All posts by Gideon Marcus

[September 9, 1960] Willingly to Sequel (October 1960 Analog, lead novella)

Analog, formerly Astounding, has a reputation for fielding the fewest female authors.  Perhaps its because Campbell's magazine is the most conservative of the science fiction digests, or maybe its because of the conception that women's STF is somehow softer than the "real" deal.  You know, with characterization and such.

So you can imagine my delight when I saw Pauline Ashwell once again has the lead novella in this month's Astounding, the second in her tales starring the spunky Lysistrata Lee.  You may have caught the fun Unwillingly to School a couple of years ago in which Lee wins a scholarship to study on old Earth (after a bit of adversity, of course).  The Lost Kafoozalum, which takes place after Lee graduates, and covers her first field mission, has that same unusual first person storytelling style as the earlier story. 

I like the plot, and Lee is hard not to love, but I found there was a little too much set-up for the payoff.  I would have liked more showing than telling during the expository first half.  The end is a bit pat, too.  I don't mind romance (actually, I like it a great deal), so I'd have enjoyed more development leading to the reveal.

Read it, and tell me what you think!

I'll be covering the rest of the October 1960 Astounding tomorrow.  In the meantime, here's an update on Hurricane Donna.  It apparently began forming on August 29 off the coast of West Africa, and we've been tracking its swath of destruction via radar and TIROS 2 ever since.  It's already pummeled the Virgin Islands and Puerto Rico, swamped the coast of Cuba, and it's currently gathering strength just 150 miles southeast of Miami. 

It's not certain yet whether the track of the storm will take it over Cape Canaveral, but Air Force and Space Technology Laboratory personnel are taking no chances.  They've already set up evacuation plans for personnel and vital equipment related to the upcoming Pioneer Moon mission.  Let's hope the inclement weather doesn't jinx things.  The last failure was heartbreaking enough.

[September 6, 1960] The 1960 WorldCon in Pittsburgh!

The Journey presents that annual assemblage of scientifiction (stf or "steff") fans known as WorldCon!


all pictures from fanac.org

Of course, I wasn't actually present at the con, it being held some 2500 miles away on the 17th floor of the Penn Sheraton in Pittsburgh.  But I know people, and I have access to a million-dollar 'fax machine.  Thus, even though the custodial staff is just barely finishing its sweeping up after some 300 attendees had a roaring great time, I am already able to bring you this report:

The primary purpose for a convention is to allow fellow fen (plural of fan) to mingle.  Gordon Dickson likens it to a Gentleman's Club where adventurers can meet and compare notes before heading off back into the wild.  Fred Pohl calls it a family gathering. 

It looks like the demographics of fandom match that of publication: women are in the distinct minority, but they are present and often outsizedly significant.

Plenty of professionals attended, too.


Avram Davidson


James Blish


Ed Emshwiller


L. Sprague DeCamp

But it's not all about chatting up your friends.  The convention offered all sorts of activities including panels, auctions (art, manuscripts, you name it), an art show, a dealers' hall, and a game room:

Saturday was dress-up day, with plays put on by club members and, of course, the night-time Costume Ball!

But what you've likely been waiting for with bated breath is the announcement of the Hugo winners.  I, too, was keenly interested to see how the tastes of the Pittcon-going fans differed from my choices for 1959's best.  As it turned out, we weren't too far off:

Best Novel

Starship Troopers by Robert A. Heinlein [F&SF Oct,Nov 1959; Putnam, 1959]

Nominees

Dorsai! by Gordon R. Dickson [Astounding May,Jun,Jul 1959]

The Pirates of Ersatz by Murray Leinster [Astounding Feb,Mar,Apr 1959]

That Sweet Little Old Lady by Mark Phillips (aka: Randall Garrett and Laurence M. Janifer) [Astounding Sep,Oct 1959]

The Sirens of Titan by Kurt Vonnegut, Jr. [Dell, 1959]

I didn't read a lot of novels in 1959, though I'd have thought Alas, Babylon would have beaten out the Astounding serials, which were 2 and 3 star stories.  I'll let my readers tell me if the Vonnegut was any good.  I can't argue with the winner, though.  I liked it a lot.  I understand Bob Heinlein was actually at Pittcon, which is unusual.

Short Fiction

Flowers for Algernon by Daniel Keyes [F&SF Apr 1959]

Nominees

The Alley Man by Philip José Farmer [F&SF Jun 1959]

The Pi Man by Alfred Bester [F&SF Oct 1959]

The Man Who Lost the Sea by Theodore Sturgeon [F&SF Oct 1959]

Cat and Mouse by Ralph Williams [Astounding Jun 1959]

Here, the fans and I are in virtually complete agreement.  These are all 4 and 5 star stories, and the Keyes is not only among the best, but it is the longest (the Hugos combine all stories shorter than a novel into one category, whereas I divide them more finely).  I might have excluded the Bester and the Farmer to include McIntosh and Simak, but that's a quibble.

Best Dramatic Presentation

The Twilight Zone (TV series) by Rod Serling [CBS]

Nominees

The World, the Flesh and the Devil (1959) [HarBel/MGM] Directed by Ranald MacDougall; Screenplay by Ranald MacDougall; Story by Ferdinand Reyher; based on the novel The Purple Cloud by M. P. Shiel

Murder and the Android (Sunday Showcase episode #1.5)

The Turn of the Screw (1959) [NBC] Directed by John Frankenheimer; Teleplay by James Costigan; based on the novel by Henry James

Men into Space (TV series) [CBS, 1959]

This one is interesting.  I think mixing TV and movies creates too broad a category, and the result is MacDougall's fantastic and progressive The World, the Flesh and the Devil ending up as an also-ran.  Moreover, The Twilight Zone was not even halfway through its first season by close of 1959–not that much to go on.

Still, it is a good (nay, groundbreaking) show, so I'm not complaining too much.

I haven't seen Murder or TurnMen into Space, while laudable for its attempts to portray realistic space travel, has always been dull as dirt when I've tuned in. 

Best Professional Magazine

The Magazine of Fantasy & Science Fiction ed. by Robert P. Mills

Nominees

Astounding Science Fiction ed. by John W. Campbell, Jr.

Galaxy ed. by H. L. Gold

Amazing Science Fiction Stories ed. by Cele Goldsmith

Fantastic Universe ed. by Cele Goldsmith

They'll be lucky if they have enough magazines to fill this category next year!  Still, they picked the right "best" even if their #2 was pretty dreadful last year.

Best Professional Artist

Ed Emshwiller

Nominees

Frank Kelly Freas

Virgil Finlay

Mel Hunter

Wally Wood

All of these names should be familiar to you, and I'm not surprised good ol' Emsh topped the charts again.

Best Fanzine

Cry of the Nameless ed. by F. M. Busby, Elinor Busby, Burnett Toskey and Wally Weber

Nominees

Fanac ed. by Terry Carr and Ron Ellik

Yandro ed. by Robert Coulson and Juanita Coulson

JD-Argassy ed. by Lynn A. Hickman

Science Fiction Times ed. by James V. Taurasi, Sr., Ray Van Houten and Frank R. Prieto, Jr.

I should read the 'zines, but I don't.  Ever since Mari Wolf stopped reviewing them, I stopped being interested.  I also have a full dance card as it is.  Nevertheless, the fanzines should not be overlooked–they are a stepping stone to the major leagues, writing-wise, and they also keep the fans in touch between conventions.

So, hats off to the organizing committee for another successful WorldCon!  If you have any personal anecdotes from the convention, please drop me a line.  In the meantime, I'll get cracking on this month's Analog.  I'm not ashamed to confess that I emitted a little squeal of delight when I saw that Pauline Ashwell has the lead novella.

[September 4, 1960] Flawed jewel (The Status Civilization, by Robert Sheckley)

Readers of my column know of my affection for Bob Sheckley's work.  A fellow landsman, he has turned out a regular stream of excellent short stories over the past decade.  He's already published four collections, and they are all worth getting.

But though Sheckley gets an A for his shorter works, his novel-writing talents earn him, at best, a B-.  He's written two thus far, both of them novelizations of serials.  One was the tepid adventure, Timekiller.  The other, The Status Civilization, was serialized in Amazing earlier this year.  It just came out in book form; I'll let my readers tell me if it's been substantially changed.

The novel has a great hook: Will Barrent, age 27, wakes up from the deepest of sleeps to find he has no memories of his former existence, not even his name.  Then he is informed that he is guilty of a murder he can't remember, and is sentenced, along with several hundred other mind-wiped criminals, to spend the rest of his days on the prison planet, Omega.

Like Devil's Island and Australia, this convict-ruled place of exile is a society completely apart.  New arrivals start with the rank of peon, and only through a long period of virtual slavery can they rise in status.  Or they can get away with murder, literally, and take the fast elevator. 

Omega is a paradoxical hell world where evil is lauded, even canonized.  There is law, and it is strictly enforced.  And yet, status only comes when one successfully evades the law.  Usually, this involves surviving the punishments for transgression–generally some kind of public gladiatorial spectacle.  Of course Barrent (without much explanation) is able to survive these trials by combat and do quite well for himself.

Despite this, Barrent becomes increasingly confident that he is not a murderer, and this eventually lands him in the hands of an underground group of non-violent political criminals, whose goal is to somehow return to an Earth they know nearly nothing of.  Barrent is sent on a lone mission of reconnaissance to his forgotten homeworld, which turns out to be the mirror image of Omega, or perhaps just the other side of the same coin. 

The Status Civilization is an entertaining but unsatisfying read.  Stylistically, it feels unpolished, even rushed.  I see less of Bob Sheckley here and more of Murray Leinster on a bad day.  Whole episodes of the story are glossed over, particularly some potentially exciting action bits. 

Sheckley introduces us to a pair of fascinating worlds: Omega, where evil is lauded, and status is gained by murder; and Earth, where society is static, and status fixed.  Neither society is stable.  Both will fail at some point, though there is the suggestion that in their violent union, salvation might be found. 

These are topics worthy of significant elaboration, but Sheckley gives them rather minimal treatment.  Upon further reflection, I determined that he gave them the minimum treatment possible to effectively convey them.  I admire his economy of words (The Status Civilization is quite a short novel), but I was left feeling hungry for more.

Which brings us to an interesting literary question: need a story be further written if it accomplishes what it was made to do?  In this case, I'm going to say yes.  I think Sheckley could have had a masterpiece to his name with this one if he'd just put it through the ringer one more time.  It needs to either be longer or better-written. 

As it is, however, The Status Civilization is worth reading.  The questions it raises are compelling, even if they are incompletely answered by the author, and the writing, while workmanlike, is engaging.

3.5 stars.

[By the way, the World Science Fiction Convention is going on as we speak in Pittsburgh.  I'll have a report on the con and the 1960 Hugo Awards in a few days.  If you are an attendee, please feel free to add your anecdotes!]

[September 1, 1960] Looking up (October 1960 Galaxy, second half)

I'm sure you've all been waiting like caught fish (with baited breath), so I shan't keep you in the dark any longer regarding the October 1960 Galaxy.  The second half of the magazine is better than the first, but it is not without its troubles.

Neal Barrett is back with his sophomore effort, The Stentorii Luggage.  This engaging little tale highlights the dangers involved in running a hotel for dozens of disparate (and mutually incompatible) alien races.  It also justifies the "no pets" policy common to most places of lodging. 

A Fall of Glass gets my nomination for the best story of the issue.  This is also a second effort, by Stanley R. Lee, in this case.  Breezy, light touch tales are hard to pull off, but I think Lee has managed in this one, a romance set inside a climate-controlled, post-apocalyptic dome.  Superficially similar to World in a Bottle in subject matter, but far better in execution.

That brings us to Edward Wellen's "non-fact" article, Origins of the Galactic Short-Snorter.  It's an unwieldy title, to be sure, and these droll attempts at humor generally fall flat.  But this one, about a museum of obsolete currency, isn't bad.

The one familiar name in the issue is Gordon Dickson.  He can usually be counted on to turn in a decent story; his The Hours are Good is rather masterful.  It's not the vaguely futuristic setting or the details of the plot that stand out.  What distinguishes this thriller is the measured, deliberate way Dickson reveals what's going on in, culminating in a nice kicker.  I like stories that show rather than tell, and it's all show in this one.

Sadly, the issue doesn't stop there.  It's final tale, David Duncan's The Immortals, is a loser.  In brief: the inventor of immortality wants to know the effects his efforts will have on civilization.  He enlists the aid of a computer simulations expert.  When the projection shows that everlasting life leads to cultural torpor, the pair insert themselves into the simulation to learn more.

Duncan's story is B-Movie fare.  The idea that a computer could predict the future with perfect accuracy, so long as it is fed sufficient data, is silly on its face.  Anyone with a background in mathematics knows that even single equations often have several answers; many have an infinite number.  Add to that implausibility the idea that one could wander around this virtual reality and interact with its denizens using computers of current vintage…well, let's just say I'll need a splint for my strained credulity.

It's really too bad.  The societal impacts of everlasting life are worth exploring.  So is the notion of creating "life" within the memory banks of a computer.  Either would merit a novel of development.  Both get short shrift in this clunky novelette.

In more positive news, my family enjoyed a lovely, sunset stroll down Grand Avenue in nearby Escondido a few days ago.  I picked up copies of my reading material for this month, so you can expect reviews of Sheckley and Sturgeon in short order.

[August 29, 1960] One shoe down (October 1960 Galaxy, 1st half)

There is an old saw: "Just when I got my mule to work without being fed, she up and died on me!"

At the end of 1958, Galaxy editor H. Gold announced that his magazine was going to a bi-monthly publication schedule.  He did not mention that he was also slashing writer pay rates in half.

Last issue, Gold crowed about his stable of fresh new authors who would carry the torch of science fiction creation.  And, of course, there is plenty of room for the new authors now that the old names have departed for greener pastures.

Is this how a great magazine dies?  Not with a bang, but with a whimper?  You may disagree with me, but the October 1960 issue of Galaxy feels like a throwback.  A lesser mag from the mid '50s.  Let me show you the first half of the issue, and you'll see what I mean.

Allen Kim Lang opens things up with his novella, World in a Bottle.  The premise is an interesting one: take a group of people with no resistance to diseases (such people exist today).  Put them together in a sort of commune.  What are the sociological and practical implications?  What kind of life can they expect to have?

Some of the story rings true, particularly the feeling of imprisonment and the lack of attraction for one's fellow commune residents.  This isn't science fiction–this is what's happening right now on the kibbutzim in Israel.  What kills the story, for me, is the breezy style and the overly neat finish at the end.  It's a pity–Lang has been good enough to get printed in F&SF.  I'm sure he could turn out better.

The Hills of Home, by Alfred Coppel, originally came out in Future Science Fiction back in 1956.  It reads like an inferior version of Sturgeon's sublime The Man who lost the Sea, but I guess Coppel's came first, so perhaps Sturgeon's is a polish-up.  In any event, it's a clunky piece, but not horrible.  It does show that Galaxy is now resorting to reprints to fill its pages.  That's probably not a good sign. 

Marshall King is, as far as I can tell, a complete newcomer to science fiction.  His Beach Scene, about a cute little alien who can stop time, is rather engaging.  The creature's encounter with a band of rapacious human colonizers is bittersweet.  Mostly bitter.

Willy Ley seems to be coasting these days.  His latest article, The Air on the Moon, is not a stand-out.

Then we've got James Stamers' The Imitiation of Earth, positing a sort of planetary sentience that deliberately fosters the evolution of life.  This is Stamers' fourth published story, and Gold has bought every one of them.  I've noted in my reviews of his last three that his work tends to be forgettable stuff with occasional interesting ideas mixed in.  He continues this trend with his newest story, which starts out in a quite compelling manner, but ends prosaically. 

That brings us to newcomer Andrew Fetler's Cry Snooker, a satiric tale about the havoc wreaked on a suburban town by an experimental little flying machine.  It reads like a lesser Rosel George Brown story.  Heavy on the domestic banter, crude with the lampooning.

Now, things could turn around quite suddenly in the second half of this month's issue, but thus far, we're looking at a 2.5 star issue.  It would be a crying shame if Galaxy, once my favorite science fiction digest, ended up below Astounding!

In happier news, I met a lot of wonderful folks at the local science fiction convention last week.  One of them was dressed up as the new member of the family from Krypton, Supergirl.  Well, it turns out she is a local, and she sent me a photo to share with my fans.  Meet Janel, everyone!

[August 27, 1960] Coming up in September!

Every month, I get a heads up from my connections in the publishing, movie, and aerospace industries to let me know what books, films, and space launches will occur in the near future.  August is coming to a close, which means its time for a sneak preview of coming attractions for the month of September.  This way, all of you can follow along and share your thoughts. 

(Note that publications that I don't plan to review will be in a smaller font.  You are, of course, welcome to try them and let me know if I should take a gander.)

In the world of magazines:

September 1960 Galaxy

September 1960 Fantasy and Science Fiction

September 1960 Analog

September 1960 Fantastic

September 1960 Amazing

In the world of books:

The Status Civilization, by Robert Sheckley

Venus Plus X, by Theodore Sturgeon

Twinkle, Twinkle, Little Star by Ben Barzman

Skynappers, by John Brunner ; Vulcan's Hammer, by Philip K. Dick (ACE Double)

Guardians of Time, a collection of Time Patrol stories by Poul Anderson

Deathworld, by Harry Harrison (already covered by the Journey here)

In the world of movies:

Little Shop of Horrors ; The Last Woman on Earth (a Double Feature!)

In the world of space launches:

Pioneer Moon (Atlas Able)

In the meantime, we also have the leadership of the Free World at stake.  Immediately after the Democratic Convention, national polls showed Kennedy leading Nixon at 52-48.  Now that the Senator has been stuck in a quagmire of a Congressional Session for the last month, and Nixon was just greeted as the Second Coming in Atlanta, the polls show a different story.  Nixon is now the favorite at 53-47.

The Race doesn't really start until after Labor Day, however.  I'm looking forward to the first televised debates come Fall.

[August 25, 1960] Accurate Paleontology (Dinosaurus!)

Another weekend, another Jack Harris production.  Harris has made a name for himself cranking out colorful, enjoyable B-movie fare, and his latest contribution to the cinematic universe, Dinosaurus!, is no exception.

Make no mistake: Harris has yet to produce a masterpiece.  But then, I don't think that's his goal.  Rather, he creates fun monsters and cool heroes to fight them.  All while offering up a ear-catching soundtrack.

This time around, Harris has traded in the frenetic jazz for soothing calypso, as befits the setting of Dinosaurus!–the idyllic Caribbean paradise of St. Croix. 

In contrast to his previous movies, The Blob and The 4D Man, Dinosaurus! opens up right quick with the action.  In brief, a test of underwater explosives off the coast of the island uncovers a pair of dinosaurs and a caveman, all of whom have been frozen solid for ages at the bottom of the sea.  They are hauled ashore for investigation, whereupon they thaw and wreak havoc upon the island.  But the real monster of the piece isn't one of the dinosaurs or a prehistoric Neanderthal.  It's a sinister island manager named Hacker, who treats the islanders like his property, and who has designs on seizing the ancient creatures for his own profit.


Beefcake, two for one sale, with a cheesecake dessert–but you have to order a side of slime…

Rather than spoil the plot, for the movie is worth watching (so long as you understand what you'll be getting), I'll just tell you the things I learned during the course of the film:

1) Brontosaurus, Tyrannosaurus, and Neanderthals lived contemporaneously;

2) Creatures can be quick-frozen such that they will return to life, no worse for wear, once exposed to warm sun and rain;

3) Tyrannosaurs are malicious, spiteful creatures; they are motivated by murder and mayhem rather than by hunger;

4) Brontosaurs are adorable and make excellent steeds;

5) Neanderthals are noble, self-sacrificing creatures, but they lack the ability to speak.  They also are best used as comic relief;

6) Stop-motion and puppet dinosaurs are much more satisfying to watch than lizards with taped-on accoutrements;

7) Harris hopes to make a sequel even though there is no way to continue the storyline.

Rest assured that the good guys win in the end, although not without taking casualties–to wit, an Irishman and a Brontosaurus.  I suspect that, if my daughter had been with me, she would have walked out when the sauropod bought the farm.  I know I was tempted.

My magazine subscriptions should be here by tomorrow, so I'll have the first revew of the October 1960 issues next time around!

[August 22, 1960] If every day were a convention (September 1960 IF)

It's been a topsy turvy month!  Not only have I been to Japan, but I've just gone to yet another new science fiction convention taking place virtually next door (pictures appended below).  Yet, despite all the bustle, I've managed to find time for my #1 pasttime: my monthly pile of science fiction/fantasy digests.  And here, at long last, is my review of the September 1960 IF Science Fiction.

As Galaxy's lesser sister, its overall quality tends to be a little lower.  There are a couple of stand-outs in this issue that made it a worthy purchase, however.  Moreover, I'm noticing a trend toward the experimental.  H. Gold (and his right-hand, Fred Pohl) seem more willing to take chances with this mag.  I'm looking forward to seeing where this goes.

I don't want to spoil the stories for you, so I'll keep the synopses brief:

Daniel Galouye has the opening number, a longish novelette called Kangaroo Court.  It's an interesting murder mystery in a world where telepathy has made crime obsolete.  An extra twist is the development of memory copying–a technology that lets one create a full simulacrum of a person's personality up to the date of storage.  I'm given to understand that a writer should only present one revolutionary technology per story, but I think Galouye pulls it off.  Three stars.

Margaret St. Clair is also back with her short story, Parallel Beans, a cute little piece about the dangers of bartering across alternate time streams.  Three stars.

Wedge, by H.B. Fyfe, is about a human prisoner who is the subject of an alien intelligence test.  Is he the testee or the tester?  The first weak piece of the issue: Two stars.

But it is followed up by To Choke an Ocean by the reliable J.F.Bone.  I like stories without antagonists, and they get bonus points if they involve interesting alien civilizations.  Four stars.

That brings us to Arthur Porges, who turned 45 yesterday (Happy Birthday!) His Words and Music, about a man who can tell a person's future in a decidedly off-beat (or perhaps "on-beat" is more appropriate) fashion, would make a fantastic episode of The Twilight Zone.  Another four star tale.

There is a brief interlude during which Fred Pohl contributes a longish book-review column.  It includes praise for the rather awful The Tomorrow People, by Judy Merril.  It is followed by Robert Shea's unusually written, but rather pointless, Star Performer, involving a Martian aborigine and his effect on the decadent, overripe population of Earth.  Two stars.

Finally, R.A. Lafferty offers up Six Fingers of Time, about a fellow who discovers a talent for living life at an accelerated rate.  The writing is odd, and the subject matter uninspired, and yet…it has a certain charm.  Three stars.

That puts us at exactly three stars for the issue no matter how you slice it, which ranks it above Astounding and below F&SF this month.  No surprises there.  F&SF also wins the prize for best story: George Elliott's The NRACP, though to be fair, it's a reprint.  I might give the nod for best original story to Bone.  Your mileage will almost assuredly vary. 

Finally, of the 22 stories, serial portions, and non-fiction articles appearing in the three magazines, exactly two of them were written by women.  I'll leave this datum here without further observation or opinion.

This weekend, I'm off to the movies to watch Dinosaurus, the new flick from the team that brought us The Blob and 4D-Man.  Sadly, neither of the members of my immediate family will go with me.  Perhaps I'll run into one of you, my beloved fans.

And for those who came here to see the pretty pictures, here are the costumes from our local science fiction convention:

And some attendees, not in costume:

Yes, that's the Traveller, himself (on the left).

That's all for today, and if you're one of the gracious attendees who allowed me to take her/his picture, do drop me a line!

[August 20, 1960] Up and Down (Americans and Soviets recover space capsules)

Talk about a good week for Space news!

There I was, all ready to discuss the latest IF Science Fiction (which is quite good, by the way), and then both the United States and the Soviet Union came out with a couple of bombshells that I couldn't ignore.  And neither should you.

Firstly, right on the heels of last week's Discoverer 13 launch, the Air Force has successfully flown another Discoverer.  For those who don't remember, Discoverer is a "biological-sample-return" capsule designed to send living payloads into orbit and then retrieve them.  Supposedly.

Now, I had reported last week that lucky 13 was the first fully successful mission.  That turned out to be a mistake.  Discoverer capsules are meant to be caught before they land, and #13 had to be fished out of the drink.  By the way, 13's payload, an American flag, was presented to the President amid great fanfare on August 15. 

But #14 was a textbook case from beginning to end, complete with a mid-air snatch that must have been a rather hair-raising endeavor.  According to my newspaper, the Air Force plans to send up apes with the next mission.  We'll see. 

As usual, the Soviets had to trump our success.  Yesterday morning, Sputnik 5 soared to the heavens at the tip of a booster similar to the one that launched the heavy Sputnik 3 and 4 satellites the past two years.  A veritable menagerie was sent into space: two dogs (Belka and Strelka), 40 mice, two rats, and a variety of plants.  Even better, they successfully de-orbited and landed, safe and sound.

Unlike Discoverer, which is at best a proof-of-concept program (and, at least, a spy satellite with a creative cover), Sputnik 5 appears to be a production model of the Soviet manned spacecraft–their version of Mercury.  We haven't even managed a fully successful flight of a boilerplate Mercury (Big Joe).  I'm betting that we see some kind of primate launched in the next few months. 

Whether it will be a human, in time for this year's October Revolution celebration, depends on how fond the Soviets are of taking risks…

[August 17, 1960] Dancing to a new beat (The Twist)

We interrupt this cavalcade of science fact and fiction articles to bring you…some pop culture.

Seven years ago, The Crows came out with Gee, what is now generally recognized to have been the first "rock 'n' roll" song.  It was a revolution–within months, the crooners and the overripe schmaltzy swing tunes were swept aside in favor of the new mode.  Well, at least on the Black stations.  Then Elvis and Pat Boone came along and made this scary new music safe for everyone else. 

This year, it appears Chubby Checker has sparked a similar, related revolution.  With a simple, catchy rock 'n' roll tune, The Twist, he appears to have single-handedly invented solo dancing. 

Think about it: for centuries, from the Estampie to the Waltz to the Cha Cha Cha, dancing has been something you do with partners.  Now, with The Twist, you can shrug all by your lonesome–or with hundreds of friends.  There's no denying its popularity.  Checker's song is at the top of the charts this week (displacing Elvis' short-lived tenure, thankfully), and if you caught his performance on American Bandstand the other day, you were probably tempted to join in the fun.  There may not be a jukebox in America what doesn't have, at any given hour, several teens around it Twisting the night away.

I only hope that Checker, a promising nightclub player with a talent for mimicry (check out last Christmas' surprise hit, The Class), doesn't get pigeon-holed, doomed to release dance number after dance number to stay afloat. 

I suppose it is better to have one hit than none.