![[February 14, 1969] Like a circle in a spiral; like a wheel within a wheel (<i>Star Trek</i>: "The Lights of Zetar")](https://i0.wp.com/galacticjourney.org/wordpress/wp-content/uploads/2024/02/690214title.jpg?resize=672%2C372&ssl=1)
A Light Storm
by Joe Reid
This week’s episode of Star Trek had me asking myself two questions; the first: will that girl be a woman soon? The second question is how many ghosts does it take to reach escape velocity on the planet Zetar? My answers to those questions: not soon enough (apologies to Neil Diamond) and one hundred respectively. To check my answers and my impeccable math, I urge you to read on.
The Enterprise was en route to a planetoid called Memory Alpha, a place analogous to an outer space branch of the Library of Alexandria. Any foreshadowing on my part for this analogy is intentional.
The captain’s log started with an explanation of the mission to Memory Alpha and then went into the love life of ship’s engineer Mongomery Scott, and how queer it was that he had found a girlfriend at his age.
Lieutenant Mira Romaine was her name. A womanly girl-woman on whom Scotty smoothly spread sugary compliments as if he were frosting a cake. And boy was she ever eating up those sweet nothings, showing the feelings were mutual.
"Do you think it would cause a complete breakdown of discipline if a lowly lieutenant kissed a Starship Chief Engineer on the bridge of his ship?"
While the crew was amusing themselves with the affectionate antics of the elder engineer, the Enterprise encountered what appeared to be a multicolored storm of twinkling lights in outer space. This twinkle-storm, which could move faster than the speed of light, quickly overtook the Enterprise and entered the bridge. The lights then incapacitated everyone in mysteriously different ways, but eerily entered the eyeball of Lieutenant Mira Romaine, causing her to faint on the bridge.
"Blast it, Scotty—you kissed her too hard!"
After the crew recovered and the light storm flitted away, Dr. McCoy examined Lt. Romaine, who at this time was getting agitated by the attention on her and wished to be left alone by everyone except Scotty. Weirdly, this is when the crew took to calling her a girl, but I digress. The chase was on for the twinkle-storm that was soon discovered to be heading directly toward Memory Alpha. The undefended library couldn’t be reached in time and the storm poured out over it, sapping all life signs from the planetoid. While this dreadful situation unfolded, Lt. Romaine was given a vision of a dead humanoid splayed in a chair.
Memory Alpha is known for its wild frat parties
After the lights left Memory Alpha, Kirk, Spock, McCoy and Scott beamed down to offer help to the staff. All the inhabitants truly had died save for one woman who was still dying and showing similar signs as Lt. Romaine after her encounter with the lights. Kirk summoned “the girl” down to Memory Alpha, and soon Lt. Romaine materialized nearby. To her horror, she found the dead body from her vision and understood that they were all in danger. She also knew that the storm would soon return. The men present didn’t believe the grown woman Lieutenant until Sulu reported that they were indeed about to be overtaken by the deadly light show, which had changed course to return to the outpost. This established that the space lights were not a natural phenomenon as previously believed. Also, that “the girl” was connected to it in some way. The rest of the episode took the crew and “the girl” into mortal danger to discover the true nature of the space lights. That, along with more honeyed proclamations of love from Scotty.
"Lass, I'm not patronizing you because of your sex. I'm patronizing you because of your rank."
Suffice it to say, I found this episode annoying. Not because of Scotty’s antics, which only mildly skirted the line between comedic and pitiful for me. It was the crew constantly referring to this lovely grown woman as a “girl”. Although commonplace in some circles, it has never sat well with me, just as grown men being called “boy” is unpleasant to my ear. The second annoyance of this episode was regarding the revealed nature of the lights of Zetar, and the contrived way that the crew overcame the threat posed by them. The solution to the dilemma seemed to be cut from whole cloth. It was another case of expedient writing to quickly end an episode to fit the hour. This happens more than I would like for this show. “The Lights of Zetar” was lacking due to its character treatment of a trained officer and it could have benefited from better pacing. If they revealed the nature of the threat sooner in the story it would allow the crew to demonstrate their brilliance, finding better ways to solve their problems. Lastly, regarding the 100 ghosts mentioned earlier: watch the episode to find out. Check your local listings.
It's either Trek or reruns of Gunsmoke…"Good night, Marshall Dillon. And you too, Lucy!"
It may sound like I hated the episode, I didn't. It's like pizza or sex. Even when it is not great, you are still glad that you got some. Star Trek is that way in my mind. I thought "Zetar" was worth watching even though it was not great. The performance by the actress that played Romaine was well done. She came off as a good match for Scott. The effects were successful in giving the episode an eerie feeling, and the direction was unique. Despite my personal hang ups, it’s worth a watch.
Three stars
by Jessica Dickinson Goodman
A Woman Worth Watching
Like Joe, I found the infantilization of Lt. Romaine irritating. As he said, like the use of the term “boy” for grown men, calling an adult woman “girl” scores of times in under an hour is disrespectful, makes our favorite characters sound painfully bigoted, and is beneath the theoretically evolved culture of the Federation.
But like many women demeaned by men around her, Lt. Romaine is far more interesting than what is done to her or said about her. Her struggle to retain her identity in the face of a force which murdered anywhere from dozens to hundreds to thousands of people — and her success — were profoundly moving.
It was a beautiful example of science fiction how ugly she and the technician allowed themselves to become. The hoarse, reverberating glottal-moan of the Zetarian’s early attempts at control was one of the most eerie and memorable parts of this episode. But what really clinched it for me was her back-against-the-wall death struggle to remain herself in the face of life forms claiming she was their only chance of a second shot at corporeal life.
"I said 'NO VACANCY'"
The abortion metaphor felt both subtle and powerful to me. Two years ago, I wrote a short story for this community’s zine, The Tricorder, about Yeoman Rand getting a futuristic abortion via transporter, storing the fetal life pattern in a computer cluster much like Memory Alpha. The experience of writing that fiction as a fan made me enjoy this episode more I think, though it did make the violent ending feel, as Joe implied, truncated and cheap.
Couldn’t a world like Memory Alpha hold the patterns of the ghosts of Zetar? As transporter beams, as recognized objects of study, perhaps even as medical patients, awaiting an android or sufficiently intelligent dog to take them on one last real-world ride? Why did the crew of the Enterprise need to crush them to death?
Enjoying while not enjoying, seeing what is there and imagining what could be, reveling in the glimpses of true human strength and courage that infantilized women on TV are sometimes allowed to show, these are the voyages of a star story fan, whose enduring mission is to see her sex treated as equals not just in pretty words, but in the world. This episode had its flaws but Lt. Romaine’s performance was a full meal for this woman watcher. I hope to see her on my screen again.
I can’t help but think the woman co-writer of the episode, Shari Lewis, had something to do with Lt. Romaine’s increasingly and incredibly layered character. I also very much hope to see more parity behind the camera on this and other productions. This was a good start.
Four stars.
A Sinking Ship (and a Sinking Heart)
by Janice L. Newman
It’s only been a few days since I watched “The Lights of Zetar”, but already I found myself struggling to remember what happened in it, even needing a reminder from my co-writers. Recent Star Trek episodes have committed the sin, not of being bad, exactly (though I am hard-pressed to call this episode “good”), but being forgettable. I still vividly recall “The Trouble With Tribbles”, “Is There in Truth No Beauty”, “A Piece of the Action”, and many of the other great episodes we’ve watched over the past seasons. Even the early “Naked Time” left a strong impression. Yet somehow, I found myself saying, “Wait, was this the episode with the impractically-dressed outpost commander, or…?” Considering that only a month ago we had the sublime and memorable “Whom Gods Destroy”, it’s amazing how quickly and how far Star Trek has fallen. Hopefully next week’s episode will stop the plunge into mediocrity or worse.
That being said, what really made this episode frustrating was the sharp left turn the plot made three-quarters of the way through. Narratively, a certain resolution was set up from early on. Lt. Romaine (“the girl”) was being taken over mentally by the aliens. Kirk suggested using this connection against them, a logical and clever solution. I had guessed that the connection would be used to predict the aliens’ actions and counter them accordingly, but there were lots of ways the connection could have been used to stop the aliens. The connection gave the crew the option to communicate and potentially influence the beings, after all.
Instead, out of nowhere, Lt. Romaine is put into a pressure chamber with an unrealistic number of Gs pushing on her and…squeezing the aliens out? Which somehow kills them?
"Pressure, Spock. PRESSURE!"
I don’t mind fantastical technology or far-fetched explanations, but I would like some explanation of what’s going on. Why was the relatively interesting thread of “we will use Lt. Romaine’s connection against them” dropped almost entirely for a solution that made no sense?
My theory is that the original script had Lt. Romaine die, and the producer or someone with authority decided he didn’t like that at the last minute, thus requiring a hasty re-write. This is just a guess, though: speculation without data. Mr. Spock would be disappointed in me!
Regardless of the reason why, the poorly-done narrative solution to the story brought the entire thing down. As with last episode, some interesting new special effects were employed, and again, effects alone were not enough to save the story. The clever set up would have netted three or more stars if it had been competently carried through. Instead, it was dragged down to two.
by Gideon Marcus
Return to "Return to Tomorrow"
We've seen the plot where disembodied aliens take over human bodies and then find them too irresistible to relinquish. What's frustrating about this one is that Kirk, who makes a living trying to convince aliens/computers to take alternate, less destructive courses, does not make much of an effort to dissuade the Zetarians.
Which is a shame. These are beings who can travel Warp 10 with ease, evade shields, and communicate telepathically. As friends, they would be tremendous allies. Couldn't they be happy with android bodies? And if not, could we not grow biological bodies for them, or find suicidal volunteers to offer their corporeal forms?
We don't even learn who the Zetarians are, other than that it's a planet where all life had died. There are so many holes in the episode, which suggests on-the-day rewrites or significant edits, as I understand happened in "The Alternative Factor".
Memory Alpha, a repository for all the Federation's knowledge, is a neat idea. While its defenselessness is explained and justified, boy, does that seem like an invitation for a hit and run raid from a hostile race. Of course, now the station is damaged, and most of that information lost. I wish the Enterprise crew had been a little sadder about it than we saw.
Plot holes aside, the biggest problem with this episode is that it's a bit dull. Even when things happening on the screen should have held interest, I found my mind wandering. Again, this points to editing issues and the need to pad.
By the way, I have it on good authority (thanks, Ruth Berman!) that writer Shari Lewis is the Shari Lewis who played Lamb Chop on Captain Kangaroo some years back. And from another authority, apparently Lewis and husband Jeremy Tarcher are currently…shall we say…following in the steps of Dr. Timothy Leary. That explains a bit of the trippiness of the episode.
Shari Lewis and two puppets from Captain Kangaroo: Lamb Chop and Charlie Horse
Two stars.
[Come join us tonight (February 14th) for the next thrilling episode of Star Trek! KGJ is broadcasting the show live with commercials and accompanied by trekzine readings at 8pm Eastern and Pacific. You won't want to miss it…]
