by Victoria Silverwolf
Out of the Depths
One of the more intriguing events this month was the discovery of the wreck of the Confederate cruiser Georgiana by a young man named Edward Lee Spence. The teenage diving enthusiast — he's been finding shipwrecks since he was twelve years old — located her remains in the shallow waters of the harbor of Charleston, South Carolina.
The steam-powered vessel, said to be the most powerful cruiser in the Confederate fleet, was on her maiden voyage from the Scottish shipyards where she was built. She ran into the Union gunboat Wissahickon while attempting to reach Charleston.
The crew of the Union ship that defeated the Confederate ship.
Seems Like Old Times
Given the fickleness of those who listen to AM radio and purchase 45's, a year is a very long time in the world of popular music. Proving that they are hardy veterans, ready to brave the storms of fame and oblivion, those old pros the Beatles repeated what they did way back in early 1964, by reaching Number One on the American music charts with Eight Days a Week, another expertly crafted, upbeat rock 'n' roll number.
The front cover; or is it the back?
The back cover; or is it the front?
Yesterday and Tomorrow
Fittingly, although many of the stories in the latest issue of Fantastic take place in the future, they often involve days gone by in various ways. Others are set in ancient times that never really existed, or in a version of the present with a very different history.
Cover art by Gray Morrow.
Bright Eyes, by Harlan Ellison
Opening up the issue is a new story from a writer who is mostly working for Hollywood these days. I hope you caught Soldier and Demon with a Glass Hand, the episodes he wrote for The Outer Limits, because they're really good.
So what's he doing back in the pages of a magazine that can only afford to pay him a tiny fraction of what television can offer? Well, according to fannish scuttlebutt, Ellison was at the World Science Fiction Convention in Washington, D.C. (Discon, 1963) when he saw the drawing shown below. Impressed by the work of this fan artist, he remarked that he would write a story for it if somebody bought it. Cele G. Lalli, editor of Fantastic, happened to be present, and took him up on the offer.
Illustration by Dennis Smith; the only one in the issue! Maybe Lalli spent all of the magazine's art budget on it in order to snag a story by Ellison.
Bright Eyes is the only surviving member of a race of beings who inhabited Earth long before humanity showed up. He feels compelled to leave his underground home for an unexplained purpose. On the back of a giant rat, carrying a bag of skulls, he encounters wild dogs, bleeding birds, and a river of corpses, before we learn the reason for his excursion above ground.
This is a brooding mood piece, full of dark imagery and an overwhelming sense of vast eons of time. Ellison writes with great passion, creating vivid scenes of apocalyptic destruction. Once in a while his language goes out of control — acoustically-sussurating is a phrase you're likely to stumble over — but, overall, his work here is compelling.
Four stars.
The Purpose of Merlin, by Colin R. Fry
We're way back in time, during the reign of King Arthur. Our protagonist is a man of Roman ancestry, in the service of Arthur. He investigates an island inhabited by a lone madman and a lion-like beast that killed a boatful of men who landed there. With the help of a local villager and a band of warriors, he sets out to learn the truth of the matter and slay the creature. Merlin doesn't show up until near the end of the story, when we find out that this isn't quite the fantasy adventure we thought it was.
The way in which the author makes the legendary Arthurian era seem like real history was interesting. The unusual plot held my attention throughout. You may figure out the twist ending long before the story is over, but it's worth reading.
Three stars.
The Other Side of Time (Part One of Three), by Keith Laumer
I haven't read Worlds of the Imperium, to which this new serial is a sequel, so I was a little confused when it started. As best as I can figure out, the hero is a guy from our world who wound up in a parallel world ruled by the Imperium. I'm guessing that the World Wars never happened in this alternate reality, because the Imperium seems to be a British/German empire.
The protagonist appears to be comfortably settled in this strange place. He's happily married, has a loyal sidekick with whom he's shared previous adventures, and works for Imperial Intelligence. His boss is none other than Manfred von Richthofen, better known as the Red Baron in our reality, now in his eighties. There's also mention of Hermann Goering working for the Imperium, so I suppose the horrors of the Nazi regime never occurred.
The Imperium has technology allowing them to visit other parallel worlds. It seems that improper use of this gizmo causes entire realities to vanish, leaving only a few worlds surviving in an emptiness known as the Blight.
All of this is just background information, and the author plunges us into the plot right away. Baron von Richthofen, for unexplained reasons, asks the hero a bunch of questions with answers that should be obvious to both of them. After this ordeal, he follows a figure who skulks around the headquarters of Imperial Intelligence, leaving blood and signs of burning behind. The mysterious person appears to be glowing with extreme heat.
Before we get any explanation for this bizarre turn of events, our hero gets knocked out. He wakes up to find himself in what seems to be the world of the Imperium, but all living things have vanished, even plants. As if two unexplained mysteries weren't enough, he soon discovers ape-men with their own vehicles that can travel between realities. He manages to sneak aboard one of these devices, and winds up a prisoner in the world of the ape-men, who make slaves of folks from parallel worlds. He meets a fellow prisoner who is a much more sophisticated kind of hairy fellow. The unlikely allies manage to escape, but the protagonist winds up in hot water in his new friend's reality.
As you can tell, a heck of a lot goes on in the first third of this novel. In typical Laumer style, the action never stops. It's a wild roller coaster ride all the way, never slowing down to let you catch your breath. We'll have to wait to see if the author manages to tie all these plot threads together into a coherent whole.
Three stars.
The Dreamer, by Walter F. Moudy
This is the only other work I've seen from the author of No Man on Earth, which was an interesting and unusual novel. This lighthearted story doesn't resemble the book at all.
Told in the fashion of a fairy tale, the plot involves an unsuccessful shopkeeper and his talking parrot. When his business fails, the fellow heads for another planet. The local ruler gives him his daughter's hand in marriage in exchange for the bird. The man has never seen the woman, so he suspects he's made a bad bargain. It all works out for the best in the end.
The whole thing is very silly but inoffensive. You may get a chuckle or two out of it.
Two stars.
Trouble with Hyperspace, by Jack Sharkey
In this brief yarn, faster-than-light travel allows a vehicle to arrive at its destination before it leaves its home base. (The author apparently thinks light is instantaneous, and that therefore anything faster than light is more than instantaneous, if you see what I mean.) After some discussion of the obvious paradoxes caused by this phenomenon, we get a weak punchline.
The premise reminds me of Isaac Asimov's joke articles about the imaginary substance thiotimoline, which dissolves before it is placed in water. The Good Doctor's pieces are just bagatelles, but they are far more cleverly done than this trivial attempt at humor.
One star.
The Silk of Shaitan, by John Jakes
Once again the mighty barbarian Brak faces magic and monsters in his quest to find his fortune. This adventure begins in medias res, so it takes a while to figure out what's going on.
It seems that Brak was beaten and left to die by a bunch of bandits. A man and his daughter happened to come by. In exchange for a healing potion, Brak agreed to accompany them on a dangerous mission. (By the way, there's also a servant along. You can tell right from the start that he's going to be the first victim.)
The leader of the bandits, a powerful sorcerer, demands that the man turn over the fabulous treasure that is to serve as his daughter's dowry. The man seems to accept this, but really plans to have Brak kill the magician. This isn't going to be easy, given the monster that lives in a pool, and magic silk that has a particularly nasty effect on those it touches.
As he has many times before, the author uses a vivid writing style to create a pastiche of Robert E. Howard's tales of Conan the Barbarian. This particular yarn has a more tragic ending than most, but otherwise it's up to the usual decent standard.
Three stars.
Predator, by Robert Rohrer
Finishing up the issue is a science fiction horror story. The main character works as a waiter aboard a luxury space vessel. Someone — or something? — altered his body so that it contains various electronic components, with a sinister purpose. Whoever it was left his hand in a gruesome condition, hidden behind a bandage, as a sadistic reminder of what happened to him. Without giving too much away, let's just say that very bad things happen.
The main appeal of this grim and bloody shocker is the author's intense, subjective, stream-of-consciousness style. We really get into the poor guy's head, and it's not a pleasant place to be. Although the motives of the unseen villains are never explained, and the ending isn't surprising, the story sets out to chill your bones, and pretty much succeeds.
Three stars.
Trash or Treasure?
Always nice to see honesty in advertising.
Like an antique store full of old stuff of uncertain value, this issue is very much a mixture of the worthy and the worthless, with most of the items falling somewhere in the middle. The Ellison is definitely a nice find, and the Laumer may turn out to be the same, if the author maintains the same level of interest. As far as the other stories go, you may prefer to spend your time entertaining yourself some other way.
Maybe catch a great old movie on the tube.
We'll be talking about these space flights and more at a special presentation of our "Come Time Travel with Me" panel, the one we normally do at conventions, on March 27 at 6PM PDT. Come register to join us! It's free and fun…and you might win a prize!
Love the article :-)
"Bright Eyes" was very good. Ellison really is a terrific writer. It was a little depressing, though.
"Merlin" checked off a lot my boxes. I've been a fan of the Matter of Britain since I encountered Howard Pyle's "Story of King Arthur" as young boy. As an adult, I've been more interested in stories that put Arthur in the context of Britain shortly after the Romans left. As Victoria notes, the ending was fairly obvious, but I really liked this one. I also liked slight misdirection in the meaning of "purpose".
I did read "Worlds of the Imperium" when it ran in Fantastic, and I remember enjoying it, but the details have grown vague in the last five years. I've noted that I tend to like Laumer's action hero stuff less than his other work. This was good, though. A German-British Empire isn't all that odd necessarily. Just turn the personal union of Britain and Hannover under the Georges into a political union.
"The Dreamer" was rather pedestrian. Moudy was clearly aiming for a bit of an old pulp tone and didn't quite make it. Silly but inoffensive is an excellent summary.
"Hyperspace" is Sharkey at his worst. He hasn't turned out something this bad in ages.
Brak is really getting good. I never would have thought I would wind up enjoying these after the first couple. Howard also turned out a few darker stories like this. Jakes is a worthy successor. If Sprague de Camp still has any of Howard's Conan fragments and notes, he could easily hand them off to Jakes.
Robert Rohrer has been quite experimental lately. This was better than "Greendark". Easier to follow certainly, though I'm still not entirely sure what happened.
On the whole, this was pretty good issue. Amazing was decent, too. If the rumors are true and the mags are being sold off, you have to wonder if they're going out with a bang.
I am an Arthurian fan but have not read Pyle. Not sure if he came out on this side of the pond. May have to see if I can track him down on my next business trip over.
I personally grew up on TH White (being 5 when the first book came out so was the perfect age) although was also very impressed with Roger Lancelyn Green's King Arthur and His Knights of the Round table.
Most or all of Pyle's Arthurian material (and many other books by him and/or illustrated by him) are online; a long list is as
https://tinyurl.com/HPyleBks
I am so going to miss Cele G. Lalli if she stops editing these magazines, who has been one of the best editors of the last 10 years but she is definitely going out in style.
Bright Eyes was absolutely gorgeous. I have in the past found Ellison a bit of a simplistic writer but here showed he can do complicated literary work. My favourite short story of the year so far.
I love a good Arthurian tale and definitely a nice example.
Laumer does what he usually does, action packed and thrilling but a little empty for my tastes. An enjoyable start but not sure I will bother with the rest.
The next couple of vignettes are forgettable nonesense but thankfully don't take up much space.
Jakes continues to be pretty good in these Brak stories. Nothing exceptional but you know you are going to get a good yarn.
Rohrer is one of Lalli's regulars who usually impresses me and continues do so with a great little horror tale.