All posts by Janice L. Newman

[May 16, 1968] Counting down, and a blast from the Past (Countdown (1967) and The Time Travelers (1964))


by Janice L. Newman

When we learned that last year’s Countdown was playing in San Diego theaters, The Traveler and I decided to make a night of it and drive down to watch it. The Traveler is a space buff, of course, so it was a natural fit. Would I recommend it? Well, it depends.

The story is simple and straightforward, with few surprises. When the Russians send up a civilian astronaut to circumnavigate the moon, with three more astronauts presumably soon to follow and actually land, NASA implements an emergency plan to get a man on the moon at any cost. He’ll be stuck there for a year, provided he can find and enter a previously-sent shelter pod before his oxygen runs out. Public relations concerns force NASA to tap the less-qualified civilian Lee for the role rather than their first choice, Colonel Chiz. After many conversations, discussions, arguments, and training sequences, Lee is sent to the moon to land a few days after the Russians. What happens next is, shall we say, narratively predictable, but I'll let you watch the movie to see for yourself.


Lee and Chiz in the modified Gemini that will go to the moon–it's clear NASA helped Warner Bros. make this film.

Continue reading [May 16, 1968] Counting down, and a blast from the Past (Countdown (1967) and The Time Travelers (1964))

[March 22, 1968] (Two Things Only the People Anxiously Desire, Star Trek: "Bread and Circuses")

Strange New Worlds?


by Janice L. Newman

In the first season of Star Trek, we saw the crew visit plenty of “strange new worlds”. From the rocky planet where they met The Man Trap to the caves of The Devil in the Dark to the green and deceptively-pleasant planet This Side of Paradise, they took us to places we’d never been and introduced us to thoughtful, interesting ideas. Even when sets were more familiar locales (Miri, Tomorrow is Yesterday, and The City on the Edge of Forever come to mind) the stories were usually fresh and interesting.

In the second half of the second season, we’ve been seeing a new trend, perhaps based on ideas first introduced in “Miri”: planets which have, for one reason or another, evolved to look almost exactly like Earth at some point in history. A Piece of the Action took us to Prohibition-era Chicago. Patterns of Force brought the crew to Nazi Germany. And this week’s episode took us to a ‘modernized’ version of ancient Rome.


Continue reading [March 22, 1968] (Two Things Only the People Anxiously Desire, Star Trek: "Bread and Circuses")

[February 28, 1968] Zero for the Price of Two (Star Trek: "By Any Other Name")


by Janice L. Newman

This week’s Star Trek episode starts in one genre and ends up in another, ultimately making a promise it just can't deliver on.

The story opens with the Enterprise responding to a distress signal and landing on an out-of-the-way planet. They encounter aliens that appear human, who immediately commandeer the ship. When the landing party attempts to resist, the aliens make a chilling example: they turn two members of the landing party (both garbed in red) into small, strangely-shaped objects, apparently by removing all the water from their bodies and leaving the concentrated essential salts and minerals. One of these objects is crushed before Captain Kirk’s eyes, while the other is restored to his normal human state.

I want to take a moment to note how compelling this part is. It could have been corny in a different kind of show. Yet it’s unexpectedly effective as Kirk crouches over the powdery remains of one of his crewmembers, shocked. There’s no gore or blood, yet it is genuinely horrific.

Continue reading [February 28, 1968] Zero for the Price of Two (Star Trek: "By Any Other Name")

[December 28, 1967] Stumbling Bloch (Star Trek: "Wolf in the Fold")


by Janice L. Newman

‘Twas a few nights before Christmas when we all gathered around our TV set for the newest episode of Star Trek. I felt a pang of fear more suited to October than December when I saw the episode’s byline: this was yet another Robert Bloch script.

Robert Bloch gave us What Are Little Girls Made Of? and Catspaw. It’s clear he has a taste for fantasy and horror, but less interest (or at least less skill) when it comes to writing science fiction. I hoped that this episode would be different. And for a while, it seemed like it was.

The episode opens with a scene on Argelius, a ‘pleasure planet’ where dwells a society of hedonists. Before the opening credits even play, though, one of the planet’s resident’s is murdered and Scotty is found holding the knife!

Continue reading [December 28, 1967] Stumbling Bloch (Star Trek: "Wolf in the Fold")

[December 14, 1967] What a Drag it is Getting Old (Star Trek: "The Deadly Years")


by Janice L. Newman

Will You Still Need Me, Will You Still Feed Me?

Different cultures often have profoundly different ways of dealing with the basics of life: whether or not it is traditional to bury or cremate a corpse, for example, or the ‘proper’ way to discipline a child. One aspect of life that we all have to face (if we live long enough), is aging. In the USA, aging is treated almost as an illness, as though those who begin to show gray in their hair (or, heaven forbid, to lose it) are suffering from a progressive malady that will eventually destroy their bodies and minds. (This is particularly true for women, of course. As the lyrics in “I Do, I Do” say, “Men of forty go to town. Women go to pot”.) Contrast this with Asian cultures, many of which traditionally treat their elderly with a deep respect that borders on reverence.

This week’s Star Trek episode, The Deadly Years, wasn’t exactly a true exploration of aging and its effects. It mostly seemed an excuse to have an ‘elderly’ Kirk, Spock, and McCoy make sarcastic and biting remarks at each other, and in this it succeeded. It did not, however, do much to challenge the traditional view of aging in Western countries, and the episode as a whole did not hang together as well as one might have hoped.

Continue reading [December 14, 1967] What a Drag it is Getting Old (Star Trek: "The Deadly Years")

[September 28, 1967] We have met Divinity, and He is Ours (Star Trek: "Who Mourns for Adonais")

God is in the Details


by Janice L. Newman

After Star Trek’s incredible second season debut episode last week, we were on pins and needles. Would the episode hold up to the new standard set by “Amok Time”?

Continue reading [September 28, 1967] We have met Divinity, and He is Ours (Star Trek: "Who Mourns for Adonais")

[May 10, 1967] Float Like A Butterfly, Sting Like A Bee (The Green Hornet)


by Janice L. Newman

In January of 1966, a new TV show hit the airwaves. An adaptation of the comic book, “Batman”, with its catchy theme, over-the-top villains, and deadpan delivery by the titular character, was an instant camp hit. The colorful costumes probably didn’t hurt either, especially as networks started to make the switch to a color line up and those who could afford it began purchasing color TVs to see it.


The dynamic duo.

Batman landed with a boom, perhaps because adults found it amusing while young children were riveted by the serial-style storytelling. But in the end, there are only so many times one can hear variations of “Holy _______ Batman!” or see the dynamic duo tied up in yet another utterly ridiculous death trap, at least if one is over the age of six.

Thus, when The Green Hornet, produced by the same team, began to be broadcast in September 1966 on the same network and the same night as Batman, I didn’t pay much attention at first. It wasn’t until my husband and daughter, more dedicated fans of the boob tube than I, told me, “No, the show is actually worth watching!” that I decided to give it a chance. And you know what? They were right!

Continue reading [May 10, 1967] Float Like A Butterfly, Sting Like A Bee (The Green Hornet)

[April 12, 1967] We'll take Manhattan (Star Trek: "The City on the Edge of Forever")

Time, the subtle thief of youth


by Janice L. Newman

We’ve been watching Star Trek for almost a full season, now. We’ve seen some sublime episodes and at least one really terrible episode, but the overall quality has been high. “City on the Edge of Forever” is one of the best episodes we’ve seen yet.

Continue reading [April 12, 1967] We'll take Manhattan (Star Trek: "The City on the Edge of Forever")

[April 6, 1967] But what of Star Trek? ("The Alternative Factor")


by Janice L. Newman

Star Trek has given us some of the best science fiction on television. It’s also, like any weekly show with scripts written by different authors, had some mediocre episodes. But watching with a large group every week, we’ve found that even episodes that had many detractors still had at least a few fans among us.

Until now.

Continue reading [April 6, 1967] But what of Star Trek? ("The Alternative Factor")

[February 22, 1967] Where some (super)men had gone before (Star Trek's: "Space Seed")

The Best of Tyrants, The Worst of Tyrants


by Janice L. Newman

Eugenics—the idea that people can be ‘bred’ to emphasize certain desirable traits the way breeders do with animals or botanists do with plants—is an interesting concept in a science fiction setting. So it’s not surprising to encounter an episode of Star Trek built around the concept. What is a little surprising is that the narrative doesn’t do more to condemn either the concept or the practice.

Continue reading [February 22, 1967] Where some (super)men had gone before (Star Trek's: "Space Seed")