Tag Archives: j. hunter holly

[July 24, 1967] Not Feelin’ Groovy (Famous Science Fiction #1-3)


by Mx. Kris Vyas-Myall

I guess it had to happen. I have reached the age of 34 and am annoyed by modern pop music. I should say this is one specific type. Not the experimental psychedelic sounds of Jimi Hendrix or Pink Floyd, nor the soulful songs of Gladys Knight or The Four Tops. No, I am referring to sickly sweet “flower music” that has come over from California.

Feelin Groovy Harper's Bizarre Album

I first noticed it with Jan & Dean’s Yellow Balloon, a song which makes nursery rhymes sound like The Rolling Stones.

Windy by The Association Single

This was followed by more creeping into the charts such as The Association apparently performing a weather forecast and Harper’s Bizarre doing two awful covers of already poor songs. Then the worst has now been appearing everywhere. Scott McKenzie’s San Francisco, which sounds less like a pop song as an advertising jingle for flora hats.

San Francisco by Scott McKenzie

So many of them are appearing on pirate radio now, apparently superseding the beats and blues sounds I have enjoyed over the last few years. Having to hear so many cloying horticultural tunes from groups like The Young Rascals, The Turtles and The Johnny Mann Singers, is enough to make anyone want to hide in the past.

Thankfully there is a new magazine just for that: Robert Lowndes' (of '50s magazine editing fame) new effort, Famous Science Fiction.

Famous Science Fiction

Famous is about 90% reprint and 10% new material. We are told the purpose is to bring to light pre-1938 stories that were well regarded but have since been out of print, whilst also bringing back an intermediate market for SF between Amazing and the comics.


Famous #1


Famous #1 Magazine Cover

The cover is not an original Finlay, rather a colourisation of a piece from 1962’s Amazing.

Original Image from 1962 Amazing
Artwork by Virgil Finlay

The Girl in the Golden Atom by Ray Cummings

Ray Cummings story is his first and indeed was well known. However, it has been reprinted many times.

Printings of Girl in the Golden Atom

It first appeared in All-Story Weekly in 1919 and most recently in the collection The Giant Anthology of Science Fiction. Whilst this last reprint was thirteen years ago, it doesn’t feel as hard to find as Lowdnes seems to intend.

Anyway, it concerns a chemist (named merely The Chemist) who recites to his friends how he created a powerful microscope allowing him to see objects smaller than ever before. Looking inside a gold ring he finds a woman sitting inside a cave. He develops chemicals to shrink and grow himself so he can enter this microscopic world. From here it proceeds into an adventure tale as he must save her nation from destruction at the hands of an invading force.

Although it is important to acknowledge this story is almost fifty years old, this still feels old-fashioned for the time, more Victorian than Post-War in style. Also, even for the 1910s, the science is ridiculous. For example, the golden ring world resembles Earth because it comes from Earth, whilst Martian atoms would resemble Mars.

All of this would be tolerable if it weren’t so dull. Large sections are just spent with The Chemist explaining dull details and his friends ejaculating in surprise between puffs of cigars. Journey to the Centre of the Earth this is not!

Two stars…just.

The City of Singing Flame by Clark Ashton Smith

Smith fits Lowdnes’ brief better as, unlike fellow Weird Tales writers Howard and Lovecraft, his reprints have largely been restricted to a couple of Arkham House collections. That is, except for the Singing Flame stories!

Reprints of Smith's City of the Singing Flame

City of the Singing Flame first appeared in Gernsbeck’s Wonder Stories in July 1931. It was then combined with its sequel, from November of the same year, (see below) in Tales of Wonder in 1940 whereupon it became a regular reprint, up to Derleth’s The Other Side of The Moon, which you can still get in paperback today.

In the narrative, Hastane has received the journal of author Giles Angrath, who recently disappeared along with artist Felix Ebbonly. In the journal’s account, Angrath is walking near his cabin when he steps into a mysterious stone circle and is transported to another place. He begins to explore the strange new land, encountering the beings that dwell there and their Singing City.

Comparing this to Golden Atom, Singing Flame does everything right Cummings' story does wrong. Where Atom gets bogged down in technical gobbledygook, this is just willing to say it doesn’t understand, whereas the former creates an unimaginative repetition of our world, the latter is a work of colossal imagination, unlike any other I have read. And, most importantly, it is never dull.

Four stars

Voice of Atlantis by Laurence Manning

Wonder Stories Cover 1934

This comes from Wonder Stories in 1934, but I do not believe it has been reprinted. Congratulations, one out of three!

Clearly a fan of Manning, Lowndes has reprinted three others from this series in Magazine of Horror, where members of The Strangers Club tell each other unusual tales.

Volking tells of his experiments in telepathy, where he makes contact with a man from twenty thousand years in Earth’s past. This is a man from Atlantis, whose civilization was significantly more advanced than ours and is surprised by how savage we are today.

Erewhon by Samuel Butler Cover

This also feels very Victorian, reminding me of lost civilization tales like Erewhon. It should also be mentioned that even the characters note its style of using Socratic dialogue feels clumsy and the science is nonsensical. At least there is a kernel of some interesting ideas.

Two Stars

And now for the two new vignettes:

The Plague by George Henry Smith

In 2200, The Death Thing has come to a convent to claim the lives of eighteen young women. If Father Joseph does not accede to the request, all the children may be taken.

This is a dark and grim, if rather obvious tale. Like a combination of Killdozer and a Twilight Zone episode. However, the atmosphere raises it up a little.

Three Stars

The Question by J. Hunter Holly

Fifty years ago, the Vegans first encountered humanity. Humanity was told they would be allowed to join the family of intergalactic civilization if Earth could wipe out warfare. Since then, the World has strived to reach that goal, but will the Vegans be satisfied?

Well told story, if a little old fashioned and moralistic.

Three Stars

So, a mediocre start, with the one standout tale you can pick up elsewhere for a few shillings. But will it get better?


Famous #2


Famous #2 Cover

Another Finlay cover, this time from 1958’s Fantastic.

1958 Fantastic Reprint Cover
Artwork by Virgil Finlay

Inside Lowndes does better in his aims, with none of these stories appearing since first publication:

The Moon Menace by Edmond Hamilton

Weird Tales Cover from 1927

The first reprint comes from the September 1927 issue of Weird Tales, penned by the prolific, and still writing, Edmond Hamilton.

In The Moon Menace, Dr. Howard Gilbert, a famous but reclusive scientist, receives televisual signals from the Moon. Most other scientists doubt Gilbert’s findings but when the Earth is plunged into total darkness, he may be the world’s only hope.

It starts as a clear imitation of War of the Worlds and is a pretty standard invasion story. Whilst it may not be the most original work it has some interesting elements and readable enough to keep me engaged.

Three Stars

Dust by Wallace West

Although unpublished before, this was apparently rejected for Weird Tales publication some years ago.

Ralph Marvin of the Inquirer is writing up a story on how humanity may die out, but is it already here in the air we breathe?

A very didactic tale, one that could have been a science fact article. However, in spite of stylistic issues, it is a meaty subject that it is good to see addressed in fiction.

Three Stars

The White City by David H. Keller, M.D.

Amazing 1935 Reprint Cover

Taken from May 1935’s Amazing, Keller gives us yet another disaster yarn.

Farmer John Johnson decides to build a small holding in the slums of New York and live self-sufficiently. He becomes quite a sensation in the city as an eccentric, but when a terrible blizzard hits the Big Apple, he may be the one hope the world has.

This is an odd piece; for the majority it appears to just be the tall tale of an eccentric farmer. Then it takes a hard left turn into the kind of story you would see in the lowest of comic books.

Two Stars, mostly for curiosity value.

Rimghost by A. Bertram Chandler

The other new tale is a further outing for Chandler’s Rim stories, which we have been covering from the early days of the Journey to the most recent serial in If.

Mr. Willoughby joins a motley crew aboard the Rimgirl. However, something strange occurs, they encounter an exact duplicate of their ship, including its crew.

This spends far too much time for me running through all the characters and establishing connections to other stories such that the actual mystery is treated too abruptly. And, whilst the actual prose is solid, the misogynistic descriptions of Mary are poor.

A low Two Stars

Seeds from Space by Laurence Manning

Cover Wonder Stories 1935

And we finish with another visit to the Strangers Club, this one getting the cover of Wonder Stories for June 1935.

This time Col. Marsh tells of Blenkins who grows plants on his roof in Greenwich village. He plants some strange seeds in this garden and they grow into unusual tall plants. Eventually they walk into his apartment, telling him they are an intelligent species.

A reasonable story of sentient plant life, but it is less Day of the Triffids and more a forgettable tall tale.

Two Stars

So, whilst no complete blunders this issue, no stand outs either. Will third time be the charm?


Famous #3


Famous #3 Cover

Our final issue goes further back for its cover, from Science Stories in 1953.

Reprint Image from 1953's Science Stories
Artwork by Virgil Finlay

Beyond the Singing Flame by Clark Ashton Smith

This picks up after the publication of Angrath’s journal, where Hastane goes in search of the mysterious city. Within it he encounters even more wonders and what becomes of people who go through the flame.

I feel much the same about this sequel as I do about its antecedent. It is not so much a new idea and largely concerned with continuing exploration of this world, but Smith is such a marvelous wordsmith, the sense of awe pulls you along.

Four stars

A Single Rose by Jon DeCles

The only new fiction this issue. Silas Finnegan is a successful industrialist, who uses all his resources to make the one thing he always dreamed of, his very own unicorn. Of course, he then has to work out how to afford to keep it.

This piece seems to be aiming for something deeper about the nature of beauty, but I mostly just found it a pleasant little story about achieving childhood fantasies.

Three stars

Disowned by Victor Endersby

Astounding 1932 Coverr

This one comes from September 1932’s Astounding, although reads to me more like something I would expect in Weird Tales.

On a rainy night a party is caught in a storm and Tristan is struck by ball lightning. This causes Tristan’s gravity to be reversed and he is being pulled upwards towards the sky.

Disowned Artwork
Artwork by H. W. Wesso

This is very silly, not just in the science, but also in the circumstances which follow from it, with him living an upside-down life on the ceiling and doing circus acts.

One Star

The Last American by J. A. Mitchell

This is the earliest story so far, originating in book form in the 19th Century. However, it is once again one that Derleth currently has out in paperback.

Far Boundaries Cover

By 1990, the Mehrikan civilization vanished from the Earth and remains a mystery to the historians in Persia. This recounts the voyage of Noz-yt-ahl aboard the Zlothub in 2951 to their mysterious land.

Last American Art, New York In Ruins
All Artwork also by the Author

Landing in a strange port with huge structures, they eventually ascertain it is the fabled lost city of Nuh-Yuk, where the people were famous for nothing but their greed and having only prosperity as their God. As they continue to explore Nuh-Yuk they become less enamoured with the civilization, finding the people and buildings monotonous.

Artist's Impression of Life in Nuh-Yuk

As such they then head down river to Washington and there encounter Jon and his family, the very last remnants of the Mehrikans.

Fight between the Persians and Mehrikans

In spite of its age, this holds up as a great satirical piece, with the American being put in the position of the fallen civilization, judged harshly by those in a now dominant position and treated as a museum piece.

A high four stars

The Man Who Awoke by Laurence Manning

Continuing his reprints of Manning’s back catalogue, Lowndes has moved on to his Man Who Awoke series, with this first part coming from March 1933’s Wonder Stories.

Wonder Stories March 1933

Norman Winters has discovered that by putting himself into a comatose state in a chamber protected from cosmic rays, he can survive without aging. Faking his disappearance, he then sets up an x-ray to wake himself up in the year 5000.

Winters wakes in a time of plenty but not much excitement. People live in small villages and get everything from the trees they grow, only working less than two hours a day. Once the truth about himself is revealed he is caught in struggle between the Oldsters and the Council of Youth. Eventually Winters decides he cannot live here and uses the same method to advance to a later time. To be continued.

News From Nowhere by William Morris Cover

When I started, I thought it was going to be another The Sleeper Awakes. However, it is actually closer to William Morris’ News From Nowhere, showing us an agrarian future without want or struggle, and also asks questions of our current waste of our natural resources.

But this is not a purely a utopian vision, it acknowledges that the level of reaction to “The Age of Waste” (as they call the 20th Century) has resulted in excessive caution and explicitly calls for a middle path, for progress to exist without careless consumption.

Also, in stark contrast to his Stranger Club tales, this is elegantly written. Rather than wading through treacle I felt like I was drinking a glass of dry white wine on a summer’s evening.

Five Stars

Finally, we get the reader rankings for the first issue here:

Reader Ratings Issue 1: 1) Golden Atom; 2) City of the Singing Flame 3) Voice of Atlantis 4) Question 5) Plague
Showing myself to have very different opinions from the average reader of this publication

Some Other Someday

West Coast Consortium Band Photo
West Coast Consortium, actually from London

So maybe the past isn’t always that amazing either. Whether you are looking at then or now, there will always be both muck and brass.

I am not sure if I will pick up future issues or stick to picking up paperback anthologies for my past exploration. But, even though I will not put plants on my head for a trip to America, I am still happy to listen to Radio London, maybe just turning down the volume if West Coast Consortium come on…






[May 22, 1965] Goodbye and Hello (June 1965 Fantastic)


by Victoria Silverwolf

Departures and Arrivals

One of the more intriguing events this month was the death of a celebrity, although not one you're likely to see in the obituary column. A tortoise known as Tu'i Malila (meaning King Malila in the Tongan language, although she was female) died on the sixteenth of May. Why is this notable? Well, they say she was one hundred and eighty-eight years old, a ripe old age, even for a tortoise.

The story goes that Captain Cook gave her to the royal family of Tonga way back in 1777, making her nearly as old as the good old USA. Some dispute this story, although there is no doubt that she lived in Tonga for a very long time indeed. No stranger to royalty, she greeted the newly crowned Queen Elizabeth II when that monarch visited Tonga, a British protectorate, in 1953.


That's Elizabeth on the left, Tu'i Malila on the ground. You knew that, right?

As we bid farewell to this extraordinary reptile, we greet a new British import at the top of the American popular music charts. Herman's Hermits, hailing from Manchester, England, hit Number One this month with their version of Mrs. Brown, You've Got a Lovely Daughter, a song first performed by actor Tom Courtenay in a British television play a couple of years ago.

Unlike many of the singers in British rock 'n' roll bands, lead man Peter Noone makes no attempt to disguise his accent. If anything, it sounds like he's exaggerating his Mancunian way of talking. (Yes, I just now learned the word Mancunian, and I'm showing off.)


Nobody in the band is named Herman. Go figure.

Exit Cele, Enter Joseph

My esteemed colleague John Boston has already reported, in fine detail, on the Ziff-Davis company selling Amazing and Fantastic to Sol Cohen. Editor Cele Goldsmith Lalli will remain with Ziff-Davis, working on their publication Modern Bride. Frankly, I think that's a step up for her, given the minimal interest that the publisher had in their fiction magazines.

Joseph Wrzos, using the more Anglo-Saxon name Joseph Ross, will be the editor, under the direction of Cohen. Fantastic will contain reprints from old issues of the two Ziff-Davis magazines, as will Amazing. The sister publications will alternate bimonthly publication. Of course, they will continue to publish new stories purchased by Lalli for a while, given the exceedingly slow way the publishing industry works. I hope that Wrzos will also offer previously unseen work once these run out.

As we lift a glass of champagne to Cele, and bid her a fond bon voyage as she sets sail for the world of wedding dresses and honeymoons, let's take a look at the last issue that will bear her name.


Cover art by Gray Morrow

Thelinde's Song, by Roger Zelazny

You may recall the story Passage to Dilfar in the February issue, which introduced the character Dilvish the Damned. He was a mysterious figure indeed, and that tale provided only hints as to his strange nature. This one gives us some of his background.

A young sorceress sings a ballad about Dilvish and the evil wizard Jelerak. Her mother warns her not to speak the name of the villain aloud, lest she draw the attention of one of his wicked minions. She then relates the encounter between the half-elf Dilvish and the sorcerer, as Jelerak was about to sacrifice a virgin in order to work his black magic.

Jelerak turned the heroic Dilvish into stone, and sent his soul to Hell. A couple of centuries later, Dilvish managed to return to life, this time with a talking steel horse as his mount. The rest of the story shows us why it's a bad idea to speak the name of Jelerak.

Although Dilvish only appears in flashback, he dominates the story, becoming a fascinating character. The author's style is poetic, creating a memorable sword-and-sorcery adventure. I hope we see more tales in this series.

Four stars.


This anonymous illustration appears at the end of the story. It has nothing to do with anything in the magazine.

The Destroyer, by Thomas N. Scortia

The setting is some time after a limited nuclear war, which apparently more-or-less destroyed Asia. The Western world, it seems, recovered nicely, leading to a society well on its way to a technological utopia. People travel by riding some kind of electromagnetic beams. For all intents and purposes, this is pretty much flying like Superman.

Anyway, the protagonist is the head of something called the Genetic Bank, which controls the manipulation of plant and animal genes. A government agent asks him to report any evidence of human genetic tampering, which is a crime so severe that it carries the only death penalty left on the book.

The hero investigates the case of a young boy named Julio. Although classified as severely mentally disabled, he has somehow managed to create a pair of magnetic blocks that produce a stream of energy between them.

Meanwhile, the main character's love interest, a woman just back from Titan, is dying from a fungus acquired on that moon of Saturn. When Julio removes a mole from the man's hand, just by thinking about it, you can predict what's going to happen at the end. Along the way the government agent gets involved in things, seeing Julio as a threat to the planet.

There are very few surprises in this tale of a kid with superhuman mental powers. The background is somewhat interesting, even if implausible. The premise that Earth folk have become timid and complacent, compared to those who explore the Solar System, was intriguing, but didn't lead to much. The notion that there is something inherently wrong with the accepted view of science, compared to the way the boy thinks, was unconvincing. Overall, I got the feeling that I've read this stuff before, as if it were a mediocre story from Analog.

Two stars.

The Penultimate Shore, by Stanley E. Aspittle, Jr.

A writer completely unknown to me spins a dream-like fantasy with hints of allegory. A man named Cipher winds up on a deserted shore after a shipwreck. Half-sunken into the ocean are the ruins of a city. He has visions of a boy and girl in the waves. A woman named Huitzlin, the Aztec word for hummingbird, emerges from the sea and becomes his lover. An old man called Thanatos shows up as well. It all leads up to Cipher's final fate.

I really don't know what to make of this story. It's full of beautiful and evocative descriptions, but the author's intention is opaque. The character's names are suggestive, but the symbolism is unclear, except for the way that Thanatos is explicitly connected with death. If nothing else, it made me think, which is a good thing, I suppose.

Three stars.

The Other Side of Time (Part Three of Three), by Keith Laumer

Our universe-hopping narrator escapes from the prehistoric world where he wound up last time with the help of his ape-man buddy from another reality. The hairy fellow explains that the evil folks from yet another parallel cosmos — another type of ape-men — destroyed the hero's home world.

All seems lost, until the buddy suggests that it might be possible to travel to that universe in such a way that the narrator arrives there before it's wiped out. In a nutshell, time travel.

The hero shows up just a short time before things are going to go very badly indeed. Not only does he face the menace of the invading ape-men, he has to convince the local authorities of his identity. Then there's the mysterious burning figure he encountered in the first installment; what does that have to do with anything?

After the relatively calm mood of the second part, the conclusion of the novel returns to the frenzied pace of the first part. There's also a lot of scientific double talk to try to justify the odd way that time travel operates in this story. It held my interest, even if I didn't believe in anything that was happening for a moment. Compared to the highly enjoyable middle section, the rest of the novel is merely a decent enough science fiction action yarn.

Three stars.


Another piece of filler art. I actually like this abstract image.

The Little Doors, by David R. Bunch

Two pages of pure surrealism from the the magazine's most controversial author. Some white egg-shaped things come out of the little doors of the title and onto an egg-shaped stage. Rectangular black things show up, open the lids of the egg-things, put pieces of themselves inside, and pull out small stones of multiple colors.

If the author is trying to make some kind of serious point, he doesn't help matters by called the stage ogg, the white things loolbools, and the black things guenchgrops. Maybe it's just my dirty mind, but I got the feeling that this was some kind of bizarre metaphor for human reproduction. I have to give it a little credit for sheer weirdness.

Two stars.


Has someone been doodling on the page?

Phog, by Piers Anthony

The inhabitants of a strange world face the menace of a seemingly sentient cloud of poisonous gas, as well as the deadly beast that lurks inside it. After losing his sister to the thing, a boy grows up to build an elaborate trap for it. Capturing and destroying the cloud and the creature is not at all easy, coming only at great cost.

The author certainly shows plenty of imagination. The way in which the young man uses sunlight, the cloud's only weakness, is interesting. Other than that, the plot proceeds just about the way you expect it to.

Three stars.

Silence, by J. Hunter Holly

Because the Noble Editor wishes to keep track of the number of female authors published in the genre magazines, allow me to point out the J stands for Joan. She's published half a dozen or so science fiction novels. I believe this is her first short story to see the light of day.

In an overpopulated future full of noisy gadgets, the level of sound increases to the point where people no longer hear. Their ears still work, you understand; it's just that their brains turn off the sensation of hearing. Music is just something that causes needles to move around on dials.

The protagonist is one such musician. He regains his hearing, in a society that has completely forgotten about sound, by blocking out all sources of noise, until his brain regains its lost function. His attempt to bring his rediscovery of real music to audiences leads to an ironic ending.

The premise is intriguing, if not the most believable one in the world. I found it hard to accept that music would survive in the way the story suggests among people who can't hear it. I'll admit that I liked the downbeat conclusion.

Three stars.

Before We Say Farewell

We have a typical issue of the magazine, with some high points, some low points, and a lot in the middle. I'd like to take a moment to look back on the editor's time with the publication. She introduced promising new writers like LeGuin, Disch, and Zelazny, who have already proved their worth. More questionably, she published the unique work of Bunch, which certainly tests the limits of fantastic literature. She also helped Leiber get back to the typewriter, which justifies her career all by itself. I'm sure we all wish her well in her new line of work.

Thanks, Cele!






[Apr. 16, 1965] The Second Sex in SFF, Part VIII


by Gideon Marcus

It's been almost two years since the last edition of ourThe Second Sex in SFF series came out.  In that time, women have only gotten more underrepresented in our genre.  Nevertheless, new women authors continue to arrive on the scene, and some who produced under gender-ambiguous names have become known to me:


Hilary Bailey

Bailey, a British writer whose name does not immediately bespeak a woman writer, marched onto the scene in 1963 with her laudable social satire story, Breakdown, in New Worlds, followed by her stand-out novella, The Fall of Frenchy Steiner, the following year in the same magazine.

She is one of the very few women to appear in British science fiction magazines.  She has also been married, since 1962, to fellow SF writer, Michael Moorcock, who is now editor of New Worlds.


J. Hunter Holly

Though the SF career of Michiganian J. Hunter Holly began in 1959 with the novel, Encounter, she did not get included in prior installments of this series for two reasons.  Firstly, I was not aware that Holly was a woman until a fellow fan noted that the author's real name is Joan Carol Holly.  Secondly, like Andre Norton (another woman author with a male pseudonym) Holly doesn't do magazine fiction.  Indeed, it wasn't until the aforementioned fan sent me a C.A.R.E. package of Holly books that I realized she's already had quite a career in the genre!

I've only reviewed her most recent book, The Time Twisters.  It's a flawed piece, plot-wise, but Holly's quite a good writer.  I'll have to finish her back catalog in my copious spare time — and I look forward to her next release!


A.M. Lightner

Alice Martha Lightner Hopf is another author whose gender disappears behind initials.  She tends to be a children's writer: two of her first three short stories appeared in Boy's Life and her first three novels are also aimed at younger audiences.  She also has written a nonfiction book called Monarch Butterflies under the name of Alice Hopf. 

But I know of her because her short story, A Good Day for the Irish, which appeared five years ago in IF.  A fair story, it stood out for being one of the very few that featured a female protagonist.

I'm keen to see if Lightner Hopf will return to the mature mags, or if she's found her niche just beyond my usual ken.  Either way, I wish her success!


Florence Engel Randall

Some authors erupt onto the scene with a bang.  We saw it with Ursula K. LeGuin in 1962 with her debut, April in Paris in Fantastic.  Similarly, New Yorker Randall knocked it out of the park with her first two stories, One Long Ribbon and The Barrier Beyond.  Like LeGuin, her first was published in 1962, and both stories came out in Fantastic — until recently, a magazine helmed by the only woman editor, Cele Lalli (ne Goldsmith). 


Jane Beauclerk

Some authors become associated with a particular series.  Jane Beauclerk, who has appeared twice in F&SF, is likely to be remembered for her Lord Moon stories. These are almost fairy-tale pieces that take place on an unnamed planet at the edge of a Terran empire.


Juanita Coulson

Last but not least is Juanita Coulson.  At first glance, Ms. Coulson has no published short stories or novels in any genre.  So why does she get included here?

Firstly, she is one of fandom's brightest lights, producing the fanzine Yandro with her husband, Robert, since 1953.  The 'zine has been on the Hugo ballot since 1957, and I suspect it's got a good chance at the rocketship this year.  Moreover, it turns out she does have at least a partial story credit: Another Rib is a four-star story that came out in F&SF in 1963.  Though it was published under the byline of "John Jay Wells" (and apparently co-written with the now persona non grata Marion Zimmer Bradley), I have since confirmed that Wells is actually Coulson.

Will "Wells" return?  Will Coulson flower in the pro arena under her own name?  Will Yandro finally win the Hugo this year?  Only time will tell…

——

When I began this list, we were in medias res with the careers of most of the women writing science fiction.  Now that we are covering new authors, it's impossible to tell which of those profiled will end up brilliant genre lights and which will simply fade away after a brief, bright career.  In addition to introducing recent writers in this series, future editions will cover dramatic changes in the careers of previously profiled authors.

I look forward to the day that women make up more than 10% (at best!) of the content printed in science fiction magazines.  Until then, it's important to remember that there are still dozens of women producing some of our best stories.  I hope this series helps bring that fact into public consciousness.



[If you're looking for more great science fiction by women, Rediscovery: Science Fiction by Women (1958-1963) contains 14 of the best stories of the Silver Age.

Pick up a copy!  It'll support your local bookstore.





[July 18, 1964] Dog Day Crop (July's Galactoscope)


by Gideon Marcus

Thank you for joining this month's edition of Galactoscope, where we plow through all the books that came out this most recent month of June/July 1964! Don't thank us; it's all part of the job…

(and if you found us at San Diego Comic-Con and can't figure out why we seem to be 55 years behind you, this should clear things up!)

Times Two

Time Travel has been a staple of the genre since before the genre had been formalized. H. G. Wells' The Time Machine is still a classic, and it was written last century. In the Journey's short tenure, we have encountered at least a dozen tales involving chronological trips, with notable books including John Brunner's Times without Number and Wallace West's River of Time, not to mention the stand-out tales, All you Zombies!, by Robert Heinlein (and his less stand-out tale, By His Bootstraps) and The Deaths of Ben Baxter, by Robert Sheckley.

This month, we have two variations on the theme, both invoking time in their title:

Time Tunnel, by Murray Leinster

As the specter of nuclear war threatens to manifest, a post-graduate student named Harrison is summering in Paris, waiting for school to resume. By chance, he runs across Pepe, a fiery Spaniard (are there any other kinds in books?) and fellow former student who reunites Harrison with Professor Carroll, late of the archaeology department of Harrison and Pepe's alma mater. It turns out that Carroll has made a tremendous discovery: he as learned how to bridge the gulf between eras. No special machine is required; one must simply find a sizeable hunk of cast metal that has been left alone since the time of its forger.

Carroll's private time tunnel goes back exactly 160 years to the France of Napoleon's time. Thus far, the professor has made little use of it, save to satisfy his wife's pecuniary avarice. She has enlisted her brother to start a little shop that sells perfectly preserved antiques pinched from 1804. But when the Harrison learns that someone from 1964 is undertaking to sell secrets of the future to the scientists of the past, he and his compatriots must stop the interference before history changes for good. In addition, they must complete their mission before rising international tensions instigate a nuclear war in the present, sealing off (and perhaps destroying) the time tunnel.

It's a great setup! We've seen fixed tunnels to the past, as recently as in River in Time, but they aren't common in the genre. I find them particularly compelling as they make points in the past more tangible destinations. One can't pick historical highlights at random; they have to soak in the local atmosphere one second at a time, just like the natives. I've even toyed with the idea of making a fanzine with that conceit, perhaps with a time shift of (to pick a length at random) 55 years. That would put me in 1909 with plenty of time to capture the pulp era as it happens.

Something to think about.

The problem with Tunnel is the same problem that has bedeviled most of his latest stuff — it's too long. Indeed, Tunnel is about three times longer than the story calls for, in large part because the author repeats everything he says several times throughout the book. Heck, Harrison's party doesn't even get to old France until halfway through the book, and then it mostly stays to the back roads and farms that have not significantly changed in "nearly two centuries" as Leinster insists on calling about a century-and-a-half.

It's too bad. There's an exciting novella here under all the chaff.

Three stars.

The Time Twisters, by J. Hunter Holly

The newest book by Ms. (the J. stands for Joan) Holly has the opposite problem: the writing is quite compelling, but the story doesn't work.

The time is present day, the protagonists the Garrison family — Rick, Lynn, and six year-old daughter Tina. We start with the family already ill at ease. A neighborhood boy has gone missing, and shortly before, a big brown patch appeared in his yard. Then, while touring an amusement park to distract themselves, a cluster of bright lights appear in the sky, eerie and menacing.

Over the course of the next few days, more children disappear. Tina longs to be allowed outside, affected by a sirensong the adults cannot hear. A monster appears on the block, terrifying the neighborhood. The Army appears and sets up camp around the small Great Lakes town. Throughout it all, Rick is suspicious of his new boarder, Marcus Jantz. That is, until Marcus helps defeat the monster, which turns out to be a tin-plated prop. Obviously, the alien invasion shtick is a ruse, a cover for something else. But what?

It turns out (as has been teased since the beginning, but it takes Rick a while to learn) that Marcus is actually an agent from the future. In this future, aliens have appeared, demanding millions of their children. But humanity of the future is near-sterile, thanks to an overabundance of nuclear energy. Their only source for children is the past, hence a series of raids throughout history. Indeed, the Pied Piper legend has roots in truth, a kidnapping strike from a century long distant. In the end, Rick follows the last child to be abducted, his own, into the future, where he makes a desperate plea to Marcus to let their children go.

The Time Twisters is a very quick read by a talented author (who, like Andre Norton, stays out of the genre magazines). The characters are nicely drawn, the situations nicely tense. Unfortunately, the plot is absurd. Any people with time travel have already won any war they might face. Moreover, surely the indiscriminate removal of ancestors must destroy countless future generations.

Still, I was entertained on my latest trip to Japan, and thus, I give this very flawed piece a full three stars.

And now, I turn things over to Mark Yon, who contributes the second half of this month's column…

Ace Double F-275: No Truce with Terra, by Philip E. High; and The Duplicators, by Murray Leinster


by Mark Yon

My latest read is one that I had delivered to me from my friends in the States. As it is an Ace Double, and being someone never to knowingly avoid a cliché, I must say that it is a book of two halves (although The Duplicators is a little longer than the other story): as befits a double book, they are quite different in tone and style.

No Truce with Terra

No Truce with Terra examines the premise of what might happen if Earth was invaded — not by the traditional all-guns-blazing War of the Worlds style invasion but instead by stealth. Written by Brit Philip E. High, it begins quite normally but soon becomes strange. Scientist Lipscombe goes home from work one evening to find that his fibroplastic home will not allow him entrance. All attempts to break-in are thwarted.

Furthermore, over the next few days the house changes shape and unusual objects appear to grow around the outside of the house. There’s some electric blue grass and a plant that gives those who touch it a near-lethal electric shock, for example. Impressions are that they are alien, a means of colonising the planet before taking overall control, a bridgehead before the full-blown invasion.

Michael Lipscombe and his colleague Peter Collard become part of the scientific observation group. Then the “house” is surrounded by the British Army and attacked, the house retaliates – “they have set the dog on us” is the summary from Lipscombe.

Lipscombe and Collard are evacuated to a research centre in the North of Scotland as the alien threat spreads. With their mentor Stanley Dyson, obviously “one of the greatest names in science”, they determine that the invading force is a form of “natural electronic life” which has evolved naturally on another planet.

The scientists create a contraption that warps the fabric of space time and allows the humans to be granted access to the alien world. They do so, believing that such an action would create an escape route for humans and also allow them to create a secret base that can organise retaliatory actions.

All of this is basically World War Two re-written, of course. It’s interesting, if a little predictable, beginning with lots of stoic scientists discussing things and then frantic battles between the military and the aliens.

What we also get is the alien perspective, that they are willing to discuss terms of future contact through Collard, who they select as an emissary between the two races. The aliens are odd but not the unholy terrors that other stories would have you believe, and it is this aspect that makes this fast-paced story readable.

Three stars.

The Duplicators, by Murray Leinster

The second story is longer (an expansion, in fact, of Lord of the Uffts), but I found it less enjoyable. This time around it is the humans doing the invading, in a faux- Connecticut Yankee in King Arthur's Court kind of way. The Duplicators tells us of Link Denham, a non-too-scrupulous gadabout who, when he drunkenly signs himself up as an astrogator on the not-so-good ship Glamorgan under the equally drunk Captain Thistlethwaite, finds himself on the way to the mysterious planet Sord III. Thistlethwaite claims there are riches beyond compare there, which he is willing to share with Denham in return for his help.

On arriving at the planet, they meet two types of extraterrestrials. Firstly there are the rather sarcastic and oppressed pig-like aliens known as Uffts, who claim their ship on its landing, and secondly there are the humans, led by Harl, who live in Households and run the planet’s society using the Uffts as servants. Their response to Thistlethwaite’s arrival is to arrest him and agree to execute him for spreading sedition – for in offering to pay to send a message to his seller Old Man Addison he has caused great offense. Doing business, except with Uffts, is a major insult on Sord III.

Link’s attempt at rescuing Thistlethwaite – for how else is he going to escape the planet? – leads to Link also being arrested by Harl’s Household. Instead of being grateful, the non-too-stable Thistlethwaite seems annoyed, even betrayed, by Link for abandoning their spaceship.

By offering their spaceship and cargo as a guest-gift to Harl, Link manages to persuade the Householder to avoid hanging them, but the rather unpredictable Thistlethwaite, still determined to make a business deal and participate in the socially abhorrent activity of business, believes that Link has betrayed him.

To complicate things further, there’s a revolution brewing from the down-trodden Uffts. A deal is made by Thistlethwaite with the Uffts to arrange his escape and take advantage of the unrest felt by the enslaved group. Link is ‘fired’ by Thistlethwaite.

On a more positive note Link also meets Thana, Harl’s sister. She reveals the reason for Thistlethwaite’s interest in the planet, that the aliens of Sord III have the technology to duplicate objects with dupliers, something that Thistlethwaite believes would be worth a great deal. Harl disagrees, his reasoning being that such an invention would lead to the collapse of civilisation as societies become too lazy to bother working.

Thistlethwaite’s escape leads to a chase to try and recapture him before he makes a deal with Old Man Addison for dupliers. The dilemma of the novel then becomes how Link can manage to keep the dupliers a secret whilst not allowing Thistlethwaite to exploit the aliens on Sord III. It may not be a surprise that Link’s ingenuity saves the day, avoids an Ufftian Revolution, keep Thistlethwaite pleased and ends things happily ever after for Link and Thana.

The Duplicators is one of those heartily humorous tales, a story of manners and misunderstandings that is all about the behaviour of “strangers in a strange land”. It seems to be meant to be a lighter counterpoint tale to the Philip High story, a parody of politics and behaviour that is clearly meant to strike the reader as amusing but for me really wasn’t. In fact, at times there are places where it all becomes a bit silly. On the positive side, it’s well written, if predictable, but Animal Farm it isn’t.  2.5 stars.

Together these tales do what Ace Doubles tend to do – put on display deliberately different aspects of the genre. Whilst the two stories are undeniably entertaining, in the bigger scheme of things they are really minor league stuff. They are not the best Double I’ve ever read, but not the worst either and frankly neither story is the best work I’ve read from either author. File under “OK but not essential.”

Summing Up

I suppose one can't expect more from an average month than a bunch of average books. But, boy… it'd sure be nice!

We'll just have to wait for the next Galactoscope to see if our fortunes change (hopefully for the better…)


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