one just starts to get interesting and then stops. There’s some ruminations on the spiritual beliefs of the local Nandi tribe, that Cullen knows and understands, but as soon as we hear of some murders that may have happened on lands where the locals refuse to go, the story stops, to be continued next month.

Based on what I’ve read here, this could develop into an interesting and scary story or fizzle to nothing. The jury is out, but based on what I’ve read here I’ll give Hunt A Wild Dream a cautious 3 out of 5 so far.

Summing up Science Fantasy

Although this issue of Science Fantasy is more up-beat than the last, I am a little underwhelmed by it. There’s nothing badly wrong – OK, there’s one story that’s really not good – but it’s a solid issue. And that may be the problem. Most of it is entertaining, but there’s nothing here to really grab my attention like the Burnett Swann serial did in previous months. I’m pretty sure that this is another issue that was worth me buying, yet I’ll have forgotten about by the end of the year. The best stories for me are the Harrison, and even that is not the best of his I’ve read, and the Anita story, which has its issues.

So let’s go to my second issue.

The Second Issue At Hand

As the cover heralds, this month’s New Worlds has a couple of well-known authors: J G Ballard and Arthur C Clarke.

This month’s Editorial, I’m pleased to say, is back to the discussion format that we seemed to have lost last month. It’s another call to arms, a rumination that science fiction is moving away from the traditional space exploration story to ones set on Earth and are more involved with inner space – the mind and its “capacities and defects”. It’s an interesting point, and I guess one which makes the British SF increasingly different to the majority of stories I see in the American magazines. It ends with the point that new young writers must look forward and not back as the values of the Sixties are not those of the 1950’s.


[Art by aTom]

All the King’s Men, by B J Bailey

A stand-alone novelette from Barrington J (BJ) Bailey this month. And I liked it very much, up to the end.

In 2034 the Earth has been invaded and peacefully vanquished by aliens, who whilst keeping control over the locals fight against each other over the Earth territories. The story is told by Smith, the human second in command who with Holath Horan Sorn has kept Britain generally peaceful for the alien King of All Britain, although, unsurprisingly, Sorn and our narrator are seen as traitors by many of the native populace.

The story begins with the fact that Sorn has died and there is an impending power struggle to take his place. Smith is bullied by Hotch to take the human’s side and use the disruption to cause chaos for the King, who has relied heavily on the advice of his human advisors to maintain order. It has in the past made decisions that are mistakes that the humans have had to nullify.

At the same time the King is concerned with a war between himself as King of Britain and other aliens who have taken over Brazil. Much of the story is how Smith tries to fulfil the role of Sorn as intermediary between the alien King, who is aware that his thinking is very different to that of Humans, and at the same time Smith struggles to represent the British people, who are constantly fretting under the control of an alien leader.

So why did I really like this one? The setup is intriguing. It’s an engaging mixture of historical ideas (kingdoms, courts, feuding Kings) in a future setting (spaceships, alien art, electric trains), with a character-based tone that I really engaged with. I was going to give this one 4 stars, until I got to the ending, where the author abruptly gives everything up and the lead character basically says “I don’t know what happened.” 3 out of 5.

Sunjammer, by Arthur C Clarke

I really like Arthur’s clarity of prose and this one doesn’t disappoint, although my enthusiasm is tempered by the fact that it is a reprint of a story first published in the USA as a juvenile story in Boy’s Life in March 1964. Sunjammer is the story of a race around the Solar System using spacecraft that use solar winds for propulsion. I really liked it as a good old-fashioned ‘sense of wonder’ story that Clarke is so good at – but it also shows us what was mentioned in the Editorial, that British SF has changed a lot recently and this one is definitely old school. Like I said last month about another old-style story, Sunjammer’s exciting and I enjoyed it a lot, but it is nothing that would be out of place from the magazines of the 1950’s, and it has been printed before. 3 out of 5.

First Dawn, by Donald Malcolm

Here’s the return of an author from the Carnell Era. Donald Malcolm was last seen in the April 1964 issue of New Worlds, the last issue edited by Carnell. I thought that beyond the reach of storms was OK, if nothing special. I liked this one more, though it is a minor piece describing dawn on an ice planet as seen from the perspective of a mole-like alien. It’s nicely done but like Malcolm's last effort nothing to remember for too long. 2 out of 5.

Dune Limbo, by J G Ballard

To say that this story is much-anticipated is an understatement. If you didn’t know already, JG is making an impact not just here in Britain but also overseas with his strange fiction. He is an author that always makes me think and pushes literary boundaries at the same time. I never know what a story of his is going to say, or indeed how it is going to say it!

Dune Limbo is a little bit of a cheat however, as it is an extract from a bigger work. The Drought (also known as The Burning World to you in the US) is due out as a novel later in the year (hurrah!) and Dune Limbo is from the middle part. This is a little disappointing – how do you feel about starting a novel in the middle? – but there is a lengthy summary of what has gone before at the start.

It is obvious early on that Dune Limbo does have some of the usual Ballard-ian themes though. It is basically about a world in decline, where a global drought has changed the world we know. To this Ballard brings his usual types of characters – strange and often unpleasant. This middle part shows us a story of this new harsh environment, with humans hanging on to existence in a world different to our own.

This sounds like the Ballard of The Drowned World and Equinox. But…. dare I say it, Dune Limbo is slightly more straight-forward, perhaps even less challenging than some of Ballard’s other recent work I’ve read. It feels like there’s elements here I’ve read before. That’s not necessarily a bad thing, but it means that for me it doesn’t quite have the impact that, say, The Terminal Beach had. Don’t get me wrong – there’s some lovely images created by the prose, for example – but it may not create as much of a stir as some of his earlier work. I liked it, though.

Perhaps it may introduce the author to some new readers previously unfamiliar with Ballard’s work, but I felt a little short-changed as it felt more like an advertisement for his upcoming novel than an actual story. Nevertheless, Ballard’s prose is still seductive, and so for all my grumbles it is still 4 out of 5.

Escape from Evening, by Michael Moorcock

And here’s another story by the Editor. This time it is a novelette from the ongoing series that riffs heavily on the later stages of H G Wells’ The Time Machine. (Well, if you’re going to borrow, why not borrow from the best?)

Escape from Evening is set in a distant future, where a Moonite decides to go and live on the Earth. Despite the Earth people feeling that he would find their decaying society boring, Pepin Hunchback revels in the fact that Earth is real and not artificial like the Moon and decides to explore his new home. His travels lead him to Lanjis Liho, where we pick up points and meet characters we have heard of before back in the story The Time Dweller in the February 1964 issue of New Worlds. Lanjis Liho is the home of the fabled Chrononauts who (as we found out in the last Chrononaut story) can travel through time at will. Pepin attempts to travel back in time to a place where he would feel more in tune with their world, but there are revelations it would be wrong for me to reveal here.

There are parts of this story I liked, and it is quite different to Moorcock’s last outing – though the use of a character named ‘Pepin Hunchback’ and a ‘Hooknosed Wanderer’ may be borrowing from the classics a little too much for comfort. 3 out of 5.

The Uncivil War, by R J Tilley

Another war story in this issue, of a sort. RJ Tilley’s tale is an attempt to lighten the mood a little as we read of a young reporter’s first visit to the notorious Firkl’s Bar. Whilst there he is regaled with a shaggy-dog story about an old space-dog’s secret mission where miscommunication and bad assumptions almost start a war. Tired and overlong. 2 out of 5.

Articles

Mixed throughout the issue this month. There’s a review by Alan Dodd of the film Voyage to the End of the Universe (isn’t current thinking that there is no end?) and a summary of the latest amateur magazines.

In terms of Books this month, there is only one book reviewed, but as has been the trend of late, the review is in detail. Assistant Editor Langdon Jones has a quote for a title guaranteed to grab your attention – "That Is Not Oil, Madam. That Is Jellied Consomme", a quote from the Introduction of The Weird Ones, a collection introduced by H L Gold, who you may also know as the Editor of Galaxy magazine.

The book surprises with its unusual introduction (and is where the titular quote comes from) but is quite frugal otherwise. Frederik Pohl’s Small Lords starts well but soon becomes no more than ‘readable’, Poul Anderson’s Sentiment Inc. the same, whilst Milton Lesser’s Name Your Tiger is the most readable and perhaps predictably Eando Binder’s dated Iron Man the worst. There’s some wincingly awful quotes to make that point too.

The Letters Pages are a pleasing mixture of praise and complaint. Moans about Ron Goulart’s review of Aldiss’ Greybeard, praise for the move to monthly and monstrous book reviews – and still more argument about Langdon Jones’ story I Remember, Anita (reviewed back in issue 144).

Ratings this month for issue 146 (January 1965). Very pleased with this one. Well done to David Rome, one of the more accessible New Wave stories of late – and we have a tie!

Summing up New Worlds

Another strong issue this month, perhaps the one I have consistently enjoyed most in a long time. There’s the usual eclectic mixture – it is mentioned as such in the Editorial – but it was one of the rare issues where I loved pretty much everything, even the stuff I would normally say I didn’t. No religious preaching, no apocalyptic Armageddons, for a change.

Summing up overall

Whilst Science Fantasy has its moments, the New Worlds issue is a clear winner.

And that’s it for this time. Until the next…



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