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Politics, music, and fashion

[May 4, 1965] The Op and the Pop: New Movements in Modern Art


by Cora Buhlert

News from West Germany

May 1 is not just a public holiday in all of Germany, but also the traditional holiday of the labour movement. The day was celebrated with marches and rallies in both East and West Germany. In East Germany, the marches were the usual propaganda affairs. In West Germany, Turkish, Portuguese, Spanish and Italian flags were spotted at the Mayday marches, as immigrant workers from Southern Europe joined their West German colleagues to demand higher wages and better working conditions. Concerns about the political situation and lack of freedom in the home countries of some of the immigrant workers were raised as well.

May Day parade in Magdeburg
May Day parade in Magdeburg, East Germany
May Day rally Cologne
May Day rally in Cologne, West Germany
Turkish flag May Day
A Turkish flag at a May Day march in Cologne, West Germany.

In other news, 32-year-old war correspondent Horst Faas became the first West German ever to win a Pulitzer Prize for his haunting photos of the war in Vietnam. Happy as I am for Mr. Faas, I still hope that he will soon have to find more pleasant subjects to photograph.

Horst Faas
AP photographer Horst Faas, the first West German to win a Pulitzer Prize
Horst Faas photograph
One of Horst Faas' haunting photographs of the war in Vietnam that won him a Pulitzer Prize.

Maybe one day in the future, press photos like Horst Faas' will hang alongside fine art in museums and galleries around the world. Because there are certainly exciting movements afoot in the art world.

Art News

That's that for current events. Now for the meat of the article — a review of current art movements in this most modern year of 1965 (apropos given our show coming up in a few days):

The Reign of Abstract Expressionism

In the art world, Abstract Expressionism has been ruling supreme since the end of World War II, at least in the West. An outgrowth of prewar movements such as Futurism, Cubism, Constructivism, Expressionism, Surrealism, Dadaism and the Bauhaus, Abstract Expressionism is the art world's equivalent of the International Style in architecture and interior design. It is ubiquitous, wins awards, has the highest prestige and commands the highest prices. Abstract Expressionism also has widespread political support in the West, most likely because the Communists really, really don't like abstract art and prefer what they call Socialist Realism. There are even rumours that the CIA has been promoting abstract expressionism via the so-called Congress for Cultural Freedom, which certainly makes for strange bedfellows.

As a result, what was avantgarde and daring only twenty years ago had now become the very establishment that newer artists are rebelling against. And this rebellion is taking some very exciting forms.

Less is More: Minimalism

One reaction to the dominance of Abstract Expressionism was to take abstraction to its utmost extreme and simultaneously return to roots of modernism and the graphic simplicity of Russian Constructivism, the Dutch "De Stijl" movement or the German Bauhaus. This school, dubbed Minimalism, objects to the expressionist part of Abstract Expressionism and believes that art should not reflect its creator and his or her moods. Instead, art should be neutral, objective and refer only to itself. 29-year-old Frank Stella, one of the most notable figures of the Minimalist movement, sums up the aims of Minimalist art as "What you see is what you see."

Marriage of Reason and Squalor by Frank Stella
"Marriage of Reason and Squalor" by Frank Stella, one of his "Black Paintings"

So what do you see, when you look at a work of Minimalist art? You'll see simple patterns, geometric shapes, hard edges, primary colours and monochromatic palettes. The so-called "Black Paintings" by the above mentioned Frank Stella consist of concentric stripes painted on raw canvas in the black wall paint that Stella uses in his day job as a house painter. Canadian artist Agnes Martin paints grids and stripes in pastel watercolours. Meanwhile, Dan Flavin eschews paint altogether and instead creates artworks from tubes of neon lights arranged in various geometric patterns.

Summer by Agnes Martin
"Summer" by Agnes Martin
A Primary Picture by Dan Flavin
"A Primary Picture" by Dan Flavin

Minimalism is also a new trend for sculptures, as artists such as Donald Judd, Sol LeWitt or Tony Smith create sculptures that consist of geometric shapes such as cubes, prisms or triangles. So far, many of those sculptures only exist as sketches or cardboard models, but some such as "Cigarette", a 1961 Minimalist sculpture by Tony Smith made from twisted flat planes of steel, or "Free Ride", another Tony Smith sculpture inspired by the Aurora 7 mission, can be already seen in parks and on museum grounds.

"Cigarette" by Tony Smith
"Cigarette" by Tony Smith
"Free Ride" by Tony Smith
The minimalist sculpture "Free Ride" by Tony Smith was inspired by the "Aurora 7" space mission

So where can you see Minimalist art in the flesh? So far, New York City is ground zero for Minimalism and that's where you can find the respective artworks in galleries and exhibitions like Sixteen Americans at the Museum of Modern Art. So far, there hasn't been a dedicated exhibition of Minimalist art, though there are rumours that there is one planned for next year.

More is More: Pop Art

While the Minimalists responded to what they considered the excesses of Abstract Expressionism by reducing art to pure geometric forms, the Pop Art movement took a different path.

Pop Art arose in the UK in the 1950s, when a group of young artists calling themselves the Independent Group realised that both the prevailing Abstract Expressionism as well as the academic fine art of previous eras had very little to say about them and their lives. So these young artists began to incorporate the imagery they saw in their everyday lives into their works, imagery drawn from advertising, movies, pop music and comic books.

British artist Richard Hamilton describes pop art as follows:

Pop Art is: Popular (designed for a mass audience), Transient (short-term solution), Expendable (easily forgotten), Low cost, Mass produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big business

The Independent Group incorporated pop culture imagery into their works by reviving the collage, a form associated with early Modernism and Surrealism. Scottish artist Eduardo Paolozzi inadvertently gave the new movement its name, when his collage "I was a rich man's plaything", named after the headline of a True Confessions magazine, that was part of the collage, also included the word "Pop", fired out of a gun.

I Was a Rich Man's Plaything by Eduardo Paolozzi
The collage "I was a Rich Man's Plaything" by Eduardo Paolozzi inadvertedly gave Pop Art its name

Meanwhile, British artist Richard Hamilton responded to the theme of an exhibition called This Is Tomorrow by cutting up some American magazines a friend had brought back from the US. The result was a collage called "Just what is it that makes today’s homes so different, so appealing?" which uses aspirational pop culture imagery to create a futuristic interior to brighten up the dreary postwar Britain. Across the pond in the US, Tom Wesselmann created a series of "Still Life" collages assembled from advertising images. Another American artist, Robert Indiana uses the typography and imagery of road signs and company logos to create his brightly coloured paintings.

"What is it that makes today's homes so different, so appealing?" by Richard Hamilton
The collage "What is it that makes today's home so different, so appealing?" by Richard Hamilton. Could it be the bodybuilder with the strategically placed sign?
Still Life No. 30 by Tom Wesselmann
"Still Life No. 30" by Tom Wesselmann
Four Star Love by Robert Indiana
"Four Star Love" by Robert Indiana
"The Fair Rebecca" by Robert Indiana
"The Fair Rebecca" by Robert Indiana

On the wall of the apartment Hamilton pictured in "Just what is it that makes today’s homes so different, so appealing?", the framed cover of an American romance comic hangs next to works of fine art. And indeed comic book imagery plays a big role in the nascent pop art movement.

Finding Beauty in Everyday Imagery

Whaam! by Roy Lichtenstein
"Whaam!" by Roy Lichtenstein after Irv Novick

When his young son showed him a Mickey Mouse comic and said, "I bet you can't paint as good as that, eh, Dad?", American artist Roy Lichtenstein rose to the challenge and began copying and enlarging panels from comic books and even included the characteristic Ben Day dots of the printing process. Lichtenstein is clearly a fan of National/DC Comics and frequently copies panels from DC books such as Secret Hearts, Girls' Romance or All-American Men of War. And so Secret Hearts inspired the Lichtenstein paintings "Drowning Girl" and "Crying Girl", while All-American Men of War inspired "Whaam!", "As I Opened Fire" and "Okay, Hot-Shot". The comic book fan in me rejoices in seeing comic books elevated to fine art, though I wish that Lichtenstein would give credit to the artists whose work he copied, artists like Jack Kirby, Russ Heath, Tony Abruzzo, Irv Novick and Jerry Grandinetti.

Drowning Girl by Roy Lichtenstein
"Drowning Girl" by Roy Lichtenstein after Tony Abruzzo
Crying Girl by Roy Lichtenstein
"Crying Girl" by Roy Lichtenstein
Okay, Hot-Shot by Roy Lichtenstein
"Okay, Hot-Shot" by Roy Lichtenstein after Russ Heath

While Roy Lichtenstein finds inspiration in comic books, his fellow American pop artist Andy Warhol looks to his local supermarket, magazine photos and advertising imagery for inspiration, which is not surprising, since he began his career as a commercial artist, specialising in shoe ads. Shoes do not feature prominently in Warhol's art. Instead, he creates large silkscreen prints featuring product packaging such as cans of Campbell's soup, bottles of Coca Cola or packages of Brillo scouring pads.

"32 Campbell's Soup Cans" by Andy Warhol
"32 Campbell Soup Cans" by Andy Warhol
Green Coca Cola Bottles by Andy Warhol
"Green Coca Cola Bottles" by Andy Warhol

Reproductions and Originals

Magazine photographs are another source of inspiration for Warhol and so he transformed a publicity shot of Marilyn Monroe for Niagara into his so-called "Marilyn Diptych" and a publicity still of Elvis Presley for the western Flaming Star into prints with titles like "Eight Elvises" or "Double Elvis".

"Marilyn Diptych" by Andy Warhol
"Marilyn Diptych" by Andy Warhol, created shortly after Marilyn Monroe's untimely death.
"Double Elvis" by Andy Warhol
"Double Elvis" by Andy Warhol

But Warhol also tackles more serious subjects in his art. His print series "Death and Disaster" uses magazine photographs of car crashes, race riots and suicides as well as the Sing Sing electric chair and a mushroom cloud and reproduces them over and over again, because – as Warhol said in a recent interview – "when you see a gruesome picture over and over again, it doesn’t really have an effect."

Electric Chair by Andy Warhol
"Electric Chair" by Andy Warhol, part of his "Death and Disaster" series. The bright colours don't make the subject any more cheerful.

West German artist Gerhard Richter eschews the Pop Art moniker, but he also makes paintings based on photographs, slightly blurred to create an estrangement effect. Unlike Warhol and other American artists, Richter's paintings are based on snapshots and family photos such as "Tante Marianne", the haunting portrait of the artist as a baby posing with his then fourteen-year-old aunt Marianne Schönfelder. The portrait becomes even more haunting, if you know that Marianne Schönfelder was mentally ill and was murdered by the Nazis as part of their euthanasia program.

"Tante Marianne" by Gerhard Richter
"Tante Marianne" by Gerhard Richter is based on a family photo showing the artist as a baby with his then 14-year-old aunt Marianne Schönfelder

The Democratisation of Art

In the beginning, many art critics were outraged by Pop Art's seemingly uncritical use of "low" subject matter such as comics, movies and advertising imagery. Furthermore, critics accused the Pop Artists of being mere copyists, incapable of creating something original. It seems those art critics have forgotten their art history, because using found objects in art is not exactly a new idea. Marcel Duchamp already did the same thing fifty years ago with his so-called "Readymades" such as his famous 1917 work "Fountain", a commercially produced urinal that Duchamp simply signed. Marcel Duchamp is still alive, though retired, and I like to think that he gets a smile out of the young Pop Artists taking up his methods.

Thirty years ago, philosopher Walter Benjamin wrote a notable essay entitled "The Work of Art in the Age of Mechanical Reproduction", wherein he postulates that a work of art loses its aura of uniqueness, when it can be infinitely reproduced via new filmic, photographic and printing technologies, and how this influences our perception of art. Benjamin also discusses the political dimensions of the then new mass media both as propaganda for Fascist (and Communist) regimes as well as its potential to democratise art.

Elizabeth Taylor by Andy Warhol
"Liz" by Andy Warhol is a portrait of actress Elizabeth Taylor

The Pop Artists follow the latter path, because their art is both a reproduction of an existing work (comic books, magazine photographs, film stills, product packaging) as well as infinitely reproduceable in itself. Andy Warhol does not create individual paintings, but silk screen prints that he produces in his own workshop in New York City, the so-called "Factory". This makes his works much more affordable than traditional fine art to the point that a Warhol print is not out of reach of the middle classes who want to brighten their homes with some modern art. Though personally, I would go with Marilyn, Elvis, Liz or even the Campbell's soup can rather than the electric chair or a car crash. And if you cannot afford a Warhol print, Pop Artist Robert Indiana is creating a line of greeting cards for the Museum of Modern Art, so you can own a piece of Pop Art for less than a dollar.

Black and White: Op Art

The latest movement to shake up the art world is Op Art, short for Optical Art. The movement got its name last year when the Martha Jackson Gallery in New York City exhibited the works of Polish-born artist Julian Stanczak in the show Julian Stanczak: Optical Paintings.

Julian Stanczak has a tragic history – he was incarcerated in a Soviet labour camp as a teenager and lost the use of his right arm. Now forced to paint with his non-dominant left hand, Stanczak turned to abstract art as a way to escape his painful past. At the show in New York City, he exhibited striking black and white paintings whose patterns seem to flash, blur and vibrate in front of the observer's eyes due to his use of optical illusions. Look too long at a Stanczak painting and you might well get dizzy.

"The Duel" by Julian Stanczak
"The Duel" by Julian Stanczak

Meanwhile in the UK, a young artist named Bridget Riley chanced to see the painting "The Bridge at Courbevoie" by pointillist French painter Georges Seurat. The painting and its use of dots to create optical effects impressed Bridget Riley greatly, so much that she copied it and placed the copy in her studio.

 

"Movement in Squares" by Birdget Riley
"Movement in Squares" by Bridget Riley

Inspired by Seurat, Bridget Riley began to create pointillist paintings of her own. She started out with landscapes, but her paintings quickly turned abstract and also made use of black and white contrasts and optical effects.

Bridget Riley
Artist Bridget Riley with one of her striking Op Art paintings

Another Op Art pioneer, Hungarian-French artist Victor Vasarely was inspired both by the Bauhaus and Russian Constructivism and began to create abstract geometric artworks, which also exploit optical illusions much like the works of Julian Stanczak and Bridget Riley.

Supernovae by Victor Vasarely
"Supernovae" by Victor Vasarely

It is not known whether Stanczak, Riley and Vasarely were aware of each other's work, but curator William C. Seitz brought their work and those of other optical artists together in an exhibition at the Museum of Modern Art in New York City entitled The Responsive Eye. The exhibition concluded two weeks ago and should help to bring Op Art into the mainstream.

Beyond Modernism: The Future of Art

Whether you prefer Pop Art, Op Art or Minimalism, contemporary art has not been so exciting since the heady avantgarde days of the interwar period.

But unlike the avantgarde of the first few decades of the 20th century, today's contemporary art is a lot more accessible and democratic. You don't need to be wealthy to purchase a print by Andy Warhol, a greeting card by Robert Indiana or the work one of the other exciting new artists. And who knows, if those artists take off, you may find yourself in possession of a very valuable piece someday.

Furthermore, you might even be inspired to create some art of your own. At any rate, the pop art collages by Richard Hamilton, Eduardo Paolozzi and Tom Wesselmann inspired me to grab a stack of magazines as well as some scissors and glue and make some collages of my own. Maybe I'll share them here someday!

Hyeana Stomp by Frank Stella
Hyena Stomp by Frank Stella


Our last three Journey shows were a gas!  You can watch the kinescope reruns here).  You don't want to miss the next episode, May 9 at 1PM PDT, a special Arts and Entertainment edition featuring Arel Lucas, Cora Buhlert, Erica Frank…and Dr. Who producer, Verity Lambert! Register today and we'll make sure you don't forget.




[April 10, 1965] Furnishing the Home of the Future: Interior Design for the Space Age


by Cora Buhlert

Today's article is on architecture in the modern age, but first, I have a couple of news tidbits for you — one public and one personal:

For a Few Westerns More

While the "western" appears to be a declining genre in the United States, at least on the silver screen, West German audiences are currently flocking to the cinemas to watch an Italian western. Yes, you heard that correctly. After entertaining us with a seemingly endless stream of sand and sandal epics, Italian filmmakers have decided to try their hand at a new genre, the western.

German poster for For a Fistful of Dollars
The German film poster for "Per un pugno di dollari" a.k.a. "For a Fistful of Dollars"

The movie in question is called Per un pugno di dollari, which translates as "For a Fistful of Dollars". It features Clint Eastwood, star of the American western TV series Rawhide, as a nameless gunslinger. West German actress Marianne Koch, mostly known for sappy romantic fare, plays a Mexican damsel in distress. Per un pugno di dollari is an exciting movie, full of action and a lot more graphic violence than is commonly found in Hollywood westerns. However, if the plot of a nameless stranger getting involved in a feud between two rival gangs seems a tad familiar, that's probably because it is. Only four years ago, Akira Kurosawa told the same story, albeit set in 19th century Japan, in Yojimbo. And Kurosawa didn't come up with the plot either, but borrowed it from Dashiell Hammett's 1927 crime novel Red Harvest.

Nevertheless, I enjoyed it, and I'm looking forward to more of this Italian spin on an American genre!

A Happy Couple

Spring is also the time for weddings. And even though April has been cold and wet so far, I nonetheless attended a family wedding yesterday. Here are some photos of the happy couple.

1965 wedding

1965 wedding

Even twenty years after the end of WWII, there are still housing shortages in West Germany and therefore, the young couple above is thrilled to have found an apartment to start their new life together. I don't know what that apartment will look like, but thinking about it led me to contemplate contemporary interior design in general. So strap in for a tour of what's in, literally.

The Workplace of the Future

Last year, I brought you an article about the exciting modern buildings that are going up all over Europe and elsewhere. Futuristic buildings need futuristic interiors. Thankfully, today's designers are on the ball and are creating some amazing furniture that looks like nothing ever seen before.

In many areas, the so-called International Style, which emerged after World War II from the Bauhaus style of the 1920s and early 1930s, is still dominant. And indeed the clean lines and functional design of the International Style are perfectly suited to hotel lobbies, airport lounges and office buildings.

Companies like Vitra of Switzerland and Knoll International and Herman Miller Inc., both from the US, supply the headquarters of international companies with a mixture of classic thirty to forty year old Bauhaus designs revived for the postwar era as well as new chairs, desks and tables created by designers like Charles and Ray Eames. Of particular note is "Action Office", designed by Robert Propst and George Nelson for Herman Miller Inc. The mobile and modular "Action Office" system breaks up the rigid rows of desks which characterise many modern offices and allows for moving around chairs and desks. Shelving units and filing cabinets serve as dividers, allowing office workers more privacy. "Action Office" makes work seem like fun.

Action Office
"Action Office" furniture system, designed by George Nelson and Robert Propst, with chairs by Charles and Ray Eames.

Of course, a modern office also needs modern equipment. The Italian company Olivetti produces some of the best and most functional office equipment currently on the market such as the "Praxis 48" typewriter with its bright green keys or the strikingly futuristic "Programma 101" programmable calculating machine. Owning an Olivetti typewriter or an IBM "Selectric" is the dream of many a writer.

Olivetti store
An Olivetti store in Italy. What an innovative idea, a shop devoted only to the products of a single manufacturer of office equipment.
Olivetti Praxis 48 typewriter
The Olivetti "Praxis 48" typewriter, designed by Ettore Sottsass


Northern Exposure

But while the International Style may excel at furnishing office buildings, its minimalist purism does feel a little too cold and bland for the home. Thankfully, our Northern neighbours are on the case with furnishings that manage to be both modernist and cosy.

In the past three decades, Scandinavia has emerged as a source of beautiful and functional design to the point that Scandinavian Modern has become a recognisable style found in many homes in Europe (including my own) and beyond.

Traditionally, Scandinavian Modern has been associated with clean lines, neutral palettes and natural materials like wood, leather and wicker. A prime example is the beautiful "Hammock" chair by Danish designer Poul Kjærholm. However in recent times, Scandinavian designers have branched out and embraced materials like plastics as well as brighter colours.

Paul Kjaerholm hammock chair
Don't you just want to lie down in this "Hammock" chair by Danish designer Paul Kjaerholm?

A few years ago, Danish designer Arne Jacobsen created the incredibly comfortable organic forms of the so-called "Egg" and "Swan" chairs for the SAS Royal Hotel in Copenhagen, Meanwhile, his countryman Poul Volther designed the striking "Corona" chair, inspired by witnessing a solar eclipse.

Egg chair by Arne Jacobsen
The "Egg" chair by Danish designer Arne Jacobsen. Doesn't it look super comfortable?
Swan chair by Arne Jacobsen
The "Swan" chair by Arne Jacobsen
Arne Jacobsen interior for the SAS Royal Hotel
Arne Jacobsen's interior for the SAS Royal Hotel in Copenhagen, featuring the "Egg" chair.
Corona chair by Poul Vohler
The "Corona" chair by Danish designer Poul Vohler was allegedly inspired by witnessing a solar eclipse.

Another Dane, Verner Panton, came up with such innovative designs as the "Moon" ceiling lamp, the "Cone" chair and a cantilever chair from a single piece of injection moulded plastic which is sadly only a prototype for now, though the Swiss company Vitra is looking at possibilities for mass production.

Moon lamp by Verner Panton
The "Moon" lamp by Danish designer Verner Panton brightens up this lobby.
Cone chair by Verner Panton
The "Cone" chair by Verner Panton
Panton chair
This chair prototype by Verner Panton is made from a single piece of plastic.

Eero Saarinen from Finland is mainly known as the architect responsible for such stunning buildings as the Trans World Flight Center, the Washington Dulles International Airport and the St. Louis Gateway arch. However, Eero Saarinen is also a talented furniture designer and the plastic "Tulip" chair he designed for Knoll International can be found in homes and boardrooms around the world. Meanwhile, Eero Aarnio, also from Finland, created the fabulous "Ball" chair, which is perfect for curling up with a good book.

Tulip chairs by Eero Saarinen
These "Tulip" chairs were designed by Finnish designer eero Saarinen for Knoll International
Ball chair by Eero Aarnio
Who wouldn't want to curl up with a good book in this futuristic "Ball" chair by Finnish desinger Eero Aarnio?

But Scandinavian designers also excel in fields beyond furniture design. In 1960, Jacqueline Kennedy made the colourful fabrics of the Finnish company Marimekko world famous, when she bought six Marimekko gowns for her husband's presidential campaign. Those carefree days may be over, but Marimekko is still producing striking and brightly coloured fabrics such as the "Unikko" (poppy) pattern, designed last year by Maija Isola.

Jacqueline Kennedy in Marimekko
Jacqueline Kennedy wearing a Marimekko dress on the cover of Sports Illustrated.
Marimekko Unikko
The brightly coloured "Unikko" (Poppy) pattern was designed by Majia Isola for Marimekko last year.

Meanwhile, Danish designer Bjørn Wiinblad has shaken up the stuffy Rosenthal porcelain company with his elegant and modern designs such the "Romanze" dinnerware line, which can be found on many West German tables, including mine.

Rosenthal Romanze by Björn Wiinblad
The "Romanze" dinnerware with its organic forms and embossed oval pattern was designed by Björn Wiinblad for Rosenthal porcelain.
Juggler candlestick by Björn Wiinblad
Danish designer Björn Wiinblad also created this striking "Juggler" candlestick for Rosenthal.


From Italy with Love

If Scandinavia is the centre of North European design, the style heart of Southern Europe beats in Italy.

Designer Joe Columbo from Milan may be only 34, but he has already created such revolutionary designs as the stackable "Universale" No. 4860 chair, the desk lamp "Acrilica", the "Combi-Centre" flexible storage cabinet and the "Elda" chair which would not look out of place on the bridge of a starship.

Acrilica Lamp by Joe Columbo
The "Acrilica" desk lamp by Joe Columbo is the most beautiful way to light up your desk.
Joe Columbo Combi-Centre
Get organised with this "Combi-Centre" storage cabinet by Italian designer Joe Columbo
Universale No. 4860 chair by Joe Columbo
Coloruful and practical: The stackable "Universale No. 4860" chair by Joe Columbo
Elda chair by Joe Columbo
A chair fit for a starship captain: The "Elda" armchair by Joe Columbo

The "Arco" lamp, designed by brothers Pier Giacomo and Achille Castiglioni, is not just beautiful, but also combines the simplicity of a floor lamp with the illumination provided by a ceiling lamp. An "Arco" lamp currently brightens up my living room and was well worth both the price and the hassle of transporting the large and heavy lamp home in a small car. A few years earlier, the brothers Castiglioni also designed the deceptively simple "Mezzadro" stool.

Arco lamp
The striking "Arco" lamp, designed by brother Pier Giacomo and Achille Castiglioni
Mezzadro stool by the brothers Castiglioni
The "Mezzadro" stool, designed by the brothers Castiglioni

But Italian design is not just beautiful – no, the Italians also pioneered the use of space age plastic materials for home furnishings. Above, I already mentioned the "Universale" chair from brightly coloured ABS plastic and the stunning "Acrilica" desk lamp, which turns a sheet of acrylic glass into an stylised ocean wave and lights up your desk, too. Another example of innovative plastic use is the line of "Throw Away" sofas and armchairs designed by Willie Landels for the Milanese company Zanotta. Outwardly, the boxy "Throw Away" armchairs and sofas may not look particularly exciting, but if you were to cut one open – not that you should – you'd find only polyurethane foam inside, no wooden frames or steel springs needed.

Throw Away armchairs
The "Throw Away" line of armchairs and sofas was designed by Willie Lendel for Zanotta
Throw Away armchair by Zanotta
Someone took the name of the "Throw Away" armchair by Zanotta a little too seriously. On the plus side, you can see that the armchairs are so light that they float on water due to their innovative polyurethane core.


Making Household Appliances Beautiful

In West Germany, interior and product design are still very much influenced by the purist Bauhaus style of the 1920s and early 1930s. The rise of the Third Reich scattered the Bauhaus alumni all over the world, though some like Wilhelm Wagenfeld remained in West Germany. A son of my hometown of Bremen, Wilhelm Wagenfeld has created both lamps and tableware such as this teapot from heat-resistant borosilicate glass or the salt and pepper shaker combination "Max and Moritz". Wagenfeld's designs can be found in many West German homes, including mine.

Wilhelm Wagenfeld teapot
This teapot from heat resistant borosilicate glass was designed by Wilhelm Wagenfeld.
Wilhelm Wagenfeld Max and Moritz
The salt and pepper shaker combination "Max and Moritz", designed by Wilhelm Wagenfeld

The original Bauhaus in Dessau has sadly vanished behind the Iron Curtain, but its spiritual heirs may be found at the Ulm School of Design, whose alumni found employment at corporations like Lufthansa airlines and the Braun AG.

The Braun AG has long been known as a manufacturer of high-quality radios, clocks, electric shavers, kitchen and household appliances. However, in the past few years, Braun has also become known for its functional and beautiful product design, courtesy of designers Dieter Rams, Hans Gugelot and Reinhold Weiss.

Braun's most famous product is probably the "Phonosuper SK4", which combines a radio and a record player in a single white box with a lid of clear acrylic. Due to its appearance, the "Phonosuper SK4" quickly gained the nickname "Snow White's coffin". But never mind the somewhat morbid nickname, your Beatles records have never sounded better.

Braun Phonosuper SK4, designed by Dieter Rams and Hans Gugelot
Play your Beatles and Motown records on this stylish "Phonosuper SK4" radio and record player combination. Designed by Dieter Rams and Hans Gugelot for Braun AG, the "Phonosuper SK4" is also nicknamed "Snow White's Coffin".

I'm fortunate that my uncle works for the Braun AG and can hook me up with their latest products. And so I'm not only the proud owner of a "Phonosuper SK61", the improved follow-up of "Snow White's Coffin", but also of a Braun KM32 food processor and the HL1 desk fan, which keeps my office cool in the summer.

Braun HL1 desk fan
This Braun HL1 desk fan will keep you cool in summer. Designed by Reinhold Weiss.
Braun KM 32 food processor
This Braun KM 32 food processor is the envy of every homecook.
Braun kitchen scale
This striking circular kitchen scale was designed by Dieter Rams for the Braun AG.


Good Design for the Masses

The many striking examples of modern interior design I have presented above all have one thing in common. They may be beautiful, but they're also very pricey. So what is a couple with a limited budget like our newlyweds above to do? Stick with grandma's Victorian hand-me-downs, until they have saved up enough to be able to afford the stunning pieces seen above?

Not necessarily, because all over Western Europe companies are springing up to bring modern design to the masses at affordable prices. The foremost among those companies is IKEA of Sweden. Founded by Ingvar Kamprad, IKEA was originally a mail order business offering furniture for self-assembly. In 1958, IKEA opened its first furniture store in Älmhult, Sweden, followed soon by many others. Whether ordered by mail or purchased at a store, IKEA furniture always comes in a flat box, the contents of which the customer can assemble themselves. IKEA furniture is modern, practical and – most importantly – much cheaper than the expensive designer pieces seen above. Sadly, IKEA only operates in Scandinavia so far, but I hope that the rest of us will get to enjoy their products soon.

1965 IKEA catalogue
The 1965 IKEA catalogue offers Scandinavian Modern for the masses.
Ingvar Kamprad and Hans Ax
IKEA founder Ingvar Kamprad and store manager Hans Ax outside the IKEA store in Älmhult, Sweden.

Over in Britain, a young designer named Terence Conran had a similar idea. In 1956, Conran created his "Summa" range of furniture, to be sold in flat boxes for self-assembly at home. However, Conran found that few stores would sell his products, so last year he opened his own shop, called Habitat, on Fulham Road in London. Like IKEA, Habitat offers good design at affordable prices. However, Habitat doesn't just sell furniture, they also offer kitchenware and other accessories from around the world to make your home beautiful. And so Habitat's most popular product is not furniture at all, but storage jars for dry pasta.

Habitat
A look into the Habitat store on Fulham road in London
Terence Conran with Habitat staff
British designer Terence Conran poses with the staff of his Habitat store in London.


The Return of Victorian Whimsy

But even though practical and beautiful modern furniture is available at increasingly affordable prices these days, the Victorian furniture and accessories of our grandparents, long considered old-fashioned and passé, is currently undergoing something of a Renaissance as well.

Particularly the Art Noveau style of the turn of the century with its flowing, organic designs is back en vogue both due to high profile retrospectives in museums in Paris and London and because the swirling designs of Art Noveau also happen to echo the psychedelic experience, something which would probably have baffled the great Art Noveau designers and artists such as Henry van de Velde, Alphonse Mucha or Aubrey Beardsley.

So far, the Victorian and Art Noveau revival seems to be confined to London, where the walls of trendy apartments are covered in vintage enamel advertising signs and the Biba boutique offers the latest fashions amidst an eclectic mix of Victorian furniture, Art Noveau wallpapers and ostrich feathers. So if you still have some of grandma's old furniture in the attic, by all that's holy don't throw it away, because it's about to come back into fashion.

Biba boutique
The interior of London's trendy Biba boutique mixes Victorian furniture with up to date fashions.
Biba Boutique London
Miniskirts go well with Art Noveau wallpaper inside the Biba boutique in London.

But what do you do if you don't happen to have inherited any authentic Victorian or Art Noveau objects from your grandparents and if you can't find any at your local antiques store either? Luckily, companies like Dodo Designs of Tunbridge Wells, England, offer a range of tins, mugs, wall plaques and milliner's heads that look as if they fell out of a time warp.

Dodo designs
A store display of Dodo design products in the Victorian style on Carnaby Street in London.


Hold onto your seat

With so many different styles and movements currently vying for customers, what will the home of the future look like? Of course, it's always difficult to predict trends with any certainty, but I do think that we will be seeing brighter colours and more furniture made from plastic. We will also be seeing stores like IKEA or Habitat expand and similar enterprises springing up in other countries. Finally, we will also be seeing older styles – whether it's the recently rediscovered Art Noveau of sixty to seventy years ago or the Bauhaus style of the 1920s and 1930s which never truly went away – coexist with the latest designs.

But one thing is certain. The home of the future will be bright, fun and exciting.



We had so much success with our first episode of The Journey Show (you can watch the kinescope rerun; check local listings for details) that we're going to have another one on April 11 at 1PM PDT with The Young Traveler as the special musical guest.  As the kids say, be there or be square!

[March 25, 1965] We still get letters!

We still get letters from our contemporaries in 1965.  This one was just too cute not to print.  Feel free to keep sending them — maybe yours will get an off-schedule run!


by Jimmy Croff

Hi Mister Time Traveler Man,

Here are some photographs and stuff I have collected.

I am twelve years old.  My birthday is March 26! I am in the sixth grade at Will Angier Elementary School. My teacher is Miss Blickenstaff.

I am an altar boy at St. Columba church and am a Tenderfoot Boy Scout in Troop 275.

I like seeing your pictures and stories. I like to write poems but I don’t know much about the science fiction stuff you talk about. I am reading the Narnia books and just about cried when I found out there are only seven.

When you talk about negroes marching for rights, I don’t understand why they have to march or why people are mean to them. There is a negro girl in our class, she is really nice.

Hey, I saw you write about a holiday called Purim. I never heard of that. My teacher says it is Jewish. There is a kid in my class named Larry who said he is Jewish. He is nice too but I still don’t know what Jewish means.

I like your space stuff because I want to be an engineer or join the Peace Corps because President Kennedy said we should.

You can use my stuff if you want but I mainly just wanted to show you a little about a twelve year old kid.

Sincerely,
Jimmy Croff



We'll be talking about these space flights and more at a special presentation of our "Come Time Travel with Me" panel, the one we normally do at conventions, on March 27 at 6PM PDT.  Come register to join us!  It's free and fun…and you might win a prize!




[March 10, 1965] Politics & Pirates: The Current State of British Pop Music Radio


by Mx. Kris Vyas-Myall

BBC Radio

For those outside the UK it may surprise people how closely controlled radio broadcasting is by the BBC. Whilst we have had commercial television for 10 years, you officially only have a choice of the BBCs 3 radio stations (unless you happen to live on the Isle of Man, but I will get to that later).

BBC Radio

These are The Home Service, which is primarily dedicated to talk and drama (with a strong religious and educational focus), Network Three, which is primarily dedicated to classical music but with some jazz and educational content in between (such as Spanish For Beginners & Shorthand Dictation), & The Light Programme, for mainstream entertainment.

However, although The Light Programme is theoretically a national service for mainstream entertainment, this should not be mistaken for being a pop music radio station as you would have in America. The time is more regularly devoted to big band and soundtracks, with one of the most popular programmes being Housewives’ Choice

There are some specific slots set out for the kind of music that regularly appears on the charts, primarily on a Sunday. One of the most popular is Brian Matthew’s Easy Beat which, as the name suggests, tends to feature more easy listening popular artists such as Kenny Ball, The Hollies, and Val Doonican. Whilst it does feature some interesting artists, the Sunday Morning slot (just prior to broadcast of a church service) does not make it the most lively programme. At 4pm is Pick Of The Pops which features chart music and presented by Alan Freeman. Finally, late at night is The Teen Scene, which also features interviews with popular artists.

Why does the BBC provide so little for modern pop music? From what I have heard, many at the BBC radio consider their remit to be educational and do not have a high opinion of current musical trends. As such, it is not surprising that many people have sought out alternatives to the BBC’s monopoly over the airwaves.

Offshore Stations

Being next to the continent of Europe, those in the South of England can often get foreign signals quite easily.

The most popular of these is Radio Luxembourg. With (they claim) the most powerful radio transmitter in Europe they have been broadcasting in French and English to Britain since the 1930s. This decade they have begun to target the teenage market primarily and using American style DJs live. Until last year Luxembourg was the easiest place to access pop music.

Radio Luxembourg

There is now one commercial station officially licensed by the UK, Manx Radio. The Isle of Man, which sits in the North Sea between The Lake District and Northern Ireland, is a crown dependency but has its own parliament and laws. Last year they negotiated with the British Parliament to be allowed their own commercial radio station.

Manx Radio

Manx radio began broadcasting in June from a small hilltop caravan. Its programming makes for an unusual combination, as it has the pop records and attempts to recreate the styles American disk jockeys you can hear on Radio Luxembourg, but mixed in between them is a lot of local flavour. We get the real sense this is a true rural homespun affair with ads for local businesses and news of life on the island. In many ways these idiosyncrasies make it as different as it might be possible to get from the stuffed shirt attitudes we get from the BBC presenters.

However, many people are turning their dials to a new kind of programming, pirate radio

Pirate Radio

Radio piracy is nothing new. The 1930s was also a major period for pirate radio: the IBC were broadcasting English language radio from mainland Europe, whilst West End hotels broadcast live dance bands from their own ballrooms. I am personally too young to remember those days, yet it is curious to wonder where we would be if the war had not disrupted so many of these.

The direct antecedents of today’s pirate radio ships are probably Radio Mercur and Radio Veronica. The former starting in 1958 for Scandinavian audiences and the latter for Dutch listeners in 1960, these broadcast from offshore ships and showed that 1) There is an audience for all-day pop music radio aimed at the teenage market & 2) it could be a successful commercial operation. And around a year ago British audiences got their own version, Radio Caroline.

Radio Caroline

Ronan O’Rahilly, owner of the Scene club and small-time record company owner, decided to park just a few miles off the British coast and began broadcasting a different kind of radio. Here it is a steady stream of pop music with casual DJ platter and a freedom to promote newer artists to the audience. One good example of this is 24 year old Tom Jones, whose debut record It’s Not Unusual has not been played on the BBC but has been getting regular airplay and has been slowly climbing the British charts as a result.

One of the best loved DJs is Tony Blackburn who intersperses his playing of fantastic pop records with a regular stream of quick puns. A world away from the reserved presenters you get on The Light Programme.

Since the merger with Radio Atlanta (another Pirate Radio ship that quickly followed Caroline’s lead) these two ships can broadcast to almost the entire British Isles. However, there are a couple of flaws in the broadcast. Foreign signals disrupt the broadcast after 9pm which means the show stops broadcasting. Also, from what I have heard, in Northern Scotland, South Wales, and Cornwall the signal gets very weak. It is best able to supply those in the South East and North West of England.

However, Caroline now has a major rival in the form of Radio London. Also known as Big L or Wonderful Radio London, was started by a group of Texan Car Dealers in the mould of Radio Caroline and based on a former minesweeper sporting a radio mast which is (they claim) more than 200ft tall.

Radio London

Whilst only in operation since December they have already attracted a loyal audience via a combination of the clear experience demonstrated by their team and being explicitly a top 40 station, with their own weekly Fab 40 Chart we get to hear from.

Then we have the more unusual case of Radio City. In order to understand this you have to first know of two oddities of British life, the sea forts and Lord Sutch.

During the Second World War a whole range of armoured forts were built off the British coast in order to help defend against German attacks. These have since all been decommissioned and have been sitting empty off the British Coast. Last year one of these was seized by David Edward Sutch AKA Screaming Lord Sutch.

Lead singer of the rock group Screaming Lord Sutch and the Savages, Sutch has become much written about in the newspapers for his unusual stunts, such as outlandish stagecraft and standing for election as a candidate for The National Teenage Party. Yet his records had a lot of trouble getting any airplay and he has been outspoken about the need to liberalise radio.

As such last May he took over Shivering Sands fort and began broadcasting Radio Sutch. As well as record play there were such segments as readings from erotic novels and other material designed to shock. This enterprise ended up being more important for the stunt than the actual broadcast as the transmitter was only able to reach a small area of the mainland and he soon sold it to his unofficial manager Reginal Calvert, who renamed and relaunched the operation as Radio City.

Radio Sutch

This is a somewhat more professional operation than Sutch put together, able to hit a lot more people but retains a little of the more eclectic content with output varying between new music releases to comedy to even evangelical broadcasts from local religious organisations.

The Current Battle

So as the number of pirate radio broadcasts continues to grow, so does the opposition to it from the government’s side. As well as the continued outspoken statements from The Postmaster General Anthony Wedgewood-Benn, Britain became a key signatory to the European Agreement for the Prevention of Broadcasts transmitted from Stations outside National Territories in January, designed to stop Pirate Radio.

Tony Benn

In 1962, the Government had investigated the possibility of licencing of commercial radio but had concluded there was no demand for it. Yet a report from last year found that in areas where Radio Caroline has a good reception around one-fifth were identified as Caroline ‘addicts’, 70% of them under 30 years old. At the same time a Gallup Survey estimated the listening audience at seven million.

Pirate radio clearly has a big cultural grip on the British Youth and is loathed by the establishment. Who will win in this battle remains to be seen, but I will keep turning my dial to 199 for my daily dose of Caroline.






[February 14, 1965] How I Found Love in the Vorpal Gallery (A Valentine for M. C. Escher)

[The current "in" thing is Op Art, the manipulation of our visual sense in the two-dimensional plane.  Perhaps no artist is more representative of this movement than M. C. Escher, and no day is more appropriate for a love letter to said artist than Valentine's Day…]


by Victoria Lucas

A Fine Romance

It was simple. I walked into a room and there was this man.  Well, not exactly the man himself, but there are self portraits. It was still love at first sight.

M. C. Escher with curved glass
Maurits Cornelis Escher

I think I wrote about working on Battery Street in San Francisco, 633, as a matter of fact, for the capitalist taskmasters U.S. Leasing Corp.  (I'm kidding–I'm not that far left. But I don't like what they do to people who can't make payments on their rented cash registers.)  From that debt factory, just a 7-minute walk up (north on) Battery takes me to 1168 and a little gallery established in 1962.

The Vorpal Gallery

Named after the "vorpal" blade in Lewis Carroll's poem "Jabberwocky," Vorpal Gallery represents many artists, but I have eyes only for M. C. Escher.  Well, maybe I do glance at the other artists represented–occasionally, after I've had my fill of the master after work or at lunch break.  I pounce on any new work and gulp it in, forgetting about food.

Another Kind of Relativity

To introduce you to this man's work, here, for instance, is "Relativity," about which the artist wrote, "In this picture three gravitational forces operate perpendicularly to one another. Men are walking crisscross together on the floor and the stairs. Some of them, though belonging to different worlds, come very close together but can't be aware of each other's existence."


Relativity, by M. C,. Escher

Going Dutch

Born in the Netherlands, Escher became a graphic artist who made mainly lithographs, mezzotints, and woodcuts, but also carved three-dimensional objects.  (See below.)


Escher's Sphere with Reptiles, from 1949

Escher's work is mathematics made visible.  No formulas, just breathtaking elegance, beauty, simplicity.  He works with space-filling forms, like his spheres and tessellations.  He loved Italy for its landscapes and warmth, lived and worked there for many years.  However, although he had no politics to speak of, he felt forced to leave Italy when, after meeting and marrying a woman in Siena, and having a son, he couldn't stand the sight of his son wearing a school-mandated fascist uniform in the 1930s.  (They moved to be near his wife's family in Switzerland.)

Transforming the World

No subject is too humble or too fantastic for this man.  No matter how you orient this image of a puddle, it works to reflect and refract the world.


Escher's puddle, 1952

I want to continue to see the world through his eyes.  I'm not sure one lifetime is enough for that.

Find Your Own Puddle

In any case, whether you want to fall in love or not, I suggest you find a room or a book or a card with images by this Maurits Cornelis Escher who was fascinated by repeating patterns and impossible views.  I've found mine.






[February 10, 1965] A Gay Old Time (March 1965 ONE, February-March 1965 The Ladder, March 1965 Drum)


by Erica Frank

As I've been looking into news and literature sources away from the beaten path, I've run across several magazines that aren't likely to show up on your local newsrack: They're published by homophile organizations. They face tremendous prejudice and sometimes outright bigotry, despite their focus on nothing more objectionable than human relationships.

The term "homophile" was first proposed by Harry Hay, one of the founders of the Mattachine Society. It is widely used by gay rights groups to indicate that their identity is not centered around sex. However, the terms homophile, homosexual, gay, and lesbian are all used frequently throughout the periodicals.

ONE was created by members of the Mattachine Society and has been published since 1958. The Ladder is from the Daughters of Bilitiis, a lesbian organization; it's been around almost as long. Drum is the newcomer that began only last year, published by the Janus Society; it has a less serious approach, with more light-hearted content. All three have a letters section and book reviews, which I will cover at the end.

ONE: The Homosexual Viewpoint

One Incorporated is "A non-profit corporation formed to publish a magazine dealing primarily with homosexuality from the scientific, historical and critical point of view." A few years ago, it won a landmark lawsuit, establishing it as not obscene material, and therefore legal to send through the mail.

Cover for ONE, March 1965

ONE has the highest production values of the three magazines I found. The text is neatly set in two columns for main articles and it has both photographs and line art. It has a mix of content types: interview article, fiction, poetry, news, and essays. It also has book reviews. All of them have news and book review sections, as any misunderstood and often-persecuted group needs both an awareness of how society treats them and an understanding of their own communities.

Interview with Elmer Gage, Mohave Indian

Mr. Gage is known as a homosexual in his local community, and they accept him. His photo, instead of showing him making the beaded belts he sells to tourists, or at home with his grandmother, is a publicity picture of him in his Bird Dancer outfit. He wears it for ceremonial dances and sometimes for lectures at universities, but it's not what he wears at home. (Of course not. Shakespearean actors may be portraying traditional British cultural entertainments, but nobody expects them to wear Renaissance-era garb all the time.) Despite the hardships he faces, he is at peace with himself; he says life is "too short to spend your time being something you don't want to be… I'm true to myself and my own nature."

Uncomfortable Fiction, Poetry

The short story, "Somebody Else All of a Sudden, Somebody New," by K. O. Neal, is short, and not an easy read. It involves Jeffy–probably a teenager–and a man called "Old Rocker," who pays him for sex: usually a silver dollar, but two dollars this time. (There are no prurient details in the story.) I'm left wondering if Old Rocker would seek other partners if doing so didn't risk arrest or even murder.

The poem that follows the story, "Lines for the almost gone," is not any less distressing. It's directed to either someone dying or someone on the edge of suicide. The other poem in this issue, "frankincense: three letters to c" by Abel Jones, reminds me of both e.e. cummings' style, with few capital letters and broken lines arranged carefully on the page, and Ginsberg's "Howl," with a mix of evocative imagery and coarse irreverence.

Poetry excerpt: in My yellow room surrounded by empty shoes and horrid unfiltered cigarettes that i smoke for your sake Charlie / when you die i iwill sing for you requiems in our common grave-house
I'm sure this poem is deeply meaningful to someone, but that someone is not me.

Transvestites: Not the same as gay

The article "Silks and Satins" by Charles Elkins is a plea for understanding. Men who wear traditionally women's clothing are not a unified group, nor are they all either gay or straight. Some would prefer to wear dresses and heels in public and be accepted as women; others only want them for bedroom activities. They are often very lonely, rejected even by other fringe communities, and told by psychiatrists that they should repress their harmless interest in looking and feeling feminine. I say: if someone wants to wear a silk dress and heels in public, let them. As Jefferson said, "it neither picks my pocket nor breaks my leg."

This and That

It also has a "news and views" column, "Tangents," which is a roundup of short synposes: Homosexuals in the media (a British tv show about lesbians on January 7th, Macleans magazine planning an article about them in the future); cops falsely accusing political candidates of homosexuality in California; one of Freud's theories about Leonardo da Vinci's homosexuality has been debunked. (Whether da Vinci was homosexual is unknown, but if so, it wasn't proven by a childhood memory of a vulture.)

picture of kittens in button-up shoes, and caption "High button shoes are old fashioned! But the so are many concepts of reasoning toward homosexuality.
Is that Puss in Boots?

The Ladder: A Lesbian Review

The Daughters of Bilitis is "a women's organization for the purpose of promoting the integration of the homosexula into society" by education, participation in research, and promotion of changes to the penal code."

Cover for The Ladder, Feb-March 1965

The Ladder's production quality is the lowest of the trio. Most of it is typed, and the text isn't always aligned evenly with the headings. There are no photographs and no line art. Still, it contains solid news articles (impressive, as it does not rely on a clippings service) and thoughtful essays.

Homophile Activists

This issue has several articles about public events. One called "After the Ball…" about the police raid on a New Year's Eve costume ball organized by the Council on Religion and the Homosexual, comprised of members of six homophile organizations. The police harassed attendees and photographed most of the 600 guests, and when they were told they needed a warrant to enter, they arrested the four people trying to stop them.

Attendees of the SF New Year's Eve ball
While the police were attempting to intimidate, they did capture some amazing pictures. Picture from Lewd & Lascivious.

The other activism news was not as well covered in newspapers: Last December in New York, Dr. Paul R. Dince gave a lecture entitled "Homosexuality, A Disesase." Four picketers showed up to protest, handing out free homophile literature and holding signs saying "WE REQUEST 10 MINUTES REBUTTAL TIME." They made their request to the chairman of the forum – and it was granted!

After the lecture, during open questions, one of the picketers was allowed 10 minutes with a microphone. He pointed out that "experts" have contradictory theories about homosexulity. He mentioned they mostly study unhappy individuals, and they start with the assumption that homosexuality is a disease. (It's easy to "prove" something you already believe.) He also noted that most people in the "disease" camp say little against scams that charge ridiculous fees, claiming they will "cure" homosexuality. After the protesters received great applause, Dr. Dince conceded some of their points.

The E.C.H.O. (East Coast Homophile Organizations) report is five pages about the recent conference in Washington, D.C. This issue holds Part Four: "Act or Teach," based on recordings of the event. In this part, Dr. Franklin Kameny pointed out the flaws in approaching the public with information instead of demands for change. He said it is naive to assume information will overcome prejudice, but that when new laws establish civil rights, "public sentiment has then attempted to accommodate itself to the new situation."

Dr. Koneitzko disagreed with him, saying that acceptance from communities and churches is more important than technical legal rights. Kameny does not disagree, but he says that the acceptance will come after the laws change, not before.

Dr. Frank Kameny in a suit
Dr. Franklin Kameny, a WWII veteran who was fired from his post-war job in the Army Map Service because of his orientation. Photo circa 1956.

Essays and Poetry

"I Hate Women: A Diatribe by an Unreconstructed Feminist" is a rant about the repulsiveness of meek, timid, compliant femininity. The compelling title is rather tongue-in-cheek: The author, of course, does not hate women, since she is a lesbian. She hates, however, the notion that all women are destined to be servile wives and mothers, and decries that those who want a different path are often sent to a psychiatrist to "Find Out Why she Rejects the Feminine Role."

She goes on to talk about the risks of over-population, and quotes Arthur C. Clarke from the 1958 Harper's Magazine article, "Standing Room Only":

…the time may yet come when homosexuality is practically compulsory, and not merely fashionable. It will indeed be a piquant paradox if— in the long run and taking the survival of humanity as a whole as our criterion— this controversial instinct turns out to have a greater survival value than the urge to reproduce.

The other essay is considerably less angry. "To Tell or Not To Tell," by Vern Niven, is a short article about wrestling with secrecy, about the choice of whether homosexuals should tell their parents about who they love, or could love. The author says most parents can be accepting, but it may take some effort to prepare them for the truth. She encourages readers to be honest with their families. This can bring support and welcome for both themselves and partners, especially important when they consider their relationship a marriage.

The essays, while subjective, are directed to a broad audience. The four short poems seem more targeted in their appeal. Two have strong nature imagery; one is religious; one relates to music. None of them are overtly lesbian: they do not mention gender at all. But they are lyrical and intense, with hints of secrets being shared between the authors and readers.

And you, my subtle friend
Come counterpoint,
Offer me softly
          of your melodic
Talents.

The tone of The Ladder is down-to-earth and almost wistful; the articles are laced with hope and perseverance. Not all of the homophile magazines are so sober.

Drum: Sex in Perspective

The name is inspired by a quote by Thoreau: "If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music he hears, however measured or far away."

Cover for Drum, March 1965

I saved the fun one for last. Drum has more lively content than the others: the longest article is the 12-page "Beginner's Guide to Cruising," which is as much playful as informative. Indeed, its very first news article includes a picture of Tony Sabella kissing Robert Kennedy.

The caption reads: "A group of New York lawyers is studing the possibility of having sodomy charges brought against Senator-elect Robert Kennedy for allegedly committing a public indecent act in the Fulton Fish Market to demonstrate the importance of Penal Law reform."

Tony Sabella kissing Robert Kennedy
Is a public kiss between men acceptable as long as neither of them is believed to be gay?

Dating Guide

The feature article, "The Beginner's Guide to Cruising" by George Marshall, bypasses any question of inner speculation or the gay identity within a heterosexual community. It is focused on a single goal: sexual conquest. While the methods described border on predatory, it is clear that the purpose is great fun for both men involved; this is not a primer for seducing people who aren't interested.

It spends some time discussing which men should not be pursued: Those who are "superbly dressed," as they are more interested in themselves than you; those wearing very tight slacks, indicating bitterness and a lack of feeling; those with white shirts and pastel pants, who will take you to court if things go badly; those with political causes, who will involve you in their mania; those who are drunk or drug addicts, who are, at best, walking complications.

It gives several possible approaches to avoid clichés like, "Care for a coffee?" It then goes on to discuss socializing after an introduction at a party, how to convince him you are a clever conversationalist (mostly by agreeing with him), and the importance of setting a future meeting date. While the tips in the article are very much focused on gay men who are seeking other gay men, they are the same methods used by salesmen and politicians: know your target, make yourself interesting, follow through with more contact.

Spy Stories

"I Was a Homosexual for the FBI" (by P. Arody) is a short article crammed full of hilarious stereotypes. It is ostensibly by someone who saved the country from "the deadliest conspiracy ever to rock the United States": To convince straight people that gays are really no different from their neighbors. The author had access to the FBI's extensive resources, including the Homo-o-dors that smell "suspected perverts" and flash a lavender light on detection. His "training" included "how to talk with a lisp" and "how to swish when walking, drink like an alcoholic, and organize orgies." (If the FBI knows how to organize orgies, I demand it release that information to taxpayers!) The result of all that hard work: "we caught every homosexual in the entire country and now all twelve of them were on trial!"

In keeping with this month's unstated "super spy" theme, we have several pages of artwork showing Harry Chess, that man from A.U.N.T.I.E ("Agents' Undercover Network To Investigate Evil) and his team. This is an an obvious play on the new Man from U.N.C.L.E spy-thriller tv show.

Harry Chess - line art
Not shown here: his sidekick "Mickey Muscle," their informant Big Bennie, girl bartender, and villain Lewd Leather, the leader of M.U.C.K. (Maniacal Underworld Control Corp).

The puzzle is probably not connected to the spying, since one was included last month, and another will be shared next month. The "cryptogayme" cipher is a nice stretch-your-mind exercise in a magazine mostly devoted to casual enjoyment.

Cryptoquiz puzzle
The solution will be in next month's issue.

Pretty as a Picture

Speaking of casual enjoyment… the "Portfolio" covers four pages of the magazine: Full-page photos of young men wearing very little clothing. The portfolio is accompanied by ads from the photographers: $6 sent to an address in Germany will get you 8 black and white photos of two models, or 6 color slides. Alternately, $1 sent to a post office box in Detroit will get you "samples," which presumably will contain information on how to order more.

"More like this" is a recurring theme in all three magazines. Each contains contact information, mentions of homophile organizations (Drum has a full page listing more than 20 of them), and letters from the community.

The letters columns are compelling. Over and over, they say: Thank you. Thank you for helping me understand myself, my community. Thank you for helping me understand the truth about my loved ones. Thank you for showing me we can fight for better acceptance, for the rights our heterosexual neighbors take for granted.

The book reviews, while useful enough on their own, showcase one of the problems all homosexuals face: There is so little representation of them in literature and movies that they must accept any depictions of their existence as other than "evil" or "perverted" as a benefit. Books that draw on stereotypes are approved if they are not too inaccurate. Those that are well-written, in which the only homosexuals are background characters, are still recommended. This is a community eager to see their reality in print, and each of the magazines provides that to its audience.

Not So Different

The real truth shown by these magazines is this: These people are not so different from everyone else. Some gay men, like some straight men, go "cruising" for casual partners. Some gay men, like some straight men, would rather find a single person for a long-term committed relationship. Lesbians, like straight women, chafe under legal and social constraints. Lesbians, like straight women, fall in love and hope their trust will not be betrayed. Homosexuals, like heterosexuals, worry about what their families think of their career choices, their hobbies, and their partners.

With all these revelations of homophile lives and interests, the biggest discovery is that they are just people: some shallow, some passionate, some thoughtful, some clever, some angry, some shy. If they have an agenda, it's to be allowed to live and love in peace, just like their neighbors.



[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[February 2nd, 1965] Spring is a State of Mind.


by Gwyn Conaway

Although the snowy blanket of winter is still upon us, fashion has already moved on to the vigor of spring! I just received my Vogue for February 1st, 1965 and opened its crisp pages with delight.  With Valentine’s Day right around the corner, I was expecting to see flouncy romanticism. What I found instead was fun, youthful, and quirky.

It seems the quirky attitude of the Valentine’s Day cards I plan to send out, featuring Wednesday Addams with a sweet little toy spider on her face, are more appropriate to the mood of the upcoming spring season than I’d anticipated.

Our decade, which has been defined so far with the sleek mod look of the Space Age, is getting a childlike update in 1965. The beautiful cocoons and narrow dresses of the early sixties are starting to blossom, quite literally. The stiff, boxy skirts and bodices are relaxing at the waist and necklines.

Note below (left), the beautiful narrow dress and its soft drape, cinched at the waist with a bold tape bow. All topped with the quizzical tall-domed cap. Beside her (right), sophisticated Town and Travel suedes complete with a sailor’s collar and a box pleat skirt back reminiscent of a school uniform. The effect of these combinations is perfectly summed up by the models’ expressions: curious and beguiling women, regardless of their age, will reign supreme this year.

February 1st, 1965 issue of Vogue

Ingenue, a fashion magazine for sophisticated teens, gives excellent insight for fashion to come. The iconic narrow coat, a staple in every woman’s wardrobe, is starting to soften around the neckline, leaving space for the column of the neck. Paired with slender bows about the jaw and felt hats to match the shoes (but not the coat), this early spring ensemble is at the height of this year’s fashion.

But perhaps most telling are the graphic shapes of flowers, stars, polka dots, and honeycomb in the accessories to the right. These large, simple symbols are what bridge the gap between the sophistication and playfulness I expect we’ll see in the months to come.

If Ingenue’s bold colors and simple motifs aren’t enough to convey the quirk of this year’s fashion, perhaps Vogue’s spotlight on “American Legs – Sweaters to Match” will convince you. These daring sweater and legging sets with contrast skirts and hats are gutsy and imbued with personality. Any woman sporting these fresh styles will certainly draw the eye.

The paillette theatre suit (left) is not only richly detailed, but relaxed by comparison to evening wear of the past couple years. Note the contrasting accessories as well as the slender, gathered waistband. The Trifari pins (right) are also bold, and a refreshing departure from adornment of the last few years.

Both professional women and aspiring girls feel emboldened to share their energetic personalities as a part of their fashion, rather than adorn themselves in chic geometry alone. We are seeing sophistication and youthful wonder coming together as our age defines itself as separate from the fifties. As the decade tips towards the seventies, I can’t wait to see what youthful inspirations we’ll discover. As the editor of Vogue wrote in their letter this issue, "Spring is a state of mind."






[December 17, 1964] San Francisco as Cultural Epicenter (Woman in the Dunes, etc.)


by Victoria Lucas

The City

Yes, San Francisco is known for earthquakes, and perhaps I should be more careful with that word "epicenter." However, just as earthquakes start deep underground, so did the current cultural cluster of motion in this town whose underground is decidedly showing.

Free the Muses!

That's "motion" as in "motion pictures," but also as in music, which is sound in time. Music has been locked up in conservatories and other academic institutions for far too long. Time to let it loose. And lo and behold it consorts with experimental movies and finds people with electronic talent, and you get a spectrum of separateness, with pure films at one end and pure music at the other, and in the middle a fusion.

That fusion was happening at the San Francisco Tape Music Center for years before I moved to this cultural epicenter, in the collaboration of artist Anthony Martin and the composers who work and perform at the Center. I've seen some of these remarkable pieces, although when I hear them on the live broadcasts on public radio station KPFA when I can't go, the theater pieces and light shows don't really come across. (Imagine me sticking out my tongue here.) The most exciting event this year, though, has to be the one that exploded onto the music scene on November 4, by composer Terry Riley, rendered at 321 Divisidero by fellow composer and Tape Music Center performers Steve Reich, Jon Gibson, Morton Subotnik, and Pauline Oliveros.


Composer Terry Riley

In C

Here's what SF Chronicle music critic Alfred Frankenstein wrote about Riley's shaker "In C" under the headline "Music Like None Other on Earth":

"This primitivistic music goes on and on," and "At times you feel you have never done anything all your life long but listen to this music and as if that is all there is or ever will be, but it is altogether absorbing, exciting, and moving, too."

Frankenstein captured my feelings exactly as I listened to the music.  Mark my words, in half a century this will look like the most influential musical event of this time period.

Sandy but not a beach

On the other end of the spectrum, there was also a VIF (Very Important Film) that debuted in September in the U.S. and somewhat later here in The City, another culture bomb that I predict will also be analyzed nearly to death in future rounds of teaching and criticism. "Woman in the Dunes" concerns a traveling entomologist (you could call him a bug catcher) and a woman who is not allowed out of her hole in sand dunes. It was made in Japan with an interesting sound track by Tôru Takemitsu, from a book by Kôbô Abe. I have been told that the Japanese title is "Suna no onna" (sand woman).


The sand woman lying in her hut covered with sand

Said to be a "new wave" film, even though it is "foreign" it might be an Oscar magnet. The performances of the two main actors have been lauded, and the story has been given different interpretations. What I find most telling about it is that of the two main actors the man is named (Niki Jumpei) but the woman is not. If she ever had a name, it is not revealed during this story, although we know that she is a widow. She is a captive of the nearby community, who keep her in the sand pit, shoveling sand for their use and sale; when the man is captured as well, her situation does not immediately improve, although Jumpei is ultimately responsible for her escape. Go see it if you can. Is this an "underground film"? No, but it's not mainstream either; you will not find it in your neighborhood movie palace.

Avant-garde films

Most of the films made in and around San Francisco are not considered to be Oscar-worthy, but they could be called "underground films." They are made, for instance, by members of the Canyon Cinema, founded by Bruce Baillie. The experimental films made by Baillie and Bruce Conner and Stan Brakhage, and many others, are played at small venues in the Bay Area. Mostly distributed on black and white 16-mm film (with some Super-8 after Brakhage's equipment was stolen), they blur and sharpen focus, play with sound and light. Some filmmakers draw or paint on the film itself, or use color sparingly. It appears that film, too, needs to be released from the movie theater, even the ones that play foreign films like "Woman in the Dunes."

Digging deeper

To find the venues for the music and movies I am coming to love (including, by the way, the beautiful "Window Water Baby Moving" by Brakhage that still gets played from time to time), I increasingly find that I have to know someone or pick up a mimeographed flyer or see a small poster tacked up.


Scene from Brakhage's "Window Water Baby Moving"

Now that I've wormed my way to San Francisco, I seem to be digging my way further underground. Who knows how far down this rabbit hole goes!




[December 3, 1964]: Future Bound (Civil Rights and a Colorful Journey)


by Erica Frank

This past summer has brought great changes to the political landscape, and some people aren't happy about that. The University of California at Berkeley has banned civil rights activism and political fundraising. This is ostensibly to "keep the peace," but in reality, it smacks of telling students, "Don't pay any attention to the injustices you see in the world around you. Focus on your grades, not on the society where you'll be living once you get your degree."

Many students were involved with voting registration drives in the South this summer, and they returned to school intending to support CORE—the Congress of Racial Equality—and other civil rights groups.

Newspaper article: Never Too Old to Vote
Newspaper article about first-time voters, from The Afro American, Nov 28, 1964.

But the school wants no part of their enthusiasm for fixing longstanding oppressions and discriminations. Several times, students have clashed with both faculty and the local authorities.

Protest at Sproul Plaza

Yesterday was the largest one yet. The "FSM," Free Speech Movement, drew a huge crowd of at least 1,500 students and possibly as many as 5,000. They gathered in Sproul Plaza and gave speeches, then folk singer Joan Baez led them in singing "We Shall Overcome" before they went into Sproul Hall and protested all night long.

Joan Baez playing guitar
Joan Baez on the steps of Sproul Hall.

The student who spoke right before Miss Baez was Mario Savio, recently back from registering voters in Mississippi. He gave an impassioned, impromptu speech about why they are protesting. He had been told that the university's President Kerr refused to support the students. Kerr said, "Would you ever imagine the manager of a firm making a statement publicly in opposition to his Board of Directors?" Savio pointed out that this analogy has other implications: if Kerr is a manager of this hypothetical company, the faculty are "employees." That would make the students the raw material that they're selling. Kerr's casual explanation denies the students' humanity, and in return, they refuse to accept his authority.

There's a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part! You can't even passively take part! And you've got to put your bodies upon the gears and upon the wheels, upon the levers, upon all the apparatus—and you've got to make it stop! And you've got to indicate to the people who run it, to the people who own it, that unless you're free, the machine will be prevented from working at all!!

Mario Savio speaking at Sproul Plaza
Mario Savio speaks to the crowd.

Deeper Meaning

It fills my heretic heart with joy to see young people so adamant about fighting injustice, about shutting down the systems that stifle and oppress those who want to make a better world for everyone. I look at the words printed above, and they don't carry the full intensity of Savio's speech, all the more powerful because he's not reading it from cards or a page. He probably had some idea what he wanted to say when he took the stage, but that's not always enough. Plenty of politicians have discovered that there's a difference between planning a speech in your living room, and giving the same speech to a live audience of thousands.

Savio pulls it off beautifully. I don't believe there's any amount of polish or practice that could've made his words have more impact. He's caught the zeitgeist of the moment: looking the status quo in the eye and saying, "No, that's not good enough."

Psychedelic Journey

With a less confrontational approach, that's what Ken Kesey and his "Merry Band of Pranksters" were doing this past summer. They loaded themselves into a converted yellow schoolbus, which they painted in all sorts of colors, and took a trip across the country. Their crew included a philosophers, a couple of athletes, a former military man, several activists, and a pregnant woman. Kesey himself is a famous author; One Flew Over the Cuckoo's Nest came out just a couple of years ago to great critical acclaim.

The "Pranksters" decided to film their journey as they went, so they could make a documentary later. The documentary itself hasn't been released yet, but some of the footage is available.

They experimented with all sorts of consciousness-raising techniques: meditation, Eastern mystical practices, and intoxicants of varying legalities. They had some… interesting encounters with local authorities. The police often pulled them over, not for suspicion of crimes, exactly, but because they'd never seen a bus like that.

A very colorful bus being stopped by a police car
They had to hide the marijuana and alcohol, but the LSD is entirely legal… for now.

Incidents and Accidents

They had an easy way to talk to police and any locals who looked at them strangely: "We're making a movie about our road trip!" Then they'd bring out the cameras and show off the designs painted on the bus. Sometimes they'd show the living arrangements inside, and all of that was unusual enough to keep anyone from noticing signs of drugs or petty crime.

They had several small adventures: The bus got stuck in a sandy field; one person "freaked out" and left the group to go home; the pregnant woman (known as "Generally Famished") lost her purse and felt trapped. But they also had fun and tried absurd games to pass the time. They even went to the World's Fair in New York.

Several of the "Merry Pranksters" dancing and playing instruments near a large tree
Pranksters dancing and playing instruments in Pensacola, Florida.

Kesey said he learned something from his time working in an asylum that he believes was "the most important thing I've ever learned: Every once in a while, all the power, the attention that you have, comes to bear on exactly what you're doing, and doesn't decide whether it's good or bad. It just decides that it is. And the only thing you can do is enjoy the ride."

Living in the Future

That kind of "just accept it" may seem to clash with the student protests above. But they are two sides of the same coin: a rejection of the mundane, predictable life with its rote habits and strictly assigned roles. They're both striving for a future that welcomes change, celebrates diversity, and respects individuality. They both stand in stark contrast to the corporate forces that want a pliant, unthinking populace dedicated to "progress" that mainly serves to make rich people richer.

I would welcome Savio's chosen future, and I could enjoy the future Kesey and his friends want. They may even be two approaches with the same goal. While neither of them is directly involved in science fiction's visionary leanings, they both carry a reminder for us: As we develop incredible machines, as we reach out toward the stars, what kind of future are we making for the people who will live with our incredible technology?

Flier for "Progressland" at the 1964-65 World's Fair
Somehow, I don't think Disney and GE's version of "progress" includes Savio's or the Pranksters' ideal future.

[Come celebrate with us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[November 27, 1964] I'll be dressed for Christmas (JCPenney’s 1964 Christmas Book)


by Gwyn Conaway

The smell of hot cider, the dazzling reflections of tinsel on trees, the fog of laughter in the air. It’s the holiday season at last! While others are contemplating the foods they’ll cook, the slopes they’ll ski, and the gifts they’ll give, I’m wondering what they’ll be wearing while they do it. Let’s crack open this year’s JCPenney’s Christmas Book and see what’s in store for the yuletide.

Both men and women are looking to the deep v-neck sweater as a casual staple for the winter.

This season is bold, featuring wide stripes, large plaids, ruffles, and plump quilting. Although the occasional pastel creeps into the palette, the primary colors of this Christmas season are white and red with pops of frosty blue and pink. This modern color scheme has made green feel outdated this year. Only one dress in the Christmas Book this year is green, and although the ensemble is sharp, the color doesn’t stand up to the energetic blues and pinks we’ll be seeing come December.

Childrenswear is especially dear this year, with ensembles such as the satin-stripe cotton ‘Pima Miat’ dress pictured below on the left with a nylon marquisette underskirt. The wide stripes feel more delicate with the pastel tone-on-tone palette, while the ruffled bib and sleeve give it the panache the season deserves.

In addition to the satin-stripe 'Pima Miat' dress, this page of the Christmas Book features a cotton velveteen jumper with cotton blouse (center) and a cotton velveteen bodice with rayon print petticoat that shows prettily under a sheer nylon overskirt (right) in both big sister and little sister sizes.

But of course, not all winter fun happens around a tree in our living rooms. Braving the cold is half the fun! I’m excited to see quilted ski parkas paired with black patterned toques and stretch ski pants, as seen below. A hood is hidden in the mother’s smart mandarin collar as well as the men’s while the daughter’s fur hood is proudly displayed: dyed mouton lamb’s fur. The Christmas Book also boasts a wide selection of after-ski boots in suede and capeskin gloves for all ages.

Women’s coats shine in this year’s issue as well. Two beautiful options caught my eye: the Milliken Mirette plaid (left) and trench coat (right), both made of rayon-and-acetate laminated to foam for a woolen look and feel. Water repellant, of course, and sure to be stylish well into the spring.

But of course, the pressing question, really, is what to wear during our precious holidays with family around the hearth. To my delight, JCPenney has offered a solution for the entire family. The red and white striped combinations below are sure to add a festive air to Christmas morning. Top off the sweet family portrait with matching slippers in either patent pleather or electrified shearling lamb.

If your family isn’t into matching styles, there are other options for girls and women to consider. Perhaps my two favorite items in the Christmas Book this year are the red peignoir and the pink cover-up below. The peignoir has a suede appearance for a glamorous but warm leisurely look. Simple lines accented by the narrow bow at the waist , a three-quarter sleeve, and the slanted trouser pockets all give this peignoir a classic, regal finish.The pink cover-up, also in a suede fashion, is bright and perky as well as warm. Its standing collar and self-fabric buttons aren't the only fun details. The pop of berry and fir stems that appear to be around the neck bring a youthful sparkle to the wearer. This one is also available in the frosty blue of the season.

Yes, JCPenney’s Christmas Book for 1964 is a delight, imbuing classic styles with a fresh palette. It addresses all ages and brings fun to the family, both through its selection of toys for the children and its collection of warm winter wear in pinks and blues. Not only is the palette of the season bold, it’s clever. By casting green off to the wayside, we now have a palette that could last through Easter. Looking forward, I wonder if we’ll be adding spring green back into the mix, in lighter, frothier colors for next year? A reinvention of the color, perhaps? Food for thought.

But rather than linger on my exuberant predictions, I plan to enjoy the season as it unfolds with a hot cider and some roasted chestnuts. 


[Come join us at Portal 55, Galactic Journey's real-time lounge!  Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]