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[August 27, 1963] Ups and Downs #2 New Worlds, September 1963

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by Mark Yon

The hot summer (well, hot for England!) of 1963 now seems to be turning to things autumnal, all too soon. I have, since we last spoke, had a wonderful summer break from work, being able to rest a bit and catch up with some much-delayed reading. For the record, I have read and enjoyed Something Wicked This Way Comes by Mr. Ray Bradbury, which only came out here in Britain this year. It had a brilliantly scary evocation of evil in Mr. Dark, and will make a great Hallowe’en read. I’m usually more a fan of Mr. Bradbury’s short stories than his longer work, but I really liked this one.

On a different level of complexity, I also spent some time last week trying to decipher Mr. Anthony Burgess’ made-up polyglot language in A Clockwork Orange. Not an easy read! It’s a book that is undoubtedly clever, but seems to parade it's intelligence rather than actually focus on telling a story. I preferred the more-subtle literary tones of Mr. J.G. Ballard’s The Drowned World last year, which was easier to read, more nuanced and just as effective in my opinion.

As I type this, we’re on the way to a Worldcon, which, as ever, is something I look forward to. So, let’s have a go at some predictions. Personally, I would like Mr. Arthur C. Clarke’s to win myself, but I guess for regular readers of Galactic Journey that will not be a surprise. I haven’t read it myself, but Mr. Dick’s The Man in the High Castle seems to be well regarded, so I expect that to be a popular choice. I’d also like to see Mr. Jack Vance’s The Dragon Masters get an award – it was one of my favourites last year.

If I were a gambling person (and I’m not, usually) I would bet that the Award for Dramatic Presentation will go to The Twilight Zone, even though we’ve not seen any episodes over here in Britain. (Mind you, some of my fellow travelers have said that the latest season has been a little bit ‘hit and miss’, so you never know.)

Expect to see me with egg on my face next month when we will know how right (or wrong!) my predictions were. And now – to this month’s New Worlds.

If you remember, last month saw a number of changes to the magazine, not all of which I felt were successful. This month we have continued with the ‘generic Luna’ background, in a not so fetching shade of brown. But at least the cover font is now readable, if only to make obvious a price rise, from two-shillings and sixpence to three shillings. Either this is a sign of trying to increase income due to the increased difficulties of the magazine, or, trying to remain positive, possibly an attempt to generate more income to spend on better stories.

the ragnarok theme, by Mr. I.F. Clarke

This month’s Guest Editorial is one from an author known in British fan circles but perhaps less elsewhere. Often confused with Arthur (no relation), Mr. I.F. Clarke has been around the British s-f scene a while. His editorial is adapted from a longer version, due for publication.

Mr. Clarke looks at the current general interest in apocalyptic ‘end-of-the-world’ stories through The Ragnarok Theme. He proposes that the interest is because the idea deals with the universal myths of death and destruction in both general literature and science fiction. As Editorials go, I quite liked this one. It is different in tone from those of late, uses lots of examples to explain itself and made its main point (that a rise in interest in such themes is often related to the anxiety of the time we live in) effectively, without becoming rhetoric or rant.

Onward the stories! (and please notice, all the titles are still annoyingly written in lower case.)

lack of experience , by Mr. John Garfield

It is tempting fate, surely, to begin this month’s list with a story titled lack of experience. But, actually, this one is OK. It is, after all, a story of a bored librarian. Or rather, a bored robotic librarian, who has the intelligence to want to get out of its rut and takes a journey of discovery to find itself. This tale of frustration and loneliness could become a little mawkish, but it is made livelier with added sex. It’s not without humour, either. I did like the line one of the librarian’s colleagues gave: ”I may not have imagination….but I have flashing coloured lights.” 4 out of 5.

not by mind alone , by Mr. Michael Moorcock

This story feels like it should start with the old adage, “So, this man went to the doctors….” not by mind alone is the latest story by Mr. Michael Moorcock, who since the demise of Science Fiction Adventures seems to be spending a lot of time here in New Worlds. This time it’s the story of a physician who, when asked to examine a patient, discovers new worlds through different experiences of time, with the idea that differences in perception and understanding occur because of where a person is in his/her own space-time continuum as well as the one we all share. Much of the story is about the results of this discovery. It’s an ‘interesting idea’ sort of story, a developed thought-experiment, but ultimately seems to be little more than a not-so-disguised allegory for a drug culture. The ending is rather weak. 3 out of 5.

deep freeze , by Mr. John Rackham

Looking just at the title, I thought that this month’s story by Mr. Rackham was going to be about cryogenics. Of course, being British, I should have realised that deep freeze is actually a story about that most central of British social concerns, climate change. It is also the latest story in Mr. Rackham’s ongoing ‘X-people’ series. I’ve not been greatly enamoured with this series so far about human computers, and this one is very silly. It is the first time that I’ve ever read – or will read – a story of how modelling clay could lead to global destruction. I’m sure Mr. Ian Fleming could use this in his next James Bond novel!

Allowing for the silliness of the initial problem, the point about how easily the Gulf Stream Drift affects climate is a good one and gives this story a slightly more down-to-earth element. Allowing for my grumpiness, in the end, deep freeze is fun, if you don’t take it seriously in any way.  3 out of 5.

the rotten borough , by Mr. R.W. Mackelworth

Here’s another author returning to New Worlds. As the strapline suggests Mr. Mackelworth’s stories so far have looked at the ideas of justice and freedom. In this latest story he looks at a future British Parliament where voting is taking place to bring subliminal messaging to all. The idea that such messaging could be misused is an intriguing one, and there’s an appropriately Orwellian take on how the media can be manipulated, but the idea of having just one objector in opposition, and him because fewer people in Cornwall watch television, felt false. Another story that falls apart at the end, based on a dodgy premise to begin with. 2 out of 5.

the game , by Mr. James Inglish

As much as we readers love reading about outer space, it has been pointed out by a number of writers, such as Mr. Arthur C. Clarke, that there is much to discover on our own planet as well. the game is an interesting story in the near-future where dolphins have been trained by humans to take part in warfare, albeit explained to the dolphins as a game. The story is mainly from the perspective of Cetus, the leader of a pod of dolphins who realises that the humans may have an ulterior motive to this promised bit of fun. It’s a little let down by suggesting that dolphins can empathise to such an extent that they can experience things through other animals – in this case, an angel fish and a shark – which was a step too far for me. Nevertheless, there’s a nice moral in conclusion, if a tad dour: humans are not to be trusted. My favourite story of the issue.  4 out of 5.

to conquer chaos (Part 2 of 3) , by Mr. John Brunner

And so to the second part of our serial, which started well last month. Part Two of the story begins where we left it, in this medieval-esque environment, although there are increasing hints that the cause of the barrenland may be science-fictional. We discover more about Jervis Yanderman’s travels in the barrenlands and the consequences of the locals realising that they can communicate with outsiders. Yanderman teams up with local yokel ‘Idle Conrad’, and together they travel further towards the interior, Yanderman to determine what exists there and Conrad to seek the source of his mysterious visions (I suspect the two things are connected.) Generally it’s engaging and well written, with some nice characterisation developing beyond the clichés. One of the strongest serials of late, and I’m looking forward to next month’s final part.  4 out of 5.

trieste film festival report , by Mr John Carnell

After my barbed comments last month, Mr. Carnell has clearly been stirred to write a report on this festival. Covering a mere two pages, it’s not much, to be frank. Entitled the mystery of the ‘mare trieste’Mr. Carnell’s report is more about what didn’t happen than did. He bemoans the lack of presence of many of the guests – for example, Mr. Ray Bradbury, Mr. Frederik Pohl, Mr. Sprague de Camp and film star Mr. Ray Milland – with the British film entries being so terrible that many of the judges escaped to watch King Kong being shown in a nearby local cinema instead!  Mr. Carnell lets us faithful readers know that, despite this, the British maintained a presence at the festival with himself, Mr. Harry Harrison and Mr. Brian Aldiss all doing their bit. The rest seems hardly worth reporting on.

So – another month of hits and misses in the seemingly ever-variable New Worlds. Continuing the shipping analogy, generally the good ship S.S. New Worlds seems to have stayed afloat, but only just, limping its way towards harbour once again. The good news is that this issue did seem a little more consistent, and a tad more readable, though Mr. Brunner’s serial is carrying the rest somewhat.

Until next month.




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[July 26, 1963] Ups and Downs… New Worlds, August 1963]

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[P.S.  Did you take our super short survey yet?  There could be free beer/coffee in it for you!]


by Mark Yon

The coldness of Winter now seems a long way off. Can it be that I was almost up to my neck in snow a mere five months ago? Looking at my small garden, in full bloom, it is hard to believe the weather heralded a possible New Ice Age, and now we’re sweltering.

Such warmer weather (and an impending summer vacation!) leads me to more positive thoughts. This may also help with the reading of a new issue of New Worlds!

There seem to be some changes this month, beginning with the cover.

While a new cover is to be appreciated, it seems to be a change for expediency rather than for any artistic merit, though, at least you can tell from this that New Worlds is a science-fiction magazine, I found the new style made the type difficult to read, which rather defeats the cover’s purpose of attracting readers.

This attempt at change is also reflected in the story titles, which are now, annoyingly, all written in lower case letters.

Speaking For Myself, by Mr. Robert Presslie

In his attempt to discuss “What is wrong with Science Fiction today?” , regular New Worlds writer and now guest editor Mr. Presslie tries to relate to s-f from the perspective of the world-outside-genre by looking at a current British newspaper. His point? There the most heated debate of the day is not the importance of Telstar’s satellite successor, Relay; instead many pages are dedicated to an injury sustained by an English cricketer.

This then leads to the conclusion that the wonders of science are of little interest to the layperson when given more mundane, more human things to relate to, and further ,that the same can be said for Science Fiction. It’s a fair point, but nothing really new. I’m still of the view that, for many s-f readers, it is exactly because the genre does not appeal to the masses that makes s-f attractive.

To the stories themselves.

To Conquer Chaos (Part 1 of 3) , by Mr. John Brunner

The return of a New Worlds stalwart after a gap (at least under his own name) is to be heralded, particularly as Mr. Brunner seems to be making waves across the Atlantic and, like his contemporaries Mr. Aldiss and Mr. J.G. Ballard, is appearing less over here in Britain.

In Chaos, Mr. Brunner describes life on the edge of the ‘Barrenland’, some sort of post-apocalyptic wasteland that seems to be the border between Order and Chaos. Though the plot reads like a Fantasy, the account made me think it was rather Analog-esque, with all the trappings of a once-technological civilization in decay. 

To Conquer Chaos is a good solid tale, a bit slow to start but likable in its execution, competent without being flashy or deliberately obtuse. One of the more memorable serials of late, even if it is really nothing particularly new. Mr. Michael Moorcock has trod similar ground recently with his Elric Fantasy stories and across the pond Mr. Poul Anderson and others have been telling such stories for a while now.  4 out of 5 so far.

The Lonely City, by Mr. Lee Harding

This is predominantly a mood piece about the passage of time and the consequential technological obsolescence. Whilst the story is full of implausibilities (why does the main character bother turning up on a boat, for example?) it does create a certain mood. Reminded me a little of Mr. J.G. Ballard’s The Drowned World, which I suspect Mr. Harding was trying to emulate. Here the title tells us all we need to know, really. 

I think I quite liked this one by the end. 3 out of 5.

Foreign Body, by Mr. David Rome

I see that Mr. Rome is appearing in the US magazines this month as well, as fellow Traveller John Boston has pointed out in his review of this month’s Amazing. This one’s an attempt at a lighter story, but clearly still trying to curry favour with a known (ie: science-fiction-loving) audience – it's about an author whose royalty cheques are put into his letter box, yet they never seem to arrive. It’s a nice idea but the story doesn’t know how to end. Any tale that ends with an editor commenting on the crummyness of a submitted story is asking for trouble. I much preferred the story in Amazing .

3 out of 5.

Natural Defense, by Mr. P.F. Woods

Here’s another author who seems to have spent his time in the other magazines recently. This is Mr. P.F. Woods’s first publication in New Worlds since July last year. Natural Defense starts well as a First Contact story, but the solution to the problem that this unusual meeting creates is, frankly, laughable. 2 out of 5.

The Disposal Unit Man, by Mr. David Alexander

Another dud. Mr. Alexander’s story is an overexcited piece based on a flimsy idea, namely that in the future city residents are often culled by, you guessed it, The Disposal Unit Man. Future social mobility in action, but uncompellingly presented.  2 out of 5.

The Shtarman, by Mr. John Ashcroft.

Just reading the title of this novelette made me grimace at what I expected would be another weak attempt at humour. I was pleased to find that it wasn’t. Admittedly, the beginning wasn’t great – the first few pages made me believe that I’d wandered into some grotesque James Joyce-ian stereotype – but once the plot settled, this tale of alien telepathy did well to place a science-fictional theme logically within a modern setting. For that reason, it reminded me of those recent bestsellers by Mr. John Wyndham. That title needs changing, though!  4 out of 5.

Book Reviews, by Mr. Leslie Flood and Mr John Carnell.

The section seems to be much bigger this month. In this issue’s selection, short story collections The 4th Dimensional Nightmare by Mr. J.G. Ballard, Best SF 5 edited by Mr. Edmund Crispin, and the ‘remarkable’ Tales of Ten Worlds by Mr. Arthur C. Clarke are all reviewed by Mr. Flood.

American paperbacks of Mr. Clarke’s A Fall of Moondust, Star Surgeon by Mr. James White and a slew of books by Mr. Sam Moskowitz are reviewed by Mr. Carnell.

The book reviews, both for the British and the International releases, show me that there’s much out there to enjoy, even when the actual contents of this magazine pale by comparison.

Despite comments in last month’s issue saying that there would be a report of The First International S-F Film Festival , by Mr. John Carnell this month, clearly it was not written in time. Perhaps Mr. Carnell was too busy writing book reviews or having too good a time in Trieste to bother to write a report – or it was felt that it wasn’t worth the effort. 

On balance, the August issue of New Worlds is more good than bad – I liked the Brunner serial, and the Ashcroft novelette was a pleasant surprise – but some of the other material was dire.

As much as the magazine is to be applauded for pushing the boundaries of the genre, there is still too much new material that fails to be both original and good. Mr. Carnell has lofty ambitions but seems to lack the money or the quality of material to meet the challenge. I do feel that without significant revenue (in other words, subscriptions), the magazine is struggling to purchase quality stories that would make a new reader curious or maintain the interest of an old regular.

How much longer can this go on?




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[April 15, 1963] Second Time Around (June 1963 Worlds of Tomorrow)

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by Victoria Silverwolf

It's déjà vu all over again. — attributed to Yogi Berra

A couple of months ago the first issue of Worlds of Tomorrow offered half of an enjoyable, if juvenile, novel by Arthur C. Clarke, half a dozen poor-to-fair stories as filler, and one excellent work of literature.  The second issue is almost exactly the same, except for the fact that one of the six mediocre stories has been replaced by a mediocre article.

The Star-Sent Knaves, by Keith Laumer

We begin with a madcap farce from the creator of the popular Retief stories.  Great works of art disappear from locked rooms, without any signs of tampering.  The hero hides inside a vault full of valuable paintings and waits for the thieves to show up.  They appear from nowhere, inside a strange device.  The protagonist assumes it's a time machine.  Thus begins a wild chase, involving criminals, aliens, and humanoids from other dimensions.  The pace never lets up, and the story provides moderate amusement.  Three stars.

The End of the Search, by Damon Knight

This is a very brief story.  In the far future, a man searches for the final specimen of the last species that humanity has wiped out.  The plot is somewhat opaque and requires careful reading.  Many will be able to predict the story's twist ending, and some will not care for its mannered style.  I found it troubling and haunting.  Three stars.

Spaceman on a Spree, by Mack Reynolds

A future world government brings peace and prosperity to the planet.  A minimum guaranteed income for everyone means that nobody has to work to survive.  A system resembling the military draft selects people at random for various jobs, depending on their skills.  In return for their labor, they earn a higher income.  The protagonist is the only qualified astronaut.  (The implication is that the universal welfare system has made humanity less interested in dangerous exploration of the solar system.) When he completes his last mandatory mission, he plans to retire on his savings.  In order to keep the space program from dying out, two officials scheme to make him lose all his wealth, so he will have to return to service.  They way in which they do this offers no surprises.  The ending is something of an unpleasant shock.  The author's portrait of a semi-utopian future is interesting.  Three stars.

The Prospect of Immortality, by R. C. W. Ettinger

This is an excerpt from a privately printed book.  It discusses the possibility of freezing people at the time of death, in the hope that future medical technology will be able to revive them.  The concept is a familiar one to readers of science fiction, and the author offers few new insights.  Two stars.

A Guest of Ganymede, by C. C. MacApp

Aliens establish a station on Ganymede.  In exchange for large amounts of a metal that they require, they will inject a human being with a virus that cures all ailments.  They absolutely forbid anyone to take this cure-all outside the station.  A criminal takes a blind man to the aliens.  While they restore his sight, the crook plots to smuggle the virus to Earth.  Things don't work out well.  This is a fairly effective, if rather grim, science fiction story.  Three stars.

The Totally Rich , by John Brunner

A prolific British author offers a story about immense wealth and its limitations.  The narrator is a scientist and inventor who works on a project in a quiet Spanish village.  He soon finds out that a woman with virtually limitless resources carefully manipulated him into accepting this position for her own reasons.  Even the village is an artificial one, created only to give him a place where he could work without distractions.  Richly characterized and elegantly written, this is a compelling tale of love, death, and obsession. It reminds me a bit of the work of J. G. Ballard, although the author's voice is wholly his own.  As a bonus, the story features striking illustrations by the great Virgil Finlay.  Five stars.

Cakewalk to Gloryanna, by L. J. Stecher, Jr.

A spaceman delivers valuable plants from one planet to another.  Multiple complications ensue.  I didn't find this comedy very amusing.  The detailed ecology of the plants is mildly interesting.  Two stars.

People of the Sea (Part 2 of 2), by Arthur C. Clarke

The adventures of our boy hero on a small island near the Great Barrier Reef continue in the conclusion of this short novel.  In this installment, his scientist mentor begins experiments to see if killer whales can be convinced to stop eating dolphins.  A hurricane strikes the island, destroying its medical supplies and radio equipment.  The boy must make a long and dangerous journey across the sea, with the help of two dolphins, in order to save the life of the scientist, who is dying of pneumonia.  Although episodic, and with some major themes brought up and never resolved, this is an enjoyable adventure story.  Young readers in particular will appreciate the author's clear, readable style.  Four stars.

Unlike love, as Bing Crosby reminds us, Worlds of Tomorrow may not be better the second time around, but it's at least as good.

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Magazine

[April 9, 1963] IFfy… (May 1963 IF Science Fiction)

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by Gideon Marcus

Every month, science fiction stories come out in little digest-sized magazines.  It used to be that this was pretty much the only way one got their SF fix, and in the early '50s, there were some forty magazines jostling for newsstand space.  Nowadays, SF is increasingly sold in book form, and the numbers of the digests have been much reduced.  This is, in many ways, for the good.  There just wasn't enough quality to fill over three dozen monthly publications.

That said, though there are now fewer than ten regular SF mags, editors still can find it challenging to fill them all with the good stuff.  Editor Fred Pohl, who helms three magazines, has this problem in a big way.  He saves the exceptional stories and known authors (and the high per word rates) for his flagship digest, Galaxy, and also for his newest endeavor, Worlds of Tomorrow.  That leaves IF the straggler, filled with new authors and experimental works. 

Sometimes it succeeds.  Other times, like this month, it is clear that the little sister in Pohl's family of digests got the short end of the stick.  There's nothing stellar in the May 1963 IF, but some real clunkers, as you'll see.  I earned my pay (such as it is) this month!

The Green World, by Hal Clement

Hal Clement (or Harry Stubbs, if you want to know the name behind the pseudonym) has made a name for himself as a writer of ultrahard science fiction, lovingly depicting the nuts and bolts of accurate space-borne adventure.  The Green Planet details the archaeological and paleontological pursuits of a human expedition on an alien planet.  The puzzle is simple — how can a world not more than 50 million years old possess an advanced ecosystem and a hyper-evolved predator species? 

Clement's novella, which comprises half the issue, is not short on technical description.  What it lacks, however, is interesting characters and a compelling narrative.  I bounced off this story several times.  Each time, I asked myself, "Is it me?"  No, it's not.  It's a boring story, and the pay-off, three final pages that read like a cheat, aren't worth the time investment.  One star.

Die, Shadow!, by Algis Budrys

Every once in a while, you get a story that is absolutely beautiful, filled with lyrical writing, and yet, you're not quite sure what the hell just happened.  Budrys' tale of a modern-day Rip van Winkle, who sleeps tens of thousands of years after an attempted landing on Venus, is one of those.  I enjoyed reading it, but it was a little too subtle for me.  Still, it's probably the best piece in the issue (and perhaps more appropriate to Fantastic).  Three stars.

Rundown, by Robert Lory

Be kind to the worn-out bum begging for a dime — that coin might literally spell the difference between life and death.  A nicely done, if rather inconsequential vignette, from a first-time author.  Three stars.

Singleminded, by John Brunner

In the midst of a ratcheted-up Cold War, a stranded moon-ferry pilot is rescued by a chatty Soviet lass.  The meet cute is spoiled, by turns, first by the unshakable paranoia the pilot feels for the Communist, and second by the silly, incongruous ending.  I suspect only one of those was the writer's intention.  Three stars.

Nonpolitical New Frontiers, by Theodore Sturgeon
ans. Al Landau, gideon marcus, hal clement, harry s
Sturgeon continues to write rather uninspired, overly familiar non-fiction articles for IF.  In this one, Ted points out that fascinating science doesn't require rockets or foreign planets — even the lowly nematode is plenty interesting.  Three stars.

Another Earth, by David Evans and Al Landau

When I was 14, (mumblety-mumblety) years ago, I wrote what I thought was a clever and unique science fiction story.  It featured a colony starship with a cargo of spores and seeds that, through some improbable circumstance, travels in time and ends up in orbit around a planet that turns out to be primeval Earth.  The Captain decides to seed the lifeless planet, ("Let the land produce…") thus recreating the Biblical Genesis. 

I did not realize that Biblically inspired stories were (even then) hardly original.  In particular, the Adam and Eve myth gets revisited every so often.  It's such a hoary subject that these stories are now told with a wink (viz. Robert F. Young's Jupiter Found and R.A. Lafferty's In the Garden).

Why this long preface?  Because the overlong story that took two authors (and one undiscerning editor) to vomit onto the back pages of IF is just a retelling of the Noah myth.  An obvious one.  A bad one.  One star.

Turning Point, by Poul Anderson

Last up, the story the cover illustrates features a concept you won't find in Analog.  A crew of terran explorers finds a planet of aliens that, despite their primitive level of culture, are far more intelligent than humans.  The story lasts just long enough for us to see the solution we hatch to avoid our culture being eclipsed by these obviously superior extraterrestrials.  Not bad, but it suffers for the aliens being identical to humans.  Three stars.

Thus ends the worst showing from IF in three years.  Here's a suggestion: raise the cover price to 50 cents and pay more than a cent-and-a-half per word?

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Book

[December 26, 1962] Diversions. (Ace Double F-161: Brunner's Times without Number, Grinnell's Destiny's Orbit)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Ace Doubles are like an insurance policy for scientifiction readers.  Hungry for a decent yarn after a couple of lousy mags?  Want something more filling than a short story but that requires less commitment than a novel?  Did you miss a serial when it debuted across several issues of an sf digest?  Ace Doubles are what the doctor ordered: back-to-back dual publications, attractive in their lurid colors and never too intellectually demanding.

One of 1962's latest, F-161, is a particularly representative example.  Highly recommended by fellow Journeyer, John Boston, it kept me smiling throughout December…though not always for the reasons the authors intended…

Times without Number, by John Brunner
(or Worlds of the Imperium, the unauthorized sequel)

Sideways-in-Time stories have become very popular of late.  Just in the last few years, we've seen Andre Norton's Crossroads of Time, Philip K. Dick's The Man in the High Castle, and Keith Laumer's Worlds of the Imperium.  Joining them now is the latest from a new British author who has stormed out of the gate with some excellent work.

Times without Number, a fix-up compilation of three stories, looks as if its inception was strongly influenced by Imperium.  If you'll recall, the premise of Laumer's work was that an infinity of parallel timetracks existed and could be traversed with Maxoni-Cocini cross-time vehicles.  The Earth of our timeline is something of an isolate, the neighboring universes having almost all been blighted by runaway vehicle reactions.  In fact, one has to go about 400 years back in time to find a stable point of divergence that doesn't result in catastrophe.

And in fact, the milestone of difference in Times is a successful Spanish invasion of England in 1588 (just about four centuries ago).  The resulting present sees an ascendant Hapsburg Empire, a powerful China, an antagonistic Turkish Sultanate, and a series of petty states from the Vistula to the Gobi.  Technologically backward in many ways, the denizens of this world possess the secret of time travel.  In the Spanish lands, this power is protected by the Licentiates of the Order of Time, a brotherhood that acts something like Poul Anderson's Time Patrol, ensuring the sanctity of history.

Don Miguel Navarro, one of the Licentiates, fulfills the role that Bayard did in Imperium, engaging in a series of increasingly high-stakes adventures to preserve his timeline in a kind of temporal Cold War, to the point of (as in Laumer's book) treating with treasonous members of his time-traveling fellowship.  Brunner even goes so far as to provide for Don Miguel a strong-willed Scandinavian partner/girlfriend named Princess Kristina (an analog of the noble Swede, Barbro, from Imperium). 

Nevertheless, despite the superficial similarities in setting and style, Brunner's story breaks new ground, particularly at the end.  In fact, Brunner's commentary on the ultimate fate of a universe that allows time travel is, alone, worth the price of admission.

3.5 stars, especially if this kind of thing is your bag.

Destiny's Orbit, by David Grinnell

Ajax Calkins, spoiled young scion of the Calkans industrial empire, weeps for having no more worlds to conquer.  The Earth has been thoroughly explored and settled, from Antarctica to the ocean depths.  Mars is also crowded, there by an harmonious consortium of benevolent aliens.  Venus is a hellish wasteland, and the asteroids are under the firm grip of the Earth Mars Space Agency (EMSA).  Beyond Jupiter, the outer reaches of the solar system lie under the domination of the nefarious and inhuman Saturnians.  Only the fifth planet and the worlds of its orbit remain up for grabs, a sort of neutral zone between the two space powers.

And so, when Calkins is approached by asteroid miner, Anton Smallways, with dreams of colonizing a Trojan asteroid (named Ajax, no less!), he is more than happy to lend his vast resources and the use of his space yacht to the cause.  But is Smallways really just a meek servant?  Can Ajax the First and Last of the Kingdom of Ajax maintain a third-way between EMSA and the Saturnians?  And what of the meddling of the plucky EMSA agent, Emily Hackenschmidt, who is single-mindedly determined to end Calkins' schemes? 

Let's be clear — Destiny's Orbit is as subtle as a brick, a brick that was thrown out of the Society of Bricks for lack of subtlety.  It is juvenile space opera with as much moment as a two-inch crowbar.  It raids from the same larder as Leinster's The Wailing Asteroid and The Alien, by Raymond F. Jones, not to mention Burroughs and Doc Smith, etc.  It makes sense – "Grinnell" is really former Futurian Donald Wolheim, a pulp era editor and writer whose sensibilities were baked during the Golden Age [and, as John Boston informs me, this story was originally printed in the early 1940s!]

That said, Destiny's Orbit makes for easy reading as it is thoughtfully broken up into bite-sized chapters, and the content is pleasantly undemanding.  Moreover, the real star of the piece is the resourceful Emily, who is always fun (heroines paradoxically were given more to do "back then;" what I would have given for her to have been the viewpoint character!) So while I may scoff at the content and literary level of Wolheim's work, I did enjoy it. 

2.5 stars, objectively, but in my heart, it's a three-star work.

[P.S. If you want the chance to nominate Galactic Journey for Best Fanzine next year, you need to register for WorldCon before the end of the year! (or have registered last year… but then you can only nominate, not vote.) The Journey will be at next year's WorldCon, so don't miss your chance to meet us and please help put us on the ballot for Best Fanzine!]




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Conventions/Performances, Magazine

[Oct. 17, 1962] It's Always Darkest… (The November 1962 Fantasy and Science Fiction)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Ah F&SF.  What happened to one of my very favorite mags?  That's a rhetorical question; Avram Davidson happened.  The new editor has doubled down on the magazine's predilection for whimsical fantasy with disastrous (to me) results.  Not only that, but it's even featuring fewer woman authors now than Amazing, of all mags.  I am shaking my head, wishing this was all some Halloween-inspired nightmare.  But no.  Here it is in black and white with a forty cent price tag.  Come check out this month's issue…but don't say I didn't warn you:

The Secret Flight of the Friendship Eleven, by Alfred Connable

We all know astronauts are lantern-jawed, steely eyed, terse test-pilots.  Great for getting the job done, not so great for poetic inspiration.  Eleven is the tale of a corps of artistic types selected specifically so as to describe their journeys in more approachable terms.  But space has the last laugh.

Every so often, a brand new author knocks one out of the park on the first at bat.  This is not one of those cases.  For satire to work, it has to be clever, and this is just mundanely droll.  One star.

Sorworth Place, by Russell Kirk

It's October, so ghost stories are thoroughly appropriate.  This one, however, set in a battered Scottish castle, is neither original nor particularly engaging.  Two stars.

Card Sharp, by Walter H. Kerr

I really have no idea what Kerr's poem is about.  Even Davidson's explanation is no help.  One star.

Hop-Friend, by Terry Carr

Thus begins about twenty pages of relative quality, an island of the old F&SF in a sea of lousiness.  Newish author Carr finds his feet with this sensitive and striking tale of first contact between Human and Martian.  Introverts can never fathom extroverts, and similarly, xenophobes find xenophiles, well, alien!  But extroverted xenophiles, even from different species, are birds of a feather.  Four stars (even if Carr's Mars conforms more to older theories of the Red Planet's atmosphere).

Pre-Fixing it Up, by Isaac Asimov

How many rods in a furlong?  How many grains in a pennyweight?  I have no idea…and with the metric system, it doesn't matter.  The Good Doctor explains the ins, outs, and many merits of the new standard that lets you measure everything from an atom to a universe with a series of easily manipulated units.  Four stars.

Landscape With Sphinxes, by Karen Anderson

Back into the sea with a Sphinx-themed riddle: What earns four stars at its prime, two stars when it doesn't try, and three stars most of the time?  The Anderson family of writers.  No matter how good an author one is, it takes more than a promising beginning to make a story.  Two stars for this third of a vignette.

Protect Me from My Friends, by John Brunner

There is a fine line between innovation and illegibility.  I read Brunner's first person account of an overwhelmed telepath twice (it's short), and I still don't like it.  Two stars.

You Have to Know the Tune, by Reginald Bretnor

Another half tale from the fellow we know better as Grendel Briarton (of Feghoot "fame" — and that entry is truly bad this month).  Industrialist on the way to Africa hears a tale of the pied bassoonist of the veldt only to find it's likely no legend.  Trivial.  Two stars.

The Journey of Joenes (Part 2 of 2), by Robert Sheckley

As any of my readers knows, no greater fan of Robert Sheckley walks the Earth.  His short stories are funny, thought-provoking, chilling, clever — by turns or all at once.  In the last decade, he wrote enough to fill six excellent collections, none of which will ever leave my library.

Where he falters is novels.  Somehow, Sheckley can't keep the pace for 150 consecutive pages, and the result is, while never bad, never terrific.  Cases in point: Time Killer and The Status Civilization.  Bob seems to be cognizant of this weakness.  In his latest book, The Journey of Joenes he attempts to overcome it by writing a novel composed of short, somewhat independent narratives.  The result is something that is, to my mind, no more successful than his previous book-length works.  You may, of course, disagree.

Joenes is a pure satire, putatively written in a post-apocalyptic 30th Century Polynesian.  It details the life of Joenes, an American-born Tahitian power engineer, who is one of the few to survive the worldwide cataclysm.  The tale is told by others: Polynesian historians; excerpts from the memoirs of Joenes' beatnik companion, Lum; edifying tales recorded anonymously. 

There is a plot — Joenes comes to the United States, winds up before a Court on the charge of sedition, is sentenced to a mental hospital for the Criminally Insane, flees to become a professor of Polynesian Cultural Studies, goes into government, and ultimately escapes nuclear anhilation.  This, however, isn't the point.  Rather, we see our own modern culture through a mirror darkly, distorted not just as a satire of our society, but of legend in general.  The history of the United States is mixed liberally with that of Ancient Greece.  Historical and mythical personages are referenced with equal frequency.  It's effectively done, essentially doing for 20th Century America what Homer did for 12th Century B.C. Greece.

Joenes is clearly an attempt by the author to make the philosophical treatise for the 1960s, the equivalent of Stranger in a Strange Land or Venus Plus X.  The satire is approachable, even for the layman, and there is some sex in it.  Whether it succeeds wildly like Heinlein's piece or fizzles like Sturgeon's, only time will tell. 

I can only speak for myself.  While Sheckley is always readable, I felt that the joke went on too long, particularly in the latter portions.  Perhaps I'm just too close to the subject matter he was aping.  In any event, I give Joenes three stars.  If this kind of thing is your bag, I suspect you'll rate it more highly.

And that's that for this month.  More disappointment in 130 pages than I've seen in a long time, if ever.  When I do the Galactic Stars next month, I'm certain F&SF won't be on the list, and that saddens me.  Nevertheless, I hope against hope that this is just a phase, and the once proud digest will someday return to its former glory.  Time will tell…

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Magazine

[September 1, 1962] Facing East (a view from the UK: October 1962 New Worlds)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Mark Yon

Hello, all: greetings from Britain, again.

The October issue of New Worlds has arrived, so I guess that must mean that it is time to send my thoughts across the teletype.

Here things are turning Autumnal. We’ve had one of the coldest August Bank Holidays on record. The Meteorological Office tells us that it was the coldest in Kew (London) on record since 1888. Here it was just wet and rainy, which is how most Bank Holidays tend to go if I’m honest. It is perhaps ironic that we’ve got a tune by Carole King in the pop charts here called It Might As Well Rain Until September.

In pop music it seems that that catchy instrumental record, Telstar, by the Tornados is quite popular. It certainly sounds different, with that electronic sound giving it a real Space Age appeal to me. I was very pleased to see it reach Number 1 in the UK charts. I suspect it may do well with you across the Atlantic as well.

Film-wise, here’s a little heads-up. Earlier this week, I learned of a movie coming out which I guess will go down a storm in the US when it gets to you next year. I suspect queues will be quite long when it opens in early October.

It is the story of a secret agent called James Bond and the movie is called Dr. No. The movie looks great, especially the parts in the sunny Caribbean – miles away from rainy England! – and, as anticipated, there’s lots of fast paced action. The lead, a young actor named Sean Connery, is very charismatic. There is, of course, a foreign bad-guy with access to nuclear weapons threatening the world – guess what happens? However the pace is so fast and the setting so good I suspect we will see more of Mr. Bond in the future. The books, by Mr. Ian Fleming, are very popular here too. There are ten of those, so there’s plenty for the movies to have a go at!

On television I was sorry to see the end of the ITV s-f series that started at the end of August. Miss Pollard has mentioned this one as well, I think. Called Out of this World, it’s been essential viewing on Saturday nights for those of us with a television set. I guess that it is our British equivalent of your Twilight Zone. There’s been a good selection of s-f stories by Mr. Isaac Asimov (Little Lost Robot), Mr. Philip K. Dick (Impostor) and Mr. Clifford D. Simak (Immigrant and Target Generation) and, perhaps unsurprisingly to those of us who know of these writers, they have been very well received. I look forward to a second series, should it happen.

Enough preliminaries.  Now for this month’s look at New Worlds. Many thanks for your comments about the September issue: they were much appreciated.

The October issue continues the trend in covers mentioned last time. This month it is a fluorescent orange. Rather pumpkin-like, if truth be told, but perhaps more Autumnal than last month’s day-glo pink cover.

The October issue also continues another recent trend at New Worlds – that of using Guest Editors, although I’m sure Mr. Carnell is still involved in there somewhere. After the enthusiastic essay by fan Mr. John Baxter last month, we’re back to the use of s-f writers this time. Stepping up to the plate is Mr. Edward Mackin, from Blackpool, Lancashire. According to Mr. Carnell’s introductory profile, he is perhaps best known for his Hek Belov satirical stories, usually found in New Worlds’s sister publications, Authentic Science Fiction (now sadly defunct) and Science Fantasy.

His Editorial essay, Anything is Possible, is a little more serious than his stories would suggest. He does make the point that s-f reflects a broad spectrum of tastes and values which, despite what was said last month by the then-editor, means that there may still be a case for older-style s-f stories that have that sense of enthusiasm and wonder that the stories he first read years ago. He argues that if you wish to encourage new readers, then catching their initial interest at an early age is important, but you must also take into account the market you are selling to. He bemoans the lack of good quality female characters and suggests a need for less over-heated sex scenes, but not to the point of ignoring it, as has happened in the past. Instead Mr. Mackin points out that a balance in all things in s-f is needed, if it is to be credible. Things have got better in s-f writing but there is a need for tales that evoke a sense of wonder – alongside the deeper, more cynical and more stylistically cutting-edge stories, of course!

This is a view not as extreme as Mr. Baxter’s last month and seems perhaps a more sensible way of carrying both present readers, who are accepting change without breaking the ties to older stories from the past, and the new readers, who are expecting the old rules to be ripped up. I guess we’ll see how this transformation evolves over the next few years – watch this space!

No Postscripts letters section this month. I’m still interested to read what other readers thought of Mr. John Baxter’s mission statement editorial – perhaps next month.

Instead, we have the return of Mr. Leslie Flood’s reviews, and welcome they are too. There are four books reviewed by Mr. Flood: Hothouse by Brian W. Aldiss, Pilgrimage by Zenna Henderson, The Best from Fantasy & Science Fiction – 9th Series, edited by Robert P Mills and lastly Who? by Algis Budrys. All, with the exception of Mr. Aldiss, are given generally favourable comments.  In comparison, Mr. Aldiss’s novel is “tedious in its repetitious violence, casual wonder and the contrived terminology….”.

Remould, by Mr. Robert Presslie

Mr. Presslie is a New Worlds stalwart, last in the magazine a mere two issues ago. This is a big trek for survival novelette, which tells of humans forced to travel out of an alien-imposed Sterile Zone between 20 -60 degrees North of the Equator. This is about as far from the typical adventure stories where heroes made sacrifices for the benefit of the many as you can get. There is no real heroism here as thousands die, are drowned, trampled or left for dead. It isn’t pretty.  I guess in some ways it shows us how far s-f stories have developed less romantic ideas of chivalry and thus become more realistic. My main issue with the story was that the main reason for the migration seemed weak. There’s a nice little twist when the survivors meet the alien invaders but the ending happens all too quickly, giving the tale a somewhat unbalanced tone at the end. Nevertheless I suspect that this one will be popular with regular readers because it tries to be different. 2 out of 5 from me.

Schizophrenic by Mr. Richard Graham

The second novelette this month is thankfully a much lighter comedy of manners that deals with that old chestnut, time travel.  Much of the humour derives from the consequences of a 24th century holidaymaker who swaps places with John in the 20th century for a week. Unsurprisingly the traveller causes chaos by disregarding the rules of the 20th century, like going to work, paying for things in shops and bringing girlfriends home to meet the wife.  This is clearly good advice for any time traveller! For all that it has been done before, I preferred this novelette to Remould, so 3 out of 5.

A Question of Drive by H. B. Caston

I liked this one. A tale of a dodgy interstellar trade deal done between a human and an alien thief to get a revolutionary new space drive. Reminded me a little of Poul Anderson’s Nicholas van Rijn stories published in Astounding Magazine. 3 out of 5.

Jogi by Mr. David Rome

I did say that Mr. Rome’s story last month, Moonbeam, was satisfactory, though not his best.  I’m pleased to say that I enjoyed this one more. Jogi is a tale told from the viewpoint of a lost alien who feeds on something unusual. There’s a nice sense of ‘alienness’ here – it is cute, yet actually creepy – though the overall tale is slight. My favourite of the month, I think, though still 3 out of 5.

The Crack of Doom (part 2) by Mr. Keith Woodcott

Although I thought that the first part of this was nothing particularly special last month, I must admit that I have been looking forward to read how this story finishes. Last time we left the story on a cliff-hanger, with our cosmoarchaeologist Philip Gascon on his way to investigate goings on and the ancient artefacts of the Old Race on Regnier’s Planet, and a group of Psions trying to escape a potential pogrom from the cruel Starfolk. I did say that I thought I knew where this one was going and I’m a little disappointed that I was right. The story remains a well-told tale but with little new to offer – a novel which does not seem to fit the magazine’s determination to push the envelope. Nevertheless I enjoyed it, in that way that I enjoyed Mr. Graham’s Schizophrenic – you can enjoy old clichés reheated. Overall, 3 out of 5, the same as last month.

So, overall was the magazine as glowing as its orange cover? Not quite, although I’m giving it a score of 3 out of 5 overall. I actually enjoyed this issue more than last month’s if I’m honest, but there’s a lot of familiar ground being trodden here, albeit done reasonably well. It was good to read a David Rome story back on form, though Jogi is no Streets of Ashkalon.

And that’s it for this month. I wish you well as the nights draw in here, and things grow a little foggy – hoping that such things give you more time for great reading!

—

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Magazine

[August 3, 1962] New Worlds to Conquer (a view from Britain: September 1962 New Worlds)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Mark Yon

Hello to all Travellers – greetings from Europe.

I’ve been asked by our Traveller to tell you of the British magazine situation as it appears here in England. There are some differences between the British & the American markets, as you may know. Generally US magazines are quite difficult to get here, due to the cost of transportation and the fact that there import restrictions to this fair isle. One of the consequences of this is that although we do get UK editions of your main magazines such as Analog, Fantasy & SF and Galaxy here, they are often different to the American editions you see. What this has meant in actuality is that the British editions often have less content than their American equivalents, with editorials, stories and serials removed altogether. To add to the confusion even more, different stories from different American editions are often mixed together in one British issue. This can mean that my view of what you are reading in America is slightly different, or at least a few months behind, yours.

Nevertheless, we do have some interest in new science fiction in England. Our co-traveller Ashley Pollard has mentioned much of this already in her articles here. Our most popular ‘home-grown’ SF magazine is New Worlds, which Ashley has already given a wonderful summary of already. The intention of New Worlds’s editor, Mr. John (Ted) Carnell seems to be to not only produce a magazine that shows British talent off but to also push the boundaries of science fiction (s-f).

It seems to be a time of change for s-f here in England. Generally the situation at the moment seems to be one of decline for British magazines. The actual number of publications available is much smaller than it was five years ago, though there are some that seem to survive. There are four by Nova Publications, of which, and currently in its 16th year of publication, New Worlds is the most popular British magazine at the moment. I do like Nova Publications’s Science Fiction Adventures and Science Fantasy as well, but I think that my purpose here is to discuss New Worlds with you.

I can see that, even with New Worlds, there have been some drastic changes in the last few months. The glorious colour covers of the last few years by artists such as Bob Clothier, Gerard Quinn, Sidney Jordan and Brian Lewis have since the June issue (that’s number 119) been replaced by covers with black & white photographs on a coloured background. Whatever reason editor John Carnell has had for the change – I’m assuming to reduce printing costs, but of course, it could be a number of things – to my mind it makes the magazine less attractive as a science fiction magazine (One rumour is that it is meant to be a radically different cover style to try and attract a wider, less specifically science-fiction readership). Colour pictures on the front cover would have made this new look so much more attractive. I do hope that this is nothing to worry about from our leading British magazine.

The magazine contents are as variable as ever, though. New Worlds has a reputation of being the publishing place of many of our British authors such as Mr’s Brian W. Aldiss, J. G. Ballard, James White, and John Brunner, names you may recognise. Some of the work of other lesser known authors can vary in terms of quality and consistency, though I must say that there’s something worth reading in each issue. As well as the fiction, the magazine occasionally covers book, film and television reviews, usually by Mr Leslie Flood.

With all of that out of the way, what about the latest issue, #122?

Well, the cover reflects the current startling colour scheme. Behind the bright pink cover we begin this issue with a Profile of the Guest Editor, 22-year-old Mr John Baxter from Australia. Australia does buy a lot of these magazines from Britain as well. There have been a number of Guest Editorials recently, but this is the first by a science-fiction fan, as Mr. Carnell says in his introduction “to represent a reader’s viewpoint”.

Mr. Baxter pulls no punches with his Editorial. This is clearly not an essay that panders to sycophancy. Instead, whilst welcoming the addition of Guest Editors, he decries their lack of criticism: “…. all of them have been, in my opinion, short-sighted, illogical and inconclusive…. As literary essays, the Guest Editorials were fine; as constructive criticism, a dead loss.”

I was impressed that Mr. Carnell has been brave enough to take on and publish such a forthright and provocative opinion. Mr. Baxter writes with enthusiasm and creates an effective call-to-arms for modern s-f readers and writers – that if science fiction is to be accepted by the masses then writers need to take up the challenge of writing stories that are intelligent and scientifically precise that also manage to stand up to professional criticism. This is a view also taken by many in the intermittent letters section, Postmortem, at the back of the magazine. Presumably to ally with the Guest Editor’s perspective, many of the letters there this month also examine the importance and usefulness of previous Guest Editorials, the need for scientific accuracy in stories and the need for s-f that is Literature, with a capital-L. I’ll be interested to see what response we get in future issues from other readers.

Of the actual fiction, first of all there is the start of a new two-part serial. This one is by Mr. Keith Woodcott, an author unknown to me, although I suspect that because there is no picture of the author on the lurid front cover, it may actually be written by someone better known as another name. The rather dramatic title, The Crack of Doom, is a psi-story that according to its introduction “introduces a slan-like atmosphere into what has become a highly controversial theme.” It’s a story that deals with racial segregation and cultural isolation as Van Vogt's classic, Slan, did, with the psinull Starfolk, in a fit of evolutionary superiority, persecuting the psychic minority Psions. There are similarities between our world, at a time of a racial conflict, and Mr. Woodcott’s one, I feel. The plot basically hinges on the revelation that an anguished psionic scream is heard by all Psions coming from ancient Old Race ruins on the Starfolk-governed Regnier’s Planet. This may have consequences for our hero Philip Garcon, intrepid graduate in cosmoarchaeology, who, as a psinull rarity, is given the task of uncovering the source of the scream on Reignier’s at the end of this first part.

It’s a satisfactory tale. Though rather old-fashioned in some ways (after all, Slan is over fifteen years old!) it also refreshes those ideas fairly well. I’m not a huge fan of these ESP type tales, personally, but I’ve always liked the idea of archaeology in space, (here called cosmoarchaeology) and ancient cultures. The Crack of Doom is a bit run-of-the-mill, but done well enough to keep me reading. I look forward to the next part, though I think I can see where this story is going. 3 out of 5.

There are five short stories in this issue. The first is by a well-known author who you may know in the US – Mr. Harry Harrison. In line with the editor’s current mission to push the envelope of British s-f, it may be a controversial one. The Streets of Ashkalon is one which tackles the idea of religion head-on. It is the story of John Gath, an atheist trader on the planet of Ashkalon, who greets the arrival of Father Mark, a Christian missionary, with extreme reluctance. Father Mark is determined to bring the word of God to the alien Wesker species living there on Ashkalon, though to Gath they are pure and innocent and cannot understand the difference between facts and beliefs. Whilst Gath is eventually impressed by the zealot’s single-mindedness, there are consequences to Father Mark’s actions. The story is shocking and memorable, and by far the best thing in this issue. I wonder what Mr. James Blish, whose 1958 novel A Case of Conscience also dealt with religion, would think of it? 5 out of 5.

The second story is Pandora’s Box by Mr. Steve Hall, a fairly new writer to me. It’s a typical space-frontier tale, set on the Moon, that I think Mr. Arthur C Clarke would appreciate. It was OK for me, not too surprising, but I liked it. The story does much to set up a scenario of a mysterious box being found on the Moon whilst a new Matter Transmitter is being built there, but then uses a rather obvious solution and has an ending that concludes the tale rather too abruptly for my tastes. I suspect that in the end it’ll not be that memorable, but Mr. Hall may be an author to watch for in the future. 2 out of 5.

Next is a short story by another new name to me, Mr. Morris Nagle, named Serpent in Paradise. It’s the story of an adventurous millionaire, Archibald Downes, a castaway who seems reluctant to be rescued. When an exploratory team find him they not only have to persuade him to leave but also deal with the local flora and fauna. This one is typical adventure story stuff, with an unsurprising twist at the end. It was OK but not really outstanding for me. 2 out of 5.

The next story, The Craving of Blackness by Mr. Robert Ray, was a tale of about a young man’s coming-of-age, and the consequential loss of innocence. Fourteen-year-old Joey wishes to be a Space-Medic but on taking his IQ test finds that things in the future may not be what he hopes for. It’s OK but is a little heavy-handed for my tastes personally. 3 out of 5.

Lastly we have Moonbeam, by an author not unknown to me or other regular New Worlds readers, Mr. David Rome. Since his first story in the May 1961 New Worlds, Mr. Rome has become an increasingly popular writer. Moonbeam is a story of the effects of the first faster-than-light transmission of a person far away to Alpha Centauri. Earth to Alpha Centauri in five hours is something we can only dream of today, and here it is suggested that there are problems in being one of the first people brave enough to try it. The ‘test pilot’, as it were, Bianchi, finds that there are unanticipated consequences of such travel. There’s issues of identity involved, as Bianchi appears to be a subject created in a factory and an increasing sense of dislocation as the story tells its plot. It is capped by a nice twist in the ending to this one, which stays in the mind just long enough to make you think before moving on. 3 out of 5.

So: was New Worlds worth my 2/6 (that’s two shillings and sixpence to you non-Brits) this month? On balance, yes. I would give it a score of 3 out of 5. It’s a solid issue overall, with some parts very memorable and others being OK, without any real rotters. I suspect that The Streets of Ashkalon will become one of Mr Harrison’s better-known works in the future, and not just for its determination to tackle sacred issues.

This time around, New Worlds seems to have made its mission explicit – to be different, to not be content with mundanity and clichés but push s-f into new and exciting ideas and themes. It is therefore perhaps as good a place as any to start my journey with you, fellow travellers. It’ll be interesting to see where this takes us.

—

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[July 2, 1962] Getting to the Point (July 1962 Analog Science Fiction)

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by Gideon Marcus

There are many ways to measure the strength of a story.  Is the plot innovative?  Does it resonate emotionally?  Are the featured characters unusual?  Does it employ clever literary devices?

As a writer, I am always particularly impressed by efficiency: the ability of an author to develop his tale with a minimum of exposition, unfolding a plot teasingly so as to keep the reader turning those pages with increased anticipation, and then delivering a solid conclusion at the end – where it belongs.

The July 1962 Analog Science Fiction delivers a series of object lessons in how (and how not) to write efficiently.  In some cases, the execution can be admired even if the story isn't great shakes.  And vice versa.  Read on!:

Listen! The Stars!, by John Brunner

Brunner is a new British author whose prolific writings have already enchanted one of the Journey's writers.  Now it's my turn.

Listen! takes place a few decades from now, just after the discovery of an esoteric electronic principle that allows one to literally eavesdrop on the stars.  Using a sort of acoustic telescope, the "stardropper," one can tune in to the mental vibrations of extraterrestrials.  This isn't telepathy, and even if it were, who could understand the minds of total aliens? 

Yet, listening to these emanations is compelling in the extreme.  There is the feeling that, if you could just wrap your head around them, the secrets of the universe might be yours.  Stardropper addiction runs rampant…and then the disappearances begin.  Users simply vanish, though very few cases are actually witnessed.  Concerned at the ramifications, the American government dispatches a special agent to investigate the vanishings. 

Listen! is perfectly constructed, fitting its novella length just right.  The plot is also novel, though there are shades of Clarke's Childhood's End.  The characterizations serve the tale rather than being tacked on.  A five star story.

Junior Achievement, by William M. Lee

This tale of a gaggle of precocious kids and their science project is neither engaging nor novel.  I think the idea is that fall-out from an atomic exchange has caused the kids to surpass the adults by leaps and bounds, but otherwise, I couldn't see the point.  Two stars.

The Other Likeness, by James H. Schmitz

Alien agents in human form are inserted into a Terran Federation with the goal to destroy it from within.  A textbook example of how not to write: three quarters of this story is action without explanation, followed by the most expository of endings.  The result is that one wonders why one is reading until the finale and then feels let down for the effort expended.  Two stars.

Brain Waves and Thought Patterns, by John Eric Holmes, M.D.

I normally cringe at the prospect of reading non-fiction in Analog given Editor Campbell's preference for crackpots pushing psychic malarkey, but July's piece genuinely intrigues.  We are finally learning a bit about the black box of the mind that lies between stimulus and response.  The key has been to implant electrodes into the brain and measure the electrical output.  Cats are the subject of choice being the perfect combination of ubiquitous and medium-sized.

The result?  We now know a lot about the brainwaves of cats.  What this means for the future of humanity, brain research, Dr. Rhine, etc. remains to be seen.  Three stars.

Border, Breed Nor Birth (Part 1 of 2), by Mack Reynolds

El Hassan, the mythical would-be uniter of North Africa is back in Reynolds' second tale set in the Mahgreb of the 1980s.  As in the first, it follows Homer Crawford and his band of Westernized Negroes as they promulgate the virtues of democracy and technology under a collective assumed identity. 

I'm a little warmer to the idea that Africa can use the help of its displaced children across the sea, and I do appreciate the attention to detail in the setting and the politics (no surprise – Reynolds spent a good deal of time in Morocco and Algeria).  However, the presentation is still too flip, and I suspect the endeavor is going to prove all too easy.  But perhaps the naive ambitions of Crawford et. al. will be thwarted in Part II.  Three stars so far, but I'm waiting for the thump of shoe #2.

The Rescuer, by Arthur Porges

Last up is the chronicle of the destruction of a machine, perhaps the most powerful and important machine in human history.  The pay-off is as hoary as your grandmother, but the unveiling is rather masterful.  Three stars.

Summed up, this month's Analog is the least good of the Big Five magazines, scoring a still respectable 3.1 stars – and it has the month's best story, in my opinion.  Given that no digest scored under the three stars this month, it has been an unusually fruitful July for science fiction lovers.

***

(P.S. Don't miss the second Galactic Journey Tele-Conference, July 29th at 11 a.m.!  If you can't make it to Worldcon/Chicon III, this is YOUR chance to Vote for the 1962 Hugos!)

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[May 31, 1962] Rounding Out (June 1962 Fantasy and Science Fiction)

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by Gideon Marcus

Ah, and at last we come to the end of the month.  That time that used to be much awaited before Avram Davidson took over F&SF, but which is now just an opportunity to finish compiling my statistics for the best magazines and stories for the month.  Between F&SF's gentle decline and the inclusion of Amazing and Fantastic in the regular review schedule, you're in for some surprises.

But first, let's peruse the June 1962 issue of The Magazine of Fantasy and Science Fiction, and see if, despite the new editor's best efforts, we get some winners this month (oh, perhaps I'm being too harsh – Editor is a hard job, and one is limited to the pieces one gets.)

Such Stuff, by John Brunner

Thanks to recent experiments, we now know what people cannot survive long when deprived of the ability to dream.  But what about that bedeviled fellow who enjoys an escape from nightmares?  And what if your mind becomes the vessel for his repressed fantasies?  A promising premise, but this Serling-esque piece takes a bit too much time to get to its point.  Three stars.

Daughter of Eve, by Djinn Faine

After an interstellar diaspora, there are but two remaining groups of humans on a colony world.  One is a large population of radiation-sterilized people; the other comprises just one man and his young daughter, the mother having died upon planetfall.  From the title of the story, you can likely guess the quandary the sole fertile man is faced with.  The childlike language of the viewpoint character (the daughter) is a bit tedious, but this first story by Virginia Faine (nee Dickson – yes, that Dickson) isn't bad.  It stayed with me, and that's something.  Three stars.

The Scarecrow of Tomorrow, by Will Stanton

Reading more like a George C. Edmondson tale than anything else, this pleasantly oblique tale describes the encounter between two farmers and a murder of crows…with a partiality for things Martian.  I reread the ending a half-dozen times, but I'm still not quite sure what it all means.  Nicely put together, though.  Three stars.

The Xeenemuende Half-Wit, by Josef Nesvadba

During the War, a prominent German rocket scientist is stumped by a thorny guidance problem.  Can his savant son help him out?  And is it worth the price?  Another moody, readable piece from Nesvadba.  I'm sure there's a point, but I'm not quite sure what it is.  Three stars.

The Transit of Venus, by Miriam Allen deFord

I don't usually go for expositional stories, but deFord makes this one work, particularly with the story's short length.  In a world of regimentedly liberal mores, one prude dares to turn society on its ear with a scandalous go at winning the Miss Solar System beauty pageant.  A fun piece from a reliable veteran.  Three stars.

Power in the Blood, by Kris Neville

I didn't much like this story when it was It's a Good Life on The Twilight Zone, and I like it less here.  Some addled old woman with the power to destroy slowly deteriorates the world until there's naught left but wreckage.  Disjointed, unpleasant, and just not good.  One star.

The Troubled Makers, by Charles Foster

About the reality-challenged psychic who bends reality to his will, and the Watusi Chief who helps him around.  You've seen versions of this story a dozen times or more in this magazine over the years, but it's not a bad variation on the theme.  An assiduous copy of the mold from a brand new writer.  Three stars.

The Egg and Wee, by Isaac Asimov

I normally enjoy the Good Doctor's essays, and this one, comparing the ovae of various creatures and then segueing to a discussion of the smallest of biological creatures, isn't bad.  But it misses the sublimity that his work can sometimes achieve.  Three stars.

Through Time and Space with Ferdinand Feghoot: LI, by Grendel Briarton

Mr. Bretnor's latest is much worse than normal, perhaps in Garrett territory.  But, I've never included these puns in my ratings, so I shan't now.  Lucky for F&SF.

The Fifteenth Wind of March, by Frederick Bland

Penultimately, we've got the jewel of the issue.  As magical winds scour the Earth with increasing frequency and intensity, one thoroughly ordinary British family attempts to find shelter before it's too late.  Both extraordinary and humdrum at once (no mean feat), it's a poignant slice of unnatural life.  Four stars.

The Diadem, by Ethan Ayer

Mr. Ayer's first printed story involves two women and the goddess that connects them.  It tries hard to be literary, but is just unnecessarily hard to read.  Two stars.

It should be clear to one with any facility with math (and who read every article this month) that the June 1962 F&SF was not the prize-winner this month.  In fact, the Goldsmith mags took surprising first and second place slots with 3.4 and 3 stars for Fantastic and Amazing, respectively.  Galaxy and Analog tied at 2.7 stars.  F&SF rated a middlin' 2.8, but it may have had the best story, though some will argue that Fantastic's The Star Fisherman earned that accolade.  It also had the laudable achievement of featuring the most woman authors…though two is hardly an Earth-shattering number. 

Speaking of women, the next article will feature women in the army.  And on that progressive note…ta ta for now!

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