Tag Archives: willy ley

[September 8, 1961] What makes a Happy?  (October 1961 Galaxy)


by Gideon Marcus

It doesn't take much to make me happy: a balmy sunset on the beach, a walk along Highway 101 with my family, Kathy Young on the radio, the latest issue of Galaxy.  Why Galaxy?  Because it was my first science fiction digest; because it is the most consistent in quality; because it's 50% bigger than other leading brands!

And the latest issue (October 1961) has been an absolute delight with a couple of the best stories I've seen in a long while.  Come take a look with me – I promise it'll be worth your while.

First up is A Planet Named Shayol, by Cordwainer Smith.  Smith's is a rare talent.  There are few writers who not only excel at their craft, but they somehow transcend it, creating something otherworldly in its beauty.  Ted Sturgeon can do it.  I'm having trouble thinking of others in this class.  Almost every Smith story has this slightly lilting, 10% off-plane sense to it. 

Shayol is set in the far future universe of the "Instrumentality," a weird interstellar human domain with people on top, beast creatures as servants, and robots at the bottom of the social totem pole.  This particular novelette introduces us to the most peculiar and forbidding of Devil's Islands, the planet Shayol.  Just maintaining one's humanity in such a place of horrors is a triumph.  The story promises to be a hard read, yet Smith manages to skirt the line of discomfort to create a tale of hope with an upbeat ending.  Plus, Smith doesn't shy from noble woman characters.  Five stars.

Robert Bloch comes and goes with little stories that are either cute, horrific, or both.  Crime Machine, about a 21st Century boy who takes a trip back to the exciting days of gangster Chicago, is one of the former variety.  Three stars.

Another short one is Amateur in Chancery by George O. Smith.  A sentimental vignette about a scientist's frantic efforts to retrieve an explorer trapped on Venus by a freak teleportation mishap.  Slight but sweet.  Three stars.

I'm not quite sure I understood The Abominable Earthman, by Galaxy's editor, Fred Pohl.  In it, Earth is conquered by seemingly invincible aliens, but one incorrigible human is the key to their defeat.  The setup is good, but the end seemed a bit rushed.  Maybe you'll like it better than me.  Three stars.

Willy Ley's science article is about the reclaimed lowlands of Holland.  It's a fascinating topic, almost science fiction, but somehow Ley's treatment is unusually dull.  I feel as if he's phoning in his articles these days.  Two stars.


Art by Dick Francis

Mating Call, by Frank Herbert, is another swing and miss.  An interesting premise, involving a race that reproduces parthenogenetically via musical stimulation, is ruined by a silly ending.  Two stars.

Jack Sharkey usually fails to impress, but his psychic first contact story, Arcturus times Three, is a decent read.  You'll definitely thrill as the Contact Agent possesses the bodies of several alien animals in a kind of psionic planetary survey.  What keeps Arcturus out of exceptional territory is the somehow unimaginative way the exotic environs and species are portrayed.  Three stars.

If you are a devotee of the coffee house scene, or if you just dig Maynard G. Krebs on Dobie Gillis, then you're well acquainted with the Beat scene.  Those crazy kooks with their instruments and their poetry, living a life decidedly rounder than square.  It's definitely a groove I fall in, and I look forward to throwing away my suit and tie when I can afford to live the artistic life.  Fritz Leiber's new story, The Beat Cluster is about a little slice of Beatnik heaven in orbit, a bunch of self-sufficient bubbles with a gaggle of space-bound misfits — if you can get past the smell, it sure sounds inviting.  I love the premise; the story doesn't do much, though.  Three stars.

Last up is Donald Westlake, a fellow I normally associate with action thrillers.  His The Spy in the Elevator is kind of a minor masterpiece.  Not so much in concept (set in an overcrowded Earth where everyone lives in self-contained city buildings) but in execution.  It takes skill to weave exposition with brevity yet comprehensiveness into a story's hook – and it does hook.  Westlake also keeps a consistent, believable viewpoint throughout the story, completely in keeping with the setting.  I find myself giving it five stars, for execution, if nothing else.

Add it all up and what do you get?  3.3 stars out of 5, and at least one story that could end up a contender for the 1961 Hugos (I really enjoyed the Westlake, but I feel it may not be avante garde enough for the gold rocket).  Now that's something to smile about!

[July 6, 1961] Trends (August 1961 Galaxy, second half)

Human beings look for patterns.  We espy the moon, and we see a face.  We study history and see it repeat (or at least rhyme, said Mark Twain).  We look at the glory of the universe and infer a Creator. 

We look at the science fiction genre and we (some of us) conclude that it is dying.

Just look at the number of science fiction magazines in print in the early 1950s.  At one point, there were some forty such publications, just in the United States.  These days, there are six.  Surely this is an unmistakable trend.

Or is it?  There is something to be said for quality over quantity, and patterns can be found there, too.  The last decade has seen the genre flower into maturity.  Science fiction has mostly broken from its pulpy tradition, and many of the genre's luminaries (for instance, Ted Sturgeon and Zenna Henderson) have blazed stunning new terrain.

I've been keeping statistics on the Big Three science fiction digests, Galaxy, Analog, and Fantasy and Science Fiction since 1959.  Although my scores are purely subjective, if my readers' comments be any indication, I am not too far out of step in my assessments.  Applying some math, I find that F&SF has stayed roughly the same, and both Analog and Galaxy have improved somewhat.

Supporting this trend is the latest issue of Galaxy (August 1961), which was quite good for its first half and does not decline in its second.

For instance, Keith Laumer's King of the City is an exciting tale of a cabbie who cruises the streets of an anarchic future.  The cities are run by mobs, and the roads are owned by automobile gangs.  It's a setting I haven't really seen before (outside, perhaps, of Kit Reed's Judas Bomb), and I dug it.  In many ways, it's just another crime potboiler, but the setting sells it.  Three stars.

Amid all of the ugly headlines, the blaring rock n' roll, the urban sprawl, do you ever feel that the romance has gone out of the race?  That indefinable spark that raises us to the sublime?  Lester del Rey's does, and in Return Engagement, his protagonist discovers what we've been missing all these years.  A somber piece, perhaps a bit overwrought, but effective.  Three stars.

Willy Ley's science column, For your Information, is amusing and educational, as usual, though its heyday has long past.  This time, the subject is the preeminent biologist, Dr. Theodore Zell, whom Dr. Ley never got to meet, though he tried.  Three stars.

Deep Down Dragon, by Judith Merril, depicts a lovers' jaunt on Mars that ends in a brush with danger.  Told in Merril's deft, artistic style, the rather typical boy-rescues-girl story isn't all it appears to be.  Three stars.

I can't lay enough praise upon the final novella, Jack Vance's The Moon Moth.  Science fiction offers a large number of themes and techniques that provide building blocks for stories.  Every once in a while, a writer creates something truly new.  Vance gives us Sirenis, a planet whose denizens communicate with musical accompaniment that conveys mood beyond that inherent in words.  Moth is a murder mystery, and that story is interesting in and of itself, but what really makes this piece is the struggle of the Terran investigator to master the native modes of communication and to overcome the pitifully low status that being a foreigner affords.  Really a beautiful piece.  Five stars.

That puts the total for this issue at a respectable 3.4 stars.  So far as I can tell, science fiction has got some life left in it…

[April 30, 1961] Travel stories (June 1961 Galaxy, first half)

My nephew, David, has been on an Israeli Kibbutz for a month now.  We get letters from him every few days, mostly about the hard work, the monotony of the diet, and the isolation from the world.  The other day, he sent a letter to my brother, Lou, who read it to me over the phone.  Apparently, David went into the big port-town of Haifa and bought copies of Life, Time, and Newsweek.  He was not impressed with the literary quality of any of them, but he did find Time particularly useful.

You see, Israeli bathrooms generally don't stock toilet paper…

Which segues nicely into the first fiction review of the month.  I'm happy to report I have absolutely nothing against the June 1961 Galaxy – including my backside.  In fact, this magazine is quite good, at least so far.  As usual, since this is a double-sized magazine, I'll review it in two parts.

First up is Mack Reynolds' unique novelette, Farmer.  Set thirty years from now in the replanted forests of the Western Sahara, it's an interesting tale of intrigue and politics the likes of which I've not seen before.  Reynolds has got a good grasp of the international scene, as evidenced by his spate of recent stories of the future Cold War.  If this story has a failing, it is its somewhat smug and one-sided tone.  Geopolitics should be a bit more ambiguous.  It's also too good a setting for such a short story.  Three stars.

Willy Ley's science column immediately follows.  There's some good stuff in this one, particularly the opening piece on plans to melt the Arctic ice cap to improve the climate of the USSR (and, presumably, Scandinavia and Canada).  Of course, if global warming happens on schedule, we won't need any outlandish engineering marvels to make this happen; we can just continue business as usual.  Hail progress!

I also appreciated Ley's reply to one of his fans, who asked why he rarely covers space launches anymore.  His answer?  They come too quickly!  Any reporting would have a 4-5 month delay – an eternity these days.  It's hard enough for me to keep up.  Four stars.

The Graybes of Raath is Neal Barret, Jr.'s third story in Galaxy.  It should be a throw-away, what with the punny title, the non-shocker ending, and the hideous Don Martin art.  But this tale of a well-meaning immigration agency attempting to find the home of a family of itinerant alien farmers is actually a lot of fun.  Barrett is nothing if not consistent.  Three stars.

Now here's a weird one.  Fred Pohl and Cyril Kornbluth have a new duet out called A Gentle Dying.  Now, the two have worked together for many years; that's not the surprising part.  Nor is the fact that the story, about an incredibly elderly and beloved children's author's last moments, is good.  No, it's strange because Kornbluth has been dead for five years!  I can only imagine that Pohl (now de-facto editor of Galaxy, per last month's F&SF) dusted this one off after having waited for the right venue/slot-size.  Three stars.

Last up is R.A. Lafferty's absolutely lovely The Weirdest World.  Can a marooned alien blob find sanctuary, even happiness, among aliens so strange as those that live on Earth?  I've always kind of liked Lafferty, but this one is his best to date, with its gentle writing, and its spot-on portrayal of cross-species telepathy.  Five stars.

This column began with travel, and it ends with travel.  My wife and I are in Las Vegas for a weekend, enjoying the food and the sights.  Sinatra doesn't seem to be at the Sands right now, but that's all right.  We'll catch Ol' Blue Eyes another time.

While we were here, we ran into Emily Jablon, a famous columnist and Jet Setter who spends much of her time flitting across the world.  She gave us some tips on travel that were new even to us!  Of course, we introduced her to Galactic Journeying, and what better way than with this month's Galaxy?

[March 8, 1961] Bland for Adventure (April 1961 Galaxy, 1st half)

As we speak, my nephew, David, is on the S.S. Israel bound for Haifa, Israel.  It's the last leg of a long trip that began with a plane ride from Los Angeles to New York, continued with a six-day sea cruise across the Atlantic to Gibraltar, and which currently sees the youth making a brief landing in the Greek port of Piraeus.  He's about to begin a year (or two) in Israel on a kibbutz.  An exciting adventure, to be sure, though I will miss our discussions on current science fiction, even if his tastes were, understandably, a little less refined than mine. 

So I hope, dear readers, that you will make up for his absence by sending me even more of your lovely comments!

Of course, you can hardly prepare your posts until I've reviewed this month's set of magazines.  First on the pile, as usual, is the double-large issue of Galaxy, the biggest of the science fiction magazines with 196 pages packed with some of the biggest names in the field. 

But is bigger always better?  Not necessarily.  In fact, Galaxy seems to be where editor H.L. Gold stuffs his "safe" stories, the ones by famous folks that tend not to offend, but also won't knock your socks off.

So it is with the April 1961 Galaxy, starting with the novella, Planeteer, the latest from newcomer Fred Saberhagen.  It starts brilliantly, featuring an interstellar contact team from Earth attempting to establish relations with an aboriginal alien race.  Two points impressed me within the first few pages: the belt-pouch sized computer (how handy would that be?) and the breakfast described as, "synthetic ham, and a scrambled substance not preceded or followed by chickens."

The race, however, is disappointingly human; the tale is a fairly typical conundrum/solution story.  On the other hand, the alien king does show some refreshing intelligence—no easy White God tactics for the Planeteers!  Three stars.

Fritz Leiber offers up Kreativity for Kats, an adorable tale of a feline with the blood of an artiste.  Now, any story that features cats is sure to be a cute one (with the notable, creepy exception of The Mind Thing…) It's not science fiction at all, not even fantasy, but I read it with a grin on my face.  Four stars.

Galaxy's science fact column, For Your Information, by German rocket scientist Willy Ley, continues to be entertaining.  This bi-month's article is on the Gegenschein, that mysterious counterpoint to the Zodiacal Light.  There's also a fun aside about the annexation of Patagonia by a bewildered German professor as well as silly bit on Seven League Boots.  Three stars.

Last up for the first half of the book is James Stamer's Scent Makes a Difference, which answers the question on everyone's mind: What if you could meet all the alternate yous—the ones who took different paths in life?  Would you learn from all of your possible mistakes?  Or would you merely commit the biggest blunder of all?  I didn't quite understand the ending (or perhaps I overthought it).  Three stars.

That's that for now.  Read up, drop me a line, and I'll have the second half in a few days!

[January 6, 1960] Watch your tongue?  (February 1961 Galaxy, Part 1)

The old saying goes, "If you can't say something nice, don't say anything at all."  As you know, I am rarely reserved when I don't like a piece of work.  Every once in a while, I get a gentle chiding.  One reader said he didn't want to hear about stories I don't like–just the ones I do.  Another opined that my fans might tire of my consistently negative reviews of a certain author. 

I don't want to discount these criticisms as I think they are valid.  On the other hand, if I am unreserved in my scorn, I am similarly effusive about what I like.  My columns are rarely completely negative.  Moreover, I recognize that even the works I don't like often appeal to others, and I love receiving letters from folks who disagree with my judgments. 

Besides, you good folk likely come here to see me as much as to get reading recommendations.  Alfred Bester said in F&SF last month that he prefers English non-fiction to American as English authors will intrude into the text.  There are only so many ways to package facts; the only distinguishing character is the personality of the packager.  Certainly, I read Asimov as much for the science lesson as for the fun anecdotes.

So, enjoy all of me, even the kvetching.  And if you don't, feel free to tell me just how much you dislike me.  I may even agree with you…

On to the task at hand–reviewing the first half of the February 1961 Galaxy!

Evelyn Smith (formerly Gold, same name as the editor, natch) takes up most of it with Sentry in the Sky, a story about a malcontent in a futuristic caste system who is enlisted to become a long-term spy mole on a more primitive world.  It's not bad, but it is awfully simplistic, and the point meanders.  Moreover, it relies on awfully human aliens.  Of course, it's satire as much as anything else–the primitive world has a culture that is immediately familiar to 20th Century people.  Let me know what you think.  Three stars.

Doorstep is a cute short by Keith Laumer about an overachieving general and the UFO he tries to crack open.  Sort of a poor man's Sheckley; something I'd expect from 1952.  Three stars.

Willy Ley's article is pretty interesting this month.  He covers the new science of "seeding" clouds to create rain in Let's do Something about the Weather.  Three stars.

Finally, we have what may be the very first piece from a new writer, Volume Paa-Pyx by Fred Saberhagen.  It's a fun twist on the future where those with specific aptitudes get placed in appropriate professions.  When is a police state not a police state?  Three stars.

It doesn't take a slide rule to calculate this issue: Three stars across the board!  Nothing exceptional, nothing horrid.  Satisfying, but ummemorable.  Let me ask you–is it better to be delivered a dose of strong ups and downs or a steady, bland mean?

[Nov. 11, 1960] A Celebrated Veteran (December 1960 Galaxy)

Ten years ago, a World War Two vet named H. L. Gold decided to try his luck as editor of a science fiction digest.  His Galaxy was among the first of the new crop of magazines in the post-war science fiction boom, and it quickly set an industry standard. 

A decade later, Galaxy is down to a bimonthly schedule and has cut author rates in half.  This has, predictably, led to a dip in quality, though it is not as pronounced as I'd feared.  Moreover, the magazine is half-again as large as it used to be, and its sister publication, IF, might as well be a second Galaxy.  All told, the magazine is still a bargain at 50 cents the issue.

Particularly the December 1960 issue.  There's a lot of good stuff herein (once you get past yet another senilic Gold editorial):

The reliable J.T. McIntosh leads off with The Wrong World, in which the Earth is conquered…accidentally.  There was some misunderstanding by our invaders as to the technological level of our world; for the more advanced planets, we're supposed to get an invitation to interstellar society, not a savaging.  It's kind of an oddball piece, but it kept my attention despite the late hour at which I began it.  Three stars.

Next up is brand-newcomer, Bill Doede with Jamieson, an interesting tale of teleporting humans whose talents are viewed as akin to witchcraft.  Not a perfect tale, but definitely a promising beginning to a writing career, and with a female protagonist.  Three stars.

For Your Information is interesting, if not riveting, stuff about a Polynesian feast involving thousands of mating sea worms.  I understand they're a delicacy.  I'll take their word for it…  Three stars.

Charles V. de Vet is back with Metamorphosis, a story about a symbiotic life form that makes one superpowered… but which also turns the host into a ticking time bomb.  You spend much of the story pretty certain that you know how to defuse the bomb, such that it strains the credulity that there should be anything to worry about.  The ending, however, addresses the issue nicely.  Three stars.

Finally (for today) we have Snuffles by the rather odd but compelling R.A. Lafferty.  He writes stories in a style that shouldn't work but somehow does.  That's either some innate talent or blind luck.  Given his track record, I'm betting on the former.  In any event, the novelette details the misadventures of a six-person planetary exploration crew (two women, life scientists–women are always cast as biologists for some reason) who are at first charmed and then menaced by a sexless Teddy Bear monster with delusions of Godhood.  A fascinating story.  Four stars.

Next time, we'll have works by Ron Goulart, H.B. Fyfe, Jim Harmon, Patrick Fahy, and Daniel Galouye.  That's a pretty good lineup!

[August 29, 1960] One shoe down (October 1960 Galaxy, 1st half)

There is an old saw: "Just when I got my mule to work without being fed, she up and died on me!"

At the end of 1958, Galaxy editor H. Gold announced that his magazine was going to a bi-monthly publication schedule.  He did not mention that he was also slashing writer pay rates in half.

Last issue, Gold crowed about his stable of fresh new authors who would carry the torch of science fiction creation.  And, of course, there is plenty of room for the new authors now that the old names have departed for greener pastures.

Is this how a great magazine dies?  Not with a bang, but with a whimper?  You may disagree with me, but the October 1960 issue of Galaxy feels like a throwback.  A lesser mag from the mid '50s.  Let me show you the first half of the issue, and you'll see what I mean.

Allen Kim Lang opens things up with his novella, World in a Bottle.  The premise is an interesting one: take a group of people with no resistance to diseases (such people exist today).  Put them together in a sort of commune.  What are the sociological and practical implications?  What kind of life can they expect to have?

Some of the story rings true, particularly the feeling of imprisonment and the lack of attraction for one's fellow commune residents.  This isn't science fiction–this is what's happening right now on the kibbutzim in Israel.  What kills the story, for me, is the breezy style and the overly neat finish at the end.  It's a pity–Lang has been good enough to get printed in F&SF.  I'm sure he could turn out better.

The Hills of Home, by Alfred Coppel, originally came out in Future Science Fiction back in 1956.  It reads like an inferior version of Sturgeon's sublime The Man who lost the Sea, but I guess Coppel's came first, so perhaps Sturgeon's is a polish-up.  In any event, it's a clunky piece, but not horrible.  It does show that Galaxy is now resorting to reprints to fill its pages.  That's probably not a good sign. 

Marshall King is, as far as I can tell, a complete newcomer to science fiction.  His Beach Scene, about a cute little alien who can stop time, is rather engaging.  The creature's encounter with a band of rapacious human colonizers is bittersweet.  Mostly bitter.

Willy Ley seems to be coasting these days.  His latest article, The Air on the Moon, is not a stand-out.

Then we've got James Stamers' The Imitiation of Earth, positing a sort of planetary sentience that deliberately fosters the evolution of life.  This is Stamers' fourth published story, and Gold has bought every one of them.  I've noted in my reviews of his last three that his work tends to be forgettable stuff with occasional interesting ideas mixed in.  He continues this trend with his newest story, which starts out in a quite compelling manner, but ends prosaically. 

That brings us to newcomer Andrew Fetler's Cry Snooker, a satiric tale about the havoc wreaked on a suburban town by an experimental little flying machine.  It reads like a lesser Rosel George Brown story.  Heavy on the domestic banter, crude with the lampooning.

Now, things could turn around quite suddenly in the second half of this month's issue, but thus far, we're looking at a 2.5 star issue.  It would be a crying shame if Galaxy, once my favorite science fiction digest, ended up below Astounding!

In happier news, I met a lot of wonderful folks at the local science fiction convention last week.  One of them was dressed up as the new member of the family from Krypton, Supergirl.  Well, it turns out she is a local, and she sent me a photo to share with my fans.  Meet Janel, everyone!

[July 19, 1960] A New Breed (August 1960 Galaxy)

Last year, Galaxy editor Horace Gold bowed to economic necessity, trimming the length of his magazine and slashing the per word rate for his writers.  As a result (and perhaps due to the natural attrition of authors over time), Galaxy's Table of Contents now features a slew of new authors.  In this month's editorial, Gold trumpets this fact as a positive, predicting that names like Stuart, Lang, Barrett, Harmon, and Lafferty will be household names in times to come.

In a way, it is good news.  This most progressive of genres must necessarily accept new talent lest it become stale.  The question is whether or not these rookies will stay long enough to hone their craft if the money isn't there.  I suppose there is something to be said for doing something just for the love of it.

As it turns out, the August 1960 issue of Galaxy is pretty good.  I'm particularly pleased with Chris Anvil's lead novelette, Mind Partner.  It's a fascinating story involving a man paid to investigate a most unusual addictive substance, the habit of which its victims are generally unable to kick.  Those that manage to break free retreat into paranoid near-catatonia or explode into random streaks of violence.

Chris is a fellow who has churned out reliably mediocre tales for Astounding (now Analog) for years, yet I've always felt that he was capable of more.  Just as a good director can coax a fine performance out of an actor, perhaps Anvil just needs a better editor than Campbell.

William Stuart is up next with, A Husband for My Wife, a rather conventional, but not unworthy, time travel story involving the heated competition for affection and success between two friends/nemeses, one exemplifying brains, the other brawn.  The brainy one jumps off into the future with the brawny one's girlfriend leaving the latter stuck with the brainy one's domineering wife.  But the meathead and the shrew will be waiting when the brain returns… 

Stuart was the new author who penned the pleasant (though ultimately dark) Inside John Barth in the last issue.  His sophomore effort is not quite as good, but I can definitely see why Gold keeps him around, and he clearly has time to write!

Non-fiction writer Willy Ley is back to his old standard, I think, with his article on the origin of legends: How to Slay Dragons.  I was particularly interested to learn that the mythical dragon, at least in the West, only goes back to the Renaissance.  Apparently the notion of winged lizards cavorting with medieval princesses is anachronistic.

Back to fiction, The Business, as Usual is Jack Sharkey's second story in Galaxy, and it's about as bad as his first.  Set in 1962, it portrays, satirically, the top brass of our nation figuring out what to do with a new stealth aircraft.  It's all a set-up for a groan-worthy last line.

Sordman the Protector is an interesting, ambitious novella by serviceman Tom Purdom about a class of psychically gifted "Talents" who are both prized and reviled for their abilities.  The story is praiseworthy both for its innovative portrayal of future culture and the taut whodunit it presents.  It is clear that the author put a lot into developing the tale's background universe.  I wonder if he intends to expand it into a novel.

Neal Barrett's first tale, To Tell the Truth, has a cute title and an interesting set-up.  In an interstellar war where security is of paramount importance, combatants are given pain blocks against torture and suicide triggers that trip if their owners are on the verge of divulging sensitive information.  This provides strong protection for secrets when soldiers get captured.  But what if the secrets were never true to begin with?

Finally, we've got L.J. Stecher's An Elephant for the Prinkip, a rather delightful piece about the difficulties of transporting pachyderms across the stars.  It's one of those stories that shouldn't work, being all tell and no show (literally–its narrator is a salty old captain recounting the tale at a bar), but it does.  But then, I've always had a soft spot for stories involving interstellar freight.

That leaves the second and final part of Fred Pohl's short novel, Drunkard's Walk… but I'll cover this one separately.

Stay tuned!

[April 27, 1960] Galactic on Galaxy (June 1960 Galaxy)

It's that happy time of year when the sun is up late and the weather is perfect.  Of course, the weather is usually perfect here in the nicest unincorporated part of northern San Diego County (though there are rumors that our little farming community is going to vote on incorporation soon).

One of my favorite Spring-time activities is to lounge on the veranda (well, my daughter's tree house) with a portable radio, a cup of coffee, and good book.  Today's entree is the newest issue of Galaxy.  It's a double-sized issue, so I'll be breaking it out over two articles.  A body needs time to digest, after all. 

Fred Pohl has written a new serial evocatively titled Drunkard's Walk I won't go into too much detail as it's only half published, but thus far, I'm enjoying it.  In an overpopulated Earth (12 billions, 6 of them in "The Chinas"), university education is the province of the elite.  One young mathematics professor appears to be the target for assassination.  He's attempted to kill himself numerous times, always in that twilight between sleep and waking, as if in a trance. 

There are some neat technologies featured.  In particular, I liked Pohl's depiction of education by television, broadcast via satellite and graded by computer.  As someone who has generally found the classroom stifling, I marvel at how nice it would be to get a college degree in the comfort of my own home.

Next on tap is L.J. Stecher's Upstarts.  How can Earthers hope to parlay on a level playing field with a race that dominates the entire Galaxy?  By developing its own secret, starhopping technologies, of course.  The fascinating idea here is that though there are some 17 starfaring alien species, only two of them (one being humanity) clawed their way to sentience by natural evolutionary processes.  All of the rest were raised to sapience ("Uplifted," to coin a phrase) by the slavering Vegans, who now find themselves a minority group in the new galactic order and want to enlist the assistance of the Terrans to get back on top.


by Dillon

Good stuff, and with a haunting ending.

The Good Neighbors is a fun, short Edgar Pangborn piece about the sudden appearance of an enormous winged beast that terrorizes the American skies for many days before the pitiful creature is harangued to death by a swarm of jet fighters.  Pangborn writes with a pleasant sense of whimsy that I appreciate.


by Wallace Wood

Rounding out the first half, Willy Ley has an interesting piece on rocket fuels and the comparative advantages of liquid vs. solid propellants.  He also answers some of his readers' questions.  They must have been a better crop than usual as VeeLee seems pleasantly less peeved than he has been of late.

See you in two days with the other half.  Get yourself a copy and send me your thoughts!

[March 13, 1960] Shineless shoe (April 1960 Galaxy, Part 2)

Mediocre magazines are always the hardest to plow through.

When I've got a good issue in my hands, reading is a pleasure, and I generally tear through in nothing flat.  Bad issues are unpleasant, but I also feel no compunctions in skimming.

But it's those middle-of-the-road, "C Minus" magazines that drag you down.  Each story is a chore, but none are so offensive as to register on the memory, even in their badness.

Had I known that this month's Galaxy would be so lackluster (my apologies to those who favor the Bird), I might have skimmed faster and compiled my reviews into one article.  As it is, I have to devote an entire column's space to the four remaining pieces, and they don't deserve the energy.

Willy Ley's column, entitled What's Only Money, is an arid piece on the history and composition of coin currency.  As a numismatist, I found the subject matter interesting, but the presentation was lacking.  I miss the Dr. Ley of ten years ago.

Don't Look Now, by Leonard Rubin, is a turgid tale about (I think) image projectors and the way they disrupt our lives in the future.  I tackled this story in small increments, and it left virtually no impression on me.

Then you've got the vignette, The Power, by veteran Fredric Brown.  It is neither remarkable nor offensive.

Rounding out the issue is George O. Smith's, The Troublemakers, which starts promisingly but falls flat on its face.  It is really two intertwined stories.  The first involved a headstrong (read: "thinks for herself") young woman who objects to being sedated into placidity, as is the norm in the overcrowded, genetically optimized future.  Note that Mr. Smith believes 6 billion souls will lead to cramped living conditions—see my thoughts on this issue in a prior article.

She also refuses to be paired with a somnolent drip of a fellow, who needs medication to act at an even minimal level of energy.

Then you've got the young spacer, who believes he has discovered an efficient hyperdrive that could open the stars to humanity.  He is told to cool his heels in a dead-end assignment until he discovers the error in his mathematics.  There, of course, isn't one.

It turns out, as is telegraphed far in advance, that the seemingly unfair practices of the society, ostensibly designed to cull outliers, are really designed to find the few exceptional people so that they can be sent to far flung colonies and become the cutting edge of humanity.

I do find the idea of a crowded society a fascinating one, and rigid societal norms take on heightened importance in that circumstance.  Contrast the American expression, "the squeaky wheel gets the grease," to the Japanese expression, "the nail that sticks out gets pounded."  It makes sense that, on an overpopulated Earth, culture would favor conformity and sticking to the center of the bell curve.

But Troublemakers is boring, so even a good premise can't save it.  And with that, the April 1960 Galaxy comes to an unsatisfying end.

Twilight Zone is on tonight.  Let's see if that improves my outlook.  I've got a four-week summary coming up soon.

Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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