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[September 7, 1963] Druids at College: An Old Religion for a New Era

[Our archivist, a self-described "kook," has a strong interest in consciousness expansion and a belief that our world's new technologies need to be integrated with new mental and spiritual techniques. In this, she is not alone. New Age religions have been popping up all over the place as the post-WW2 generation of young adults tries to make sense of our regimented world. She returns to writing to cover one of the latest spiritual organizations. Note, this article is for informational purposes only, and should not be considered an endorsement…unless it's your kind of kookery, of course!]


by Erica Frank

Like many private colleges, Carleton College in Minnesota requires that students regularly attend religious services. They don't specify which religion, expecting that Protestants, Catholics, Jews, and Muslims will each worship in their own way, but they expect the worship to conform to conventional flavors. Earlier this year, in May, a group of students at Carleton found a creative way around this directive: the students recently announced that they are now druids, and that they have been holding worship services at a stone altar outdoors rather than in any of the churches near campus.

Not much is known about the historical druids of Britain, who were suppressed by the Romans until the older religion was either destroyed or went so far into hiding that it faded into folklore. What we know of them mostly comes from Latin and Gaelic writers almost two thousand years ago, reporting that druids served as holy men, doctors, judges, and educators. (They were also reported to be sorcerers, shape-changers, and weather-witches; sorting fact from rumor is difficult.) They were priests of a pre-Christian religion that venerated nature; while they did not build Stonehenge, they are believed to be the spiritual heirs of those who did.  

Taking inspiration from the ancient druids, some students are calling themselves the "Reformed Druids of North America." They have rejected religious orthodoxy in favor of nature-focused spirituality. They insist that their religious ceremonies involve wearing long robes and making sacrifices (of vegetables) to the Earth-Mother… and drinking whiskey, which is derived from grain and is therefore one of the holy gifts of nature.

They outlined the two tenets of their religion:

1. North American Reformed Druids believe that one of the many ways in which the object of man's search for religious truth can be found is through Nature, the Earth-Mother.

2. North American Reformed Druids believe that Nature, being one of the primary concerns in man's life and struggle, and being one of the Objects of Creation, is important to man’s spiritual quests.

Canny readers may notice that these two statements can be rephrased as:

1. Religion is in nature.

2. Nature is religious.

While that's a bit simplistic, it would be hard to argue that there is no truth in the two statements, nor that countless religions have not included similar concepts.

Their services draw from several religious traditions, and membership in their church is available to anyone who asks and partakes of the "Waters of Life" – a phrase which they may have borrowed from Heinlein's recent Hugo winner, Stranger in a Strange Land, although similar concepts exist in many religions. The concept of "water-brotherhood" has appeared among some students; these students aren't claiming to follow Heinlein's fictional religion, but may have been inspired by parts of it.

Their mention of the Earth-Mother may have been inspired by the recent explorations of Catal Huyuk, a prehistoric settlement in Turkey. The site was discovered in 1961, and is still being excavated. James Mellaart's discovery of the Seated Woman sculpture, showing a regal image flanked by lionesses, is widely understood to indicate a paleolithic matriarchal culture worshiping a mother-goddess.

These discoveries match what Gerald Gardner outlined in his 1954 book, Witchcraft Today: that the Stone Age religion worshipped the Great Mother, and that this "Old Religion" is being revived in the modern era. While Gardner's focus is on the "witchcraft religion" in England, several groups inspired by ancient religions have begun to make an appearance in the US, including the Carleton College druids.

Some suspect that the druid group is a prank, nothing more than a way to get out of attending stuffy church services. Instead of listening to a preacher talk about sin, they have a picnic on the lawn, with some robes and chanting to the Earth-Mother to make it qualify as a religious service. If it is just a way to dodge the rules, it is an effective test of the administration's tolerance and adherence to its own policies; since the requirement to attend services doesn't specify religion, there is no way to ban these "services" without declaring that this is not, in fact, a religion.

Their new Arch-Druid said, "Our services of worship are public, and have been held regularly for the past month and a half and we feel that they in every way fulfill not only the letter but the spirit of the religious requirement." The students have been holding public services attended by dozens of people, and their chants and prayers seem to be as spiritual as those of any mainstream faith.

It will be interesting to see what these druids do in the future. The services have started up again this school year, and if the attendees have found some real spiritual value in their "druid religion," it may have some real staying power.




[November 24, 1961] In Brightest Day, In Blackest Night (Alter Ego Fanzine #3; Fall 1961)

Here's a treat!  Our Copy Editor, Erica Frank, is not only a demon at formatting manuscripts, but she is also an avid follower of our rich fan culture.  She now takes up the quill for her first article for The Journey – I think you will be as glad that she did so as I am…


by Erica Frank

For some reason, comic books often aren’t considered science fiction, even though they’re full of aliens, time travel, futuristic weapons, genetic mutations, and villains with the goals and technology to destroy the planet, who have to be thwarted by heroes with fantastic powers and specialized training. There is no Hugo award for comic books, and comic book authors and artists are not usually asked to be guests at science fiction conventions. Many people, however, consider comics a perfectly valid medium for fantastic stories that touch on universal themes.

Around every medium of science fiction/fantasy, you've got Fanzines.  Fanzines are amateur magazines published to discuss those stories and themes; they are generally available for the cost of postage and sometimes a small charge to cover printing. You've probably heard of or even read a few sf zines, but did you know that comics also have zines?  Now you do…and many of them are well worth keeping an eye on.

For instance, Alter Ego, a new comics-themed fanzine, got its start earlier this year; it’s now on its third issue. Jerry Bails, the main editor, noted in the first issue that publication was likely to be irregular. As is the case with many amateur publications, production may slow down after the initial rush of enthusiasm fades. Currently, it has a mimeographed print run of over 300, and is available for 50 cents in coins or stamps, with unfolded “collector” copies available for a few cents more to cover the cost of the special envelope.

Issue 3 focuses on Green Lantern, a superhero of National Comics fame, with a couple of side articles and the obligatory letters column. Like many classic characters, he had a heyday in the 1940s, disappeared, and returned to print recently.  Alter Ego #3 includes a retelling of Green Lantern’s origin story by George Paul and two related articles from different authors; they discuss the history of the original Green Lantern from the 40s and what’s similar and different in the modern version. The issue also includes a parody comic, Bestest League of America, and an overview of the mid-40’s cinematic adventures of Captain America, which I may cover in a later column.

The original Green Lantern’s power came from his ring, which was powered in turn by a lantern fashioned from a strange green metal, formed from the remains of a meteor which crashed to earth in China. Astute readers will recognize this a rather clichéd way of indicating “exotic, untraceable origin” – because it was expected that none of the comic’s readers would have any relatives in or from China, who might wonder exactly when and where such a meteor supposedly fell.

By means of many years of handwaved history, it eventually found its way into the hands of Alan Scott, a railroad engineer in the United States, who made a ring from part of the metal. Touching the ring to the lantern activated it for 24 hours, making him “immune to metal” (presumably, that means “from damage caused by,” rather than “unable to touch”) and able to fly at “the speed of light” and walk through walls. Alan then acquired a costume with a mask and cape, which is the sartorial trend of super-beings in comic books, and devoted his life to fighting crime and dispensing justice.

Green Lantern's oath to his ring is perhaps as famous as his costume and history:

"In brightest day, in blackest night, No evil shall escape my sight.  Let those who worship evil's might Beware my power–Green Lantern's light!"

The first article, And then there was light—the light of the Green Lantern, is by the editor of the fanzine, J.G. Bails. He points out that the 40s version of GL had a “magic lamp,” with many obvious similarities between him and the traditional Arabian story of Aladdin. Presumably, modern children are more interested in scientific terminology than fantasy themes, so the lantern is now a “power battery.” The original GL was more powerful, melting bullets in mid-flight, but was vulnerable to certain tricks based on metals. The new lantern, by comparison, has a sharp limitation: its powers do not work on anything yellow, a nonsensical feature that is sure to be exploited by many super-villains while being ignored in more mundane encounters.

Bails goes on to discuss GL’s first appearance in 1940 and charter membership in the Justice Society, and considers whether other, less-prominent heroes would’ve been just as popular if they had gotten the same front-page editorial support. M. C. Gaines, Sheldon Mayer, and Whitney Ellsworth of DC Comics all had a hand in making Green Lantern one of the most well-known comic book heroes, along with Martin Nodell’s art and Bill Finger’s writing. Bails gives a solid history of the character and the people who’ve helped bring him to life.

The next article, New Lamps for Old by Roy Thomas, goes into more detail about the differences between original and new Green Lantern. He speaks, or rather writes, with a bit more inflection. Some words underlined for emphasis, and his love for the character is obvious – along with his disappointment at many of the changes.

The character’s had a complete overhaul recently. He is no longer an engineer but a pilot, Hal Jordan, who was given the lantern by a dying alien. (China is apparently not distant enough anymore, with movies like this month’s Flower Drum Song making it clear that the “exotic east” is peopled by, well, people, not mystical sorcerers armed with prophecies and meteor metal.) Our GL is no longer the only fellow with a power ring; he’s now part of an interstellar “Green Lantern Corps,” many of whom are not remotely human-like. They function as a kind of “interplanetary United Nations” and patrol the galaxy with their don’t-call-it-magic green light powers.

The villains and sidekicks have also gotten an overhaul; many old favorites are gone. Thomas misses them but is intrigued by the newer Sinestro, a former Green Lantern (of the new variety) gone bad. He wraps up the article with an upbeat tone; he’s happy to await what the future will bring.

Alter Ego makes it clear that comic books, just like Astounding, Galaxy and the other mags, can contain rich storylines and complex characters. And just like any other science fiction literature, comics occasionally fall back on cheap gimmicks or stereotypes in the interest of telling an exciting story on a deadline. The critical analysis and review in comics fanzines can help mature readers spot the clichés while they share their enjoyment of the iconic characters and dramatic stories.