All posts by Kris Vyas-Myall

[May 6, 1965] Back To Our Roots (New Writings in SF4 & Over Sea, Under Stone)


by Mx. Kris Vyas-Myall

A Musical Introduction

Bob Dylan is in the middle of his sellout tour of England and folk revival is hitting the mainstream as a result. Dylan himself has 2 singles and 4 albums in the charts.

Bob Dylan 1965 UK Tour

Also accompanying him on tour is Joan Baez who has reached mainstream attention with We Shall Overcome. Then we have home grown efforts such as the Iain Campbell Folk Group and Donovan, already proclaimed by some as The British Dylan.

Catch the wind

At the same time Country is doing pretty well with King of the Road sitting at number 2 and Jim Reeves continuing his presence with Not Until Next Time.

King of the Road

Whether this foreshadows a more permanent move away from the kind of pop music we have seen in the last few years remains to be seen. However, this is also true in today’s reviews, where the two books of May's first Galactoscopes represent a norm and a departure from it: Carnell presents us with a selection of tales representing many of the traditional themes of science fiction and we get a fantasy novel that is very much part of an older tradition.

New Writings in SF4 ed. by John Carnell

New Writings in SF 4

John Carnell continues his quarterly anthology series, with another solid but unremarkable edition. Whilst he talks in his editorial about each edition having a particular flavour, it seems to me that they are pretty much of a piece. In fact the main difference here from last time is the presence of a slightly higher number of reprints.

High Eight by David Stringer

This is not a new author but rather a new pseudonym for Keith Roberts, the ridiculously prolific writer for every British SF publication. In this piece Rick Cameron, a line maintenance boss at Saskeega Power, is investigating a series of deaths by electrocution, where people are apparently going too close to the lines. But is something else happening?

Unlike many I am not highly enamoured with Mr. Roberts' writing and the seeming combination of hard-boiled speech and use of offensive terms such as “halfbreed Indian” put me off this tale particularly.

Even putting that aside the main aim of this story seems to be to make electricity scary but doesn’t really succeed in doing it any more than it naturally is. It is certainly not the thought-provoking tale Carnell promises in his introduction.

One Star

Star Light by Isaac Asimov

The first of our reprints is this short vignette from the good doctor, originally appearing in Scientific American. Trent and Berenmeyer have stolen a fortune in Krillium, used to make robot brains, but now need to make a hyperspace jump to escape the police pursuing them.
I get the sense of Asimov writing on auto-pilot. It is not actually bad but if I was to get someone to write an imitation of his work it would end up something like this.

A high two Stars

Hunger Over Sweet Waters by Colin Kapp

On Hebron V, Blick and Martha are both stranded at floating processing stations after the power goes down and they set about working out how to survive.

The introduction says that Colin Kapp is “fast becoming one of our most popular sci-fi writers”, which is certainly news to me. Like The Dark Mind I thought this was fine, just a little old fashioned. This is the kind of problem story which would have looked at home in Astounding a decade ago. Well written, enjoyable but forgettable.

Three Stars

The Country of the Strong by Dennis Etchison

Our second reprint, this one from Seventeen magazine. This is a short evocative piece exploring a landscape after some kind of an apocalypse (probably a nuclear war from the description). Doesn’t have much meat to it but some good bones.

A high three stars

Parking Problem by Dan Morgan

A more silly satirical piece from another of the old New Worlds regulars. In the late twentieth century a solution to parking problems in inner cities is resolved by the development of extra-dimensional parking garages. Crunch and Pulver, two small-time criminals, attempt to break into one of these to steal high-priced vehicles.
Things end up taking a more surreal turn as it goes along and I found it quite sharp in the end.

Three and a half stars.

Sub-Lim by Keith Roberts

It seems you can never just have one Keith Roberts story in any issue, though this one appears without any pseudonym. Here he takes on subliminal messaging where drawings seem to be able to control people’s minds.

Whilst the subject matter is a rather well-trodden theme Roberts brings a great style to it and has an excellent twist ending.

Four Stars

Bernie the Faust by William Tenn

As noted in the introduction this piece, originally from Playboy, has already been reprinted in one of Judith Merrill’s excellent 'best of the year collections' (which I highly recommend), and it is easy to see why. Bernie is a salesman who has an unusual man, Mr Ogo Eskar, come into his store asking to buy increasingly more ridiculous things and thinks he is on to a great deal. But ends up regretting his choices.

As the name suggests, this is a modern take on the Faust story but with a nice twist and a real understanding of human psychology.

Four Stars

On the whole, a solid issue which got better as it went along. The only real disappointment was High-Eight and that could well be due to my aversion to some of Roberts’ work.

One other note. Paperback editions have started coming out for these from Corgi which, at 3/6 much more reasonable than the hardcover editions, at 16 shillings. Whilst I wouldn’t recommend picking these up over a copy of Science Fantasy and New Worlds, these are still very much worth the price.

Over Sea, Under Stone by Susan Cooper

Over Sea Under Stone

Whilst I had more books as a child than many people I knew, with a school teacher for a mother, juvenile fantasy was not as big as it is today. We had Edith Nesbit’s, TH White’s and Mary Norton’s stories, along with The Hobbit, but primarily I read more adventure stories in the style of The Famous Five or Swallows and Amazons.

It seems since the release of The Lion, The Witch and The Wardrobe there has been an explosion in excellent British fantasy stories from the pre-teen market. These include Roger Lancelyn’s Green take on King Arthur, Tom’s Midnight Garden, the Green Knowe and Alderley Edge stories, as well as more unusual works like Stig of the Dump or the Paddington books.

I now have a twelve-year-old sister and a nine-year-old brother who live in rural Ireland. As such they do not tend to see many of these books, so I like to try to find the best ones and send them over. This one certainly does not seem to be doing anything particularly new but looks like it could be another enjoyable series for the pre-teens.

We start off in the same mode as is traditional for British fantasy at least as far back as Nesbit, with a group of children (Simon, Jane and Barney) going to visit relatives in the countryside, this time their great uncle Merry in Cornwall.

The children decide to pretend to have a treasure hunt in the house they are staying in. In doing so they find first a secret attic filled with strange artifacts, then hidden within that, an ancient map. Taking it to their great uncle Merry they are told this relates to King Arthur, the battle between Good and Evil, and the Holy Grail.

In spite of the ominous tones that suggests for the story, it is actually rather an old fashioned jolly jape. Whilst there is a threat from another interested party, much of the time is spent with the three children (and a dog named Rufus) wandering around the countryside searching for clues. As such there is little doom and gloom but instead a real sense of fun.

One disappointment is the children feel rather thinly sketched here. In each of the Narnia books whoever is in the adventures has a distinct personality. Here it often feels Barney, Jane and Simon are interchangeable, merely serving the story function.

I am also trying to work out the time period this is meant to be set in. The children refer to the old fashioned way of speaking of some of the people in Cornwall but the main family still sound like they are from my childhood. Cooper was apparently inspired to write this story in response to a competition to write in the style of Nesbit so maybe this is an intentional artistic choice?

But in spite of my quibbles this is still an enjoyable story. What Cooper manages to do just as well as Blyton or Ransome have ever done is capture the joie de vivre of being a child having adventures in the English countryside and cast me back to my own young trips to Cornwall and Devon, clambering around Glastonbury or Tintagel hoping I might find the Sword in the Stone or a knight’s tomb. Certainly one I will be posting to my siblings when it comes into paperback and an author I will be keeping my eye on.

Rating: Three and a half stars

Coda

Is this a good direction for science fiction and fantasy? Honestly I think it can depend more on what the writer does with it. Both of these are enjoyable but not revolutionary publications. What I would like to see more of is works doing new things with these themes, as Tenn does with the Faust myth, rather than wholesale revivals as Doc Smith seems to be doing currently in If.

Whilst I wait to see which side it comes down on, I will join with the rest of the listeners of Big L in trying to guess what the actual the lyrics to Subterranean Homesick Blues are. Did he really sing "clients are in the bed book"?



Our last three Journey shows were a gas! You can watch the kinescope reruns here). You don't want to miss the next episode, May 9 at 1PM PDT, a special Arts and Entertainment edition featuring Arel Lucas, Cora Buhlert, Erica Frank…and Dr. Who producer, Verity Lambert! Register today and we'll make sure you don't forget.




[March 20, 1965] Clash of The Old & The New (February 1965 Gamma & City of a Thousand Suns)


by Mx. Kris Vyas-Myall

Loud Tensions

The news recently has been dominated by battles between the old-guard conservative and the new liberal voices in the matter of race relations.

Selma

In the USA President Johnson has urged passage of a Voting Rights Act at the same time as another Johnson (a judge this time) has agreed to let a civil rights march in Alabama continue, in spite of fierce opposition.

Harold WilsonIan Smith

In the UK, Rhodesian ministers have been touring trying to drum up support for their declaration of independence under white minority rule to resolve the stalemate between Ian Smith and Harold Wilson. Given the Rhodesian argument seems to primarily be that they have real experience of governing and the black people of Rhodesia are uncivilized, I don’t think they are going to win too many friends.

At the same time we have continued debates over Commonwealth immigration into the UK. Firstly whether the 1962 Commonwealth Immigrants Act is being circumvented illegally and how widely, secondly if those citizens should be deported and, thirdly, if further controls need to be placed on immigration. I am personally in agreement with the late leader of the opposition, Hugh Gaitskell, who stated that it was cruel and brutal, and as such I am not surprised there are some people trying to get around it.

David Renton

Then there are the inflammatory statements made by Sir David Renton MP that certain communities do not wish to integrate and that we have too much of our farmland been taken up by urban sprawl. On my personal experience, Indian and Pakistani communities in the UK are doing a much better job of integration into British life than most British people living in India seemed to have done. Whilst most of the increasing land-use over the last ten years seems not to have come from immigration but from those formally in the cities moving out to areas with more space. If they are really worried about this I would contend wider availability of birth control, legalization of abortion and a proper investment into inner city renewal.

A Quiet Town

Closer to home in Bedford, however, we have long had a thriving immigrant population and I have yet to hear any complaint about it. In fact the biggest grumbling locally is the that TV signal continues to be poor and plans for a nearby relay station continue to be delayed.

Thankfully we have many other entertainments around here. We have a number of local picture houses, with The Empire continuing to show a range of excellent films for the SFF enthusiast. On Sunday they are having both Vincent Price and Boris Karloff films I hope to sync my teeth into.

Empire Cinema Article

As well as the national charts, we get local charts. I approve of the top 3 going into this weekend (which I definitely contributed to myself).

Bedford Top 10 Article

And, of course, plenty of reading material, including two long awaited pieces. The Fourth issue of Gamma, which is looking backwards, and City of A Thousand Suns, which has an eye on the future.

Gamma: A Long-Expected Magazine

Gamma Issue 4 Cover
by John Healey

First thing, we have to start with is the cover. Gone now are beautiful space pictures and instead is a lurid cover right out of the pulp era. I have to wonder if this is the influence of the new co-editor, Jack Matcha, who has made a career writing Pulp Sleaze novels for Kozy Books and has the forthcoming novel A Rogue’s Guide to Europe whose content, I have heard, is just what you would expect from the title.

Jack Matcha Novel Father of the Amazons
An example of Matcha's work for Kozy

The editorial confirms we are now going straight back to the pulp era. I personally was not yearning for the days:

…when Jayne Mansfield who invariably wore a space suit apparently constructed by a bikini manufacturer and every Bug-Eyed Monster attacked her for reasons known (if at all) only to himself (itself)?

We are definitely a far cry from the literary attempts to include imaginative fiction of all types, and the issue feels much the lesser for it.

The Clutches of Ruin by H. B. Fyfe

H. B. Fyfe was first published in Astounding back in 1940 and was prolific during the 50s although he has been appearing in print less often of late.

Neil Bryson and a dietician named Carole Leland (who acts as his secretary), are sent on a mission by the Galactic Federation to assess a recently admitted planet that has seen a marked population boom that is alarming the other members of the federation. They are to investigate what is being done to get this down. On this planet we meet different groups with different responses to this directive.

One reason why I like to return on occasion to pulpy space adventures is they are fun and easy to read. This, on the other hand, is like reading through treacle with over-description, pointless diversions and regular stating of Bryson’s own thought process.

And yet the actual story within is quite fascinating. At first it seems like it is going to be a colonialist parable about “stupid natives” overpopulating themselves and not accepting the tenants of “superior people”. However it quickly gets messy as the Galactic directive has completely changed the various societies on this planet in unprecedent ways and we are led to wonder if the federation itself was at fault to start with.

So a very interesting piece brought down by poor execution. Three stars.

The Towers of Kagasi, by William P. Miller

William P. Miller is apparently a well-known and respected mystery writer, but I believe this is his first foray into science fiction.  In this story, a team of astronauts investigate the titular planet from where a ray was sent to Earth, killing the entire population of four major cities.

At times it felt like what you used to get in Thrilling Wonder Stories, but it lacks any of the enjoyment and is a story that comes across to me as meanspirited, misogynistic and gross.

One star

Food, by Ray Nelson

Our first story by Ray Nelson since he got Four- and Five-star reviews for his pieces at F&SF in 1963 and is apparently now working on a novel with Philip K. Dick. He continues to show here why he is one to watch.

Ben is the last crewman alive on a planet where numerous creatures seem to be trying to kill him. This does not feel like a pulp era story at all, rather like the kinds of atmospheric vignettes we get in New Worlds.

Four stars

Hans Off in Free Pfall to The Moon, by E. A. Poe

This is a significant abridgement of Edgar Allen Poe’s Hans Pfall (about one fifth of the original length) done by cutting out his verbosity and digressions and instead sticking to the core of the tale, one of a man attempting to travel to the moon in a balloon.

Though I am not a fan of the original full-length work and do think Poe will use ten words where one can suffice, it feels like a lot is lost by making such a change. For example a section observing the Earth from above and pondering its appearance becomes a note about checking altitude on a barometer.

One star for a rather pointless exercise.

The Gamma Interview: Forrest J. Ackerman

I am a bit disappointed overall not just by the brevity of this interview but also the shallowness of it. It starts off interestingly, talking about the early history of monster movies but quickly descends into Ackerman bemoaning how terrible they all are. Also I am surprised that no real attention is given to how Hammer and Toho have really revived the monster film in recent years. He claims he watches every monster film that comes out but you would think from his description everything today was like The Creature From The Haunted Sea. You are much better off checking out Fritz Lieber’s editorial in the recent Fantastic instead.

Two stars

Open Season, by John Tanner

John Tanner is not a medical student as claimed but another alias for new co-editor Jack Matcha (and his second story for Gamma). In this tale, Ditmar is travelling to Venus to try to find out what happened to his wife, who disappeared previously on the same route. While there, the ship gets boarded and crew taken to the asteroid Zara, this being the exclusive property of Cyrus Blake, one of the wealthiest men on Earth

The story seems to be trying to be a tense mystery but I was just getting impatient. The twist itself is pretty expected for anyone who has encountered The Most Dangerous Game (and given how widely reprinted, taught, filmed and copied it is, that is probably 90% of the readership) and the whole thing feels like a very tired exercise.

One star

The Woman Astronaut, by Robert Katz

Katz is another new writer to science fiction from outside the field; if this vignette is anything to go by I hope he never comes back!

A comedic (and I use the term very loosely), dramatic telling of the first American Woman in space, this anonymous Mrs. Smith spends her time worrying about her appearance, is confused that communist China isn’t actually red from space and is generally befuddled by the whole experience.

It has been over a year since the first woman went into space on Vostok 6 and these kind of prejudiced attitudes are insulting, disgusting and probably do continued damage to any hope for progress on this front from NASA.

Unfunny, uninteresting and insulting. One star, only because I cannot give anything lower.

Happily Ever After, by William F. Nolan

The former managing editor of Gamma returns to try to raise the magazine out of the doldrums with this little tale. Donald Spencer buys an asteroid to live on with his wife, on the basis that land value increases will mean it is a sound investment in the long term. It turns out not enough was known about the asteroid and they might be destined for a different kind of happily ever after.

Not that strong, but it hums along and is at least a slight improvement on the last few pieces. Two and a half stars

Don’t Touch Me I’m Sensitive, by James Stamers

Huckelberry Waterstone Smith arrives on a heavily populated Earth controlled by various corporations (the zone he is in being the City G.L.C. Services inc.) wanting to be a space warden, but he lacks the mathematical skill and is illiterate. However, he has the unusual ability to leave behind him images of himself wherever he goes.

I have forced myself to read through this story three times now and I have no idea what is meant to be about. It seems to be written as a joke or satire but I am not convinced it really works as being about anything. Add to that the terrible prose style and it only gets one star from me.

The Hand of Dr. Insidious, by Ron Goulart

With Dr. Fu Manchu set to be brought back to life in the cinema later this year, it seems appropriate that Goulart, a skilled writer of silly satires, would do his take on the famous villain. In this version Dr. Insidious is attempting to create a talent agency and take control of Hollywood. When the 00 agents have been killed in their attempts to stop him it is up to crack spy Ian Naismith and Hollywood’s top plastic surgeon Dr. Maxwell Phoebus Jr. to take him down.

A fun and silly piece as you would expect from Goulart but it doesn’t really get at or examine the myriad problems with the Fu Manchu stories. In fact reads more as another silly version of the Spy-Fi genre.

Two Stars and a recommendation to instead check out the Goon Show stories of Fred Fu-Manchu.

A Messy Melee

Overall, a really disappointing turn for the once great magazine. My subscription is paid up until issue 7 and with the new bi-monthly schedule (assuming this one actually sticks) I should be reading up until September. However, if this is the new direction I certainly will not be renewing.

Thankfully, the other work is a significant improvement:

City of a Thousand Suns by Samuel R. Delany

City of a Thousand Suns by Samuel Delany

And so we now come to the conclusion of Delany’s Toron trilogy, which (at least for myself) has been the most anticipated book for a decade. The first two books showed that Delany was a writer of immense skill and did an amazing job of setting up this fantastical future and the stakes of the conflict. Now he has a full length novel, rather than half of an Ace Double, to conclude this tale.

This book jumps between two main focuses. Firstly, we have agents from numerous different species in the city of the Triple Entity. Here we learn of the war with The Lord of The Flames and the previous efforts to combat him. The Lord of Flames cannot experience concepts like war or compassion as those in our universe can so he has been trying to understand them first hand. The final result of the war will depend on which side has ownership of three manuscripts of the most sensitive minds of Earth and it is up to the Triple Entity’s agents, without outside aid, to bring them.

Back on Earth, the focus is on Jon and Alter. Now back in Toron (the centre of the Toromon empire), they have discovered mysterious words scrawled on walls everywhere. Following this trail leads them to the final resolution to the many conflicts we have seen throughout the series.

This is one that I think is going to get sharp reactions from the science fiction community, this is probably the toughest novel in an incredibly experimental series. It is a philosophical work touching on religion, communication, the morality of war, class conflict, racism and free will. Through it all we have a wide range of characters and concepts across a massive scope.

To start with the positive, there is absolutely no faulting Delany’s imagination and ambition. What would take entire novellas for another writer constitute a passing reference for him. To take one example:

…one of the attendants was an attractive woman with wide hazel eyes. But a minute examination would have shown her slim almond-nailed fingers, her cream and honey skin to be a bizarre cosmic coincidence. Internal examination and genetic analysis would prove her a bisexual species of moss.

This character never becomes important to the narrative and this description could be entirely exorcised without any confusion. Yet what it does do is display the multiplicity of life in this universe and the vast difference in beings we will be encountering.

Also, in spite of how complex the story he is trying to tell is he handles the action beats and flow incredibly well. It is easy to get lost in the world Delany has created, the tribulation of the characters and feel the tension grow as the remaining pages count down.

Yet, as with the previous books, keeping all the characters and situations in my head can be a real struggle. I don’t think this is a personal thing; I like Tolkien and Tolstoy and find their enormous casts just fine to understand. What I think is the major issue with these books is that Delany is attempting to paint on such an enormous scale with an incredibly finite canvas. There is no reason these books could not be expanded to the length of The Lord of The Rings without the need for significant plot alterations.

That is not to say it is not a great work that shows a talent that seems destined to become one of the most important in the field. But I do wonder if this kind of writing might not be better off trying a mainstream publisher or a long magazine serialization than the slim paperbacks Ace produces.

Rating: Four and a half stars



By the way, Galactic Journey will be doing a special presentation of our "Come Time Travel with Me" panel, the one we normally do at conventions, on March 27 at 6PM PDT.  Come register to join us!  It's free and fun…and you might win a prize!




[March 10, 1965] Politics & Pirates: The Current State of British Pop Music Radio


by Mx. Kris Vyas-Myall

BBC Radio

For those outside the UK it may surprise people how closely controlled radio broadcasting is by the BBC. Whilst we have had commercial television for 10 years, you officially only have a choice of the BBCs 3 radio stations (unless you happen to live on the Isle of Man, but I will get to that later).

BBC Radio

These are The Home Service, which is primarily dedicated to talk and drama (with a strong religious and educational focus), Network Three, which is primarily dedicated to classical music but with some jazz and educational content in between (such as Spanish For Beginners & Shorthand Dictation), & The Light Programme, for mainstream entertainment.

However, although The Light Programme is theoretically a national service for mainstream entertainment, this should not be mistaken for being a pop music radio station as you would have in America. The time is more regularly devoted to big band and soundtracks, with one of the most popular programmes being Housewives’ Choice

There are some specific slots set out for the kind of music that regularly appears on the charts, primarily on a Sunday. One of the most popular is Brian Matthew’s Easy Beat which, as the name suggests, tends to feature more easy listening popular artists such as Kenny Ball, The Hollies, and Val Doonican. Whilst it does feature some interesting artists, the Sunday Morning slot (just prior to broadcast of a church service) does not make it the most lively programme. At 4pm is Pick Of The Pops which features chart music and presented by Alan Freeman. Finally, late at night is The Teen Scene, which also features interviews with popular artists.

Why does the BBC provide so little for modern pop music? From what I have heard, many at the BBC radio consider their remit to be educational and do not have a high opinion of current musical trends. As such, it is not surprising that many people have sought out alternatives to the BBC’s monopoly over the airwaves.

Offshore Stations

Being next to the continent of Europe, those in the South of England can often get foreign signals quite easily.

The most popular of these is Radio Luxembourg. With (they claim) the most powerful radio transmitter in Europe they have been broadcasting in French and English to Britain since the 1930s. This decade they have begun to target the teenage market primarily and using American style DJs live. Until last year Luxembourg was the easiest place to access pop music.

Radio Luxembourg

There is now one commercial station officially licensed by the UK, Manx Radio. The Isle of Man, which sits in the North Sea between The Lake District and Northern Ireland, is a crown dependency but has its own parliament and laws. Last year they negotiated with the British Parliament to be allowed their own commercial radio station.

Manx Radio

Manx radio began broadcasting in June from a small hilltop caravan. Its programming makes for an unusual combination, as it has the pop records and attempts to recreate the styles American disk jockeys you can hear on Radio Luxembourg, but mixed in between them is a lot of local flavour. We get the real sense this is a true rural homespun affair with ads for local businesses and news of life on the island. In many ways these idiosyncrasies make it as different as it might be possible to get from the stuffed shirt attitudes we get from the BBC presenters.

However, many people are turning their dials to a new kind of programming, pirate radio

Pirate Radio

Radio piracy is nothing new. The 1930s was also a major period for pirate radio: the IBC were broadcasting English language radio from mainland Europe, whilst West End hotels broadcast live dance bands from their own ballrooms. I am personally too young to remember those days, yet it is curious to wonder where we would be if the war had not disrupted so many of these.

The direct antecedents of today’s pirate radio ships are probably Radio Mercur and Radio Veronica. The former starting in 1958 for Scandinavian audiences and the latter for Dutch listeners in 1960, these broadcast from offshore ships and showed that 1) There is an audience for all-day pop music radio aimed at the teenage market & 2) it could be a successful commercial operation. And around a year ago British audiences got their own version, Radio Caroline.

Radio Caroline

Ronan O’Rahilly, owner of the Scene club and small-time record company owner, decided to park just a few miles off the British coast and began broadcasting a different kind of radio. Here it is a steady stream of pop music with casual DJ platter and a freedom to promote newer artists to the audience. One good example of this is 24 year old Tom Jones, whose debut record It’s Not Unusual has not been played on the BBC but has been getting regular airplay and has been slowly climbing the British charts as a result.

One of the best loved DJs is Tony Blackburn who intersperses his playing of fantastic pop records with a regular stream of quick puns. A world away from the reserved presenters you get on The Light Programme.

Since the merger with Radio Atlanta (another Pirate Radio ship that quickly followed Caroline’s lead) these two ships can broadcast to almost the entire British Isles. However, there are a couple of flaws in the broadcast. Foreign signals disrupt the broadcast after 9pm which means the show stops broadcasting. Also, from what I have heard, in Northern Scotland, South Wales, and Cornwall the signal gets very weak. It is best able to supply those in the South East and North West of England.

However, Caroline now has a major rival in the form of Radio London. Also known as Big L or Wonderful Radio London, was started by a group of Texan Car Dealers in the mould of Radio Caroline and based on a former minesweeper sporting a radio mast which is (they claim) more than 200ft tall.

Radio London

Whilst only in operation since December they have already attracted a loyal audience via a combination of the clear experience demonstrated by their team and being explicitly a top 40 station, with their own weekly Fab 40 Chart we get to hear from.

Then we have the more unusual case of Radio City. In order to understand this you have to first know of two oddities of British life, the sea forts and Lord Sutch.

During the Second World War a whole range of armoured forts were built off the British coast in order to help defend against German attacks. These have since all been decommissioned and have been sitting empty off the British Coast. Last year one of these was seized by David Edward Sutch AKA Screaming Lord Sutch.

Lead singer of the rock group Screaming Lord Sutch and the Savages, Sutch has become much written about in the newspapers for his unusual stunts, such as outlandish stagecraft and standing for election as a candidate for The National Teenage Party. Yet his records had a lot of trouble getting any airplay and he has been outspoken about the need to liberalise radio.

As such last May he took over Shivering Sands fort and began broadcasting Radio Sutch. As well as record play there were such segments as readings from erotic novels and other material designed to shock. This enterprise ended up being more important for the stunt than the actual broadcast as the transmitter was only able to reach a small area of the mainland and he soon sold it to his unofficial manager Reginal Calvert, who renamed and relaunched the operation as Radio City.

Radio Sutch

This is a somewhat more professional operation than Sutch put together, able to hit a lot more people but retains a little of the more eclectic content with output varying between new music releases to comedy to even evangelical broadcasts from local religious organisations.

The Current Battle

So as the number of pirate radio broadcasts continues to grow, so does the opposition to it from the government’s side. As well as the continued outspoken statements from The Postmaster General Anthony Wedgewood-Benn, Britain became a key signatory to the European Agreement for the Prevention of Broadcasts transmitted from Stations outside National Territories in January, designed to stop Pirate Radio.

Tony Benn

In 1962, the Government had investigated the possibility of licencing of commercial radio but had concluded there was no demand for it. Yet a report from last year found that in areas where Radio Caroline has a good reception around one-fifth were identified as Caroline ‘addicts’, 70% of them under 30 years old. At the same time a Gallup Survey estimated the listening audience at seven million.

Pirate radio clearly has a big cultural grip on the British Youth and is loathed by the establishment. Who will win in this battle remains to be seen, but I will keep turning my dial to 199 for my daily dose of Caroline.