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[August 22, 1970] Falling From Great Heights (World Cinema: The Stolen Airship & Herostratus)

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

Of the three channels on British television, the one that averages the best quality of output is easily BBC2. Not that all their output is entirely to my taste. For every Disco 2 and Laugh-In there is a High Chapparal or Pot Black

However, one section I try not to miss is their World Cinema slot. Whilst other shut-ins on a Friday Night are watching Manhunt or It’s A Knockout, I enjoy settling down to discover what gems from around the world I might not otherwise see.

A montage of six Non-English film posters, in two roses of three. Clockwise from top left:
1. Cuban poster for Memorias del Subdesarrollo (Memories of Underdevelopment), showing a minimal cartoon-like black and white figure crouched with an oversized head, on a plain black background.
2. Serbian poster for Skupljači Perja (I Even Met Happy Gypsies), showing a man and woman in traditional dress carrying baskets, in a grainy black-and-white photograph.
3. Czech poster for Lásky jedné plavovlásky (Loves of a Blonde), showing a close-up side profile of a woman’s face, with bold red and black typography and the image of razorblades in a circle imposed on his shoulder.
4. Japanese poster for Andesu no hanayome (The Bride of the Andes), showing a smiling woman in a hat and poncho against a mountain landscape, smaller figures of villagers and riders on horseback below.
5. Italian poster for Cronaca Familiare (Family Diary), showing Marcello Mastroianni embracing a woman, rendered in painted style with bold yellow lettering.
6. French poster for Vie Privée (A Very Private Affair), showing an illustration of Brigitte Bardot with blonde hair and wide eyes peeking out from behind a black coat collar on a cream background.
Some of the films in the World Cinema slot recently. Clockwise from top left: Memories of Under-Development (1968); Happy Gypsies (1967); Loves of a Blonde (1965); Bride of the Andes (1966); Family Diary (1962); A Very Private Affair (1962).

Now there is a definite bias in the movie selection. Over the last two years, by my count, over half the films have been French and another third are from elsewhere in Europe (notably a heavy proportion from Italy and Eastern Europe). There have only been two films from Latin America (one from Cuba, another Mexico), two from Asia (both from Japan) and nothing from Africa (unless you count a French film shot in Tunisia).

They are also overwhelmingly within New Wave or Neorealist style with multiple films by directors like Truffaut and Visconti. Very few are broad comedy, crime, musical or melodrama, with no sight of pieces such as Les Grandes Vacances or Lemonade Joe. You are much more likely to see a slow black and white shot of an egg being cracked than someone cracking a joke.

As such, there is not a huge amount of fantastical content involved, even their love of Italian and French cinema could not give us Alphaville or The Tenth Victim (although The Batman-esque Judex a couple of years ago was a nice surprise). However, I do want to review two that have come on recently that are of possible interest to the Journey audience. One from Czechoslovakia and an Experimental film from here in Britain.

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