Tag Archives: m.r. anver

[February 28, 1970] Revolutionaries… (March 1970 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Turbulent times

Unless you've been living under a rock the past two years, you know the shockwaves from The 1968 Democratic Convention in Chicago are still reverberating.  The open fighting on the convention floor, the fascist polemic of Mayor Daley, the protests, the baby blue and olive drab helmets, and the crippled candidacy of the man tasked to thwart Dick Nixon from taking the White House.

Aside from the shambolic shuffle toward further embroilment in southeast Asia, two other phenomena have kept the convention in the public eye.  The first is last year's neck-clutch of a movie, Medium Cool.  Half drama, half documentary, Haskell Wexler's film follows a jaded Chicago news cameraman in the weeks leading up to the crisis point.  Indeed (and I didn't realize this at the time), the footage of Robert Forster and Verna Bloom in and around the convention hall during the clashes, hippie vs. fuzz, Dixiecrat vs. DFL, was all shot live. 

A brunette woman in a yellow dress walks in front of a line of police officers. There are hippies of various ages at the left side of the frame, including a young boy.
Verna Bloom, playing an emigrant from West Virginia, searches Grant Park for her lost son

If you haven't caught the film, check your local listings.  It may still be running in your local cinema.  Be warned: it will take you back.  If you're not ready for it, you will be overwhelmed.

A movie poster for <i>Medium Cool</i>. The tagline is
Robert Forster is the news man.  You'll recognize Marianna Hill (Forster's girlfriend) as a guest star in Star Trek's "Dagger of the Mind"

As for the other reminder, for the past two years, the papers have kept us apprised on the trials of the "Chicago Eight", charged by the United States Department of Justice with conspiracy, crossing state lines with intent to incite a riot.  They included Rennie Davis, David Dellinger, John Froines, Tom Hayden, Abbie Hoffman, Jerry Rubin, Lee Weiner, and Bobby Seale.

(in the midst of his trial, Abbie Hoffman jumped on the stage at Woodstock during the performance of The Who to protest the incarceration of White Panther poet and musician, John Sinclair—it was a trippy scene)

Abbie Hoffman: "I think this is a pile of shit!  While John Sinclair rots in prison…"

Pete Townsend: "Fuck off!  Get off my fucking stage!"

A blurry black-and-white still of a floppy-haired white man in a white tunic. The image is timestamped 02:10:56:06
Pete Townsend, just after recovering the stage

The verdicts came down on February 18, a mixed bag of positive and negative news for the accused.  Apparently, four folks on the jury held out until the bitter end, but eventually went with guilty for some of the charges.  The verdicts were:

Davis, Dellinger, Hayden, Hoffman, and Rubin were charged with and convicted of crossing state lines with intent to incite a riot.  All of the defendants were charged with and acquitted of conspiracy; Froines and Weiner were charged with teaching demonstrators how to construct incendiary devices and acquitted of those charges.  Bobby Seale had already skated when his case ended in mistrial.

Six men with long, wild hair stand smiling at the camera, arms wrapped around each other
Six of the "Seven": (l. to r.) Abbie Hoffman, John Froines, Lee Weiner, Jerry Rubin, Rennie Davis, and Tom Hayden

So, it's jail time for five of the eight while their cases go to appeal.  You can bet that these results aren't going to lessen the flames of discontent in this country, at least for the vocal minority.

A news clipping, showing a crowd of people in front of a statue. Two people carry signs. One says 'COURTS OF INJUSTICE CANNOT PREVAIL!'. The other says 'FREE MARTIN SOSTRE'. The caption of the news clipping reads 'Protest rally in New York: Surrounded by demonstrators protesting the conspiracy trials of the Chicago 7 and the Panther 21, William M. Kunstler, defense attorney in the Chicago trial, addresses rally Monday in Madison Square Park in New York. One youth was injured in a clash with police, and windows were broken in several stores.'
From page 3 of my local paper on the 24th

Steady and staid

You wouldn't be aware of any of this turmoil if you lived under a rock and did nothing but read Analog Science Fiction.  It remains a relic and deliberate artifact of a halcyon past as envisioned by editor John Campbell.  The latest issue is a representative example.

The cover of the Analog issue. It shows a man with a gun looking over a desert cliff at a massive radio telescope facility.
by Kelly Freas

The Siren Stars (Part 1 of 3), by Richard Carrigan and Nancy Carrigan

First up, we introduce a new writing duo as well as a new James Bond-style hero.  John Leigh is a veteran, a fair hand with a souped up, armored Triumph sports car, and most importantly, a Physicist.  Shortly after serving his hitch in Korea, he is recruited by SPI—no, not the wargame company, but "Science Processing, Inc."

Leigh's latest mission is to infiltrate a Soviet radio telescope facility.  It seems that the Russkies have picked up signals from an alien civilization, and Leigh needs to take pictures of their dish to see which way it's pointing, and also to pick up the computer data tapes to see what the Reds have heard.

At the end of Part One, Leigh has infiltrated his own facility as a dry run for his attempt in the USSR, only to find that the Soviets are already trying to infiltrate the American base for some reason.

A two paneled image, white lines on a black background. There is a psychedelic image of a woman strumming a harp in a futuristic city.
by Kelly Freas

We get a lot of inches of Leigh driving his cool car, a lot of glimpses of incidental women through the eyes of men ("The blonde at the mail desk had been hired for her ornamental qualities as well as her fast hand with the correspondence…Like most men, [Leigh] approved highly of ornamental mail girls providing they didn't mangle the correspondence too badly."  "Emily Parkman was that rarity among women—the completely discreet human being.") and a lot of "thrilling" action, like a car chase in a parking garage.

I'm bored.  Two stars.

One Step from Earth, by Hank Dempsey

A single panel image, black ink on white background. Two figures are in insectoid spacesuits. One is standing on top of an jet engine, and the other is on the ground, holding a round ball. The legend at the top right reads 'ONE STEP FROM EARTH: The length of a step depends on how you measure distance -- and on who's trying to step on you!'
by Vincent DiFate

I hear tell Hank Dempsey is really Harry Harrison—I suspect he's nom d'pluming since this is going to be the first tale in a collection that deals with teleportation, coming out later this year.  Hey, if the apple will support multiple bites, why not chomp that baby?

Anyway, this is the story of our first manned trip to Mars.  A robot ship drops off a matter transmitter just big enough for a scientist to crawl through in a space suit.  The components of a base and a larger transmitter are teleported to the Red Planet.  Before their assembly can be finished, one of the two-man crew succumbs to a mysterious malady.  Our hero must decide between spending life in quarantine on Earth or becoming the first permanent resident of Barsoom.

It's fine for what it is, an episode involving grit, courage, and pioneering spirit.  Three stars.

Rover Does Tricks in Space, by Walter B. Hendrickson, Jr.

A grey image of a nuclear rocket on a black and white background. The background breaks the page in half vertically, and the grey rocket crosses it diagonally. On the white half, a legend in black leathers reads 'ROVER DOES TRICKS IN SPACE'

This is one of the best articles I've read on NERVA, the nuclear rocket stage being developed for use with the Saturn V.  Apparently, they've gotten the thing to work, which means that it could, if produced, perhaps triple the lifting capacity of our biggest rocket.  And once in space, NERVA engines could halve the trip time to our neighboring planets.

But here's why I suspect we'll never actually build the thing: the Saturn V assembly line is being shut down in the wake of the successful Moon landing.  NERVA is expensive, so its benefits only really manifest once a space program is mature, rockets are being made by the dozen, and orbital infrastructure has been established.  That doesn't like it'll happen any time soon.

Sure, NASA is working on its reusable, winged "space shuttle", which will reduce cost to orbit once it's operational, but that's a fair piece down the road, and I don't see a place for nuclear engines in that program.  Still, the option is there for someday.

In any event, four stars for this clear and interesting piece.

Protection, by Steven Shaw

A two panel image, black ink on white background. The left panel is of three muscled humanoid figures. They are all wearing helmets and armored vests, but only one is carrying a ray gun. The right panel shows some scientific equipment under shadowy trees.
by Vincent DiFate

This piece starts promisingly, alternating viewpoints between a native sentinel on an alien planet, squatting near the defensive line, and the security man providing protection for a scientific expedition.  When members of the team start crossing the line, they are slaughtered ignominiously by some unknown technology possessed by the aborigines.

I was enthralled until the story abruptly ended, the lead-up all in service of the "twist"—the aliens were using simple poison-tipped blowdarts.  What an allegory!  It's like our well-equipped troops getting aced by the "primitive" Viet Cong!  How the proud fall!

Except that it is repeatedly established that the security men are wearing body armor.  Last I heard, flak jackets repel bamboo reeds almost as well as bullets!  Moreover, were the humans really unable to recover the darts presumably still in the corpses, nor identify the poison coursing through their bloodstreams?

One star.

Ravenshaw of WBY, Inc., by W. Macfarlane

An two-paneled image, black ink on a white background. A floating platform hovers above the ground, with a fantastical astronomy lab atop it. There is a figure on the platform, facing away from the viewer. Two figures, a man and a woman, look up at the platform from the ground in the bottom left corner. The bottom right corner has the legend 'RAVENSHAW OF WBY, INC.: It takes a special sort of man to let logic go to hell -- and act on what he sees, even when he knows it's impossible!'
by Vincent DiFate

Here's a story that I found almost indistinguishable from the serial.  The hero is even named Leigh (in this case, Arleigh Ravenshaw).  He's a veteran with a knack for innovation—for instance, in Vietnam, he plied the local kids with ice cream to get them to turn in mines and weapons caches.  I'm sure it's that easy.

Ravenshaw is recruited to work for FBY (Flying Blue Yonder), a San Diego-based agency that entertains every crackpot in the region in the hopes that there might be wheat amongst the chaff (an endeavor Campbell surely thinks much of, but I can tell you, having worked with the publishing arm of the American Astronautical Society, which occasionally gets unsolicited papers, cranks are just that—cranks).  He is accompanied by a "palomino-haired" young woman with a "bitter-honey voice" and a penchant for dressing bright, clashing colors.

On their first mission, to the desert near Borrego Springs on the trail of the creators of a matter converter, they find a wall-less room that houses an iodine thief from a parallel universe…and what may be the younger version of Ravenshaw's female companion.

Apparently, this will be the first in a series of loosely connected (and rather tedious) tales.  Two stars.

An image, black lines on a white background, of a small alien going through grass. The alien resembles a hybrid of a stag beetle and a lawn sprinkler, and is about the same size. The title of the image is 'Department of Diverse Data', suggesting it is a comic series. The caption reads
by David Pattee

Wrong Rabbit, by Jack Wodhams

An image, black lines on white background, of two men in hazmat suits holding cattle prods, facing an alien stuck in a ring. The alien looks like an enormous sort of walrus-bear-cat thing, with blobby lobster claws.
by Vincent DiFate

Earth has a working matter transmitter setup, with each booth operated by a single technician linked psychically with her or his unit.  One day, wires get crossed, and the passenger of a similar, alien network ends up in a human booth…swapped with a human stuck in an extraterrestrial receptacle.  Chaos ensues.

Wodhams tells the tale in alternating viewpoints to illustrate that both races, despite being repulsively different from each other, have surprisingly convergent societies and thought processes.  Ultimately, the two reach a rapprochement and combine their networks.

I feel this tale would have been more effective had the two perspectives differed considerably.  I also felt the constant use of nonsense terms as shorthand for untranslateable concepts ("I cannot describe to you the feeling of kooig that permeated by slaktuc.") was silly given just how similar the two species turned out to be, at least in mindset.

Two stars.

Revolutionaries, by M. R. Anver

A two-paneled image, black on a white background. On the left panel, there is a bust of an old man looking outward, and two full-body drawings of women. One mostly-naked woman, or possibly alien, is looking down, holding a tool like a futuristic metal detector. The other woman is wearing a short dress, looking out at the viewer. The legend on the left-hand panel reads, 'REVOLUTIONARIES: Many things will be changed in an interstellar culture -- but some things haven't changed since Cheops was cheated by the Pyramid contractor!' On the right panel, another bust of an old man looks outward. There is a planet in the background, with two spaceships flying over its surface. Below the image of the planet are two futuristic-looking space cars.
by Vincent DiFate

Achates is a new Federation colony, a joint effort by humans and the blue-furred humanoids of Azure.  An important election is coming up, between Ronan, head of the bi-racial United Party, and the reactionary Manoc—who is willing to win at any price, including a coup d'etat after a potential UP victory.

In the middle of it all is John Cameron, a Federation observer, who appears to be playing both sides against the middle… but are his loyalties really in question?

Anver seems to have taken a page from Mack Reynolds' book, turning in a competent, but unexciting (and not at all SFnal), political action thriller.

Three stars.

The Reference Library, by P. Schuyler Miller

Analog's veteran book reviewer covers Orbit 5, which he notes wanders further from the truly SFnal than ever before, but he finds it a worthy effort, nonetheless.  He damns with faint praise the books we also didn't sing huge praises of: The Palace of Eternity, Masque World, and Galactic Pot-Healer—which just goes to show how good Miller's taste is!  Which means you should perhaps avoid J. T. McIntosh's Six Gates from Limbo and seek out Edmond Hamilton's World of the Starwolves, which we never covered, but Miller does.

Tallying the results

A woman in a blue dress, sitting at a printer desk. In the background, a man in a dark suit is punching into a large computer.
IBM 360 Model 65 with a woman at the IBM 1052 printer in the foreground, a man at the Direct-Access Storage Devices (DASDs) in the back

Analog these days reminds me nothing so much as Hugh Heffner's Playboy.  Where the latter magazine is aimed squarely at the smug youngish libertarian with delusions of yacht-hood, Analog is for the smug youngish libertarian with aspirations in engineering.  Every story reinforces the notion that, if you're a scientifically educated man, you too can save Democracy, make the girls swoon, and show up those stuffy institutionalists.  Perhaps Campbell sees his mag as a kind of Fountain of Youth to recover never-gained glories.  Or maybe this kind of slop is just the secret to getting 200,000 subscribers.

Regardless, I'm getting pretty tired of it.  Maybe others are, too.  If they rate tales as I do, this issue scored just 2.4 stars—the lowest of any mag this month.  It is beaten by Amazing (2.7), IF (2.8), Fantasy and Science Fiction (2.8), The Year 2000 (3), New Worlds (3), Galaxy (3.2), and Vision of Tomorrow (3.5)

The overall average this month was 2.9, and the four and five star material in the eight mags that came out would fill two full-size mags.  If you're keeping count, women produced about 9% of new short fiction published this month. 

Luckily, as you can see, Analog just constituted one end of the bell-shaped distribution.  Somebody's gotta be tail-end Charlie, I suppose.  I'm just regretting that I drew the short straw and have to be the one to review it every month.

On the other hand, I could have gotten John Boston's gig and suffered through Amazing since Goldsmith left its helm.  And anyway, since things are finally starting to look up for him over there, maybe there's hope on the horizon for this hoary, once-honorable magazine…

An advertisement for Universe Book Club, which allows you 4 books per year, for 98 cents plus shipping and handling. Subjects include astrology (described as 'The Space Age Science'), ESP, reincarnation, the supernatural, yoga, hypnosis, and 'the black arts'.
Does astrology really count as a science?  Space Age, my Aunt Petunia!



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[April 30, 1969] Eulogies (May 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Goodnight, Percy

If you're anything like me, Peyton Place is something that happened to other people.  After all, last season, the first primetime soap opera was scheduled opposite Laugh In, and before that, the 9:30 PM slot in the midst of ABC's insipid Tuesday-night line-up.

But now I feel a little bad that the groundbreaking show is being taken off the air.  Based on the 1956 book of the same name by Grace Metalious, the Massachusetts-set serial was salacious for the time, involving as it did a lot of S-E-X, divorce, blackmail, murder, and more.  Jack Paar called it "Television's first situation orgy."  Johnny Carson quipped that it was "the first TV series delivered in a plain wrapper."


Stars Diana Hyland (standing), Pat Morrow (in can), and Tippy Walker

At one point a few years ago, some 60 million folks tuned in each week for the fun.  But nowadays, when the local theater is going blue/stag, and Candy is a mainstream hit ("Is Candy faithful?  Only to the book!"), Peyton Place all seems a bit staid.  They tried to mix things up by bringing in more teen storylines and also integrating the cast by hiring Percy Rodrigues (Star Trek's Commodore Stone) as the local doctor.


with Ryan O'Neal

Still, you can't beat Dick and Dan, and the series plummetted in the ratings (really—what were they thinking, scheduling it across from Rowan and Martin?) After 514 episodes, the show is going off the air.  Which, of course, just means we'll see it endlessly in morning reruns opposite the regular soaps—and you can bet we'll get a revival sometime in the future.  In the meantime…


"Goodnight, Lucy.  Goodnight, Marshall Dillon.  And goodnight to all you kooks on Peyton Place."

Goodnight, Johnny


by Kelly Freas

ABC at least knew when to pull the plug on its sinking stone.  Analog editor John Campbell, while he did some brilliant work in the '30s and '40s, seems content to stuff his magazine with the dullest dreck that science fiction has to offer.  The latest issue is Exhibit 1 for the prosecution:

Dragon's Teeth, by M. R. Anver


by Kelly Freas

A peace conference on a neutral asteroid promises to end a brutal war between humanity and the alien Cadosians.  But a faction of extraterrestrials has plans to distrupt the summit by introducing a deadly virus.  The question is how they'll smuggle it in…or in whom?

This is a competently put together adventure/mystery—no more, and no less.  As such, it's a fine first effort from Mr. Anver, but nothing to write home about.

Three stars.

The Chemistry of a Coral Reef, by Theodore L. Thomas

Science writer and fictioneer Ted Thomas offers up a long piece on coral reefs and how they're made.  For an article on stuff that takes place in our oceans, it's awfully dry.  Well, at least I know now what they're made of: calcium carbonate.  Good for all those fish with indigestion, I guess.

Two stars.

Operation M. I., by R. Hamblen


by Leo Summers

Three weeks of hyperspace are crushingly dull, and the intergalactic service is worried about the morale of their solo couriers, who have to endure the period without diversion.  Apparently, books and booze aren't enough.

So the ship's computer on the latest FTL ship is programmed to act like a nagging mother-in-law so each pilot is more irritated than bored.

Terrible piece.  One star.

Persistence, by Joseph P. Martino


by Kelly Freas

This is a sequel to the story Secret Weapon.  The Terrans have now got a leg up on their war with the Arcani, now destroying 3-4x as many vessels as they are losing.  However, this proportion is still below what the Big Brains in military intelligence expected.  Our hero, Commander William Marshall, is certain that the aliens have developed Faster Than Light ("C+") communications and are using them to thwart our patrols.

The story is devoted to the reverse engineering of a captured Arcani corvette, tediously going through each electronic gizmo to see how it is wired and what it is wired to.  Eventually, the existence (or lack) of a C+ radio will be proven.

Once again, the story is dull as dirt, and worse, poorly edited.  There's an art to writing successive paragraphs using different words.  Martino will repeat set phrases several times in a row, the sign of an unfiltered brain-to-typewriter stream of consciousness.

Also, women of the future still remain in the 1950's, socially.

Two stars.

The Five Way Secret Agent (Part 2 of 2), by Mack Reynolds


by Kelly Freas

As we saw last month, Rex Bader, last of the private dicks in the People's Capitalism of America's late 20th Century, had been tapped by no fewer than five organizations to spy on each other as Bader went off to Eastern Europe and make contacts.  This passage explains it all:

He stared at the screen in disbelief.

This whole thing was developing into a farce. Roget wanted him to make an ultra-hush-hush trip into the Soviet Complex to contact his equal numbers with the eventual aim of creating a world government based on the international corporations.

Sophia Anastasis, of International Diversified industries, thought such a world government would upset the status quo to the detriment of what was once called the Mafia, and wanted all details.

John Coolidge and his group [the successor to the FBI] were afraid such changes would upset the governmental bureaucracy and the military machine and wanted to prevent it from happening. 

Colonel Simonov felt the same from the Soviet viewpoint, and wanted to maintain the status quo.

Dave Zimmerman was all in favor of world government but wanted the Meritocracy which would run it to be elected from the bottom up in each corporation, rather than being appointed.

And every damned one of them thought that their part of the operation was a secret.

Once Bader gets to Czechslovakia and Romania, the book reads like typical Reynolds: historical parallels (none after 1969, of course), tourism (we learn about the national drinks of the Warsaw Pact), and mildly droll high jinks.  It seems that Bader's cover is blown wherever he goes, suggesting a traitor somewhere in the works among his five employers.

There could have been a good mystery here, but it's all thrown in too little, too late.  Moreover, it's clear that this two-part serial is really just the first half of a longer book.

As a result, the whole is lesser than the sum of its parts.  I give this segment three stars, and three stars for the book as a whole (so far).

Initial Contact, by Perry A. Chapdelaine


by Kelly Freas

The Eridanians are coming!  Responding from signals broadcast by Project Ozma, an alien ship has been dispatched from Epsilon Eridani.  After twelve years at near light speed, the vessel is about to arrive—and the press is filled with concerns of an impending alien takeover. 

It all stems from a mistranslation of their latest message, suggesting their intent is conquest rather than coexistence.  In the meantime, there is a lot of Keystone Copping as the head of the Ozma IX project tries to tamp down on the paranoia.


by Kelly Freas

The best part of the story is the "universal message" broadcast by the Eridanians, hatched up by author Chapdelaine.  He explains it in the story—see if you can figure it out yourself.

But in the end, the story is rather pointless and forgettable.  Two stars.

Goodnight May

Doing the math, I find that April (postmarked May on the magazines) was a dreadful month for short science fiction.  Not a single magazine topped 3 stars, and Analog came in at a dismal 2.3.  For posterity, the rest were New Worlds (2.7), Venture (2.7), Amazing (2), Galaxy (3), and IF (3), and Fantasy and Science Fiction (2.7)

Even more disheartening: you could take all the 4-star works (nothing hit 5 stars this month) and barely fill a Galaxy-sized thick digest.  Women wrote 20% of all the new pieces published in April, which sounds impressive until you realize that six of the works were short poems in New Worlds, all by Libby Houston.

I am already hearing rumblings about Galaxy and IF's editor Fred Pohl getting the heave-ho, and Amazing's editorial musical chairs is legendary.  ABC dumped Peyton Place—is it time for someone to cancel John Campbell?