Tag Archives: science fiction

[Jan. 28, 1960] But how do you really feel? (February 1960 Astounding)

I've devoted much ink to lambasting Astounding/Analog editor John Campbell for his attempts to revitalize his magazine, but I've not yet actually talked about the latest (February 1960) issue.  Does it continue the digest's trend towards general lousiness?

For the most part, yes.  Harry Harrison's serial, Deathworld, continues to be excellent (and it will be the subject of its own article next month).  But the rest is uninspired stuff.  Take the lead story, What the Left Hand was Doing by "Darrell T. Langart" (an anagram of the author's real name—three guess as to who it really is, and the first two don't count).  It's an inoffensive but completely forgettable story about psionic secret agent, who is sent to China to rescue an American physicist from the clutches of the Communists.

Then there's Mack Reynold's Summit, in which it is revealed that the two Superpowers cynically wage a Cold War primarily to maintain their domestic economies.  A decent-enough message, but there is not enough development to leave much of an impact, and the "kicker" ending isn't much of one.

Algis Budrys has a sequel to his last post-Apocalyptic Atlantis-set story called Due Process.  I like Budrys, but this series, which was not great to begin with, has gone downhill.  It is another "one savvy man can pull political strings to make the world dance to his bidding" stories, and it's as smug as one might imagine.

The Calibrated Alligator, by Calvin Knox (Robert Silverberg) is another sequel featuring the zany antics of the scientist crew of Lunar Base #3.  In the first installment in this series, they built an artificial cow to make milk and liver.  Now, they are force-growing a pet alligator to prodigious size.  The ostensible purpose is to feed a hungry world with quickly maturing iguanas, but the actual motivation is to allow one of the young scientists to keep a beloved, smuggled pet.  The first story was fun, and and this one is similarly fluffy and pleasant. 

I'll skip over Campbell's treatise on color photography since it is dull as dirt.  The editor would have been better served publishing any of his homemade nudes that I've heard so much about.  That brings us to Murray Leinster's The Leader.  It is difficult for me to malign the fellow with perhaps the strongest claim to the title "Dean of American Science Fiction," particularly when he has so many inarguable classics to his name, but this story does not approach the bar that Leinster himself has set.  It's another story with psionic underpinnings (in Astounding!  Shock!) about a dictator who uses his powers to entrance his populace.  It is told in a series of written correspondence, and only force of will enabled me to complete the tale.  There was a nice set of paragraphs, however, on the notion that telepathy and precognition are really a form of psychokinesis. 

I tend to skip P. Schuyler Miller's book column, but I found his analysis of the likely choices for this (last) year's Hugo awards to be rewarding.  They've apparently expanded the scope of the film Hugo from including just movies to also encompassing television shows and stage productions, 1958's crop being so unimpressive as to yield no winners. 

My money's on The World, The Flesh, and The Devil.

Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Jan. 27, 1960] Hail Mary (Astounding's mid-life crisis)

Maturity is both a blessing and a curse.  With age comes wisdom, knowledge, and respect.  But advanced years also bring narrowmindedness and physical decay.

Astounding, the eldest of the Big Three (or Four, depending on how you count them) science fiction digests, is having a bit of a mid-life crisis.  It is no longer on the cutting edge of the field, and editor John Campbell knows this.  At the same time, his conservative editorial policies makes turning the literary ship around a slow and possibly fruitless task.

His recent innovations include changing the name to Astounding Science Fact and Fiction and including a several-page slick non-fiction section.  It's terrible.  He needs an Asimov or at least a Boyd to write these articles.

With this issue, Campbell has begun the process of changing the name of the magazine to Analog, a singularly uninspiring appellation. 

What Campbell has not done is broaden his stable of writers.  They are not universally terrible, but they are almost always write conservatively (at least, when they write for Astounding/Analog) and there are very few woman writers or characters.  The stories are usually of that dry, gimmicky variety, often suffused with a smugness I can't stand.  Moreover, there is the general portrayal of aliens in a negative light, which strikes me as a sort of coded racism with which I am not comfortable.

Why do I keep reading?  Well, the serial Deathworld is actually very good, and if I cancel my subscription, I won't have much else to read.  I also, like many, take pleasure in watching trainwrecks.  Either this caterpillar will turn into a beautiful butterfly, or it will end up a dead pupae.

Only time will tell.

I'll have a full review of this month's issue tomorrow.  Stay tuned!

Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Jan. 21, 1960] Siamese, if you please (February 1960 Galaxy, part 2)

I made fun of Galaxy editor Horace Gold for the slightly panicked tone in this month's editorial.  It's clear that he has concerns that the quality of his magazine might dip unless he can tap a reservoir of new talent.

That said, the February 1960 Galaxy finishes as it started (and as did its sister, the January 1960 IF)–on the good side of three stars, but not too far from the middle.  Let us see how Part 2 turned out.

I am sad to report that Willy Ley's articles just aren't as engaging as once they were.  They were what originally sold me on getting subscription, Galaxy being the first magazine I followed regularly.  The lovable ex-German just seems unfocused and a little cranky these days.

Zenna Henderson's Something Bright, on the other hand, is that engaging mix of magic, grit, unease, and wonder that I have come to expect from her.  This one is told from the point of view of a Depression-era teen who has a close encounter with a peculiar, and rather frightening, neighbor.  It's nice to see work by two woman authors in Galaxy, a sign that the genre as a whole is becoming more balanced.


Dillon

Simak's Crying Jag takes place in a similar setting—he does enjoy those rustic tales, evocative of his home in rural Minnesota.  In this one, the rather soused protagonist becomes the friend and keeper of an alien for whom sad stories are an intoxicant.  Everybody wins in this one, as the storytellers thus find themselves free of their psychological pain.  Not stellar, but enjoyable.


Wallace Wood

For some reason, I really enjoyed David Fisher's East in the Morning, about a intellectual prodigy who must wait until his very old age for his genius to bear fruit.  It is told in this detached yet gripping manner that I found engaging.  Perhaps there is a bit of identification, too—after all, I too blazed through my early life displaying signs of promise and even, perhaps, genius… but I'm still waiting to make my mark.  Someday.


Dick Francis

Sadly, the magazine has stumbles to an unimpressive finish.  Jim Wannamaker is a new face to the science fiction world, and his Death's Wisher, about a psychokinetic who threatens to blow up the world by setting off its hydrogen bombs, is not an impressive first outing.  Truth to tell, I almost fell asleep. 


Dick Francis

Space news is up next.  All about a midget Mercury and its furry astronaut.  Stay tuned!

(all Galaxy magazines can be found here)

Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Jan. 18, 1960] The Winds of Change (Predictions for the 1960s)

There should be nothing significant about the turn of a decade.  After all, years that end in zero are a completely artificial construction.  Yet, there is a powerful reductive element to the human psyche that demands that decades be put into descriptive boxes.  Perhaps we even shape events to create self-fulfilling prophecies.

Thus, the '30s are the years of Depression (which started in October 1929).  The '40s are the War Years, starting with Hitler's September 1939 invasion of Poland.  While I cannot think of a single dramatic event that sparked the prosperous and reactionary decade of the 50's, the triggers for the next decade have already sprung.  I can already guess the word that will describe the 60's in years to come:

Freedom.

Abroad, the last bastions of colonialism are falling to what British Prime Minister calls "The Winds of Change."  In Kenya, for instance, the black majority has just been fully enfranchised, and independence cannot be far away.  Talks are underway to allow the Congo to break away from Belgian rule.  Independence is scheduled this year for the countries of French West Africa.

In this nation, the "racial problem" is coming to a head; Democratic hopeful Jack Kennedy has called the issue resolved, but this resolution has yet to graduate from the theoretical to the actual.  If the '50s was the "Beat" decade, the '60s will be the decade that Beat goes mainstream in a backlash to straight-jacketing conformity.

As a species, we are approaching an even bigger sort of emancipation.  This year, or perhaps the next at the latest, the first person will be break free from the prison of the Earth, catapulted into orbit on a tower of flame. 

Thus, the '60s will be starkly different from preceding decades.  This can't help but have an effect on our science fiction and fantasy.

We can already see the trends: The pulps have died, replaced by more substantial venues—digests and novels.  The major magazines have had significant editorial changes (Campbell's Astounding is the rule-proving exception).  Women have been allowed into the Men's Club, and several have become luminaries (Katherine MacLean, Judith Merril, Zenna Henderson).  As science advances, science fiction must race ahead to make wilder predictions, and the prognosticators will not all be familiar faces.  Per Galaxy editor Horace Gold, writers tend to have a 5-10 year lifespan in this business, and that means an influx of new blood, mostly from the ranks of fandom.

This all adds up to a whole new literary ball game with the shackles of convention cast to the wind.  Stories will be more nuanced, with more varied characters and more departures from the "gotcha" ending.  Its writers will be far more diverse, lending fresh perspectives to the genre.  The focus may shift from simple technological problems to broader sociological issues; I imagine much of the writing may prove downright subversive.

Many of the fans and writers have lamented that our genre is not taken seriously enough.  As science ficton and fantasy matures, I think we're going to see some truly groundbreaking stories that transcend into the mainstream consciousness.  Ours may even someday become the preferred literary genre, the only one equipped to express the hopes and fears of a society whose rate of change continues to accelerate.

Change is scary.  Change is exciting.  Enjoy the ride.

Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Jan. 14, 1960] Twin Stars (February 1960 Galaxy)

Galaxy editor Horace Gold is hard up for writers these days now that he's cut payment rates.  In this month's (February 1960) editorial, he notes that he's getting all kinds of low-quality stuff, and would these would-be authors please try reading a scientific journal or two to get better ideas!

Be that as it may, thus far, this double-sized issue of Galaxy is quite enjoyable.  I'm splitting the book into two columns so as not to overwhelm you and give you a chance to follow along at home.

Bob Sheckley has a new story out: Meeting of the Minds.  I think I've mentioned in an earlier column how one of my best friends has a profound aversion to stories involving a take-over of the body a la Heinlein's The Puppet Masters.  He'd have to give Meeting a miss, because that's its central theme: the bug-like Quedak, psychic coordinator for the extinct hive-mind species of Mars, hitches a ride back to Earth where he intends to conduct a similar conquest. 


Dick Francis

While Bob tends to write in a flip sort of way, he also is capable of some downright creepy prose.  I particularly like how the Quedak is portrayed in glances through other characters' eyes.  The use of limited viewpoints is quite effective.  Moreover, it would be interesting to viscerally feel what a bird or pig or other human feels, were the cost not losing one's individuality to a hive-mind.

Unsettling, but good.

Margaret St. Clair has been a busy bee, with stories appearing both here and in IF this monthThe Nuse Man is a shaggy dog story about a brick salesman from the future, and how he ran afoul of political intrigue in ancient Mesopotamia. You won't remember it long after you read it, but you will enjoy it.


Wallace Wood

Newcomer James Stamers is another author who is filling the pages of two Golden magazines in one month. Dumbwaiter is cute, but eminently forgettable (clearly, as I had to rack my brain for several minutes to remember what it was about!) It opens, excitingly enough, with a master smuggler attempting to secret an extraterrestrial animal through customs.  That half of the story is a pleasant cat and mouser.  The remainder, wherein the animal turns out to be a sort of eager-to-please teleport, who charms the smuggler's fiancée by bringing her numerous treasures, is not as engaging.


Dillion

Finally, in The Day the Icicle Works Closed, we have a solid extraterrestrial whodunit by Fred Pohl featuring body-swapping, kidnapping, politics, and a reasonably compelling detective.  It starts out rather prosaic, but the pace accelerates as the pieces fit together, and the end is worth waiting for.  I shan't spoil any more in the event you want to take a crack at some armchair sleuthing.


Dillon

Stay tuned for Part 2, in which I'll discuss Willy Ley, Zenna Henderson (two women in one Galaxy!) and more.

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Jan. 08, 1960] Between Peaks (January 1960 If)

I've finally finished the January 1960 IF and can report fully on its contents.  January has been a decidedly uninspiring month for digests.  They're all in the 3-star range (though for Astounding, that's actually a good month!) with no knockouts in the bunch.  Perhaps this is the calm before the storm.

The reliable if stolid Mack Reynolds (writing as Mark Mallory) kicks off this issue with The Good Seed.  Can a man trapped on a tiny island by a swelling tide escape before he is drowned?  Perhaps with the help of a sentient, telepathic plant.  It's actually quite a touching story.

James Stamers seems to be a newcomer, and it shows in his unpolished writing.  Despite this, his The Divers, about psionic neutrals (essentially anti-telepaths) with the ability to astrally project, has some fascinating ideas and some genuinely evocative scenes.  Had Stamers given the tale to Sturgeon to work over for a final edit, I think it could have been an epic.  As it is, the story suggests that its author is a diamond in the rough waiting to be polished.

Two Ulsterians, Bob Shaw and Walt Willis, wrote the short Dissolute Diplomat, about an unsavory space traveler who crashes on an alien world, bullies the jelly-ish inhabitants into fixing his ship, and then gets what he deserves in a groan-worthy fashion that is truly pun-ishing.

The Little Red Bag, by Jerry Sohl, is a good piece of thrilling writing, at least until the somewhat callous and abrupt end.  A fellow on a plane has the power of tactile clairvoyance—and he discovers a ticking time bomb in the luggage compartment.  Can he save the passengers before it goes off?  Having flown the route that the plane takes many times (Southerly down California into Los Angeles), the setting is quite familiar, which is always fun.

Daniel Galouye (how do you pronounce his name?) is up next with the interesting teleportation yarn, The Last Leap.  Three military subjects have gone AWOL after artificially gaining the ability to materialize anywhere.  Surely they were not killed–after all, even the vacuum of space poses no danger, for the 'porters reflexively snap back to a safe spot; moreover, they instinctively avoid teleporting into solid objects.  What could have happened?  You find out in the end…

To Each His Own, by Jack Sharkey, stars a team of Venusians who explore the Earth after a recent holocaust.  The nature of said disaster is never made explicit until the very end, though it is alluded to subtly.  I confess that I should have figured out the gimmick ending, but I didn't.  I suppose that constitutes a point in the author's favor.

Margaret St. Clair has a fun story (The Autumn after Next) about a magical missionary whose job is to convert magic-less cultures into adepts at the Arts.  He meets his match, and his end, attempting to introduce the most reluctant of tribes to the supernatural.  Better than The Scarlet Hexapod, not as good as Discipline, both IF stories.

Finally, we have Cultural Exchange by J.F. Bone wherein a crew of space explorers meets a sophisticated alien race with both superior and inferior technologies.  It is a first contact story of Cat and Mouse with both sides attempting to be the predator.  Not stellar, but satisfying.

That's that!  It's an unremarkable issue, slightly under the standards of its older sibling, Galaxy, I'd say.  Worth a read, but you won't remember it next month (unless, of course, you review my column).

Note: If you like this column, consider sharing it by whatever media you frequent most.  I love the company, and I imagine your friends share your excellent taste!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Jan. 2, 1960] Happy New Year! (January 1960 F&SF)

Good Lord, is it already 1960?

When I started this endeavor in 1958, I had only a vague notion what it would look like and how long it would last.  Over the past year 14 months, Galactic Journey has settled into what I hope is a consistent, yet varied, mature column.  Moreover, I have suspicion that this column will last just about as long as I do, as I see no reason to ever stop.

It is hard to imagine Galactic Journey with bylines dated with futuristic years like 1965 or 1972 or 1988, but why not?  Perhaps one day, instead of San Diego, Seattle, or Sapporo, the dateline will read Sinus Rorus, Syrtis Major, or Saturn.

Returning to the present, it must be 1960, for that is the date on the current Fantasy and Science Fiction, January to be exact.  Actually, the February issue has already arrived, but that's a topic for a future week.  In the meantime, let's see what the first F&SF of 1960 has to offer:

Poul Anderson is back with another Time Patrol story, The Only Game in Town.  This time, Everard and his faithful Indian companion (I kid; Salgado is quite a well-developed and co-equal character) are dispatched to the American Southwest in the 13th century to stop, get this, a Mongol invasion.

It's not so silly as it sounds.  In fact, it sounds downright plausible that the Mongols could, after conquering China, send a scouting expedition to the New World.  It didn't take many horsemen to conquer the Aztecs, and the Mongols were a formidable race, to be sure.  What makes this story interesting, aside from the fine writing and evocative setting, is Everard's dawning realization that the Time Patrol's mission may not be as pure as once thought.  The Time Cops are told they are to preserve the original timeline, but in this story, they appear to be meddling for meddling's sake rather than fixing damage caused by others.

I look forward to learning more about the secret agenda of Everard's future employers.

Then we have A Divvil with the Women, apparently a resubmission of an earlier story once published in a lesser magazine.  It's by Eric Frank Russell (slumming as "Niall Wilde"), and it involves an unpleasant fellow who makes a deal with the devil—with disastrous results, of course.  My, but these stories are popular these days!  It's no longer than it needs to be to deliver the punchline, which is a blessing (pun intended).

Damon Knight has translated a piece from F&SF's French edition: The Blind Pilot by Charles Henneberg.  Sadly, the thing is only half-translated or something; it's well nigh unreadable, and I didn't make it past the first few pages.  Oh well.

Reginald Bretnor, who writes the execrable Ferdinand Feghoot puns in F&SF under a pseudonym, has a very silly short-short ("Bug-Getter") that, you guessed it, ends in a pun.  I must confess that I did laugh, so it couldn't have been all bad.

For once, Asimov has a decidedly unremarkable article.  It's called Those Crazy Ideas, and it segues from a discussion of Asimov's personal creativity to observations on how scientific creativity can be maximized.  Fluffy.

Cliff Simak's Final Gentleman just barely misses the mark.  Quite a long tale for F&SF, it is one of those excitingly creepy tales with a prosaic payoff.  In this case, a respected author retires after 30 years only to find that the trappings and details of his life are largely imaginary, sort of a psychic cloak that surrounds him, altering his surroundings and himself to seem more refined and engaging than they actually are.  I found this notion compelling.  After all, I often swathe myself in a fantasy, pretending to be decades in the past.  I complete the illusion by listening to old music, using obsolete slang, wearing out-of-date clothing.  It is a conceit in which I engage to better understand a bygone era for historical purposes, and simply to have a fun invisible refuge from the real world.  Hey—it's cheaper than heroin.

But in Simak's story, the psychic hoodwink is perpetrated solely to influence the course of history through an implausible Rube Goldberg chain of interactions.  I was disappointed, but you may feel differently.

A Little Girl's Christmas in Modernia, by Ralph Bunch, is next.  In this future, we gradually trade in our flesh parts for metal as we grow older.  Bunch's tale features a fully human moppet and her mostly-converted parents in the kind of inconsequential story I'd expect to find in a slick.  I suppose they needed a Holiday-themed story to fill out this issue.

What do you do when an alien weather probe crashes into your backyard?  You bake it, of course, and thus unintentionally forestall an extraterrestrial invasion.  G.C. Edmondson's The Galactic Calabash is fun, though it took me several sessions to get through the short story, largely because I always picked it up at bedtime.

Rounding out the magazine is the quite good Double Double, Toil and Trouble by Holley Cantine.  An anarchist turned recluse decides to take up magic, eventually learning the secret to doubling anything.  It starts out well enough, but the ending provides a cautionary tale against dabbling in the Dark Arts.  Holley Cantine, I understand, is a bit of a political theorist, and Double has a deeper message wrapped in a gentle fiction coating. 

And so the January 1960 F&SF ends as it began with a four-star story.  In-between, there lies a muddle of uncharacteristic unevenness such that the whole issue clocks in at a mere three stars, the same as this month's Astounding.

That just leaves us with the January IF, whose reading is in progress.  In the meantime, I'll soon have a report on my latest excursion to the drive-in with my daughter.  It don't all gotta be highbrow, after all.

Happy New Year!

Note: If you like this column, consider sharing it by whatever media you frequent most.  I love the company, and I imagine your friends share your excellent taste!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Dec. 22. 1959] Put a finer point on it (Starship Troopers)

It is common practice for serials published in science fiction digests to get turned into stand-alone novels. Not only does this constitute a nice double-dip for publishers and authors, but it offers the writer a chance to polish her/his work further.  Sometimes, the resulting product ends up something of a bloated mess.  In the case of Heinlein’s Starship Troopers, the novelization of Starship Soldier (which appeared in F&SF a couple of months ago), the opposite is the case.  Heinlein’s expanded story has turned a flawed gem into a masterpiece.

Left virtually intact are the first two acts as presented in F&SF.  Johnny Rico is a bright but rather callow youth who joins the "Mobile Infantry" without much forethought.  After an intense and vividly portrayed Basic Training, Rico becomes versed in the art of combat from within a suit of powered armor with enough power to destroy a 20th Century tank company.  He then goes off to fight an interstellar war against the "Bugs," a hive-mind race of Arachnoids, and their co-belligerents, the humanoid "Skinnies."  There is precious little depiction of combat, however, with the exception of a well-executed first chapter (Basic Training is described in flashback).

It was all well done, but the serial just sort of ends without much resolution or pay-off.  The novel includes a full third act wherein Rico is involved in a mission to capture one of the Bug "brains" for interrogation/experimentation purposes.  This is what the novel needed, and I have to wonder if Heinlein intended it to be there all the time, but was limited by space constraints.  It makes the book a must-have, and it is possibly the best thing Heinlein has written to date.

Of course, there is a bit more of the jingoistic, even Fascist pro-militarism speeches issuing from the mouths of various officers and professors.  I imagine a number of impressionable young folk will be motivated to enlist after reading the book.  I can only hope that we don't fight any major wars over the next decade or two, though so long as the minute hand on the F.A.S. Doomsday Clock remains at two minutes to Midnight, that seems wishful thinking.

Then again, so long as there are just 120 seconds to Armageddon, the next major war is likely to be very short.

Note: If you like this column, consider sharing it by whatever media you frequent most.  I love the company, and I imagine your friends share your excellent taste!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Dec. 17, 1959] Same ol' Same ol'? (January 1960 Astounding)

There are times that I feel I could trot out the same Astounding review every month.  It would go something like this:

"Editor John Campbell continues to showcase Human-First, psionic stories with young male protagonists and virtually no female characters.  The table of contents features Randall Garrett, Robert Silverberg, Poul Anderson, and Murray Leinster.  Yet again, the magazine is a disappointment."

For the most part, the above summary would serve this month, but there is a kicker at the end of this review.

Skipping the first part of a serial by a fellow of whom I've never heard (a Harry Harrison), the issue opens up with one of Murray Leinster's weaker outings, Attention Saint Patrick.  Leinster is often excellent, but in this one, he's just boringly droll, telling the story of an Irish space colony that relies on giant serpents to control its vermin problem—in this case, little dinosaurs with diamond teeth. 


by Bernklau

Then we have the truly ridiculous A Rose by Other Name, a Chris Anvil story about how the removal of military and jingoistic jargon from our vocabulary makes it impossible to go to war.  Not good.

Campbell has tried to make his magazine more respectable by including a slick paper non-fiction segment starting this month.  Frank Foote and Arthur Shuck penned Solid Plutonium Headache about the technical and physical difficulties associated with working this dangerous radioactive material.  A more boring article I have never read, which is a shame because there's nothing wrong with the subject matter.  Until Campbell finds himself an Asimov or a Ley, I think his non-fiction section won't be worth much—particularly as the slick paper is not at all absorbent.

Poul Anderson's The Burning Bridge, about a fleet of interstellar colony ships on a 40-year trip to settle a new world, is decent.  Recalled by Earth nearly a few years into their flight, the fleet's Admiral must determine whether or not they will return or press on.  The cast is nicely international, and women play an important (though oddly segregated) part.


by Bernklau

Then we have The Garrett, in this case Viewpoint.  A fellow dreams himself into the future and discovers a strange new world before snapping back to his original time.  The now-typical Randallian gimmick is that the person is a famous figure from the past, and the destination is now-ish.  It's not as bad as it could have been, but Garrett loses a star just for being Garrett.

Finally, we have The Silverberg: Stress Pattern.  This story is hard to rate because there are really two things going on here.  On one hand, we have the story of a sociologist and his assistant wife (no doubt inspired by Bob Silverberg's wife and partner, Barbara) and the slow unraveling and subsequent recovery of their lives.  The characterization and writing are quite good, and I was carried along for the entirety of the tale's 30 pages.

On the other hand, in the end, the story is a rather ham-fisted argument against the leveling qualities of increased socialism (small "s") and social welfare.  The message of the story is that while we might keep the lower classes fat and happy, the secure smart people are just going to get bored and restless.  While such an argument could be made against a uniform public school curriculum, and while in true Socialism, the only way to get ahead is to cheat, I don't think things can progress in America as Silverberg contests.  Moreover, that part just feels tacked on to tickle Campbell's fancy.  It has that "secret society knows all the answers and can manipulate humanity like a machine" conceit I generally find tiresome.

Still, Bob is coming along.  I think if he tried writing for another magazine, he could put his talent for prolific writing and good portrayals toward making something truly good.  He's not Randy Garrett, even though he works with him regularly.

All told, it's a 2.5 star issue.  But I promised a kicker: the serial, Deathworld, is excellent so far, and I'm keenly anticipating next month's installment.  You'll have to wait until next February to get the review, but I think it will be a good one!

Stay tuned!

Note: If you like this column, consider sharing it by whatever media you frequent most.  I love the company, and I imagine your friends share your excellent taste!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Dec. 15, 1959] Between Superstition and Knowledge (Twilight Zone 4-week wrap-up)

This Friday night was a bit of a repeat performance of last week's: another trip to the German delicatessen in Escondido, another beer, another coffee and dessert.  This time, I was in the most enjoyable company of my wife, and we had an avid discussion of what it is to be a "fan." 

A mutual friend of ours once observed that fandom has three things in common—the following utterances:

"Where did you get that?"

"How can we get more people into it?"

"It's not as good as it used to be…"

It's true that fandoms come and go.  The "Golden Age" of science fiction, when Astounding ruled the roost with its Campbellian stories, is departed.  The boom of science fiction magazines came to an end a couple of years ago.  The cozy British country-house mystery is becoming a thing of the past. 

Things change.  It's an inevitable part of life.  But it's a mistake to get so stuck in nostalgia that one cannot see the old fandoms that continue to thrive (Conan Doyle, for instance) or the new evolutions in current fandoms (the small but rising tide of female authors, the general increase in quality of science fiction and fantasy even as the number of digests diminishes). 

There are also brand new fandoms.  I am very excited to have gotten in on the ground floor of one on which the paint is still wet: Rod Serling's anthology science fiction show, The Twilight Zone.

Three months ago, the program was an exciting idea.  Now, eleven episodes in, it is a bonafide phenomenon with staying power.  Though the quality of each episode varies, of course, Twilight Zone is still head and shoulders above what came before on television.  I've high hopes it will only rise in excellence.

Here's what my daughter and I have enjoyed for the last four Fridays:

Time Enough at Last came out on November 20.  The buzz I hear is that it went over well, and there's no question that Burgess Meredith turned in a fine performance as a frustrated bibliophile bank teller, who finds himself alone after surviving a nuclear holocaust.  But the ending, where he finds a lifetime of books to read and then immediately breaks his glasses, is not clever.  It's just cruel, and it soured me on the whole piece.

Charles Beaumont is the first writer whose name isn't Rod Serling to pen an episode, and his outing, Perchance to Dream was interesting.  A fellow with a heart condition is afraid to sleep for he knows that a temptress in his dream will lead him into a carnival of horrors, which will aggravate him into cardiac arrest.  The afflicted man tells his story to a sympathetic doctor, and we get to see the narrative progress in flashback.  It's creepy and fascinating.  I guessed the ending early on, but the tale was so compelling, I forgot all about my premonition until it actually happened.

I enjoyed the subject and setting of Judgment Night, in which a German man finds himself aboard a British liner cruising the Atlantic during World War II.  He is deathly afraid of U-Boats and seems to be certain that an attack from under the sea is impending.  It's a suitably atmospheric piece though somehow a bit plodding.  It was during this episode that my daughter noted that virtually none of the protagonists on the show are female.  I can only recall one, from The 16 millimeter Shrine.

This week's episode, (And When the Sky was Opened, was a winner.  Written by the master of science-fiction horror teleplays and fiction, Richard Matheson, it stars the excellent Rod Taylor as one of three survivors of a spaceplane crash.  It seems each of the astronauts is disappearing one-by-one, not just from the Earth, but from history and memories.  Creepy creepy stuff, though my daughter complained that she was getting tired of episodes featuring "people acting crazy."  (A neat tidbit: the spaceplane featured is the X-20, a real-life Air Force project that has either just gotten or is in the process of getting the green light for construction.  This vehicle will be the next step beyond the X-15, actually capable of orbital flight!)

As much as I enjoyed the episode, it shared the same overwrought middle that I've seen consistently in the last eleven episodes.  This, I think, is the main weakness of this young show.  While the writing is often brilliant, the acting usually excellent, and the cinematography remarkable, the middle third of each episode tends to take a bit too long padding out the set-up before the payoff. 

Perhaps I'm just a little too clever, guessing the ends before well before they happen.  It may well be that Twilight Zone is starting easy to draw in the uninitiated, those who haven't read a thousand science fiction stories already.  With all the talent going into this program, I have faith that the show will continue to mature and, as with science fiction, move beyond "gotcha" storytelling.

What say you?

Note: If you like this column, consider sharing it by whatever media you frequent most.  I love the company, and I imagine your friends share your excellent taste!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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