Tag Archives: harry harrison

[June 30, 1967] Bad trip (July 1967 Analog)


by Gideon Marcus

A time to laugh, a time to cry

It's been something of a rocky week.  A few days ago, Israel unilaterally announced that it was annexing all of Jerusalem, which had been de facto split after the 1948 war , and which de jure was supposed to be an international city.  The good news is, the government promised to integrate the Jewish and Arab halves peacefully, and so far, it looks like they are trying to do just that.  Still, the move is drawing condemnation from the world (strangely, I don't recall hearing aspersions cast against the Jordanians when they took half of the city…)

In sadder news, actress Jayne Mansfield was in a fatal car crash not far from New Orleans.  You may remember her from Will Success Spoil Rock Hunter and other films and TV shows.  She'd earned a reputation as a budget Marilyn Monroe, but from recent performances, it was clear her talent ran deeper than that.  The only bright spot is that her three children, also in the car, escaped with minor injuries.

And in the You-gotta-laugh-or-you'll-cry department, Beach Boy Carl Wilson was set free after being tried for draft evasion.  Seems being a conscientious objector works for some people, but not others.  Witness one Muhammad Ali.  Let me know if you can tell me what's different about the two cases.

All ahead, half speed


by John Schoenherr

Meanwhile, this month's Analog is not so much ups and downs, but a straight shot.  Sort of like Route 99 to Sacramento–easy going, but a dull drive.

The Man from P.I.G., by Harry Harrison


by John Schoenherr

First up is an unusual interstellar fixit story in the Retief or Chris Anvil mold.  Bron Wurber, pig herder, arrives on a remote world in the middle of a crisis.  Its governor had just sent out a distress call about the mysterious plateau just outside of town that not only appears to be haunted, but is fatal to any who explore it.  Bron seems the most unlikely of support…until he reveals he really is a government agent, and the pigs are of the one-ton, super-intelligent variety.  With the help of his porcine aides, Bron cracks the case and saves the day.

P.I.G. works as an action-adventure story, and if you can get past the "as you know" explanations of why pigs are better than dogs (and who can argue with that? Cats beat them both, though…) then you'll enjoy yourself.  The piece does not work as a whodunnit, though.  Harrison has to explain the characteristics of the culprit at the end of the tale rather than dropping clues throughout.  I have to wonder if I missed a setup story somewhere.  Alternatively, this may be the first in a series, and the next one will thus be better prepped.

Three stars.

Compound Interest, by Christopher Anvil


by Kelly Freas

A couple of months back, we got a story about a troubleshooter who helps establish the sapience of an indigenous race of cat people, thus frustrating the commercial schemes of a settling corporation.

This tale rather unnecessarily retells the same story, but from the point of view of the commercial types.  Anvil adds a silver lining at the end of the story, depending, of course, on psionics (this being John Campbell's mag, after all).

The first story was decent.  This was is rather pointless.  Two stars.

Annual Report, by Listening Inc.

Instead of contracting a science writer this month, Campbell just borrowed a catalog from an outfit called Listening Inc.  They make all kinds of interesting sonar/listening gear, including stuff for talking to dolphins.

There's not a lot there, but it's interesting.  Three stars.

Aim for the Heel, by John T. Phillifent


by Kelly Freas

Accompanied by the most striking art of the issue, Heel is the story of an international agent whose job is to facilitate, but not directly cause, the assassination of otherwise unreachable criminals.  He does it by researching his targets, and then maneuvering them into a situation whereby they end up dead at their own hands.

It's somewhat gray, morally, rather like the season of Mission: Impossible we just watched.  It also delights a bit too much in what it does, to the point of being lurid.

But it is readable.  Three stars.

Something Important, by E. G. Von Wald


by Rudy Palais

I liked this one, about a disabled alien ship that sends out a distress call, and the communications team that cracks the code to effect a rescue.  There's not much to it, but the message (no pun intended) is nice.

Three stars.

Computer War (Part 2 of 2), by Mack Reynolds


by Kelly Freas

Last issue, we were introduced to the autocracy of Alphaland, which had just gone to war with its rival, Betastan, and run into difficulties.  The Betastani refuse to fight fair, retreating from their cities, only using subs for naval engagement, and using thousands of agents to create havoc within Alphaland.  As a result, Alphaland, despite computer predictions to the contrary, is on the verge of collapse.

Reynolds likes to cloak history lessons in the guise of fiction.  Sometimes he's successful at the task, and sometimes it feels like he's submitting a series of essays with a thin veneer of plot around them.  This latest effort is the latter.  The characters are cardboard, although the lessons have some applicability to our current quagmire in Vietnam.

A low three stars.

Bite, by Lawrence A. Perkins


by John Schoenherr

Lastly, an unpleasant tale of an unpleasant doctor who contracts rabies, and the unpleasant choice another doctor has of deciding whether it's worth treating him or not.

I didn't like it.  Two stars.

Traffic statistics

Not only did this month's Analog score a rather peaked 2.7, but there is a smug sameyness to every story, as if each one was pressed through the Campbell machine and laminated with a greasy coating.  The other mags this month, such as there were, weren't much better though.  Fantasy and Science Fiction and IF also scored 2.7, and only Fantastic (3.2) and New Worlds (3.5) were better, the first comprising mostly reprints, and the latter a half-size mag.

All told, you could take all the good fiction and fit it in one decent-sized digest.  Two of the 30 new fiction pieces were by women, both of them quite short.  I guess it's no surprise that the action is in SF novels these days.

Still, I like my magazines, and I hope they get their act together.  Otherwise, this is going to be one throughway most folks will want to turn off from.





[April 30, 1967] Strange New Worlds and Staid Old Ones (May 1967 Analog)


by Gideon Marcus

To Boldly Go

In the days of the Gold Rush, the Forty-Niners staked out the most promising spots in the hopes of striking it rich.  They set out across thousands of miles, making harrowing overland or overseas trips to California, setting wobbly feet in the land that would soon be The Golden State, hoping that a survey of their claimed land would be a promising one.

Two Surveyors have made their way to the Moon, the second of which (Surveyor 3–Surveyor 2 didn't make it) has just broken ground on our celestial neighbor.

While we can't pan for gold on the Moon (and, indeed, if there is a precious resource we're hoping to find there, it's water), Surveyor did spread lunar soil on a white surfaced background.  This has allowed geologists…well, selenologists now…to make tentative guesses as to the composition of the Moon.  More importantly, it has been categorically shown that the lunar surface is solid and can be landed upon by Apollo astronauts!  Together with the photos from the several Lunar Orbiter spacecraft, the Sixty-Niners will have a good lay of the lunar land they'll be exploring.

By the way, the first Apollo crew has been chosen.  These are the folks originally slated for Apollo 2, an orbital flight that would have flown a few months after the tragically lost mission of Apollo 1.

They are Walter M. Schirra, Donn F. Eisele, and R. Walter Cunningham.  The first name should be a well known to readers; the other two are rookies from the third group of astronauts, folks recruited specifically for Apollo.  It is unlikely that their flight will take place before 1968, and there will be at least one more manned test before the big jump to the Moon.  There's currently even talk of a trip around the Moon before a landing attempt.

To Timidly Creep

The latest issue of Analog isn't bad, per se.  It's just more of the same.  I suppose it's a winning formula to keep doing what works, but I expect a little more innovation from my scientifiction.


by Kelly Freas

Of Terrans Bearing Gifts, by Richard Grey Sipes

Things don't start promisingly.  We last saw Mr. Sipes in a truly awful epistolary piece a couple of years back.  In his sophomore work, a smug Terran trader, name of Winslow, arrives at planet Nr. 126-24 Wilson Two, UTCC, and proceeds to turn things upside down.  His store for sale includes a teleporter, an instant translator, a nuclear nullifier, a matter duplicator, and much more.

It's all really smug, which I suppose it's possible to be when you're wielding Godlike power.  Winslow justifies his toppling of Wilson Two's society by noting less scrupulous folks will show up sooner or later and do the same thing.  It still doesn't make the story fun reading.

Two stars.

Experts in the Field, by Christopher Anvil


by Kelly Freas

Terran linguists assigned to the planet Marshak III are convinced that the indigenous apex animals are sapient, language-using beings.  But since they can't decipher the language they use, an interstellar rest stop construction concern is going to come in, claim the planet, and pave over the preferred lands of the aborigines.

It's up to Lieutenant Commander Andrew Doyle to solve the linguist riddle and save the day.

For a Chris Anvil story, particularly one appearing in Analog, it's not bad.  Sure, it begins with "[Rank] [Man Name] strode onto the scene…" like virtually every other Anvil story.  Yes, the ending paragraphs seem custom made to tickle editor Campbell's fancy (and guarantee a sale).  But I liked the puzzle, and it was reasonably well written.

Three stars.

Burden of Proof, by Bob Shaw


by Kelly Freas

There's one ray of bright light in this issue, if I may be indulged the pun.  Scottish author Bob Shaw offers up a sequel of sorts to his promising story, Light of Other Days.  In this one, he explores the criminological effects of his "slow glass", a substance that rebroadcasts all of the light received from a certain time over that length of time.  It is the perfect impartial eyewitness to any crime–provided one is willing to wait long enough to get it (a "ten year" pane might well not disgorge its evidence for a decade, and no speed-ups possible).

This particular tale is told from the viewpoint of a judge, who sent a man to the chair for murder…on circumstantial evidence.  What if the eyewitness pane of slowglass, due to show the actual scene ten years after, says something contrary?  Is it a miscarriage of justice?  Can justice wait a decade?

I particularly liked this tale for questions it raises.  It might not be slow glass, but certainly some other technology will arise in the future, like a perfect polygraph or enhancements in fingerprinting, may cause old evidence to be superseded.  Does justice wait for these improvements?  Can it?  And how irrevocable is a decision made on an imperfect data set?

Shaw still is a little clunky in incorporating the explanations of his technologies.  Nevertheless, he has a deft, romantic touch to his writing, sorely needed in his magazine.  I'm glad Campbell found him.  Four stars.

Target: Language, by Lawrence A. Perkins

Mr. Perkins discusses the differences between a variety of languages, and the commonality that may underlie them all.  I don't buy his idea that humans develop an internal language that they then translate/adapt to the local vernacular, but it is clear that our species instinctively picks up language at an early age, and what it doesn't learn, it creates on the fly.

If nothing else, it's one of the most readable pieces I've yet encountered in Analog, and on a subject quite interesting to me (and I can verify much of what he says, having studied Russian, Spanish, Japanese, and Hebrew).

Four stars.

Dead End, by Mike Hodous


by Kelly Freas

Did you ever read The Man Who Never Was?  It's the engaging true tale of how the British hoodwinked the Nazis into thinking the Allied invasion would go through Sardinia rather than Sicily.  It involved seeding a corpse, dressed in a Major's uniform and handcuffed to a briefcase full of forged documents, off the coast of Spain.  He was picked up, turned over to German agents, and the story was swallowed, hook, line, and sinker.

Dead End involves a Terran spaceship disabled by belligerent aliens, the capture and investigation of which is certain to give them the secret to our faster-than-light.  Or lead them down a blind technological alley…

It's an eminently forgettable story, not helped by the aliens being human in all but name (and extra pair of legs), and the humans being smug in the Campbellian tradition.

Two stars.

The Time-Machined Saga (Part 3 of 3), by Harry Harrison


by Kelly Freas

At last, the exploits of Barney Henderson, movie producer extraordinaire, come to a close.  As expected, the only reason there is archaeological evidence of a Viking settlement in Vinland is because Climax Productions made a movie starring Vikings in Vinland.  The whole thing is a circle with no beginning and no end.

It's a compelling thought, further exemplified by a piece of paper that switches hands endlessly between two iterations of Barney.  When did it start?  Who initially drew the diagram on the paper?  Of course, unsaid is the fact that, after endless passings back and forth, the paper should disintegrate…

If the first installment was a bit too silly and the second rather engaging, this third one feels perfunctory.  Harrison tells us how the film got done, but the whole thing is workmanlike.  Not bad, just a bit sterile.  Also, given then carnage involved in the making of the film, I would have preferred a more farcical tone or a more serious one.  The middle-of-the-road path makes light of the horror of first contact and the bloodshed that stemmed therefrom, and it taints the whole story.

So, three stars for this segment and three and a half for the book as a whole.

Summing Up

What a lackluster month this was!  The outstanding stuff would barely fit a slim volume of a single digest.  Analog garnered a sad (2.9) stars.  It is only beaten by Fantasy and Science Fiction (3), and it very slightly edges out IF (2.9) and Fantastic (2.9)–they rounded up to 2.9, while Analog rounded down.  The last issue of Worlds of Tomorrow (2.4) is left in the dust.  We won't have WoT to kick around anymore…

Women wrote 7.41% of the new fiction this month–dismal, but par for the course.  On the other hand, we've got a new star in the screenwriting heavens in the form of Star Trek's D.C. Fontana.  Perhaps TV is where the new crop of STF women will grow.

In any event, I've already gotten a sneak preview of next month's IF.  We have a stunning new Delany to look forward to.  Stay tuned!





[March 28, 1967] At last, a drop to drink (April 1967 Analog)


by Gideon Marcus

Back to Basics

Our family recently went to the movies to see the latest war epic, Tobruk.  It's the story of a British commando unit teamed with a company of German Jews charading as a unit of the Afrika Korps.  Their goal: to destroy the supply depot at Tobruk and stop Rommel in his tracks.

The first half was decent, but the second devolved into Hollywood schlock.  Particularly when one knows one's history: there was such a raid, but it ended in abject failure.  Tobruk is not so mind-numbingly mediocre as TV's Rat Patrol, but they are in the same genus.

How to get the taste out of my mouth?  As it turned out, local channel 9 was airing the old Bogart movie, Sahara, filmed in 1943 as the war was going on.  I'd seen it when it first premiered, and so I knew to circle the listing and bake the popcorn so my family and friends could enjoy it with me.  If you haven't had the pleasure of this amazing saga of a lone M3 tank in the African desert, and its ragtag crew it collects from nearly a dozen different nations, well, give it a watch next time it airs.

Old Standby

Just as I found the antidote to modern bloat in a classic production of the '40s, this month, the answer to the rather lackluster science fiction being turned out of late was found not in a magazine of the '40s, but in one that, for many, peaked in that "Golden Age."  Indeed, the April 1967 Analog was one of the finest examples of Campbell's editorial output in a long time.


by John Schoenherr

To Love Another, by James Blish and Norman L. Knight

First, a case of eating words.  Please pass the mustard.

James Blish and Norman L. Knight have composed a number of novellas in a particular setting.  A few centuries from now, humanity is bursting at the seams, shoulder to shoulder on a severely overcrowded planet.  The science of tectogenetics has created a new race of humans, the Tritons, one perfectly at home in the oceans.  Against this backdrop, the asteroid "Flavia" is on a collision course with Earth, threatening tremendous damage when it hits.  Efforts are being made to minimize its impact (pardon the pun).

Two stories have been set in this timeline: The Shipwrecked Hotel and The Piper of Dis.  I rated both of them two stars.  They were dull, plodding tales, and after the last one, I stated, "I hope this is the last piece in the series."

I take it back.


by Kelly Freas

To Love Another is a vivid tale of love between Dorthy Sumter, head of Submarine Products Corporation, and her lieutenant, the Triton Tioru.  It's hard to describe it as having a plot, in the strictest sense of the word.  Rather, it is a pair of viewpoints at a particular juncture in humanity's history, one of its most momentous.  It is a gentle adventure that runs from the depths of the ocean, to the hive of a Habitat '67-type city, to… well, to the place In-Between.


Habitat '67 in Montreal

Not quite five stars, but excellent stuff.

The Enemy Within, by Mack Reynolds


by Leo Summers

What's a mother to do when her eager little boy winds up locked inside a psuedo-intelligent spacecraft, and all her efforts seem only to make the problem worse?

This is an effective, well-drawn tale by Mr. Reynolds, though if there is anything to be taken away from it, it's that spanking is an outdated punishment that ultimately does more harm than good.

Three stars.

The Feckless Conqueror, by Carl A. Larson

If humans are to settle other planets, they will either have to adapt to new environments or adapt their enivronments.  Larson examines the adaptibility of the human species, noting our tolerance to oxygen pressure, heat, cold, gravity, and magnetic fields.

It's pretty good.  Three stars.

To Change Their Ways, by Joseph P. Martino

On the planet of New Eden, where the men grow wheat and the women…turn it into bread and noodles…famine threatens.  Seems the hardheaded farmers refuse to give up their tailored grain, which cannot tolerate the seasonal cooling that is gradually chilling the planet (seasons last decades on this long-orbit world).  A sector administrator is sent to help out the planetary coordinator, mostly to harangue him about being tougher with the recalcitrants.

If ever there was a story with no drama, no plot beats, no there, it's this one.  Two stars.

The Time-Machined Saga (Part 2 of 3), by Harry Harrison


by John Schoenherr

Last month, I was a little hard on Harrison's newest serial, in which a time machine is put to work for cheap on location shooting in the 11th Century.  It's better this time around, as the production of the film goes underway.  The beefcake hack of a star gets a broken leg and refuses to work.  Luckily, Ottar, the native Viking, is more than willing to work for a bottle of whiskey a day and a silver mark a month.  And he's a natural for the part!

But while the scenes filmed in Norway and the Orkneys go well enough, a wrinkle is introduced when it is discovered that there are no colonies in Vinland–not in the 11th Century or ever.  Only one solution for that: found Vinland (with cameras rolling, of course).

It's rollicking fun with a lot of good encyclopaedic data.  My only quibble is that the timeline of Harrison's book is clearly all of a piece; the first installment had the film crew seeing themselves from a "later" time trip in the past.  But if the timeline exists with all travels baked in, why didn't they find themselves filming the landing at Vinland?  Perhaps this will be explained next chapter.

Either way, it's still worth four stars.

Ambassador to Verdammt, by Colin Kapp


by Kelly Freas

Imagine a race of aliens so bizarre that the human mind can barely register their existence, let alone make meaningful contact.  The science team on Verdammt knows the Unbekannt are intelligent beings, but prolonged interchange leads to a psychotic break.  It will take a very special kind of ambassador to bridge the species gap.

This is a story that would have fared better in the hands of a true master, a Delany or a Cordwainer Smith.  As it is, there's a bit too much artificial delaying of shoe-drops to heighten drama.  The scenes from the perspective of the character meeting the Unbekannt lack the lyricism to really make them shine. 

That said, it is a neat idea, it is at least competently rendered, and it made me think. That's what an stf story's supposed to do, right?

So, a solid three stars.

Compare and Contrast

For the second time this year, Analog has topped the pack of magazine (and magazine-ish) offerings, clocking in at 3.2 stars.  Thus, it beats out New Worlds (3.1), IF (3), Path into the Unknown (2.6), Fantasy and Science Fiction (2.5), Galaxy (2.3), New Writings #10 (2.2), and Amazing (2.1).

It was a pretty peaked month, in general, with the best thing outside this issue probably a fourteen-year old reprint by Judith Merril (which was, in fact, the only piece published by a woman this entire month).

Still, it's nice to know that oases can still sometimes be found, even this often bleak desert of a modern magazine era.  Here's hoping it the hot spring doesn't turn into a mirage next month…





[March 26, 1967] Changes Coming New Worlds and SF Impulse, April 1967


by Mark Yon

Scenes from England

Hello again!

So I’m now having to get used to receiving just one issue of the British magazines a month. The deal made with the Arts Council last month means that I was guaranteed this issue, which I understand will be the last in this paperback format. It is less but is it a case of "less means more"? Let’s go to the issue!

Editor Mike Moorcock is clearly busy this month, and as a result we have a Guest Editorial from the much-plaudit-ed Samuel R. Delany, who I know is making quite an impact in the US with his novels (Babel 17, amongst others).

Though it is well written, it’s another editorial discussing the future of science fiction. Editors Moorcock, Harrison and Bonfiglioli have all covered this in various issues in the past few years, and this isn’t really anything new. It may, however, be for new readers. It is unsurprisingly positive and embraces the change that we’ve seen in recent years.

To the New Worlds/SF Impulse stories.


Illustration by James Cawthorn

Daughters of Earth by Judith Merril

Judith Merril is currently writing reviews for the Magazine of Fantasy & SF and editing The Year’s Best SF anthology. In between her work on those, she also found the time to revise one of her pieces from December, 1952.

Allowing for the fact that it's a reprint, Daughters of Earth is a cracker in that it takes a lot of old-fashioned science fiction ideas but gives them a modern, different twist. It is the story of future human space exploration but instead of the usual future being determined by men, this is told through successions of generations of women in one family. It is a deliberate subversion of the usual science fiction cliches.

To emphasise this, the story begins in an almost-Old Testament style: “Martha begat Joan, and Joan begat Ariadne. Ariadne lived and died at home on Pluto, but her daughter, Emma, took the long trip out to a distant planet of an alien sun. Emma begat Leah, and Leah begat Carla, who was the first to make her bridal voyage through sub-space, a long journey faster than the speed of light itself”. We go from the Earth to the Moon with Joan, from the Moon to Pluto with Ariadne and from Pluto with Emma to Ullern, a planet reached on the spaceship Newhope through FTL travel. There the colonists meet aliens.

It is an epistolary story, initially told through letters written for Carla, a future descendant, and for future generations on Ullern.

This may sound like a typical space-exploration story as humans expand their influence to the stars. However, it is different in that although it is clearly writing a history, it shows the female of the species in a more positive and pro-active light than usual, even when at times it regresses to soap-opera. With that in mind, the story is perhaps proto-feminist and shows that the future is not just male heroism and gung-ho histrionics, but also about love, family, and personal sacrifice, as well as coming to grips with the fear created by travel into the unknown.

Pleasingly refreshing, this makes me think that this is the sort of story that Heinlein would like to write, but can’t quite reach. It is an example of how traditional science fiction can be given a modern update. 4 out of 5.

Aid to Nothing by P. F. Woods

And then a step down, from the author also known as Barrington J. Bayley. A story of conflict when a Martian tribe, the Sussorr, meets colonising humans. The Sussorr are receiving telepathic vibes from their neighbours the Tuaranth. The beginning reminds me of A. E. van Vogt’s The Black Destroyer, but it soon degenerates into a story where other parts read like a cut-rate Edgar Rice Burroughs. The sympathy is clearly with the peaceful Martians, emphasised by the cartoonish war-loving humans, led by a man annoyingly named Bungleton. 2 out of 5.

Three Short Stories by Thomas M. Disch

The return of Mr Disch, who recently exploded into the British magazines (and was perhaps most recently noted by our Noble Editor for his expletive-laden story in this month’s Magazine of Fantasy & Science Fiction), started well and yet recently has had stories published that to me felt like his writing is running out of steam.

The title tells it all – there are three stories. The first is a story told by a man to another about a girl he knew before she committed suicide. The storyteller is shot by a secret agent once he has told the story. In the second part, Thadeus and Diane are looking to move into a dilapidated New York apartment, where they discuss life and love before leaving. In the third piece, Mrs. Neary is on a ship that is sinking.

Lots of metaphor and clearly sentences that are meant to mean something, but the point of the stories seem to have passed me by. I’m sure that the stories means something to somebody, and that the three stories are connected in some way, but if they are it is all a bit beyond me. Disch can write – but this is still a bemusingly metaphorical disappointment.3 out of 5.

Illustration by James Cawthorn

The Key of the Door by Arthur Sellings

Arthur is an author much liked by Moorcock, so the return of this writer to New Worlds is not entirely a surprise. His last story was That Evening Sun Go Down in the September 1966 issue of New Worlds.

I had better just check, though. Are you aware in the US what the phrase “Key in the Door” means to us Brits? Just in case you’re not (and apologies if you are!) here it’s a turn of phrase to describe the rite of passage, reached at the mighty age of twenty-one, when according to the adage, the person is symbolically given the key of the door to a property. It really means that they are now an adult, with the freedom to do what they want in their future. Here such matters are turned into a light-hearted time-travel story that’s moderately humorous and not to be taken too seriously.

Victorian Godfrey is discovered to be using his father’s time machine, travelling to 1985 and 2035. There he saw his father dancing with a young lady, but is reluctant to tell his father this. To his father’s horror, Godfrey’s travelling has changed things in the future. As you may know, humour is very divisive and usually for me doesn’t do too well. This one is… fair. It provides a bit of lighter counterbalance to the rest of the issue. 3 out of 5.

Book Reviews

I’m pleased to see the return of a book review column, even if it is for only one book! Guest reviewer Brian Aldiss reviews I. F. Clarke’s (no, not that one!) book, Voices Prophesying War 1763 – 1984. Brian goes through the book in some detail, pointing out the (mostly) positives and negatives of the book. It rather sounds like the sort of thing Olaf Stapledon was doing with First and Last Men – quite dry, but full of science-fictional ideas. Might be worth a look.

Summing up New Worlds / SF Impulse

Really this is a holding issue, in that it is the last before we get the new New Worlds in its new form, whatever that is. Whilst it is not quite the same as the “What do we have left?” issue of last month, it is still a little underwhelming. As you might expect, the Merril short novel dominates the issue at about 70 pages and is as good as I had hoped for, but it is a (revised?) reprint. The rest of the issue is lesser material. Even the Disch felt like sub-standard work.

And as is clearly explained in the beginning, that’s that.  Goodbye SF Impulse, hello New New Worlds!

It looks like Mr. Disch may be important. I’m hoping that this new material may be better than his recent efforts, good though they can be.

Until the next – whenever that is!



[March 10, 1967] Mediocrités, Slayer of Magazines (April 1967 Galaxy)


by Gideon Marcus

Not with a Bang

A rising tide floats all boats, but a tidal wave swamps them.  16 years ago, Galaxy magazine was the vanguard of the Silver Age of Science Fiction, along with Fantasy and Science Fiction and Astounding leading a pack of nearly forty monthly/bimonthly/quarterlies.  By the end of the decade, we were down to just six mags, but the quality, by and large, was still there.

Now we're entering a new era.  The number of mags is the same, but the stories are mediocre most of the time.  Even the competently rendered ones feel like rehashes.  In a letter I received last week, the writer said that there are yet too many outlets for the current crop of talent to supply with quality stuff. 

I don't know that I agree, given that the British mags have folded and Amazing and Fantastic are mostly reprints these days.  Plus, Galaxy's sister mag, Worlds of Tomorrow, has gone irregular (and Milk of Magnesia is no cure for this illness).  No, I think there's some kind of general malaise in the genre.  Maybe it's competition from the real world.  Maybe it's higher pay-outs from the slicks.

No matter what the cause, we've got to find some way to get an influx of talent into this field.  The alternative is, well, more magazines like the April 1967 issue of Galaxy.


by Douglas Chaffee

A Vast Wasteland

Thunderhead, Keith Laumer

Editor Fred Pohl saved his best for first.  Laumer is a competent science fiction/adventure writer when he's not writing his increasingly tired satire, and Thunderhead is nothing if not a competent science fiction/adventure.

Lieutenant Carnaby has been more than twenty years in grade, stuck on the most frontierward of planetary outposts.  Indeed, it seems the Navy has forgotten all about him, since it was supposed to pick him up fifteen years ago.  The world he's on has slowly decayed to one dying settlement.  Yet, he remains attached to his duty, to maintain and, in an emergency, activate the beacon that will turn this rim of the galaxy into an effective defense grid.


by Gray Morrow

Said emergency occurs, with the formerly contained enemy Djann breaking out of their containment, the Terran ship Malthusa in hot pursuit.  Carnaby and a young friend begin their ascent of the snowbound peak on which the beacon rests, and the story alternates between the Lieutenant, the Djann crew, and the driving Commodore of the terran cruiser.

The writing is deft, the setup interesting, and the Djann particularly interesting and innovative.  On the other hand, the other characters are caricatures, and the resolution by-the-numbers. 

Thus, a pleasant three stars, but no more.

Fair Test, by Robin Scott

Two aliens land on Earth to resupply with fuel and food.  They are successful despite the efforts of American local law enforcement.  The end of the story is a bit of social commentary as the extraterrestrials note that light meat and dark meat taste the same.

I'd have expected this story in a lesser mag, circa 1954.  Not Galaxy.

Two stars.

For Your Information: The Orbits of the Comets, Willy Ley

It's no exaggeration that, for a long time, Ley's science articles were my favorite part of the magazine.  They have since gotten desultory.  This one, in particular, meanders all over the place and, in one particular table, is nonsensical.  I suspect a misprint.

Anyway, I think this is my first two-star review for Mr Ley.  It is a sad day.

The New Member, Christopher Anvil

It's also a sad day whenever Anvil's name appears in the table of contents.  It has been said that one can smell an Analog reject a mile away, and the stench of this one is profound.  It's about a fictional Third World island country called "Bongolia".  Said nation joins the United Nations and sets about trying to make a living by extorting the richer countries as payment for centuries-old crimes against their state.

There could be a satire here, albeit not in great taste given how recent (and not very well handled) decolonization has been.  Instead, it's just a bunch of unfunny cheap shots.

One star.

The Young Priests of Adytum 199, James McKimmey

Forty young men and women, the last survivors of a nuclear war, live in a coddled paradise in one of the many American shelters.  They do little more than eat and mate, save for the one oddball, Peter the Funny, who prefers the clarinet.  He comes to a sticky end for his noncomformity.

I guess the moral is "Never Trust Anyone Under 30".  Two stars.

The Purpose of Life, Hayden Howard

Could it be?  Have we finally reached the last chapter in the sage of the Esks?

For the past year (or has it been two, already?) we have been following the viewpoint of Dr.  Joe West, an ethnologist sent out in the 1960s to do a survey on Eskimos in the Canadian North.  There he discovered a new race of beings, an unholy hybrid of human and alien.  They look like Eskimos, but their pregnancies last but a month, and their children mature in just a few years.  These "Esks" quickly supplant their human cousins and threaten to outrun their food supply.  Luckily, the bleeding hearts of the world recognize the Esks as fully human and open their doors and purses to succor them. 

West, unable to convince governments of the Esk threat, unsuccessfully tries to sterilize the half-aliens with a disease of his own devise, but only succeeds in killing a few innocent humans.  He is then locked up in a padded cell, then put to sleep for fifteen years.  When he is awoken, he is dispatched to mainland China by the CIA.  Aided by telepathic control devices implanted in his legs, he is emplaced close to the Communist leader, Mao III, whose brain he takes hold over–for purposes unknown to Dr. West.  So begins the latest and longest installement.

This bit takes place on an Earth whose societies are already being rocked by Esk overpopulation.  In China, the few hundred relocated to the barren hillsides two decades ago now number more than a billion.  The vast Communist land is suffering the least ill effects thus far, as the import labor has produced a terrific farm surplus and as yet is not integrated with Chinese society.  In America, however, every household has an Esk slave…er…servant, a situation which cannot last much longer as the subordinate race will soon vastly outnumber the master.  In Canada, civilization has collapsed, and the cities are populated by starving bands of Esks.

None of this seems to bother the Esks, who endure everything with endless patience and joy.  They know that someday, "the Great Bear" will return to take them all back to the sky.  Such is imprinted on their racial memories. 


by Jack Gaughan

In China, Mao III's generals revolt, sealing the invalid leader in a mountain redoubt-cum-tomb along with his controller, Dr. West.  All efforts to curtail the Esk population so as not to outstrip the food supply meet with failure.  Only one option is left — to impress the hybrids into an operation to dig the thousands of feet through solid rock to the surface.

But there is a spark of anticipation in the air.  Will the Great Bear arrive before the Esks liberate themselves from their underground prison?  And if so, what will happen if they arrive at the surface with their brethren all departed?

It's really hard to properly rate this segment, and the series as a whole.  The premise is dumb, the conclusion rather vague and dissatisfying, and for the most part, Dr. West is either ignored or ineffectual, or both.

Yet, damned if I didn't find myself vaguely looking forward to this chapter.  Damned if I didn't read the current installment in one sitting despite having resolved to take a nap instead (I do like my naps). 

And damned if I didn't spend way longer on this review than I'd intended.

Call it 3 stars for this chapter and 2.5 for the whole thing.  I'm not sorry I read it, but I'm glad it's over.

Within the Cloud, Piers Anthony

I think this is the first solo piece by Mr. Anthony.  The premise of this vignette is that the faces we see in the clouds are actually faces, and they have something to say.

Trivial stuff.  Two stars.

Ballenger's People, Kris Neville

An insane fellow, whose fragmented mind is under the delusion that it is a polity of many parts rather than a single entity, becomes homicidal when threatened by "other nations" (i.e. other human individuals).

It started promisingly, but didn't really go anywhere.  Two stars.

You Men of Violence, Harry Harrison

Finally, a tidbit from a fellow whose work I often confuse with Keith Laumer's.  A pacifist on the run from military types figures out how to kill without being the killer.

Rather obvious and somewhat pointless.  Two stars.

Gasping for breath

Wow.  That wasn't very good, was it?  And with one of Pohl's major talents, Mr. Cordwainer Smith, gone to the ages, we really don't have much to look forward to.  At least until Messrs. Niven and/or Vance return. 

Or Pohl finds some new talent.  Maybe there's a large, mostly untapped demographic he could plumb…





[February 28, 1967] The Big Stall (March 1967 Analog)


by Gideon Marcus

The Big Push

After a year of build-up, air raids, and smaller actions, the United States and the Army of the Republic of Vietnam have opened up the largest offensive of the war.  Operation Junction Central involves some 50,000 troops pouring into the logistical heart of VC-controlled South Vietnam west of Saigon.  Their goal: to find the communist equivalent of the "Pentagon".  It's a classic hammer and anvil style operation, with nearly a thousand paratroopers forming the brunt of the anvil behind enemy lines.  The push is accompanied by the biggest logistical bombing raid we've seen in weeks.

Whether this colossal effort will bear fruit remains to be seen.  The Viet Cong and North Vietnamese Army have only seemed to grow despite constant combat.  More and more often, the fights occur on even, conventional terms rather than as furtive guerrila efforts.

But with half a million soldiers "in country", I suppose it was time to do something.  Perhaps the momentum of operations will switch to the allied forces.

Business as Usual

Analog editor John Campbell seems unaware that institutional decay has set in.  And with no great competitors from without, he is unwilling to change a formula for his magazine that has remained for the past two decades.  I suppose that, as long as he sells more than everyone else, he doesn't need to.

On the other hand, I read that Analog's monthly distribution is down from the 200K+ it enjoyed early in the decade.  Maybe the wolves at the door will instigate a sea change.  Or a palace coup…

In any event, until that happen (note the subjunctive mood), we can expect more issues like the one for March 1967.  Dull.  Uninspiring.


by John Schoenherr

The Time-Machined Saga (Part 1 of 3), by Harry Harrison

Harrison once again displays his near interchangibility with Keith Laumer, at least when he writes "funny" stuff (his dramatic prose is a notch above Laumer's, I think).  This serial involves a film company on the verge of bankruptcy.  Salvation appears in the form of a time machine.  Said "vremeatron" will not be used to alter history, purloin lost treasures from the past, or other, potentially lucrative (but old hat) endeavors.  No, instead, the movie house is going to travel back to A.D. 1000 to film the True Story of Leif Erickson…Hollywood style.

Said on-location filming will cut costs dramatically: no need to hire extras, no unions, and best of all, since the time machine can come back to the moment after it departed, no time involved!  (the production company still gets paid for the time it spends in the past, though).  What could go wrong?

I suspect we'll get the answer to that question next installment.

A tepid three stars thus far.  I could take it or leave it.

Radical Center, by Mack Reynolds


by John Schoenherr

In a piece designed for Campbell's reactionary heart, Reynolds writes about a time in the not-too-distant future when the trends of apathy, crime, and downright down-on-Americanism have reached a zenith.  A hack journalist, badly in need of a story, posits an imaginary illuminati bringing this malaise upon us intentionally.

Little does he know how right he is.

I can't help but deplore the sentiment behind and suffused into this piece.  Next, we'll have stories about how long hair is Ruining Society.  On the other hand, I feel Reynolds has something when suggests that unscrupulous forces will utilize apathy of the masses to allow their comparatively small blocs to sway policy.  Also, I really liked the line, regarding a clown of a politician, "He was laughed into office."

So two stars and a wrinkled nose.

Countdown for Surveyor, by Joseph Green

My eyes lit up at the title of this one.  I love pieces on the Space Race, and this inside dope promised to be exciting.

It wasn't.  It's as dull as reciting a checklist, and three times as long.

Two stars.

In the Shadow, by Michael Karageorge


by Kelly Freas

After a short piece (probably by Campbell) about ball lightning and free-floating plasma (interesting so far as it goes), we have the latest story by Michael Karageorge, whoever he is.

The space ship Shikari is exploring a new gravitational source zooming through our solar system.  It emits no light, but it has the mass of a star.  Is it a cold "black dwarf"?  A rogue neutron star?  Or something else entirely?

The characterization in this one can be reduced to a set of 3×5" index cards each with two or three words on them.  Things like "irritable, downtrodden genius".  "Absent-minded professor."  "Weeping woman."  "Comforting woman." 

On the other hand, the science is pretty neat, even if I don't buy it for a minute. 

I didn't hate it.  It's not as good as Karageorge's first story, though.  Three stars.

The Uninvited Guest, by Christopher Anvil


by Kelly Freas

A shiny ellipsoid appears on a launch pad and starts to take nibbles out of everything: walls, roads, machinery, people.  It appears invulnerable to attack, but it also seems to be of failing vitality.  The problem, it is deduced, is that if the thing dies entirely, it will explode with the power of an atom bomb.

Can the alien visitor be thwarted or succored before time runs out?

For an Anvil story, it's not bad.  Which means a high two or a low three.  I'm feeling charitable today.

The Compleat All-American, by R. C. FitzPatrick


by Kelly Freas

A young man, good at anything he wants to be, is dragooned by his father into playing football.  His remarkable abilities, largely consisting of not getting hurt and performing miracles with the pigskin when under pressure, catch the eye of two government investigators.

After fifteen pages of shaggy dog fluff, we learn that said All-American is invulnerable and unstoppable.  He also, luckily, has no ambition.  Three more shaggy pages of dog fluff follow this revelation.

I guess this is what's under the barrel.  One star.

What's the score?

Half way around the world, forces clash in a titanic struggle between Democracy and Communism.  Or maybe it's pitched fight between a downtrodden people and the venal imperialists and their running dog lackeys.  However you characterize it, Something Big is Happening.

But here on the pages of Campbell's mag, not much of interest is happening at all.  Analog finishes at just 2.3 stars, by far the worst mag of the month.  Above it are Fantasy and Science Fiction (2.6), Fantastic (3.2), New Worlds (3.25), and IF (3.3). 

Things are actually worse than it seems.  Only the last of these mags was really outstanding (Fantastic is mostly reprints, New Worlds was basically an Aldiss novel with a few vignettes for ballast).

Adding insult to injury, just one woman-penned story came out this month, and there were only 25 pieces of fiction in all the magazines, period. 

Something's gotta change soon.  This can't go on forever…





[January 24, 1967] Absenteeism and Making Do SF Impulse, February 1967


by Mark Yon

Scenes from England

Hello again!

So generally, post-Christmas and in the cold of winter, 1967 is settling into a routine, I guess. Except in the British magazines, where things are rather more turbulent. My suspicions were raised when the postman only delivered a copy of SF Impulse this month.

Now it is possible that New Worlds has been delayed in delivery–y’know, Winter!–but after the recent rumours and rumblings that things were not well at the magazines, I did a little rummaging and asked around to see if I could find out what was going on.

Whisper it quietly, but it seems that things are really bad financially–even for New Worlds, which has the higher circulation of the two–to the point that the publishers are seriously considering closing not one, but both magazines.

More as I get it, but frankly, it’s not looking good.


Cover illustration by Agosta Morol

To the SF Impulse issue. There are also signs here that things are not good.

The Managing Editor (interesting phrase!) Keith Roberts points out at the start that the Editor-in-Chief Harry Harrison is “absent, having made tracks for Philadelphia”. Is this rather ambiguous statement just a case of Harry being busy? As a writer, critic and editor Harrison does have a lot of fingers in pies, to be honest, which is presumably why Roberts does most of the leg-work here at SF Impulse.

But all I can think of is that the last time this happened, with editor Kyril Bonfiglioli taking time off to go stargazing(!), the magazine changed from Science Fantasy to Impulse not long after. The phrase “Rats deserting a sinking ship” also springs to mind, though that would be most uncharitable–Harrison is most certainly not a rat! But it is worrying that things may be changing behind the scenes.

But at least this Editorial space gives Roberts the opportunity to step up, as he has been doing for a while, admittedly, and give his opinions in the Editorial on the material in the issue, which he does. All good, even if (like much of the magazine this month) it feels a little like space-filler.

Might be something to read after you’ve read the stories, though.


Illustration by Keith Roberts

The Bad Bush of Uzoro by Chris Hebron

After last month’s story Coincidences, from Chris, we begin with a story I liked more. This one has a Weird Tales vibe, in the form of a story of a haunted mission in Africa as told by a Catholic priest–it even mentions Lovecraft. Not bad, though, and endearingly different with its mentions of African culture, even if there is an element of imperialistic “fear the foreigner” to this one. 4 out of 5.

Just Passing Through by Brian W. Aldiss


Illustration by Keith Roberts

Harry Harrison may not be about much this month, but his friend Brian Aldiss is (Again: when do we ever see the two together?)

This is unusual for Brian: a style that is almost Ballardian, filled with ennui and decay. Colin Charteris is in France on his way to England. His general musings on his stop-over through a mouldering French town also reveals to us that this is a future after the superpowers have released psychedelic drugs in what is being called the Acid Head War. The result is that many of the population are insane, locked away in their own heads as much as they are in institutions. The remainder, such as those seen here in France, seem to live a transitory existence. Whilst this intriguing situation is slowly revealed, the point of the story is less clear, and just as the reader is reeled in, the story ends. More of a mood piece than an actual story, I think.

Brian deserves credit for deliberately pushing the experimental side of science fiction in this story. It is a lot more serious than much of his work, but it feels very much like it is the beginning of a longer story. Nevertheless, it is unusual enough and odd enough for me to give it 4 out of 5.

Inconsistency by Brian M. Stableford

Don’t be fooled by the “new writer” comment given at the top of this story. We have met Brian before, both as Brian Stableford in the October 1966 issue and as co-writer Brian Craig back in the November 1965 issue–not to mention his letters to Kyril back in the same issue. Here he’s writing a fantasy story with a deliberately allegorical touch. Characters live around a village slowly disappearing in the sea. They have no idea of why they are there or how they got there. At the end the sea covers all. BUT WHAT DOES IT REALLY MEAN? Another symbolic puzzle which will either be appreciated or cause befuddlement. 3 out of 5.

The Number You Have Just Reached by Thomas M. Disch


Illustration by Keith Roberts

More from Mr. Disch this month, on the creepier side. It is about Justin Holt, the last man in the world who, staring out from his fourteen-storey apartment, receives a telephone call from someone who may be the last woman in the world. But is she real or is she a figment of his imagination? A story of fear and claustrophobia that doesn’t end well. This one’s fine, but I didn’t like it as much as some of his more recent stories. 3 out of 5.

The Pursuit of Happiness by Paul Jents

Another story from the often-underwhelming Mr. Jents, who last appeared in the June 1966 issue. Krane lives on Aligua, a distant planet which has spurned technology due to once being enslaved by computers, but have integrated circuits implanted in their heads to cope with their lives. Another story that deals with what is real and what is imaginary. One of Paul’s better stories, but really nothing special. 3 out of 5.

It’s Smart to Have an English Address by D.G. Compton

D.G. is a writer who tends to make me think of Fred Hoyle, strangely. Not sure why, other than he has this very British tone. And so it is here. Paul Cassevetes goes to meet his old friend Joseph Brown, a concert pianist (see also Hoyle’s October the First is Too Late where the main character is a composer). Doctor McKay and Paul try to get Joseph to record brain patterns whilst playing one of his finest pieces to give listeners a better experience. Joseph is resistant, feeling that such techniques do not get to the essence of a performance. At the end Joseph suffers a stroke, which makes the process rather redundant. A story of friendship and rather elegiac, if a little bit convenient at the end. I liked it but could see some thinking the story is mawkish. 3 out of 5.

Impasse by Chris Priest

Chris is one of our new young writers beginning to make an appearance in the magazines: last time it was with his Ballardian pastiche Conjugation in the December 1966 issue of New Worlds. This one seems to be an attempt to write short satirical Space Opera and shows the futility of conflict. Insults and threats are made between a Denebian and the Earth Field-Marshal which escalate until one of them shoots the other. Not sure I really get the point. 2 out of 5.

See Me Not by Richard Wilson

Another returning writer. He is popular, I understand, though his stories rarely register with myself for some reason. So the fact that Keith Roberts mentions in his Editorial that this is a “long, complete story” made my heart sink. But I was surprised, even if we are reusing old ideas here. This time it is about invisibility–thank you, Mr H. G. Wells! (Actually, I’ve only just realised that this may have been written as a result of that recent centennial celebration of Mr Wells’s birth.)

Avery wakes up to find himself invisible. Much of the rest of the story is about how he deals with this situation with his wife, Liz, his children, Bobby and Margie, and his doctor, Mike Custer. Lots of social issues ensue. The scientists try to work out what has happened and why. At the end of the story, Avery and Liz, who also becomes invisible, walk off together to live happily ever after it seems.

This is an attempt to write a lighter version of Wells’s tale, but ends up something more akin to an episode of your TV series Bewitched than the original Wells story. Although nowhere near as good as Wells’s version, for me this is a better story from Richard. 3 out of 5.

Keith Roberts rereads ‘The True History’ of Lucian of Samosatos


Illustration by Keith Roberts

And talking of Keith Roberts… This is space-filler of the highest order, as the writer gives us his interpretation of an ancient Greek classic. Not quite sure of its purpose, although Roberts writes well enough and brings to light an old classic that may be worth a second glance. Made me yearn to read a Thomas Burnett Swann story, which may not really be the point of this piece. 2 out of 5.

Book Fare (Reviews)

Book reviews from Alistair Bevan, also known as Keith Roberts. There are reviews of Planets for Man by Stephen H. Dole and Isaac Asimov, Other Worlds Than Ours by C. Maxwell Cade, Colossus by D. F. Jones, Window on the Future edited by Douglas Hill, Ten From Tomorrow by E. C. Tubb and The Machineries of Joy by Ray Bradbury.

Letters to the Editor

Last month I said that the ongoing discussion about Sex in SF that E. C. Tubb started a couple of issues ago felt like it was an attempt to generate mock outrage. With hindsight I now realise that the magazine probably has enough drama going on. Anyway, this month the Letters pages have a spirited defense of “WSB”, better known as William S. Burroughs to you and me, and a discussion of the meaning of Science Fiction, a competition that Harry opened when he first took over from Kyril. There is a winner, step up Peter Redgrove!

Summing up SF Impulse

Keith Roberts is clearly working above and beyond the usual here and should be credited with pulling together an issue even if some material was not up to the usual standard. Let’s hope that the magazine continues, although the signs are doubtful.

An advertisement on the last page of the issue. Is this an omen or a cryptic clue? Is there life after death for New Worlds or SF Impulse?

Until the next (hopefully!)



[December 31, 1966] Barriers to quality (January 1967 Analog)

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by Gideon Marcus

An argument for free trade?

Yesterday, Europe got a bit freer.  The nations of Austria, Denmark, Norway, Portugal, Sweden, Switzerland, and the United Kingdom–along with associate member, Finland, the constituents of the Europen Free Trade Association–removed all tarrifs on industrial goods sold between them.  These countries comprise Europe's "Outer Seven", in contrast to the "Inner Six" of the European Economic Community.  With this move, EFTA's economies may get a competitive boost against the traditional European powerhouses (France, West Germany, Benelux, and Italy).

The SF mag Analog is better suited to the EEC than EFTA.  With editor John Campbell at the helm, who personally reads and approves every item chosen from the slush pile, and who has a distinctive style (to the say the least), the magazine has really gotten itself into a rut.  Sometimes it manages to be good, but more often, as with this month, it's deadly dully.  Read on, and you'll see what I mean.

The issue at hand


by Chesley Bonestell

Supernova, by Poul Anderson


by Kelly Freas

David Falkayn, protegé of Nicholas van Rijn, returns in yet another astronomically interesting but utterly dull adventure.  This time, callow human Falkayn, and his trader team comprising the pacifist buddhist saurian, Adzel, the foul-mouthed racoon, Chee Lan, and the computer, Muddlehead, have visited a world about to be blasted by a nearby supernova.  The planet, at about a Year 2000 level of technology, is riven into several regional powers, and a system-wide crime syndicate has nation-like power.

Falkayn is struggling with determining who their team should work with to build a planetary shield when the decision is taken out of his hands: Chee Lan is abducted by the system's equivalent of the mob.  Falkayn's solution to his dilemma is supposed to be clever, but it feels obvious and uninspired.

Two stars.

A Criminal Act, by Harry Harrison


by Kelly Freas

Here's a piece inspired by the same Malthusian nightmare as the author's hit, Make Room, Make room.  A fellow and his wife have had three kids, one more than the law allows.  As a result, a kill-happy citizen is legally allowed to try to bump the dad off.  It's a duel to the death, either result of which will keep the population stable.

Bob Sheckley could have made this work.  Maybe.  In another magazine.

Two stars.

Bring 'Em Back Alive!, by Lyle R. Hamilton

The nonfiction article this month is about wind tunnels, heat shields, and retrorockets.  Not a bad topic, but Hamilton's overly breezy style doesn't quite work.

Three stars.

Amazon Planet (Part 2 of 3), by Mack Reynolds


by Kelly Freas

Last time around, author Reynolds took us back to the world of the United Planets, a loose galactic confederation of humans in which each planet is allowed whatever government, culture, demographics it likes.  This time, the planet is Amazonia, ruled by women and with the cultural iconography of the famed Greek warrior women.

Guy Thomas was a mild-mannered trade entrepreneur hoping to stoke an iridium/columbum trade between Amazonia and Avalon.  But at the end of the last installment, we discovered he was actually a secret agent.  In Part 2, we find out he's a UP spy, sent when a man from Amazonia made an unprecedented escape from the planet and pleaded for refugee status.  It seems there's a widespread masculine revolutionary movement.

Unfortunately for Thomas, he is quickly captured by the technologically superior Amazons and made to reveal his true identity: he is none other than Ronny Bronston, part of the mysterious Section G, whose explicit purpose is to topple regressive governments–in flagrant violation of the Federation's constitution.  Under truth drugs, Bronston spills the beans.  But before he can give further info, he is rescued by a member of his original escort party, a female soldier who has taken a shine to him.

Out of the frying pan and into the fire!

My nephew continues to rave about this series, whereas I find it mostly an excuse to discuss political theory interspersed with some boilerplate action sequences (which, to be fair, Reynolds has made a good career of).

Barely three stars and sinking.

The Old Shill Game, by H. B. Fyfe


by Kelly Freas

A robovendor is programmed to have an edge on his daily rounds at the concourse.  With the aid of a team of robotic shills, it attracts the attentions of human commuters and makes a killing.  Thus ensues a war between the robovendor's programming team and that of their competitors, each iteration making the android vending machine a bit smarter.

The road to Mike from The Moon is a Harsh Mistress is paved with capitalism.

There's a good idea here, but the execution is a bit muddled and the whole thing just not very satisfying.  Two stars.

The Last Command, by Keith Laumer


by Kelly Freas

From one sapient robot to another: Keith Laumer returns with his answer to Saberhagen's Berserker series, only Laumer's Bolos are tanks rather than ships, and they apparently used to work for people rather than against them.

In this installment, a long-dead machine comes to life deep underground, nearly a century after its last conflict.  Certain that it has been imprisoned by the enemy, it roars to life, slowly making its way toward a city that has sprouted since its deactivation.  An old veteran of the old battle thinks he has the key to stopping this indestructible weapon of war.

It's a bit less polished than previous entries in the series, but I found the end touching.

Three stars.

Doing the math

Running the Star-o-vac, I find Analog scored just 2.5 stars–the worst of the month!  But this has been kind of a lousy month in general, so it's not certain that open trade is the answer.  After all, the British mags, New Worlds (3.3), and Science Fantasy (2.9), are rumored to be on the edge of extinction.  Fantastic (2.6) wasn't good this month, even with decades of reprints available.  IF (2.8) was thoroughly mediocre.  And while I liked Fantasy and Science Fiction (3.2), no one else seems to be enjoying the new serial.

On the other hand, there was exactly one story by a woman this month, and it was one of the best ones.  Maybe, instead of free trade between the current magazine contributors, we need a campaign to tap the as yet fallow resource: women writers.

Crazy, I know, but it's a thought.



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[December 28, 1966] Ice Worlds, Telepathic Martian Mice and Echoes (New Worlds and SF Impulse, January 1967)


by Mark Yon

Scenes from England

Hello again!

As we’re in that strange time between post-Christmas and pre-New Year I’m pleased to type that my copies of both New Worlds and SF Impulse have manged to arrive amidst all of the Christmas mail.

Thank you, postie!

And I am pleased that I actually got two magazines. The rumours of the magazines' decline are still about, although I have no further news. I am still hopeful that 1967 will see them continue. More news when I get it.

With that over, let’s start with New Worlds.

A Guest Editorial this month, from Mr. Brian W. Aldiss, no less. Clearly Mike’s taken time off, and Brian has stepped up – which means that the two issues this month have the Editorial-ship of Aldiss and Harrison. (Where have I seen those two names together before?)

Here Aldiss extols the virtues of the sf pioneer H. G. Wells. Shouldn’t be too surprising, though, as amongst his other many talents Brian is the Vice-President of the H. G. Wells Society, founded nearly 7 years ago. Moorcock last month said that they had hoped to run a piece on Wells’ centenary. I am assuming that this was the (delayed) piece.

It’s an expectedly congratulatory piece – Mr. Aldiss has come here to praise him, not bury him! – but as ever Brian’s writing is always lively and entertaining. There’s a good case made here to celebrate Wells.

To the stories!

Illustration by James Cawthorn

The Day of Forever, by J.G. Ballard

Another melancholic tale from Mr. Ballard. This one has Dying Earth vibes, described as “a world of Nordic gloom” as it posits a future where the Earth has stopped rotating. As a result, in the town of Columbine Sept-Heures, it is a never-ending twilight. This creates for the few survivors a dream-like setting and consequently there’s a lot of stuff here about dreams, or rather not-dreaming, in a surreal setting, as well as Ballard’s usual musings on entropy and time. Here Halliday meets odd characters and dreams of a woman he has seen. More of a mood piece than anything else, I feel. Not a lot happens but the prose is appropriately dream-like in this surreal situation. 4 out of 5.

Saint 505 , by John Clark

A new author to me, with an oddly-styled story of a glowing computer and its creation and management by a mad scientist. Almost poetry but not quite. 3 out of 5.

Sun Push, by Graham M. Hall

Trench warfare that wouldn’t be out of place in the First or Second World Wars – except that this one’s in Britain. Unremittingly grim, Private Time St. John Smith with his Battalion companions Eamus and Sergeant Trelawney fight their way across Southern England. Nasty things happen – “War’s a filthy business”, one of the characters says and that seems to be the main point of this story. To prove it there are a number of atrocities that occur here – for example, captured prisoners are put into brothels, sedated and forced to 'perform', amongst other indignities, something our shell-shocked characters accept and take advantage of. War is hell, etc etc. 3 out of 5.

Illustration by James Cawthorn

Coranda, by Keith Roberts

Onto better stuff. Roberts continues to sell his fiction to the companion magazine of the one he is currently editing. As if this wasn’t enough interaction between the two magazines, the banner tells us that this story was inspired by New Worlds editor Mike Moorcock’s serial novel, The Ice Schooner, currently being serialised over at SF Impulse. So this is another ice-rimmed Fantasy, part Konrad Arflame, part Conan – or is it Elric? The aloof Coranda demands a dowry for her hand in marriage – a unicorn’s head. Rich suitors experience many hardships and not all survive, to win Coranda’s prize, at a cost.

Roberts' tale is grim and yet floridly written, and quite enjoyable, but borrowing Moorcock’s setting and being rather Edgar Rice Burroughs or Conan in style means that it is somewhat derivative. Nevertheless, an interesting alternative take on Moorcock’s idea that I actually enjoyed more than Moorcock’s this month. 4 out of 5.

Illustration by James Cawthorn

Sisohpromatem, by Kit Reed

I had to read that title more than once in order to type it! A story about life from the perspective of a cockroach that wakes up human. No explanation is given for this, but I quite liked it. It shows us that life can be just as weird if you are an insect instead of a human.

Memorable – not just for the title! 4 out of 5.

The Silver Needle, by George Macbeth

Another drug culture related tale but this time in the form of a poem, filled with sex and drug references, and perhaps designed to shock, provoke and amuse. Not as exciting as that summary suggests. 3 out of 5.

Echo Round His Bones (Part 2 of 2), by Thomas M Disch

Captain Hansard continues his life between matter transmitters. Having been rescued at the end of the last part by Bridgetta, the wife of Panofsky, the inventor of the transmitter, we begin this part surrounded by multiple Panlofsky’s and Bridgettas. It seems that every time someone passes through the “manmitter” (ugh) a copy, or echo, is made.

Hansard finds himself unable to go back to his previous world, but is instead offered marriage by Panofsky to one of the copies of his wife. This is not a Heinlein story, right? Or Doctor Strangelove? There are times when it seems very much so. There’s a lot of talk by Panofsky of religion, suicide and souls at this point. And, of course, all of the copies of Bridgetta are wonderful at what they do.

There’s also the pressing issue that the world is about to destroy itself in days… or rather worlds, for it is from Mars that the missiles are about to be launched. Remember – that was Hansard’s original mission, to take a message to Mars.

Confused yet? This is a story that seems to throw everything in at this stage, and as a result it didn’t quite work for me. Clever, yes. And complicated. But I did feel it was trying to spin too many plates at once at the end. 3 out of 5.

Book Reviews

This month Judith Merril takes a step away from her reviewing in the Magazine of Fantasy & SF to review for us Brits. Here she mentions in some detail C. Maxwell Cade’s Other Worlds Than Ours, although as she puts it, “with a touch of my own professional bigotry” to be more impressed than she thought she would be.

James Cawthorn, more briefly, reviews Thomas Burnett Swann’s Day of the Minotaur, Cordwainer Smith’s Quest of the Three Worlds, Roger Zelazny’s The Dream Master, Poul Anderson’s The Corridors of Time and a non-fiction book on archaeology, Approach to Archaeology by Professor Stuart Piggott.

No Letters pages again this month. They all seem to be writing for SF Impulse instead (see below.)


Ballard of a Whaler , by J. Cawthorn

We’ve met James as an artist already this month as a reviewer, but here he is widening his repertoire for the magazine by writing a short tale which also makes use of Moorcock’s Ice Schooner setting. Its purpose isn’t really clear, other than to try and be funny. Who said SF readers don't have a sense of humour?  Sigh.   2 out of 5.

Summing up New Worlds

In some ways we seem to have been put into a routine at New Worlds. It is little different from the last issue – more Disch, more Ballard, more Keith Roberts, the appearance of Aldiss…nothing wrong with that and the stories are generally good. Kit Reed’s is perhaps my favourite in this month’s issue. With all this homage to The Ice Schooner, it's almost as if echoes have been created from the original story! But it does feel a little like this issue could be the November issue just as easily. And so, as last month, a very good issue but not an outstanding one.

The Second Issue At Hand


And now to SF Impulse. Oooh look: nakedness from Keith Roberts. Are we trying to be controversial? (See Letters pages, later.)

The Editorial is a return to that subject we’ve discussed many times before: What is Science Fiction? – before reviewing Gordon Dickson’s Mission to Universe. Harrison likes it.

Illustration by Keith Roberts

Mantis by Chris Boyce

The return of Chris after his fair-but-not-terrific The Rig in the September issue. One again, fair-but-not-terrific, and certainly not as good as the magazine would have me believe. Far too much magazine space (32 pages!) is taken up with the story of sculptor Eric Summerscale, who finds himself being investigated by Condominium Security because his wife Ursula is suspected of being a spy for the Conclavists. Despite its attempt at breeziness, almost becoming a Robert Heinlein story, Mantis feels long, too long, to the point of dullness. Not a promising start; this one tries so hard and yet feels like filler. 3 out of 5.

Green Eyes by Richard Wilson

And then it gets worse, as the laboured Battle of the Sexes idea is continued by Richard. His first story in this series was Deserter in the first issue of Impulse in March and I felt that it was the weakest element of an otherwise strong issue. This is just as awful. The key character in this war is Phoebe, a man in women’s clothing. If it is meant to be funny, it is not. Otherwise, it is another laboured space filler, covering similar ground to Mantis. 2 out of 5.

Letters to the Editor

Letters to the Editor this month continue the discussion of Sex in SF that E. C. Tubb started a couple of issues ago. Chris Hebron, who seems to be all over this issue, responds, as does New Worlds’ Assistant Editor Langdon Jones. The Editor (presumably Harrison, but could be just as easily Keith Roberts) points out at the end how pleased he is for the magazine to have its first real controversy. To me it feels like an attempt to generate mock outrage. Never have these magazines seemed more interchangeable.

Brian Aldiss reviews Thomas M Disch’s The Genocides

A long and thorough review of Disch’s novel. According to Aldiss, the book’s not perfect but there’s enough positives to make me want to read it.


Illustration by Keith Roberts – look, more boobs!

The Shrine of Temptation by Judith Merril

An anthropological story, telling of the strange culture seen by a scientific study through the native Lallayall (aka Lucky). It draws you in, this one. Reminds me a little of Chad Oliver’s writing, but with the usual high standard of Judith. Revelations abound! The first decent story of the issue. 4 out of 5.

Coincidence by Chris Hebron

Another returning author, and not just from his appearance in the Letters Pages this month. Chris was last seen in SF Impulse in October. It’s an epistolary tale, told through communication between two academic researchers. Like the Merril story, there are anthropological elements, although here we also have weird happenings that seem more like witchcraft, with strange images, sex fantasies and things only the narrator can see and hear. Fritz Leiber would like this one, I think. There’s mention of breasts in a vain attempt to grab my attention – this seems to be a theme this month! –  and even shock me in a story that had trouble maintaining my interest. Can’t see the American magazines wanting this one, though. 3 out of 5.

Grutch by Pete Hammerton

Another story that is meant to be amusing (the banner says that it is “a delightfully funny episode from a new and zany talent”), but did not stir me. Some sort of sub-Dickensian style story in a science-fictional, future setting. Luke Varm claims to talk telepathically to mice from Mars who need his help to return home. As silly as it sounds, and once again, this one feels oversold. I am always wary of stories where I am told “this is funny”, because they rarely are. 2 out of 5.

Scary Illustration by Keith Roberts

The Ice Schooner (Part 3 of 3) by Michael Moorcock

Our journey across a frozen world with Konrad Arflame concludes this month. When we left it last month, Konrad and his group of Ulrica Ulsenn (who Konrad has secretly slept with), her arrogant husband Janek, Ulrica’s cousin Manfred and the harpoonist Long Lance Urquart were on the Ice Maiden, heading North to find the legendary New York and possibly the mystical Ice Mother. They were approaching an icebreak.

The boat survives, although there is increased tension as the boat nears volcanoes. Konrad is told by Ulrica that First Officer Petchnyoff and Janek Ulsenn plan to kill him. Before this can happen, though, the boat is attacked by barbarians. Petchnyoff is killed and Konrad is wounded. The weather turns foggier and colder, and the morale on the boat worsens but this changes when eventually the boat approaches New York.

However, the boat is damaged when it hits a wreck and there is another raid on the ship by the barbarians. In an attempt to escape the raiders, the boat is destroyed. The survivors are captured by barbarians riding polar bears and are taken to New York. They are told that the ice is melting. Urquart persuades the barbarians that Arflame should be taken to the Ice Mother’s court. For this, Urquart has made a deal to make a blood sacrifice to the Ice Mother. Manfred is castrated and eventually dies. Urquart is killed in combat by Arflane.

In New York they meet Peter Ballantine, who explains to them the origins of the city and how the people there have invented machinery to keep the ice at bay. Ulrica decides to stay, thinking that this is the future, whilst Konrad leaves alone to find the Ice Mother.

I still enjoyed the setting, though this part feels uneven and even a bit of a downer. Its melancholic nature signals that things must change and yet some cling to the traditions. Will Konrad find the Ice Mother? It looks like we’ll never know. 3 out of 5.

Summing up SF Impulse

A very middling kind of issue this month that seems to be filling space without any real impact, dominated by the dull and predictable Chris Boyce story. The Moorcock was fine but seemed to fizzle out a little, and the Merril was good, but overall this issue feels like it is trying too hard, filled with material that was at the bottom of the pile, or at least full of New Worlds cast-offs.

Summing up overall

After a run of SF Impulses that have been better, from my comments above it may be unsurprising, yet pleasing, for me to say that there’s no contest this month – New Worlds is by far the better issue, even when both magazines seem to be in some sort of slight slump.

Worrying signs aside, we do at least have something to look forward to: this is at the end of the New Worlds issue:

Until the next (forward, 1967!)…





[November 26, 1966] White Boats, Whales and Disch, New Worlds and SF Impulse, December 1966


by Mark Yon

Scenes from England

Hello again!

In a follow-on from last month’s comments, the rumours of falling sales on both Brit magazines seem to be holding water. This is worrying, especially when both magazines seem to be on a roll, but the one I like most is the lesser-selling of the two. New Worlds definitely presses buttons, but SF Impulse is the one I remember most.

More news as I get it.

Let’s start with New Worlds.

Mike Moorcock’s Editorial this month begins with the sad bit of news that Cordwainer Smith has died and then goes onto write of an aborted attempt to celebrate the centenary of H. G. Wells’ birth.

It is perhaps the last part that may be of interest to regular readers, as Mike (or is it Assistant Editor Langdon Jones?) lets slip some of the findings of the latest New Worlds reader’s survey. Unsurprisingly, the results reflect the changing state of the genre, something that regular readers will not be unaware of.

To the stories!

Echo Round His Bones (Part 1 of 2), by Thomas M Disch

Mr. Disch is everywhere in the Brit magazines at the moment. This month, for example, we have a serial novel and an interview from him over in SF Impulse (more later.) We’ve had poetry, horror stories, science fiction stories, funny stories and weird stories, all in the last six months or so. And here we have the first part of a novel, which takes up almost half of the issue.


Illustration by James Cawthorn

The story is one that uses a lot of science fictional cliches but blends them up into a modern tale. In the near future scientist Panofsky has invented an instantaneous matter transmitter (Star Trek fans, take note.) Captain Nathan Hansard is a United States officer who is transferred with his platoon from Camp Jackson Pensylvania base to Camp Jackson Mars via the transmitter known as The Steel Womb. However, there is an unfortunate side effect. Hansard discovers that whilst being transferred he becomes left in limbo in some sort of in-between realm. As a result, although he is still on Earth, he is like a ghost in that he can walk through walls but cannot communicate easily with people in the ‘normal’ world.

As if that wasn’t strange enough, he also finds out that there are others stranded in this space who can interact with him normally. This is not always good, nor easy – Hansard finds himself pursued by his own soldiers, for example. Much of the middle section of this part of the story is about how Hansard comes to terms with his new environment and survives. He visits his ex-wife and son, only to find that he has become a voyeur and cannot communicate with them. He also has dreams of himself being a soldier and being involved in horrible acts in an unnamed place which looks and sounds like China.

At this point Hansard is rescued by Bridgetta, who we then discover is the wife of Panofsky, the inventor of the transmitter.

It’s a little wobbly to start with. Hansard does not come across well in the first couple of chapters — arrogant and generally unpleasant, which is not an ideal start of a character described as “a hero”. There’s also the odd major dollop of exposition in a tell-not-show kind of way. However, once the plot settles, it is exciting and memorable, shocking and interesting. The fact that there were points where I honestly couldn’t tell where this one was going makes this a good thing. 4 out of 5.

Conjugation, by Chris Priest

We’ve met Chris here before, in the May 1966 issue of Impulse with The Run. This one is different, attempting to be like Ballard’s recent work, cut up into initially disparate sections: a newspaper report, part of a speech for the President, a transcript of a videotape, an entry in an emergency-log and so on, with the verbiage kept to a minimum. Its plot is typically unclear, more an exercise in style but seems to be about an astronaut involved in an accident which seems to involve some sort of implosion. Whilst I liked the fact that the writer is trying to push the genre envelope a little, it didn’t really work for me. In the end no one does this sort of thing like Ballard. 3 out of 5.

The White Boat , by Keith Roberts

Now this was a surprise. This is a Pavane story, a series recently published in Science Fantasy, and to all intents and purposes finished. Admittedly, it was very well regarded and not just by me.

This one is a smaller vignette piece, focussed on a young teenage lobster fisherman named Becky. One night she sees a White Boat out at sea. She becomes obsessed with it and on its return ends up on it. The boat is a smuggler boat, bringing forbidden technology from France to England. Becky is returned to where she lives, to watch as the boat is shot at by soldiers of the Pope.

There’s a lot of the usual Roberts-in-more-serious-mood touches, which I liked, and even some odd vaguely sexual ones, which felt a little out of place. To be honest, the link to the world of Pavane is minimal, but there are connections if you know what to look for to connect this story to the rest.

So why is this coda piece being published in New Worlds? I’m not really sure, but with Roberts acting as Managing Editor, artist and teller of Anita stories (see later) in SF Impulse, perhaps another Roberts story there this month would have been just too much.

I liked it but did not come away quite as impressed as I was with the other stories in the series. 3 out of 5.

Lost Ground, by David Masson

How often have you heard about the weather being oppressive, moody or unsettling? In this story David makes “mood-weather” a reality in the future, where the weather does affect people’s moods, something which future generations pop pills like crazy to alleviate.

It’s good to see the return of an author who made such an impact with his first story published last year, even if more recent tales have been less impressive. However, this one I liked, perhaps because it deals with that most British of conversation topics!


Illustration by James Cawthorn

The rest of the story though does not quite live up its potential. TV reporter Roydon Greenback goes to find his wife Miriel lost in a time-storm, which leads to him being sixty-one years in the future from his original point. It doesn’t end well. Nothing especially wrong with this, it is just a bit predictable.

This one’s more like The Transfinite Choice (New Worlds, June 1966) than Traveller’s Rest (New Worlds, September 1965.) in that it has interesting ideas but not always used well. It does however introduce new words that could be scientific or just made up – chronismologists and poikilochronism, for example. Again, not his best work but far from his worst. 4 out of 5.

The Total Experience Kick, by Charles Platt


Illustration by Unknown Artist

The latest from Platt goes back to the land of The Failures (New Worlds, January 1966), which was all pop-culture and alternative lifestyle drug culture. Our hero is an industrial spy whose Total Experience machine can be used to intensify emotions through music. He is sent to infiltrate the opposition and see their latest development, with a girl involved to complicate things. It’s fun but a bit predictable, rather like rather Jerry Cornelius meets The Beatles, based around some sort of Heath Robinson contraption. I’m assuming that this story may be the inspiration for the cover picture this month. 3 out of 5.

Tomorrow is a Million Years, by J. G. Ballard

Illustration by Unknown Artist

The latest from Mr Ballard is a reprint (see Argosy, October) and also due out as part of a collection soon, I gather. Glanville and his wife Judith are able to travel time and space. They go to the fictional ship Pequod and see Ahab and his crew and talk of Glanville being The Flying Dutchman before the story turns into one of revenge. Still dark and moody but a surprisingly straightforward tale from J. G. It makes me think that this was written a while ago – it is more reminiscent of his Vermillion Sands story collection than more recent work like The Terminal Beach. 4 out of 5.

Book Reviews

This month Hilary Bailey covers a lot of books. This includes Roger Zelazny’s This immortal, Shoot at the Moon by William F. Temple, Make Room! Make Room! by Harry Harrison, Mandrake by Susan Cooper, Damon Knight’s The Other Foot, Sybil Sue Blue by Rosel George Brown, Shepheard Mead’s provocatorily-titled The Carefully Considered Rape of the World, Digits and Dastards by Frederik Pohl and The Fiery Flower by Paul I Wellman. Mike Moorcock also reviews and lists some, very briefly.

No Letters pages again this month.

Summing up New Worlds

Lots of returning authors this month. The Disch is the standout for me, although not perfect, whilst the rest are good but not great overall.

The Second Issue At Hand


And now to SF Impulse. The cover pushes the artwork to one side this month to herald the writers and point out that there is a new Editor-in-Chief, if you didn’t know.

The Editorial is mainly Harry’s version of what happened at the Trieste Film Festival, which Francesco Blamonti reported on last month. In short, the Italians are very enthusiastic about their sf, perhaps more so than us undemonstrative Brits. Does read a little bit like an essay entitled “What me and Arthur C Clarke did on our holidays.”

Inside Out by Kenneth Bulmer and Richard Wilson

The first story this month is co-written by a duo with a long pedigree here in Britain. Ken Bulmer is a prolific author who has been published since the 1950s, but whom you might not know in the US, and Richard Wilson similarly but since the 1940s. As you might expect then this is a straightforward SF tale of the “old-school” variety.

Petty crook Duke Walsh steals a metal box full of money from an alien here on Earth in secret. The box however is not just a storage box, but a replicator, which can replicate almost anything you want. However, Duke, not realising what the box is, takes the money and throws the box away. Short yet memorable. 3 out of 5.

Three Points on the Demographic Curve by Thomas M. Disch

A story from the seemingly ever-present at the moment Mr. Disch. In the overcrowded future of 2440 (I can see why Harry likes this!), Darien Milkthirst (great name!), Investigator, is given the task of finding 56 470 kidnapped children. The kidnapper, Prosper Ashfield, appears and tells Darien that he is from the future. As the Last Man on Earth he is collecting children to repopulate the future Earth. However, the children are indolent and look upon Prosper’s robot companions as their natural superiors. Frustrated, Ashfield begins to select children from throughout history to try and redress the issue. He then goes into deep-freeze to allow the robots to continue their work.

It’s all told in the jaunty manner that the story banner describes as “wry humour”. More good stuff from Mr Disch, that reminds me a little of Robert Sheckley – not a bad thing. 4 out of 5.

The Familiar by Keith Roberts

Illustration by Keith Roberts-  the author!

Another Anita the teenage witch story! Well, not quite, as the focus this time is upon Granny Thompson’s cat. I said that Anita’s last story felt like it was the series coming to an end and this story almost proves it. Anita is a popular character, but I think Keith is starting to scrape the bottom of the barrel with this one. Nevertheless, this is very different to Keith’s other offering in New Worlds this month. As ever with the Anita stories, The Familiar is fun and not to be taken too seriously, but not the strongest Anita story I’ve read. 3 out of 5.

Hell Revisited: An Interview with Kingsley Amis by Thomas M. Disch

Kingsley Amis is a respected author and commentator here in Britain. Harrison in his Editorial describes him as a “friendly critic”, and I would say that this is fair. His book New Maps in Hell has been seen as a critical work in recent years, extolling the virtues of sf to critics who would otherwise sneer at it.

With this in mind then, Disch’s interview is rather revelatory. Amis decries the recent writings of New Wave authors, claiming that to meet mass appeal it has lost some of its key characteristics. All of the authors hallowed in New Maps – Clarke, Pohl, Sheckley and Blish – are now criticised and of the new crowd, Messrs Aldiss, Budrys and Ballard have all disappointed. Even “run-of-the-mill science fiction is even more run-of-the-mill than it used to be”. All of this sounds a bit grumpy, yet Amis puts his points across amiably and logically. Kurt Vonnegut and Anthony Burgess come out of this well. Interesting and thought provoking.

The Real Thing by Eric C. Williams

Another returning author, last seen in Science Fantasy (whatever happened to that ?) back in August 1965. A story of what happens when Holt Mannering hires the spaceship Magpie and her crew for a day to get research for his next book. This involves getting as much realism as possible, which makes the trip rather dangerous. All written in a light-hearted manner – Heinlein it ain’t! 3 out of 5.

The Plot Sickens by Brian W. Aldiss

If the last story was amusing, this one is a lot more fun! In typical Aldiss manner, Brian takes the conceit begun by George Hay in his Synopsis story in Impulse 4 (June 1966) of writing reviews for imaginary science fiction novels and then spoofs it up even more. For example:

Beware the effect of an unbridled Aldiss! Makes its point whilst not savaging the genre, and a nice counterpoint to the Amis interview. Made me grin a lot. 4 out of 5.

The Ice Schooner (part 2 of 3) by Michael Moorcock

Illustration by James Cawthorn

The first part of this story I described last month as a “post-apocalyptic Norse fantasy” introduced us to Konrad Arflane in a future Earth covered in ice. There a man Konrad rescued, Pyotr Rorsefne of Friesgalt, had said that he would like Konrad to take his ship, the Ice Maiden, and sail to the North to find the legendary New York and there the mystical Ice Mother.

The second part this month deals with the exciting but gruesome hunting of whales, and is straight out of Moby Dick. Before the journey North, Konrad has agreed to take Pyotr’s daughter Ulrica (who Konrad fancies), her arrogant husband Janek Ulsenn, and Ulrica’s cousin Manfred whale hunting, along with the legendary harpoonist Long Lance Urquart.

However, the crew of the vessel are inexperienced in whale hunting and the ship is destroyed. Manfred rescues Ulrica but Manfred receives a broken arm and Janek’s legs are broken. Arflane finds himself more and more attracted to Ulrica. Despite her being married and Konrad being warned off by both Janek and Manfred they begin an affair.

The group return to find Pyotr has died. There is a funeral. The will splits the estate between Ulrica and Manfred, with Konrad receiving the command of the Ice Spirit. If he takes on the journey to find New York, the ship and any cargo become his. It is a further condition that Ulrica and Manfred go with Arflane on this quest. Urquart goes too.

With the journey begun, the relationships between the group are strained. After Ulrica’s initial enthusiasm, she now acts coolly towards Konrad. In return, Arflame is moody as a result of Ulrica’s rebuttal. Such taciturn emotions to those around him lead the crew to begin to rumour that Konrad brings a curse with him. There are enormous difficulties faced on their journey, and the story ends as the ship encounters an ice break.

So, lots of excitement. The pace of the first part is maintained this time around. The whale hunt is particularly gruesome, although that is to be expected. Generally, this second part is nearly as good as the first, although there is a dreadfully done sex scene and an utterly convenient plot point that takes the story down a notch. At one point, it all becomes rather like a science fiction version of Lady Chatterley’s Lover, which may be intentional.

Despite this, the story is intriguing and I still like the setting. 3 out of 5.

The Voice of the CWACC by Harry Harrison

Although this is the first time the CWACC have appeared here, there have been previous stories in this series (last seen in the June 1966 issue of Analogtraveller Marcus really didn't like it.) Personally, I am always a little dubious of editors publishing their own work in their magazine – it either displays a great deal of confidence in their own worth or conveniently fills up a gap, neither of which usually bode well. I’m not quite sure which this shows!

It’s a slight tale, meant to be amusing, of scientists (the CWACC) with a new invention – an aircraft recognition system to be used for ground defence. Because of the “highly secret, unpatented, incredibly artful components” it has, it is very successful. The new twist is that the machine is worked internally by a rat – take that, Daniel Keyes! Not bad – energetically silly and fairly forgettable. And no, I still don't know what CWACC stands for! 3 out of 5.

No Letters to the Editor this month.

Summing up SF Impulse

I like the Moorcock, even if it is not quite as good as the part last month. Disch impresses (again) and both the Anita story and Aldiss’s story made me laugh – not easy to do.

Summing up overall

New Worlds is a solid issue from regular writers. SF Impulse impresses more with its stories. Disch or Moorcock? Aldiss or Harrison? Keith Roberts or… Keith Roberts? Hmm. Both issues are good, but I’m going with the SF Impulse (again) this month.

Someone say "Christmas?" All the compliments of the season to you.

Until the next (forward, 1967!)…