by Gideon Marcus
Trapped on the wrong side
In the 1940s, the sound barrier was as mighty a wall as the Maginot line. Planes approaching Mach One lost control of their wings, heat built up and melted vital components — the demon living in this wall refused to let any pass.
It wasn't until 1947, when Captain Chuck Yeager took to the skies in his rocket-propelled X-1, that the barrier was first breached.
Our genre has its own deadly wall. If left unpierced, it leaves a reader like those poor, challenging planes and pilots of yore: broken and dispirited. It is the Three Star barrier, the divide between fine and feh — and this month, five of the six science fiction magazines that came out in the English-speaking world failed to break through it.
Sure, some issues made brave attempts. Both New Worlds and IF came right to the edge, the latter with some memorable stories, and the former maintaining bog-standard mediocrity down the line.
But timidity breaks no records. Playing it safe pierces no barriers.
Cele Goldsmith's mags, Amazing and Fantastic, both fell well short of the mark, managing only 2.6 stars. Perhaps if she'd lassoed the best parts of both of this month's issues together, she might have managed a breach.
And the less said about the struggling Fantasy and Science Fiction (also 2.6 stars), the better. Pour one out for a faded glory, folks.
An Analog to failure
That leaves the November 1964 Analog. Can Campbell's mag, once the undisputed leader of the genre, succeed where all its compatriots have failed? Read on…
by John Schoenherr
Invasion by Washing Water, by D.R. Barber
But, first, this message.
Are you a British astronomer? Are you tired of having your photographic negatives eaten by bacteria? Do you want to know why your shots of celestial bodies get ruined periodically by fuzz and rot? Well never fear! D.R. Barber has the answer:
Invaders from Venus.
Yes, Mr. Barber has determined that, when the Earth and Venus are aligned just right, and a major geomagnetic storm is raging, that the conditions are perfect for Venusian microbes to land in England to destroy our film. Of course, this only seems to happen in England because of vagaries of our atmospheric currents. And it's impossible for there to be a terrestrial origin for the bugs. Oh no.
Sigh. Only in Analog. One star.
Gunpowder God, by H. Beam Piper
by John Schoenherr
Our first attempt to break the Three Star barrier involves a sideways leap. Veteran SFictioneer Piper writes of Calvin Morrison, Corporal in the Pennsylvania State Police of Earth — our Earth. Through a freak accident, caused by careless activities of the universe-traveling Paratime authority, Morrison is warped to another Earth.
In this timeline, Indo-Europeans went east instead of west, crossing the Siberian land bridge, and colonizing the Americas. Come this world's 1964, the eastern seaboard is a patchwork of feudal kingdoms on the brink of a gunpowder revolution. Calvin Morrison, a Korean war veteran and all-around man of action, is perfectly placed to become a big wheel, the titular "Gunpowder God". Very soon, he is "Kalvan", organizing the troops of Hostigos against the Nostori Hordes and their tepid allies, the Principality of Sask.
But the agents of the Level One timeline, sole possessors of the secret of timeline travel, are rushing to stop Kalvan before he gives away Paratime's game…
Piper has basically recycled the plot to L. Sprague de Camp's lovely Lest Darkness Fall, in which a 20th Century man goes back to 6th Century Rome to save it from the Byzantines. And what Piper does well, he does quite well. There are fine tactics, good war depictions, the bones of an interesting plot.
But only the bones. I was expecting a novel; instead I got a short novella. Everything suffers as a result. Kalvan is welcomed all too eagerly and learns the local lingo (akin to Greek, it seems) in no time. His romance with Skylla, a princess who dresses and is treated as a man, is perfunctory — to say nothing of the wasted opportunity to develop such an interesting character!
Plus, there's this weird assumption that Aryans are the catalyst of culture, even though the geography and environment of North America are wildly different from that of Europe — and Europe's technological preeminence was never assured (and largely based on developments in other parts of the world!)
So Gunpowder God skates to the edge of the Three Star barrier but progresses no further. Strike One.
Gallagher's Glacier, by Leigh Richmond and Walt Richmond
by Kelly Freas
In the future, corporations have a stranglehold on the solar system's shipping lanes. One crazy man hatches a plan to install a fusion drive into an ice asteroid and become the first independent trader. But since the corporations have the monopoly on drive-making equipment, no one can join him in his independence…unless some plucky captain is willing to take his company ship and defect.
Wow. As written, that sounds like a pretty good yarn! But when the Richmond's tell it, they give you nothing more than the above paragraph and a lot of padding.
Glacier barely hits Star Two, much less Three. And that's Strike Two.
Sweet Dreams, Sweet Princes (Part 2 of 3), by Mack Reynolds
by Robert Swanson
Our third attempt comes with the second installment of Mack Reynold's latest serial. When last we left Denny Land, erstwhile Professor of Etruscan Studies and now national gladiatorial champion, he was headed to Spain. His top secret mission: to meet up with Auguste Bazaine, inventor of the anti-anti-missile technology that could destabilize the world, plunging it into atomic fire. But though he does manage to find Bazaine at a cocktail party, Denny is sapped on the neck, and Bazaine is kidnapped. The Sov-world, the West-world, and Common Europe all blame each other.
There is only one resolution: trial by combat. All three regions will send a three-man team into a one-hectare arena. Whomever comes out alive will be privy to the anti-anti-missile secrets…if Bazaine is ever found.
I find it ironic that the characters spend so much time lambasting the gladiatorial games, the reliance on bread and circuses of the world's idle masses. Yet this series of books is really just an excuse for some riproaring modern fight fiction. Is this a subtle message?
Less subtle is the writing, which is competent, but not up to what Reynolds can deliver when he tries. Bette Yardborough, "the girl" on Denny's spy team, gets the worst of it. To wit, this immortal dialogue:
Bette said softly, "Between your accomplishments as a scholar, and a . . . a man of violence, I would assume you have had little time for women, Dennis Land."
Was she joshing him? Denny shot a quick scowl at her. He growled, "I'm no eunuch."
She laughed again, even as she turned away to go below. "After seeing you dispatch those two trained Security lads, I'm sure you're not, Dennis."
Sweet Dreams is never going to break the Three Star Barrier with this kind of stuff, even if the fighting scenes and the world Reynolds' created are pretty interesting. And I don't have high hopes for the conclusion next month, either.
Strike Three! Oh wait. The umpire has run onto the field and called FOUL BALL. Apparently, we can't count an unfinished serial. All right. Onwards and…someway-wards.
Guttersnipe, by Rick Raphael
by John Schoenherr
Here's an oddly technical story involving sanitation and water workers… OF THE FUTURE! Their tremendously complex operation is threatened when radioactivity is found seeping into the drinking supply of one of the cities. After many loving descriptions of apparatus and mechanisms, the source is found and eliminated.
If anyone could have broken the Three Star Barrier, it'd be the fellow who brought us 400 mph cars in the Code Three series. Sadly, the piece reads like a science article on water reclamation rather than an sf story.
Mind you, I like articles on water reclamation, but I don't buy Analog to read them.
And so, Rafael's piece falls short of the barrier, somewhere beyond the Star Two line.
Strike Thr… Oh. Another foul against the line. Apparently science factish stories don't count either. Fine. One more piece to go.
Bill for Delivery, by Christopher Anvil
by Kelly Freas
About a decade ago, Bob Sheckley wrote a great little story called Milk Run. It's about the AAA Ace duo trying to form a livestock shipping company. Each of the animals on board their one transport had its own foibles, and dealing with one species exacerbated things with the others.
Chris Anvil's piece is much the same plot except less interesting and more saddening.
Another Star Two piece and (looks around for the umpire) STEEEERIIIIIIKE THREEEEE!
You're Out
In the end, I can't imagine Analog's dismal 2.2 star ranking really surprises anyone. Still, it would have been nice for at least one of this month's mags to break the Three Star Barrier. I tell you, it's times like these that I wonder about turning in my quill.
On the other hand, if I may mix my metaphors further, no single panning returns a nugget. The quest for gold is a diligent process that accumulates the stuff grain by grain. As bad as this month was in aggregate, it still gave us a decent number of good stories.
And that's why we keep doing this. Because without us, you'd be stuck slogging through all the dreck. Now, you can enjoy the gold without dealing with the dross.
You're welcome. I need a drink…
[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]
You know, the "science" article was actually kind of interesting until the author decided to draw some conclusions. Mark Twain may not have been the one to coin the phrase "lies, damn lies and statistics", but it certainly applies here.
I quite liked "Gunpowder God". True, it could have used some fleshing out, and the Aryan thing was annoying (though well designed to make Campbell like it). Maybe Piper will take up "Lord Kalvan" and do more with it. Quibble: I don't think Calvin is the titular god. That is likely meant to be Styphon whose priests have a monopoly on the stuff.
I'll say this for "Gallagher's Glacier". I liked it better than any other story by the Richmonds. But why are these icy asteroids being called glaciers? I believe the standard term is comet. Now imagine if Poul Anderson had written this.
Mack Reynolds stumbled after a decent start. He's got time to turn it around. We'll see. At least we got to say hi to Joe Mauser.
Rick Raphael seems to be carving out a niche for himself: public service science fiction. The only competition I can think of is Murray Leinster's Med Ship books and James White's Sector General stories. But Raphael is covering more and more interesting territory. Last year's "The Thirst Quenchers" was a better water-management story, though. (And honestly, the obvious extension of your metaphor for this and Reynolds' offering is a foul ball down the line.)
Chris Anvil has written some good stuff. This ain't it. I can't even remember a single thing about this story. Nope, I went back and looked at it again. Still can't remember a thing. That's a bad sign.
Next month has to turn out better. Doesn't it?
I didn't even think of using the foul ball analogy! I will retrofix because I can.
I think Gunpowder God can apply to both the guild of Styphon and Kalvan.
Anderson might have done Glacier better. Or he might not have. His recent "Winston Sanders" stories on solar system topics have been turgid.
Even Winston Sanders is better than the Richmonds.
I bring this up now and then. No matter how much John W Campbell's powers editorial powers have faded , he still has one of the best eyes for SF art. This goes back a long long ways , to the 1940's when Astounding's covers departed from brass bras and BEMs permanently. Rogers and Cartier … then Freas and Emsh… I seldom see Campbell given credit for this… in this decade F&SF (covers) have been ASFs equal , I don't know who makes those decisions over there….Galaxy has always been hit and miss.
Seconding Al Jackson (and Al, I just want to mention that I love your drumming with Booker T and the MGs) —
The writing Campbell publishes is often wall-to-wall dreck. But oh man — as a material cultural artifact to handle and look at, the current ANALOG is a thing of beauty. Schoenherr is great and Freas, who's just returned after a hiatus, is better than ever.
I can agree there. I think Schoenherr is going to get my star for best artist this year.
And Freas is great, too — viz. the Journey's old masthead!
"Gunpowder God" wasn't bad, although the hero sure did take over the society he found himself in quickly enough to make your head spin. The biggest problem is that it just stops in the middle. I expect a sequel soon, and then a novel cobbled together from them.
"Gallagher's Glacier" didn't have much to it, and "Bill for Delivery" was strictly a farce, without deeper meaning.
"Guttersnipe" was the best story in a weak issue, I thought. At least it was about something different.
Rick Raphael and oddly technical go together. Definitely his style….
For example the 1963 Hugo-nominated novella Code Three that will later join some palls in his fix-up by the same name (1967).
https://sciencefictionruminations.com/2016/02/02/book-review-code-three-rick-raphael-1963-and-1964-novelization-1967/
I reviewed Guttersnipe a few years ago here: https://sciencefictionruminations.com/2017/06/06/book-review-the-thirst-quenchers-rick-raphael-1965/
Although I had similar views as you, I enjoy (perhaps more his outlook than plot or content) his blue-collar look at workers of the future.