Tag Archives: Russell Fitzgerald

[January 18, 1969] (February 1969 Fantasy and Science Fiction)


by Gideon Marcus

Sticking close to home

The last quarter of 1968 had the newsmen on tenterhooks.  After the flight of Zond 5, many suspected the Russians would try for a flight around the Moon.  Would they get there before the hastily rescheduled Apollo 8?

They did not, and now it seems they are taking a different tack, trying to progress in endeavors closer to home.  On January 14, the Soviets launched Soyuz 4 into orbit carrying a single cosmonaut, Vladimir Shatalov.  This was ho hum stuff—the putatively multi-man Soyuz was once again carrying a single occupant.  Ah, but on the 16th, Soyuz 5 took off with cosmonauts Boris Volnyov, Aleksey Yeliseyev, and Evegenii Khrunov, the first three-seat flight since Voskhod 1, four years ago.

More than that, the two craft docked in orbit, the first time two piloted craft have managed the feat.  Then Yeliseyev and Khrunov donned space suits, opened their hatch, and walked next door.  They weren't visiting for a cup of borscht; they were there to stay, and they bore gifts: newspapers and letters from after Shatalov had taken off!  The next day, Soyuz 4 landed with the two new passengers.  As of this article's going to press, Volnyov should have landed his Soyuz 5—safely, I trust.

The Soviets are already beging to hail the mission as the construction of the first station in space, and there's no doubt that a lot of firsts have been scored.  On the other hand, the two Soyuz craft were only linked for a few hours, and there was no easy way to get between the two craft.  Really, they haven't done anything that couldn't have been done during our Gemini program.

That said, this may only be the beginning.  Unlike Voskhod, which only comprised a couple of flights, there have been a number of Soyuz missions, both manned and unmanned, so it's probably only a matter of time before a truly ambitious trek is managed, perhaps a real space station.

What's more impressive?  American boots on the Moon, or a permanent Soviet presence in near Earth orbit?  You be the judge.

Mail's in!

The latest issue of F&SF offers a myriad of treats that are, in some ways, as exciting as today's space news.  Let's dive in:


Another splurty cover by Russell FitzGerald

Attitudes, by James H. Schmitz

Azard is one of the Malatlo, the group of peaceniks who have divorced themselves from the Federation of the Hub.  Years ago, the Malatlo were given their own planet, far away, but next door to the Raceels, an up-and-coming race, so that the separatists might not be too lonely.

Now war has destroyed both worlds, and Azard is being escorted by three representatives of the Federation to a new world.  It's a magnanimous mission…so why is Azard contemplating the murder of his benefactors?  And is all really what it seems?

I found the telling of the story a bit talky and stilted, and yet, when I was done, I found the thing stuck with me, some of the scenes vivid in the extreme.  So, four stars for a fine opening piece.


by Gahan Wilson

The Cave, by Yevgeny Zamyatin

Per Sam Moskowitz' introduction, this is the tale of the end result of Communism as envisioned by a dissident writer in 1920 Leningrad.  As winter sets in, an impoverished citizen in the "equal" society wrestles with the urge to steal wood from an advantaged neighbor.  Soviet Marxism thus results in reversion to Stone Age sensibilities.

An interesting curiosity.  Three stars.

Nightwalker, by Larry Brody

Frank Whalen is a super-spy with a secret: his body shoots off electricity at will.  He also has a super suit, which confers stealth, but also has the annoying side effect of causing an all-over itch.  This tale rather straightforwardly details an adventure Whalen has behind the Bamboo Curtain, and how he escapes from a Red Chinese jail.

Probably the first in an ongoing series, there's not really enough of Whalen yet to hang on to, character-wise.  If you like superhero comics, you'll probably enjoy this one, in a superficial sort of way.

Three stars.

Dormant Soul, by Josephine Saxton

Saxton is an English author whose work generally fails to resonate with me, but this time, she channels her inner Pam Zoline with this beautiful, stream-of-consicousness story.  It deals with a prematurely old widow struggling with inexplicable migraines, deep depression, and an uncaring medical system that seems tailor-made to perpetuate the problem with useless nostrums and a callous ear.

The solution?  Wine and a bit of angelic help.

It's a beautiful, moving piece, and it was well on its way to five stars before the typically British, bummer ending.  Still four stars.

Drool, by Vance Aandahl

Justice Stewart once observed (essentially) "I can't tell you what pornography is, but I know it when I see it."  Aandahl proves that, "when correctly viewed, everything is lewd" (thank you Tom Lehrer) in this effective vignette.

Four stars.

Twin Sisters, by Doris Pitkin Buck

A short poem personifying the rain.  I liked it.  Four stars.

Pater One Pater Two, by Patrick Meadows

Two 21st Century disasters combine to doom the 24th Century: a doomsday weapon renders all of the Earth uninhabitable save for Greece and Asia Minor, and a birth control initiative backed by technology has gone awry, preventing all new births.  It's up to Jacson and Marya from the island of Xios to topple the remnants of the past to save the future.

An interesting, innovative tale.  Four stars.

Uncertain, Coy, and Hard to Please, by Isaac Asimov

For this piece, I felt it was important to have a female perspective—you'll understand why…


by Janice L. Newman

Asimov’s most recent “Science” article is on feminism. He never uses the word, but feminism is what it argues: that men and women are inherently equal, and that it is only cultural and artificial distinctions that keep them from being equal. It’s an excellent screed. For many women it would be a revelation, particularly if they have had no prior contact with feminist ideas.

Some might take exception to the description of the male/female relationship as slavemaster/slave, but I do not. For too long women have been considered property, unable to own anything: not money, not land, not their own work and discoveries, not even their own bodies. Even today a woman cannot open a checking account at the vast majority of banks without her husband’s or father’s signature. Consider how crippling this is for an independent person in modern society.

I can’t agree with every argument Asimov makes. While I concede that courtly love is an artificial construct, one need only look to the animal kingdom to find plenty of animals that mate for life, and which become despondent if one of the pair is removed. Nor can I dismiss fatherly love as purely cultural. Children look like their parents, after all, and men who cared for partners and offspring were more likely to have children that made it to adulthood.

However, these are minor quibbles. Overall the piece is well thought-out and logical and usually right, and I believe it should be required reading for all fen…indeed, all persons.

Including its author.

Asimov is well-known for groping women at conventions: grabbing their backsides or their frontsides, even seizing and kissing women who had approached him in the hope of getting an autograph. I am certain that he thinks such behavior is flattering–indeed, he lists the "smirk and the leer" as among the petty rewards of being a woman in today's society. I cannot speak for all women; likely some did feel flattered by such attentions. But having talked with some of his victims, I know that this was not so in many cases.

I have never met Asimov in person. Perhaps friends have deliberately kept me away from him at conventions to protect me. At this point, it seems increasingly unlikely that I will ever meet him. But if I ever do, I would like to say to him, “You, too, wield the power of the slavemaster. The very ‘silliness’ that you decry as an artificial defense mechanism is exactly what is coming into play when you kiss a woman and she blushes and laughs awkwardly. Hers is a conditioned response born, at its heart, out of fear.”

Perhaps it is not surprising that Asimov apparently can’t make the extra leap to apply his reasoning to his own behavior. As excellent and revelatory as this piece is, it seems to come entirely from Asimov’s mind without any discussion with actual women. In fact, it’s unlikely that he’s had much opportunity to see things from a ‘feminine perspective’, considering the vast majority of media is from a male point of view. Not surprising, but it is saddening and frustrating.

I don’t know if I could convince him that he is not exempt, that however unthreatening he may think himself, society nonetheless places the slavemaster’s whip firmly in his hand. But perhaps, someday, he can: I think the man capable of writing such an important feminist piece could learn from his own words.

Five stars.



by Gideon Marcus

After All the Dreaming Ends, by Gary Jennings

A simple boy meets girl episode in wartime, just before the boy is to ship off to the European Theater of Operations.  Except the girl isn't there—she's dying in a hospital bed 25 years later.  To sleep, perchance to dream…and what a beautiful, romantic dream.

A sweet, wistful piece.  I'm a sucker for love stories.  Five stars.

A pleasant recounting

Well now—not a clunker in the bunch, and some Star material to boot.  Indeed, this is the first 4-star issue of F&SF in the history of our reviewing the magazine!  That's exciting news in the skies above and on the ground, and definitely enough to keep us renewing our subscription—to F&SF AND Aviation Weekly.






[April 20, 1968] A treat for the senses (May 1968 Fantasy and Science Fiction)


by Gideon Marcus

Pleasures of the Flesh

There are lots of different kinds of science fiction, from the nuts-and-bolts problem-solving variety one might call the Astounding style, to the literary style of the British New Wave, to the softly surreal speculation that often characterizes GalaxyThis month's issue of Fantasy and Science Fiction is one of the more sensual mags I've read in a long time, putting you, the reader, firmly into the viewpoint of its protagonists.  From an SFnal perspective, the pickings are pretty slim, the speculations rather shallow.  But from a visceral point of view, well, each story sends you pretty far out, making for a perfectly satisfactory experience whose highlights come, welcomely enough, at the beginning and the end.


by Russell Fitzgerald (this suggestive cover is a little frustrating as it gives away the end of the story it illustrates…)

Strange New Worlds

Lines of Power, by Samuel R. Delany

First up, and rightfully so, is the latest novella by a man who has taken SF by storm.  It is set in or around the year 2050, when the world has been knit by endless power cables, providing no limit of electricity and prosperity.  The lines are laid out by self-contained crawler units (think the highway patrol motor homes from Rick Raphael's Code Three).  By the middle of the 21st Century, all of the world, from Siberia to Antarctica has been knit with energy.

But there are occasional holdouts.  One such Luddite concentration is in Canada, where a flight of future-day motorcyclists, soaring on winged choppers, have made their haven in the woods.  These "angels" are violently opposed to the encroachment of the self-described "demons" and "devils" that comprise the Power Corps crew of the "Gila Monster".

It is progressive in the extreme, with women bosses and free love: interracial, intergenerational, and any-sexual.  Modern-day (1968) hangups are completely discarded in a manner that Purdom pioneered and Delany has perfected.  At the heart of the story is the moral question, one we've seen explored on Star Trek several times–is it right to give the fruit of knowledge to those who actively reject it?

Like all Delany stories, this is a highly sensory piece, although it also requires close reading, as Delany likes to be a bit sparse with his linking sentences.  It's a simple story.  You will find no revelations, and the characters are bit shallow.  Chip (the name by which the author traditionally goes) has his kinks and tics, and they are all on display here, suggesting that this was a labor of love, but not necessarily too much effort.

Thus, a pleasant, but slightly hollow four stars.  You could start a magazine with much worse!


by Gahan Wilson

The Wilis, by Baird Searles

This is a beautifully told spotlight on an opera company, from the pen of someone as experienced with the field as, say, Leiber is with the theater.  Honestly, the supernatural components are almost superfluous, coming as they do at the end of the story, with little surprise and rather clunky integration.  But without them, I suppose the piece would not have been published, at least in this magazine.

Three stars, as well as the prediction that we won't ever see anything by Mr. Searles again–this was obviously a very personal piece, and I would be surprised if he has more ideas in him.  But you never know!

Gifts from the Universe, by Leonard Tushnet

Another fellow who writes what he knows is Leonard Tushnet, whose pieces have a delightful yiddish tinge to them.  Here, a retailer of gifts happens upon a wholesaler in ceramics whose stock is beautiful beyond compare–and at such a deal as to prices!  But the rather unusual wholesaler only accepts silver as currency, and his tenure and his wares have a definite expiration date…

You'll enjoy it; you'll even remember it.  A pleasant three stars.

Beyond the Game, by Vance Aandahl

The second-darkest piece of the issue comes from a young man who filled the pages of F&SF in the early '60s but then disappeared in 1964.  He returns with the tale of Ernest, a boy trapped in a sadistic game of dodge ball, huddled for safety behind the broad backsides of two of his teammates.  When the sadistic Miss Argentine (who may be a robot) notices the cowering tyke, she commands all of the kids to teach him a lesson.  In doing so, she unlocks the child's unearthly powers, which facilitate his escape.

Nicely told, this feels like it was conceived by Aandahl when he was quite young, and he waited until he was deft enough with writing that he could effectively put it to paper.  It's fine for what it is, which isn't all that much.  Three stars.

Dry Run, by Larry Niven

Now for the darkest piece, a fantasy from a fellow I normally associate with straight-forward "hard" SF (though I suppose The Long Night, which also appeared in F&SF, was also an exception).

Murray Simpson grips the wheel of his Buick, cigarette smoldering between his white knuckles, the stiffening body of his Great Dane in the trunk.  The dead dog is Simpson's doing, a dry run for the murder of his wife.

An accident forestalls the culmination of Simpson's plan.  Those who judge in life-after-death decide to find out how things might have otherwise played out.

Upon first reading this decidedly unpleasant tale (not just the subject matter; the depiction of a San Diego freeway traffic jam is too spot on for any local's comfort!) I was inclined to give it three stars.  After reading it aloud to my family as their bedtime story, the piece came to life for me.

Thus, four stars.

Backward, Turn Backward, by Isaac Asimov

The Good Doctor takes a stab and planetary rotations and axial tilts in this month's science fact article.  I do appreciate that he advances his own theories as to what caused both the "direct" (counter-clockwise) rotations of most of the planets (the natural spiraling in of the bodies as they coalesced) as well as what caused Uranus to spin on its side and Venus to spin retrograde (perhaps collisions early in formation).

It's still a somehow dry and shallow piece.  I'm not quite sure what I want from Isaac, but he's not quite doing it for me these days.

Three stars.

A Quiet Kind of Madness, by David Redd

In the snowy winter wastes of Finland, lone huntress Maija comes across a strange creature, shivering and near death.  He looks something like a polar bear, but not quite.  As she nurses him back to health, she discovers he is intelligent, telempathic, and from an entirely different world.  When they sleep, her new Snow Friend takes her to his place-without-men, a warm place of perpetual sunshine.  It is a paradise to Maija, who would just as soon leave our world behind.

For a man pursues her, the relentless Igor, who six months tried to have his way with her, and is now back to claim her again.  But it is not just fear of Igor that spurs her on, rifle in hand, to fend off the man, but fear for Snow Friend, who will be just a pretty pelt to Igor.

As with Redd's previous story, Sundown (which also features a snowy landscape–Redd must have a deep familiarity with icy terrain), Madness is vivid and compelling, and more artfully told than Sundown.  It's almost a contemporary Oz story, with Snow Friend a refugee from a magical land.  It's also a beautiful character study, of the bitter and solitary Maija, of the not-entirely-bad Igor, of the well-meaning but still male Timo, and of the sweet, alien Snow Friend.

This time, it is not for lack of deftness that this piece falls just short of five stars, nor for its almost incidental fantastic qualities, but simply because the end is not quite satisfying–almost as if Redd, himself, was unsure how to conclude the piece.

Still, it kept me hooked.  A high four stars, and my favorite piece of the magazine.

Back to reality

As my colleague Kris puts it (and Kris insists it originated with me), Fantasy and Science Fiction's experiment at being a monthly version of Dangerous Visions appears to be paying off.  The May 1968 issue scores a solid 3.5 stars with no clunkers in the mix.  If none of the stories quite achieves classic status, well, maybe next month.

I only wonder where all the women went, given that the pages of F&SF were once the bastion of SFnal femininity.  Maybe they're all writing Star Trek scripts.

In any wise, pick up this issue and enjoy.  In this tumultuous day and age, it's nice to breathe the rich air of other worlds for a while.



Speaking of other worlds, come join us tonight at 8pm (Eastern and/or Pacific) for the rerun of "The Doomsday Machine", one of Star Trek's best episodes!

Here's the invitation!




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