Tag Archives: fantasy & science fiction

[Mar. 18, 1965] Per Aspera (April 1965 Fantasy and Science Fiction


by Gideon Marcus

A Storm is Coming

"These are the times that try men's souls"

Thomas Paine

The times, they are a changing.  If the post-Korea decade was a national honeymoon for the United States, then the tumult following Kennedy's assassination surely marks the dawn of a new era.  To be sure, that decade of "good times" was secured in part on the back of many, be they Black, female, and otherwise.  Nevertheless, it felt like we, as a country, were moving toward racial justice and equality, toward shared prosperity, toward peace in the world.

Not anymore.  Where it seemed there might be rapprochement between East and West, now there is, once again, active American military involvement in Asia.  Some 3,000 troops have been dispatched, and the USAF is taking an active role in the campaign rather than simply propping up our South Vietnamese allies (whomever is leading them this week).

The Chicago Tribune says the national mood is tilting in favor of this involvement, a recovery from dashed morale just a few weeks ago after several Viet Cong incursions.  At the same time, the peace movement, which I wholly endorse, has also picked up steam, viz. the sit-in of 11 protesters at the White House last week.  I take this as a hopeful sign.

Progress toward civil rights has been a matter of two steps forward followed by one backward.  The "backlash" against newly won Black rights was in full display on March 7 when uniformed police brutally shut down a planned march for voting rights from Selma to Montgomery, Alabama.  Quickly dubbed "Bloody Sunday," it was an adamant Southern rejection of the Negro's right to basic humanity.

Even Dr. Martin Luther King Jr.'s arrival on March 8 could not immediately change affairs, and an attempt made March 9 was blocked at the bridge out of town.

But the South has never lead this nation, not in the 1860s, nor in the 1960s.  Those who saw this injustice were appalled, and this disgust reached the highest quarters of government.  On March 13, President Johnson declared this restriction of free expression to be "a national tragedy", and on March 15, in an address to the jointly assembled Congress, announced sweeping Voting Rights legislation.

Yesterday, a federal judge set aside restrictions against the march.  It will proceed as planned, starting as early as tomorrow or the next day.  Again, a sign that we can make it through adversity to our dreams.

Weathering Through

The Magazine of Fantasy and Science Fiction has had its own tribulations after a decade of unparalleled excellence under its first two editors.  The Avram Davidson era, 1962-64, was something of a nadir for the proud publication.  Now that the magazine's owner, Joe Ferman, has taken over the editorial helm (though there are rumors that it's his son, Ed, doing the work), the magazine seems to be pulling out of its nosedive.  Come take a look at the latest issue:


by Bert Tanner

Arsenal Port, by Poul Anderson

Once again, Poul Anderson takes the cover with the continuation of the adventures of Gunnar Heim, last seen in January 1965's Marque and Reprisal.  The retired space captain had obtained a letter of marque from the French government to harry the Alerion regime, which had taken the Terran planet of New Europe hostage after a short war.  Off went Heim to space in the cruiser, Fox 2, along with a scurvy crew, and there the first story ended.

Port takes place on the environmentally hostile planet of Staurm, where Heim has stopped to obtain arms for the trek.  Possessed of heavy gravity and a toxic atmosphere, not to mention carnivorous trees and insane battle robots, it is perhaps even more difficult a world than Harrison's Pyrrus.

Complicating matters is the arrival of Heim's ex-lover, a xenobiologist named Jocelyn, who rather pointedly rekindles the affair.  But is her love sincere, or is it merely to sabotage Heim's mission in furtherance of the goals of the Peace Party?

On the one hand, this installment is beautifully written, and the depiction of Staurm's weird planetology is hard science fiction at its best.  We get a bit more of Heim's background and some nice color on his executive crew, too.  On the other hand, Port boils down to a fairly simple adventure trek and doesn't further the main plot.  It's roughly analogous to the middle third of Heinlein's Have Spacesuit, Will Travel, which also featured in F&SF.  It's enjoyable reading, but you could just as easily skip it.

I waver between three and four stars.  I'm going to settle for a high three and wait for the outrage.



F&SF is now experimenting with cartoons.  Here's one by Gahan Wilson.  There will be others.


Keep Them Happy, by Robert Rohrer

In the future, the death penalty is retained; but in order to be as humane as possible, the condemned are made as happy as possible before the execution.  The story begins with a convicted murderer being told he has been acquitted and can go free — before being killed by a blow to the head by Kincaid, the psychologist/executioner-in-chief.  The rest of the tale involves a bitter widow who killed her husband for infidelity, and Kincaid, who undertakes to find out what it will take to make her happy. 

I found Happy to be disturbing and not a little anti-woman.  And, in the end, completely predictable. 

It's decently written, however, so it gets a low two star rating.


F&SF by Ed Emshwiller

Imaginary Numbers in a Real Garden, by Gerald Jonas

Here's a cute poem that utilizes mathematical symbols to complete its rhymes.  But I fail to see why one looks beyond the stars for complex numbers (you look in electric circuits) and in any event, "i" is the symbol that should have ended the piece.

Three stars.

Blind Date, by T. P. Caravan

Hapless lab assistant is catapulted to the future by a mad scientists, only to find himself immediately made part of festivities celebrating his trip through time.

This tale is the very definition of forgettable; twice, I had to refer to the magazine to remember what this rather goofy tale was about.

Two stars.

The History of Doctor Frost, by Roderic C. Hodgins

Ah, but here's a good one.  Frost is a fresh take on the Deal with the Devil genre (indeed, it's stil possible!) On the threshold of making a vital mathematical discovery, Dr. Frost is visited by a servant of Satan who offers to guarantee the man's success if only he will surrender his intellect and abilities to the devil after his demise.  Frost demurs and is given 24 hours to make his decision, which he uses to consult with, in turn, a Jesuit Priest, a psychologist, and a female friend.  In the end, the decision is entirely Frost's.

It's rather beautifully done, an archetypical F&SF story.  Four stars.

Lord Moon, by Jane Beauclerk

Jane Beauclerk is back with another tale set on the nameless world we were first introduced to in July 1964's We Serve the Star of Freedom.  Said planet is inhabited by humaniform aliens under the authoritarian regime of the Stars, venerable scholar/tyrants each with their own specialties. 

This story involves Lord Moon, a sort of knight, who sails to the lawless twelve thousand islands of Lorran hoping to free and marry the daughter of a Star held captive there.  It is not until the end that we have any encounters with actual Terrans, and the whole story is told in a magical legend sort of way.  Indeed, it is left an open question whether or not magic works, side-by-side with science, on this particular world.

It's an acquired taste, but I enjoyed it.  Three stars, like the last one.

The Certainty of Uncertainty, by Isaac Asimov

Doc A offers up a non-fiction article on quantum mechanics.  Such is always a bold decision as it is an abstruse topic that does not lend itself well to popularization.  Indeed, Asimov runs into the same problem as everyone else: he doesn't end up explaining it very well.

Having taken quantum mechanics in college (it was very new stuff then), I can tell you that it's not that complicated or difficult to comprehend — provided you have a solid grounding in calculus and second-year physics.  Without them, any explanation is just pointless analogy. 

I'm not trying to be a snob, and the Good Doctor does do a good job of explaining how tiny things live in a universe of their own, increasingly different from our everyday world as the scale shrinks.  But in the end, you're left with a lot of gee whiz stuff and not much understanding.

Three stars.

Eyes Do More Than See, by Isaac Asimov

F&SF's science columnist by-and-large gave up fiction writing with the launch of Sputnik.  He still keeps his hand in, every so often, though.  Eyes involves energy beings of the Trillionth Century, our long distant descendants, who decide to return to dabbling with physical forms…and quickly discover why they'd given it up.

Apparently, this short-short was originally rejected by Playboy.  In any event, it displays a rarely seen poetic side of the author, but whether you'll find it moving or maudlin depends on your particular sensibilities.

I fall right in the middle.  Three stars.

Aunt Millicent at the Races, by Len Guttridge

And last, here's a modern-day Welsh fairy tale about a boy whose aunt is transformed into a horse, and how the boy's father exploits the occurrence for financial gain.

Normally, this kind of silly plot would be too trivial to keep my interest, and no doubt played for laughs.  Neither is the case.  Guttridge's writing, so tight and evocative, so cinematically vivid, makes this my favorite piece of the issue.  It misses five stars, but only just.

The Star of Hope

Yes, times are currently tumultuous, and things can often seem hopeless.  It's important at junctures like these that we reflect on what's positive in our life, the power we have to make things better, and the security that comes of knowing that things that have gone bad can truly come 'round.

And that's something to celebrate!


New York's Saint Patrick's Day parade, yesterday






[February 16, 1965] Return to a Quagmire (March 1965 Fantasy and Science Fiction)


by Gideon Marcus

Sliding Downhill

In the twenty years since the beginning of the Cold War, there have been many potential flashpoints between East and West.  In 1950, Chinese-backed North Koreans almost took the entire Korean peninsula in a see-saw, later stalemated, conflict that lasted until 1953.  Berlin twice became the hot spot — during the 1948 blockade and after the building of the Wall in 1961.  Cuba, too, has been a fraught locale, with the 1959 Communist takeover followed by the disastrous American-backed invasion in 1961 and then the near-calamitous Missile Crisis of 1962.

And then there's Vietnam.

Formerly part of French Indochina, the region has been divided into two roughly equal halves since 1954, when Ho Chi Minh's Viet Cong threw off the colonial yoke in 1954.  Since then, the Communist North has engaged in both insurgent and conventional tactics against the South.

Of course, the United States has backed South Vietnam despite it being a rather corrupt and authoritarian state that, for the past two years, has seen a revolving door of junta leaders running the country.  American involvement included air support and "military advisers", our presence including about 20,000 troops, all told. 

And then came the Gulf of Tonkin incident last August, in which American naval vessels reportedly were attacked off the coast of North Vietnam.  That opened the door for a flood of American air strikes, including into neutral Laos to bomb the "Ho Chi Minh" supply trail.

It was perhaps inevitable that the Viet Cong would hit back, first with a bombing of an American billet in Saigon last month, and now, on February 6, with a mortar attack on Camp Holloway, near Pleiku in central South Vietnam.

8 soldiers died in that attack, more than 100 were injured, and there was extensive damage to American equipment.  In retaliation, the U.S. launched Operation Flaming Dart, yet further intensifying the air war.  Wives and children of American personnel were ordered to leave Vietnam, Hawk surface to air missile batteries were set up at the airbase in Da Nang, and a general escalation of the conflict appears inevitable.  Publications, from the conservative Chicago Tribune to liberal LIFE Magazine, are clamoring for direct involvement.

That means American troops abroad, and anyone between 18-25 not currently enlisted in the military better start reconsidering their plans for the next few years.  People like my nephew, David, who just turned 23.  He's married, has a young son, and goes to UCLA, so perhaps he's safe.  For now. 

In any event, the papers are full of Vietnam news these days, and the voices against escalation are being drowned out by the hawks. 

It looks like we're about to slide, slow-motion-wise, into another Korea.  Call me an iconoclast peacenik, but I'm registering my protest early.  This won't end well.

No Relief in Sight

For those hoping that the latest issue of Fantasy and Science Fiction would offer a respite from the world's glum news, I'm afraid I have to disappoint you.  The return to form we rejoiced in last month quickly fizzled.  This month's mag is a dud:

The Doors of His Face, the Lamps of His Mouth, by Roger Zelazny

In the sultry oceans of Venus resides a leviathan of a fish, a kind of mammoth angler called "Ikki".  Bane to boaters, menace to fisheries, Ikki has been the target of big game hunters and professional exterminators.  None have succeeded.

Rich dilettante Jean Lucarich is willing to pick up where others have left off, driving a 10-acre raft equipped with tranquilizer harpoons and giant cages off in search of the modern day Moby Dick.  So keen is her desire that she has hired her old flame, a deep sea adventurer, to be a baiter.  His job is to lure the Ikki in range of Jean's craft…and capture.

Persons who are more familiar with literary fiction can probably tell me what style Zelazny (the author) is going for.  I found it overwrought and, in places, difficult to parse.  But what bugged me the most was the utterly archaic (virtually Burroughsian) rendition of Venus.  Zelazny's version of the Planet of Love is kinda warm, rather than 800 degrees Fahrenheit.  Its day is roughly like an Earth's day, rather than 250 days long.  The air is breathable, the water potable. 

I nitpick because there's no way that the author doesn't know his Venus is wrong.  Mariner 2, first interplanetary probe, finished its mission two years ago.  It was in all the papers.  Indeed, the story would have been more palatable had it taken place on Earth, say, in some remote corner of the Indian Ocean.  It might even have been so, originally — some reject planned for Collier's or some other mainstream mag.

Anyway, it's not bad, but it's not really SF, and I found it too consciously literary.  One Bradbury is quite enough.

Three stars.

Final Appeal, by J. H. Brennan

This first piece by the Ulsterian Brennan involves the quest for justice when the judges are all automated.  It's one of those pieces that requires such an implausible development of technology (in this case, no human involvement at all in the rendering of judgment) that the "clever" solution falls flat.

It doesn't help that the solution, itself, while it may appeal to the mainstream of society, will be distasteful to a more free-thinking sort.

Two stars, and only because it kept me along for the ride until the inevitable disappointment (which came about a page too late).

Essentials Only, by Jack Sharkey

An absent-minded professor accidentally opens up a portal to a virgin alternate-Earth.  He invites his friend to join him for a lifetime of simple pleasures, but of course, they need to bring their girlfriends.  And their girlfriends insist on some modicum of civilization.  And that includes certain, essential people.  And their possessions.  And more luxuries, just in case.  And so on.

Jack Sharkey varies between mildly impressive to (more often) rather dreadful.  But this story is pleasantly droll, inoffsenive.

Three stars.

The End of Eternity, by Ernesto Gastaldi

According to F&SF's new editor, Joseph Ferman, the state of Italian SF is pretty poor: mostly send-ups of cliches we abandoned in the Pulp Era.  But, Ferman promises, this imported tale (translated by Harry Harrison) is something different.

He's wrong.  End takes place in modern day Rome on the eve of its nuclear destruction.  The bomb that will destroy it, scientists say, is so powerful that the space-time continuum might be ruptured.  By the way, the protagonist is named "Romulo", and the story is redolent with reminders of the antiquity of the city.  Can you guess what will happen?

Two stars for this Italian version of the creation myth.

Tripsych, by Ron Smith

Ferman praises Smith for his satirically broad rendition of three hoary SF ideas in as many vignettes.  However, the world doesn't need more bad stories, even if their badness is intentional.

Two stars.

Illusion, by Walter H. Kerr

In 1951, J. T. McIntosh wrote Hallucination Orbit, the definitive tale on cracking up while on solitary assignment in space.  Kerr's poem is on the same topic and compares unfavorably in all respects.

One star.

Better Than Ever, by Alex Kirs

There's a movie playing "over there".  It takes a month to watch, and no one can tell you what it's about.  But those who see it come back…changed.  More mature, no longer plagued with their frailties and foibles.  Better, one might say.  An adman named Clinton is one of the last, stubborn holdouts, increasingly alienated as everyone he knows, one by one, goes to see this movie. 

This is his story.

Well, sort of.  Nothing much happens in this short piece, mostly just a portrait of social isolation — an isolation Clinton refuses to remedy with the obvious solution.  Can you blame him?

Anyway, it's a fair piece, I guess.  Probably some kind of metaphor.  I don't know. 

Three stars, sure.

Oh, East is East and West is East, by Isaac Asimov

In a recent Analog, editor Campbell included a geographical quiz: which states of the U.S.A. are the farthest North, South, East, and West?  It's kind of a trick question since it hinges on the fact that Alaska straddles the 180th meridian and, thus, is both the farthest East and West (and North, but that's obvious to anyone who's read the paper since 1959, when Alaska became a state).

I got the answer right, but then, my first book was an atlas.  The Good Dr. A. got it wrong, and thus produced an article to explain why he was really right.  It's cute, but it doesn't tell you any more than a decent map would. 

Three stars.

Ado About Nothing, by Bob Ottum, Jr.

There is a wall at the end of the universe posted with a sign that says that nothing exists beyond the wall.  If you don't believe it, put a quarter in the wall and look through the peephole for yourself.

It's a silly vignette, but it appealed to the former editor, Avram Davidson, whose collected materials Ferman is apparently still depending on.

Two stars.

Uncollected Works, by Lin Carter

If 50 million monkeys at 50 million typewriters could eventually produce the works of William Shakespeare, what could a computing machine with infinite monkeys worth of random creative capacity produce?

Lin Carter has been around for a while, at least in SFF and Lovecraftian fandom circles, but this is the first story of his I've run across.  Told from the perspective of an old literary critic, given to sentimental verbosity, it's a charming piece.  It doesn't make a lick of sense, but it's charming.  I feel like a little more thought could have made the scientific conceit more plausible, which would have then made the story more effective.

Three stars, anyway.

Maiden Voyage, by J. W. Schutz

Thankfully, the end of the issue is the bright spot.  Schutz, currently American Consul General in Tangiers (Morocco), offers up this novelette in epistolary, detailing a scientific mission to Mars in the mid 2030s.  Refreshingly, it stars a woman, and in a chatty, engaging style, describes the rigorous training, arduous journey, and perilous events that she endures. 

It's straight science fiction, more what I'd expect from Analog than F&SF these days, and I enjoyed it.  Bravo, especially for a first effort.

Four stars.

War Report

Both Vietnam and F&SF have been troubled spots for some time, with only isolated moments of hope to keep us going.  I guess the question is this: do we continue to throw good money after bad?  Maybe we should stick both out for another year and see what happens.  If neither improves, maybe it's time to pull out, at last…






[January 18, 1965] Doors also open (February 1965 Fantasy and Science Fiction)


by Gideon Marcus

Eulogy for One

I opened this month's Fantasy & Science Fiction to the sad news that author Richard McKenna had passed away.  He was quite an excellent author, one who (like me) started writing fiction late in life.  That he was only to devote eight years to a career he'd hoped to last for sixty is a tragedy for all concerned.  Here's his obituary in full.

It is perhaps the fittest balm that the February 1965 issue of F&SF is the first really good one in a long time.  New editor Joe Ferman may have finally exhausted the dreck his predecessor, Avram Davidson, had assembled.  Aside from the improvement in quality and the inclusion of an honest-to-goodness science fiction story, I note there is only one piece in what I'd call the "joke" category, and there are four entries by women.  F&SF has traditionally published the most women per capita, but under Davidson's reign, that distinction had been surrendered.

So let's welcome back this return to form (long may it last).  Come take look:

The Issue at Hand


by Jack Gaughan

Marque and Reprisal, by Poul Anderson

Perhaps a hundred years from now, Earth's World Federation, beginning to settle the stars, runs into the humanoid Aleriona in the disputed Phoenix sector.  A misunderstanding ensues, and after Alerion ships slaughter the human population of New Europe with nuclear missiles, they occupy the planet.

Accidents happen.  Surely the decimation of half a million people is not worth risking interstellar war over, especially on the eve of establishing formal trade relations between Earth and Alerion.  Except, as we learn early on, most of those 500,000 colonists aren't dead.  They are holed up in New Europe's mountains, hoping for a rescue effort that the Federation is unwilling to mount.  Thus, the information is suppressed, its purveyors ostracized.

This all sits poorly with Gunnar Heim, a former space cruiser captain.  If not the Federation as a whole, surely at least one nation will stand up for New Europe.  And indeed, France would do so — if it had its own navy, which it does not in this future enlightened time.

But the Federation was never a signatory to the 1856 Declaration of Paris, which outlawed Letters of Marque…

This story takes a little while to get going, and it has a little bit too much of the protagonist talking to himself, which is one of Poul Anderson's idiosyncrasies.  It also lacks a single woman character.  On the other hand, it has many things going for it.  It is a space story, something the magazine has been sorely lacking for a long time.  It is an interesting story (ditto).  And it derails itself halfway through with a completely unexpected plot twist; I always appreciate it when an author can pull this off.

I'm giving it four stars even though it ends on a cliffhanger.  If there isn't a sequel, I'll eat my hat.

The Sin of Edna Schuster, by Willard Marsh

Mrs. Schuster engages in a tryst with a passionate, mysterious man named Raoul, an expatriate from some Latin country.  It becomes quite clear at the end that he is not quite of this world.

I am going to refrain from rating this one.  It's quite well written, but I fail to recognize the fable/myth it references at the end, so I cannot tell how effective it is at what it's trying to do.

Please enlighten me?

Mrs. Pribley's Underdog, by Sue Sanford

Aging widow Pribley discovers and becomes quite fond of an alien she finds on her lawn, one best described as a looking like an organic vacuum cleaner.  But if this is the extraterrestrial her scientist brother has been in mental communication with, why is it that it is suddenly incapable of anything more than the most rudimentary thoughts?

It's cute, the "joke" story I mentioned.  Three stars.

Time and the Sphinx, by Leah Bodine Drake

Here's a lovely piece about Time as personified aspect, and the Egyptian goddess-in-stone he comes to loathe.  Can he defeat her with his withering powers?  And will he be pleased with the outcome?

Four stars.

Harmony in Heaven, by Isaac Asimov

In which the Good Doctor discovers Kepler's Third Law and proceeds to draw up a number of tables.  It's exciting as it sounds (although, to be fair, Dr. A. is never bad).

Three stars.

The Switch, by Calvin Demmon

The Professor has been dead for a century, but his soul lives on in a box as gray as he was when he passed.  Every few months, he is switched on by some 21st Century student who wants first-hand knowledge of life in the 20th. 

Is this immortality?  Or a kind of hell?  Either way, I found it poignant.  Four stars.

Look Up, by Karen Anderson

The subject of this poem is the Tomorrowland that is space.  The quality is not up to Karen's usual snuff.  Two stars.

The Absolutely Perfect Murder, by Miriam Allen deFord

How best to eliminate a pesky spouse?  Kill their father before the spouse can be born, of course!  But, as is always the case with stories, there's an unforeseen wrinkle.

Nothing new with this piece, but neither is there anything offensive.  A low three stars.

The Placebo Effect, by Theodore L. Thomas

Our science springboardist suggests that the Placebo Effect, which is real, could be developed into a perfect cure, if only we could find the perfect placebo for every malady.

You'll quickly spot the logical fallacy, but as satire, it's kind of fun.

Three stars.

The Deadeye Dick Syndrome, by Robert M. Green, Jr.

Against the admonitions of a crackpot occultist, Tom Fish heads out to the desert.  And in the pre-dawn dark, he comes face to face with the "vast black thing, poised like a crow over the moon."  Suffused with a thrilling energy, he returns to his town only to find he is now utterly despised by all — liked Deadeye Dick from H.M.S. Pinafore.  Only the fruitcake can save Fish from an imminent lynching.

It starts excitingly, ends confusingly, and there is entirely too much quoting and name-dropping of Charles Fort and Messrs. Gilbert and Sullivan, but I hesitate to give it lower than three stars just because I am largely ignorant of the work of those three men.

Dialogue in a Twenty-First Century Dining Room, by Robert F. Young

Last up is a short piece in script form detailing how a scrupulously average couple in a deliberately average society manage to beat the wondrous Bartlett's quoting rowk bird into insipid inanity.

Good for what it is.  Three stars.

Celebration for All

And so, we say good-bye to a bright star, but we see the rosy-fingered dawn of a reborn F&SF.  Sadness and hope in equal measures.  Things could be worse.  I'll drink to both.


by "Moonman82"



[If you have a membership to this year's Worldcon (in New Zealand) or did last year (Dublin), we would very much appreciate your nomination for Best Fanzine! We work for egoboo…]




[December 15, 1964] Failed Flight of Fancy (January 1965 Fantasy and Science Fiction)


by Gideon Marcus

Missing Something

Science fiction and fantasy are closely aligned genres.  Indeed, there is no hard line between them (like the continuum from sharks to rays) and one person's "soft" science fiction is another's fantasy.  Each of the monthly SFF mags has carved out its own turf in the spectrum between hardest SF and fluffiest fantasy. 

Analog has chosen the firmest of grounds, its stories highly scientific; even the recent Lord D'Arcy tales are a kind of highly rigorous fantasy.  Galaxy, IF, and Worlds of Tomorrow also hew solidly to "reality".  The magazines that trip more fantastic tend to indicate such in their titles: Fantastic, Science Fantasy, The Magazine of Fantasy and Science Fiction.

The name of the last one belies the fact that precious little, if any, science fiction appears within its covers these days.  It didn't used to be so; during the Mills era, Naked to the Stars, and many other definitive science fiction works appeared.  But ever since Avram Davidson took over, and even though he has been gone two issues now, F&SF has been a horror/fantasy mag.

And this is a problem.  While SF is an ever-evolving genre, powered by new discoveries that unlock entire subgenres, fantasy is an unstructured, amorphous mass.  And horror is (at least for now) a pile of cliches.  Seen five Alfred Hitchcock Presents (the TV analog to F&SF) and you've seen them all.  You may enjoy those five very much, but after a season of them, you're through with the genre.

F&SF's all-starring January 1965 issue is chock full of stories that might have been passable, if lesser, tales back in 1949.  These days, they are frustratingly inadequate, especially given the new 50 cent price tag.

Exibit F (for Fantasy/Failure)


by Mel Hunter (depicting a landing on Neptune's moon, Triton — the closest this issue will get to SF)

End of the Line, by Chad Oliver

We start with an "after the Bomb" piece, which I guess qualifies it as a low form of SF.  However, its premise is sheer fantasy.  In brief, it is centuries down the line, and civilized humanity has lost the ability to breed.  The more comfortable we become, the lower our fertility, the sicklier are our children.  Only the ignorant savages outside the last City remain fecund.

One City-dweller is a throwback, leading raiding parties into savage lands to kidnap children to be raised back at home.  Whence come this spark of atavistic vigor?  Of course, it turns out he's a kidnapped savage.  And also that the primitives, themselves, are descendants of City-dwellers abandoned as children.  Because all it takes to regain the spark of life is utter deprivation.

It's a dumb story, and women are portrayed as neurotic wives and would-be wet nurses.

Two stars.

Dimensional Analysis and Mr. Fortescue, by Eric St. Clair

Margaret St. Clair (and as her alter ego, Idris Seabright) is one of the best known names in the genre.  Her husband, Eric, is an up-and-comer.  Unfortunately, his latest story, about a fellow who opens a funhouse but finds it was inadvertently equipped with an interdimensional rift, is a down-and-goer.  Just too broadly written and inconsequential; the kind of frothy stuff Davidson dug.  Meringue can be tasty, but you can't live on it.

Two stars.

Begin at the Beginning, by Isaac Asimov

The Good Doctor's article is on calendar year system.  Entertainingly spun, and including a few tidbits I had not been hitherto aware of, it nevertheless is a history lesson rather than a scientific piece.  That's okay, as far as it goes, but it's much easier to present a non-technical piece for a layman than to explain an abstruse topic.

Three stars.

The Mysterious Milkman of Bishop Street, by Ward Moore

Turn-of-the-Century fellow engages a new milkman who promises to deliver his goods right to the doorstep rather than let it freeze on the street.  The product is superb, the service excellent — too excellent.  When it starts mysteriously appearing inside the house, the fellow decides he's had too much of a good thing and abandons his residence.

I liked that this story turns the "if it seems too good to be true" cliche on its head (there's never anything untoward about the milk; in fact, during the term of the milkman's engagement, life had been significantly better for the drinker).  However, it ends abruptly and with insufficient development.  It needed another sting for its tail.

Three stars.

Famous First Words, by Harry Harrison

Brilliant scientist devises a contraption to record the genesis of great inventions.  It's really just an excuse for a brace of ha-ha vignettes, which aren't very funny.

A disappointment, both given the author and the promising title (which is now useless).

Two stars.

The Biolaser, by Theodore L. Thomas

The Science Springboard is back, this time positing a time when laser scalpels are so thin, they can splice DNA like reel-to-reel tape.  Maybe it's possible? 

Three stars, I guess.

Those Who Can, Do, by Bob Kurosaka

An impudent college student interrupts his teacher's math lecture with a demonstration of magic.  The teacher responds in kind.

No really, that's it.

Two stars.

Wogglebeast, by Edgar Pangborn

Molly, a middle-aged woman with an inherited fancy for magical (if mythical) creatures, befriends a Wogglebeast when it emerges from a pot of chicken soup.  She keeps the odd animal, which is never really described until the end, as kind of a pet, kind of a good luck charm.  Fortune does seem to follow, and she even, at the age of 41, manages to become pregnant.  The story, however, has a sad ending.

A sentimental and well-written tale, it doesn't have much more than emotion going for it.  And I'm getting tired of women portrayed solely as mothers or wanting to be mothers.

Three stars.

Love Letter from Mars, by John Ciardi

Good meter on this poem, but after reading it five times, I've still no idea what the author is trying to communicate.

Two stars.

The House the Blakeneys Built, by Avram Davidson

Ugh.  Davidson.

Alright.  I won't leave it at that.  The Blakeneys are the descendants of a four-person crew stranded on a (entirely Earthlike, of course) planet hundreds of years ago.  Severe inbreeding has dulled their intelligence and bred in odd superstitions.  When a fresh foursome of shipwreckees arive, the results are not happy ones.

Another vaguely promising tale that comes to an unsurprising, uninspiring end.

Two stars.

Four Ghosts in Hamlet, by Fritz Leiber

Finally, we have the longest piece of the mag, about the goings on in a Shakespeare company which culminate in a seemingly spectral conclusion during the Ghost's appearance in Hamlet.

Leiber, of course, recounts from experience, being a prominent actor, himself.  But unlike the excellent No Great Magic, there is not a hint of fantasy or science fiction in this F&SF story.  And while I appreciated the 30 page, (deliberately) gossipy and meandering behind-the-scenes look at life in an acting company, that's not why I subscribed to this mag.

Three stars.

Back to Reality

What a disappointment that was!  If new editor Ferman can't find anyone to write proper SF, or even imaginative F for F&SF, he might as well change the magazine's masthead.  As is, it's false advertising.

Oh well.  There are plenty of interesting magazines and books next to it on this month's newsstand…



[Holiday season is upon us, and Rediscovery: Science Fiction by Women (1958-1963), on the other hand, contains some of the best science fiction of the Silver Age — many from F&SF's prouder days.  And it makes a great present!  A gift to friends, yourself…and to the Journey!]


[November 19, 1964] Ding Dong (December 1964 Fantasy and Science Fiction)


by Gideon Marcus

Avram is Gone

Way back in March 1962, Robert Mills left the editorship of The Magazine of Fantasy and Science Fiction.  He turned over the reins to a writer of repute, a man who had published many a story in this and other mags: Avram Davidson.

It seemed auspicious — after all, who better for the most literate of SF periodicals than one of the more literary authors in the genre.  Instead, the last two and a half years have seen the decline of the once proud magazine continue apace.  Certainly, there have been standout stories and even issues (for instance, Kit Reed's To Lift a Ship came out in that first Davidson issue — and I liked it so much, I included it among the fourteen stories in Rediscovery: Science Fiction by Women (1958-1963).

But successes aside, F&SF is mostly a slog these days, filled with uninspired and/or overly self-indulgent stories.  The only thing that kept my going was the rumor, confirmed this Summer, that Avram had decided to give up the editorship to focus more on his writing.  And so, we have this month's issue, the first in what may be called "The Ferman Era". 

Mind you, I'm sure most of the stories were picked by (and certainly submitted to) Davidson, so I don't expect miracles.  Join me on the tour of the newest F&SF, and let's see what, if anything, has changed!


by Jack Gaughan

Buffoon, by Edward Wellen

For the most part, Ed Wellen is a mediocre writer, mostly turning in lamentable stuff, occasionally contributing acceptable though not brilliant fare.

This time around, we have the story of an alien who poses as an Aztec at the time of Montezuma.  His goal is to become a thrice-sold slave so that he can ultimately be the blood sacrifice made every 52 years.  It's all part of an elaborate prank on the indigenes, which is explained in the story's last page.

Despite the seeming light nature of the plot, it's actually rather humorless, a sort of "you are there" piece on the Aztecs.  Something one might sell to National Geographic, but with a veneer of SF to make it salable to F&SF.  I vacillated between three and two stars; there are some nice turns of writing in there, lots of historical detail, but the whole thing was more tedious than enjoyable.  It certainly lacked the charm of the Aztec-themed serial that recently came out on England's Doctor Who.

So, a high two.

The Man with the Speckled Eyes, by R. A. Lafferty

Mr. Lafferty often turns in fun, whimsical tales.  But this one, about a mad-eyed fellow who claims to have invented anti-gravity, and who makes disappear the corporate bigwigs who dismiss his claims, doesn't really go anywhere.  There're some vivid scenes, some Hitchcock Presents-type horror, and then roll credits.

An ending would have been nice.  Two stars.

Plant Galls, by Theodore L. Thomas

Our resident scientific "expert" waxes rhapsodic about stimulating plant galls (think vegetable callouses) with new carbohydrate sprays.  Imagine!  Like magic, all you have to do is spray a field and you get a giant, cancerous mass of food!

Except Mr. Thomas has forgotten about the second law of thermodynamics — it takes resources to make the spray, doesn't it?

One star.

From Two Universes …, by Doris Pitkin Buck

Of Univacs and Unicorns, which have never met.  This poem is the seed for an F&SF-sponsored context: write a story involving both, and you might win $200!

Three stars, I guess.

On the Orphans' Colony, by Kit Reed

Abject loneliness can make one do crazy things.  On a hostile world, a young orphan opens the barred doors of his commune, seduced by the maternal sirensong of an otherwise repulsive being.  But what horror has he unleashed upon his barracks-mates?

Vivid.  Three stars.

Wilderness Year, by Joanna Russ

After the bomb, the sub-surface survivors only go above ground as a rite of passage.  Of course, they are given the most advanced devices to ensure their safety.

This is a throwaway joke tale, which the punchline nicely arranged to occur at the top of the page turn where it can be most effective.  Certainly not the best Joanna Russ can offer, but not bad.

Three stars.

Somo These Days, by Walter H. Kerr

A poem about sensory deprivation becoming the new, hip rage with all the kids.  I imagine it's a commentary on how our teens are plugged into their transistor radios these days, ignoring the outside world. 

Silly.  Two stars.

A Galaxy at a Time, by Isaac Asimov

Strangely uncompelling piece by Dr. A about close-packed galaxies wracked by mass supernovae.  It just didn't grab me like his articles usually do.

Three stars.

Final Exam, by Bryce Walton

A variation on the Last Man/Last Woman cliche.  In this one, Last Man doesn't want to commit until a battery of psychological tests determines the potential pair's compatibility.

Forgettable: 2 stars.

The DOCS, by Richard O. Lewis

This would-be Lafferty tale is about a guy whose attainment of multiple doctorates is undercut by his lack of empathy.  Facile, with a dumb ending.

Two stars.

The Fatal Eggs, by Mikhail Bulgakov

Ah, but almost half the book is taken up by a gem.  The Fatal Eggs is a reprint from the early days of the Soviet Union, an arch piece about a scientist who discovers a mysterious red ray.  Said ray not only stimulates the reproduction of animals, but the resulting creatures are fearsome and enormous.

I would not have thought that a 40 year-old piece, translated from Russian, could be so compelling, so colloquially humorous, and delightfully satirical (and thus banned, though our Soviet correspondent, Rita, also read and enjoyed it). 

Definitely a four star piece, and I am sad to learn (at the very end) that this is a condensed version!  With Bulgakov's story, the journey is as fun as the plot, and I would have enjoyed more comedic scenes of life in 1920s Russia.

Four stars.

All things must pass

Well, we made it.  On the one hand, half of this month's issue represents a nadir for the magazine.  On the other, The Fatal Eggs is wonderful.  On the third hand, it's an aged reprint.  Well, any constipation requires time to relieve itself.  I'm willing to give Joe Ferman, our new editor (and the owner's son) a chance to prove himself. 

How about you?


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[October 20, 1964] The Struggle (November 1964 Fantasy and Science Fiction)

[Have you gotten your copy of Rediscovery: Science Fiction by Women (1958-1963)? It's got some of the best science fiction of the Silver Age, many of the stories first appearing in The Magazine of Fantasy and Science Fiction!)



by Gideon Marcus

The Good Fight

1964 has been a year of struggle.  The struggle to integrate our nation, the struggle against disorder in the cities, titanic power struggles in the U.S., the U.K. and now the U.S.S.R.  The struggle to hold on to South Vietnam, to preserve Congo as a whole nation.  The struggle of folk, rock, Motown, country, and surf against the inexorable British invasion.

So it's no wonder that this month's Fantasy and Science Fiction makes struggle the central component of so many of its stories.  This magazine is wont to have "All Star Issues" — this one is an "All Theme Issue":


by Ed Emshwiller

The Issues at Hand

Greenplace, by Tom Purdom

Purdom, who just wrote the excellent I want the Stars (review coming in the next Galactoscope), depicts a 21st Century in which immortality has created a stranglehold on politics.  Canny machine bosses can hold on to power indefinitely.  Nicholson is a man who would break this power, loading himself up on psychically enhancing drugs and personally investigating "Greenplace", a stronghold neighborhood of the 8th Congressional District.  There, he encounters resistance, violence, and a secret…

Remarkable for its melange of interesting ideas and surreal execution, it's a little too consciously weird for true effectiveness.  Three stars.

After Everything, What? by Dick Moore

Two thousand years ago, genetic supermen ruled the galaxy.  They weren't dictators; rather, they were created by humans to be the best that humanity could be (that's what the story says — I'm not endorsing eugenics).  After a century of dominance, they all died out.

It's a well-written piece, but the conclusion is obvious from the beginning: the ubermenschen struggled against boredom…and lost.

Three stars.

Treat, by Walter H. Kerr

It used to be that, on Halloween, people would wear scary masks so that when they encountered bonafide spooks on their day of free reign, they would be mistaken for compatriots.  Nowadays, the shoe is on the other foot — spooks can only freely walk the Earth on Oct. 31 since everyone mistakes their frightening faces for masks.

Cute?  Three stars.

Breakthrough, by Jack Sharkey

Here, the struggle is Man vs. Machine.  A chess-playing computer betrays its sentience by developing a sense of humor.  So its creator, tormented with feelings of inferiority, shoots the machine dead.

Sharkey can be good.  More often he can be bad.  Here, Sharkey is about as bad as he ever gets.

One star.

Dark Conception, by Louis J. A. Adams

When the Savior comes again, will it be in the form of another virgin birth?  And what happens when the new Mary happens to be Black?

This is the first piece of the issue that has some of the old F&SF power, but the ending doesn't pack a lot of punch since the conclusion is telegraphed, and the author doesn't do much with it.

Three stars for this missed opportunity of a tale.

One Man's Dream, by Sydney Van Scyoc

Against age, all mortals struggle in vain.  A Mr. Rybik has himself "tanked" in life-sustaining fluids in the hopes of purchasing a few more years.  But not for himself — he wants to preserve the other personality who lives in his head, the pulp adventurer called Anderson.  This Anderson is more real to him than even his wife or his kids, entertaining, sustaining, allowing Rybik to enjoy a life of vicarious excitement.

But when Rybik's money runs out, he finds that no one in the real world wants to pony up dough to save a crazy dreamer who neglected his family.  Can Anderson save him now?

Well crafted, it engages while it lasts, and then sort of fades away.  Like Anderson.

Three stars.

The New Encyclopaedist – III, by Stephen Becker

Another of these faux articles written for an encyclopaedia, copyright 2100 A.D.  This one details a latter day crusade against immorality by a McCarthy parody.  Mostly a bore, though there is one genuinely funny line.

Two stars.

Where Do You Live, Queen Esther? by Avram Davidson

Esther is a Creole house-servant.  Her struggle is with her employer, Eleanor Raidy, who treats her poorly.  In typically overwritten fashion, the author details Esther's revenge.  Only Avram can make seven pages feel like 20.

I understand Davidson is quitting the editorship of F&SF to devote more time to his writing.  If this is the kind of stuff we can look forward to, he might consider an altogether different career.  And it's a reprint, no less!

Two stars.

The Black of Night, by Isaac Asimov

Dr. A's article for the month details the struggle to answer Olbers' paradox: if the universe be infinite, and stars evenly distributed, why isn't the night sky as bright as the day's?

As one might guess, the issue is with the postulates.  Neither are correct, as we now know.  Asimov does his usual fine job explaining things for the layman.

Four stars.

On the House, by R. C. FitzPatrick

In the earlier story, Dark Conception, the husband of the pregnant Mary confronts Mary's doctor.  Both husband and doctor are Black, but the husband considers the doctor a "Tom" and won't be satisfied with mere equality:

"I don' want what you want, man.  I want what they got and for them to be like me now.  I want to lead me a lynch mob and hang someone who looks at one of our girls.  I want to rend me some of my land to one of them and let them get one payment behind.  I want them to try to send they kids to our school.  I want 'em to give me back myself like I was before, when I didn't hurt so bad that I better off dead."

Fitzpatrick's On the House is a deal with the Devil story, but the protagonist is a Black woman, and all she wants is to change places with "one of them". 

It's another piece that would do a lot better with development beyond the punchline, but I at least appreciate the variation on the theme.

Three stars.

Portrait of the Artist, by Harry Harrison

If there is going to be one struggle that defines the modern age, it's the struggle to reconcile automation with personal dignity.  Harrison, in this piece, shows the mental devastation that happens when even such an imagination-laden field as comic artistry can be done by a machine. 

It was pretty good up to the end where (if you'll pardon the unintentional pun, given how the story ends), Harrison fails to stick the landing.

Three stars.

Hag, by Russell F. Letson, Jr.

Is a witch's pox effective against modern vaccination?

Another pleasant (if forgettable) prose poem.

Three stars.

Oversight, by Richard Olin

Wacky doctor wins his struggle against aging by infusing his cells with planaria (flatworm) DNA.  It has unintended consequences.

Another story with an obvious ending — and this one doesn't make biological sense. 

Olin's last (and first) story was better.  Two stars.

The Third Coordinate, by Adam Smith

We end with the struggle to reach the stars.  The concept is novel: humanity has invented a teleporter, but while direction can be controlled, distance cannot.  What its operators need is three known destinations, coordinates that can be used to calibrate the device so that accurate ranging can be done.

Great idea.  Very poor execution.  Nothing happens for the first 20 pages but some of the clunkiest exposition and character development I've read in a while.  And there's no tension in the end, either.  Pilot succeeds, end of story.

Two stars, and a hope that the theme gets picked up by someone with more chops.

Summing Up

As it turns out, the biggest struggle this month was finishing the damned magazine.  Conflict is vital to any story, but it's only one component.  Execution and development matter, too.  Even Davidson's story intros have lapsed into badness.  I'm looking forward to the editor's departure from F&SF; any change has to be an improvement, right?


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[September 22, 1964] Fall back!  (October 1964 Fantasy and Science Fiction)

[Don't miss your chance to get your copy of Rediscovery: Science Fiction by Women (1958-1963), some of the best science fiction of the Silver Age.  If you like the Journey, you'll love this book (and you'll be helping us out, too!)



by Gideon Marcus

To every thing there is a season

Even in timeless southern California, we have seasons.  In the Imperial Valley, it is joked, there are four: Hot, Bug, Stink, and Wind.  Here in San Diego, spring comes in summer, summer comes in fall, fall comes in winter, and winter not at all.

Yet here and there, we see a deciduous tree start to change color.  The end-of-summer mornings have a hint of chill in them.  Things proceed in an endless cycle.

The same is true of The Magazine of Fantasy and Science FictionLast month, I raved over a superlative issue, an increasing rarity under the current editorship of one Avram Davidson.  I am sad to report that things are back to form in this month's issue.

I think part of the problem is that, as Davidson cheerfully confesses, he's not really into science fiction.  He bounces off the truly hard stuff, like Martin Caidin's quite good Countdown and fills his magazine with fantastic fluff…and then has the temerity to complain that people don't sent him plain old rocket stories anymore!

On the other hand, the rumor has been confirmed — Davidson has moved to Berkeley from Mexico, and someone else is taking over the magazine.  I hear that Joe Ferman, currently publisher, will take the helm, but that his son, Ed, will do all the work.  I look forward to seeing what they bring to the table.

But first, let's take a look at what is possibly Davidson's last editorial effort, what he optimistically calls an "All Star Issue".

Autumn Harvest


by Chesley Bonstell

Once again, the cover is stunning — and utterly unrelated to the contents of the issue.  It's a depiction of an ion-drive propelled ship off of Mars, and it's from the book Beyond the Solar System, presumably available on bookshelves near you.

Purple Priestess of the Mad Moon, by Leigh Brackett

The first of the All Stars is the legendary Leigh Brackett, queen of pulp and accomplished screenwriter.  This tale actually began as a joke nine years ago, when a fictional title was created to represent the kind of fiction Brackett excelled at.  Purple Priestess is the author's attempt to turn a joke into reality.

It has all the hallmarks of a pulp Mars, from the thin air to the drying canals, the ancient natives who speak High and Low Martian.  And, of course, out in the frigid deserts lies an antediluvian evil so terrible that none can experience its presence and fail to gibber.

I enjoyed Lovecraft's stories well enough in the '30s , but I'm disappointed to find one presented unironically in what was once the premier SF mag.  Two stars.

The Pro, by Edmond Hamilton

The subsequent piece, by Brackett's husband (of similar vintage) is better.  One can't help but see a bit of the autobiographical in this story about a science fiction author who finally gets to see the rocketships he created in fiction become reality at the Cape.  Only the launching of the latest of them is not a joyous occasion, for the writer's child is the pilot.  Even if the mission goes well, it marks a final rift between father and son, one the writer is sure can never be bridged.

A bit maudlin but enjoyable.  Three stars.

Stomata, by Theodore L. Thomas

Thomas' latest short story idea disguised as a non-fiction article takes the idea of stomata, the pores that allow plants to respire, and posits an race that uses them for everything — breathing, eating, excreting.

I don't know how plausible the idea is.  On the other hand, Pinky the Blob, debuting in one of my upcoming books, employs exactly this mechanism.  Great minds think alike.

Three stars.

Maid to Measure, by Damon Knight

Five years ago, Damon Knight came out with What Rough Beast, a story so excellent that I'm reading it again in the Spanish edition of F&SF

Maid to Measure, a joke-ending vignette about a shape-changing girl, is as trivial as Beast is momentous.

Two stars.

Little Anton, by Reginald Bretnor

Bretnor is perhaps better known to the readers of F&SF as Grendall Briarton, composer of the recently finished series of "Feghoot" pun stories.  After reading this awful reprint, the story of an idiot savant inventor with a tedious Swiss accent and a penchant for pinching posteriors, I'm actually nostalgic for Briarton.

One star.

First and Rearmost, by Isaac Asimov

Doc A. turns in an above average science article this month, all about how gravity stacks up to the other three primal forces of the universe: electromagnetism, the weak nuclear force, and the strong nuclear force (his omission of love and money are probably deliberate).  It's all stuff I knew already, but he lays it out nicely for laymen.

Four stars.

The Year of the Earthman, by Hogan Smith

An old, radiation-scarred astronaut goes AWOL to marry a lovely extraterrestrial lass, dying just moments after he learns that they will have a son.  And then we learn the truth of the space traveler's existence.

Not a bad tale, though it makes little scientific sense.  Also, Hogan Smith is the opposite of an All Star — this is is first story!  But he's from San Diego, so all is forgiven.

Three stars.

In What Cavern of the Deep, by Robert F. Young

Robert F. Young's little autobiography at the front of Cavern is quite interesting.  Like me, he came into the genre by way of Burroughs and then Wells, and also like me, he tried making an honest living before deciding that writing is the most fun one can have with their hands — especially if one gets paid for it!

Young writes stories inspired by mythology and folklore, and while he has come out with some of my very favorite stories, his works from the last several years have been disappointing and mawkish.  His latest falls somewhere inbetween.

David Stuart is a poor young man made rich through inheritance from an uncle.  While investigating the deceased's estate, he comes across two swimming sisters and promptly falls in love with Helen, the blonder of them.  But the ensuing marital bliss is dashed by the revelation that Helen is growing taller by the week, approaching titanic proportions after just a year.  It's sort of an inverse of Richard Matheson's The Incredible Shrinking Man.  At the same time, David's wife becomes more and more enamored with bodies of water, swimming constantly and even growing gill slits.

Is Helen a beast of the sea?  An alien?  And is the story going to end horrifically (as set up in the prologue) with David hurtling five smooth stones to smite his monstrous love?

Cavern is a bit of a departure from Young's previous stories in that, though he makes conscious references to the biblical King David, this is more to obscure the plot than to outline it.  The piece is told with Young's usual excellent facility, and I found myself eager to get to the end.

On the other hand, the end is just a bit too pat, too clearly presented to be very satisfying.  What could have been a 4 or even 5 star story ends up on the high end of 3.

Empty Cornucopia

If this be Davidson's swansong, he picked a sad note to go out on.  Maybe he's got one issue more in him before he shuffles off F&SF's bridge — I'd like to have fonder memories of this phase of his career!


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[August 21, 1964] The Good News (September 1964 Fantasy and Science Fiction)


by Gideon Marcus

Reversing the trend

The United States is the richest country in the world.  By any reckoning, we measure in superlatives: biggest economy, strongest military, most movies, coolest cars.  But there is one outsized statistic we shouldn't bury in gloss — 19% of Americans live in poverty.

Several months back, newly installed President Johnson took an unscheduled trip through Appalachia, the poorest part of our country.  This region, between the Eastern seaboard and the Plains states, north of the agrarian South and the Industrial North, has traditionally been an economic backwater.  Shocked by what he found, LBJ promptly declared a War on Poverty, seeking to continue the efforts of President Roosevelt to bring up the nation and, in particular, Appalachia.

Yesterday saw a great step forward taken in that direction.  President Johnson signed into law the Economic Opportunity Act, designed to help the poorest families find their way out of their economic quagmire.  This will be achieved a number of ways, largely through the creation of new task forces and funding of groups whose goal is poverty relief. 

For instance, the newly created Job Corps and Neighborhood Youth Corps will provide work and training for the underskilled and underemployed.  Work Study college grants and Adult Basic Education will ensure that the poor are not barred from employment by illiteracy or lack of education.  There are also loan and grant programs for individuals and agencies. 

It's a smart system, not a simple redistribution of wealth but an investment in the next generation of Americans.  I have a lot of confidence that it will be successful — provided, of course, that the money gets put to good use.  Time will tell.

Big and small scale

Just as the White House has endeavored to improve the lot of Americans, so has Fantasy and Science Fiction's editor worked to address a disturbing trend.  In fact, this month's issue is easily the best one of the magazine that I've read in a while, and it's not even an "All-Star Issue".  It's just good.

So for those of you who came to hear me flog F&SF, you're going to be disappointed…

Mel Hunter's cover shows a post-Mariner 2 Venus, a cloudy inferno.  It's a beautiful piece, though it pertains to no story in this issue and is, perhaps, a better fit for Analog

The stories, on the other hand, are pure F&SF:

Chameleon, by Ron Goulart

Ron Goulart writes these flip, droll little pieces, with deft skill (if not great consequence).  This particular one stars Ben Jolson, member of a corps of secret agents whose special talent is shapeshifting.  People, animals, furniture, these superspies transform instantly and apparently without regard for mass considerations.  Jolson is a particularly adept, if eccentric, agent, grudgingly tasked with getting the prime minister of Barafunda to make a proclamation against the practice of using soulless, mass-produced people as slave labor.  By any means necessary: becoming a trusted adviser, inciting violence, even becoming the PM herself.

Goulart keeps things real enough to avoid farce, light enough to avoid melodrama.  If you like Laumer's Retief or Harrison's Stainless Steel Rat stories, this will be right up your alley. 

Four stars.

A Miracle Too Many, by Alan E. Nourse and Philip H. Smith

Dr. Stephen Olie discovers that being able to miraculously cure with a touch is a curse as well as a blessing.  Both Nourse and Smith are physicians, so it's no surprise that this piece involves the medical profession.  I liked everything but the ending, which felt a bit lazy.

Three stars. 

Slips Take Over, by Miriam Allen deFord

Ms. deFord, who is 76 today (Many Happy Returns!) offers up a tale of a man who slips between parallel timelines as easily and inadvertently as we might get lost on the streets of an unfamiliar city.  It's a neat idea, with the kind of great creepy atmosphere deFord is good at, but she doesn't do much with the story.  Plus, there are inconsistencies regarding what items do and do not travel with the hapless universe-crosser.

Three stars.

Olsen and the Gull, by Eric St. Clair

Eric, the husband of famed author Margaret St. Clair, is an author in his own right.  This is his first story not to be written for children and involving SFF elements.  In this case, it's a shipwrecked lout of a sailor whose only entertainment is to crush the eggs of the multitudinous seagulls while chanting "tromp tromp tromp."  One enterprising bird undertakes to distract Olsen the sailor by teaching him the art of summoning… with amusing and unfortunate results.

Four stars.

Carbonaceous Chondrites, by Theodore L. Thomas

Even Thomas' little column, usually sophomoric in the extreme, isn't bad this month.  He posits that the carbon compounds being found in certain meteorites are evidence of extraterrestrial life — but not the way you think!

Three stars.

Four Brands of Impossible, by Norman Kagan

The longest piece of the issue is by a new writer, a student at New York City College.  As befits a novice, the story, about a mathematician tapped to develop an illogical logic, is somewhat unfocused.  Moreover, when it's all done, I'm not exactly sure that anything of importance has happened.

On the other hand, there are bits in the story that are quite compelling, about space research, the value of an automated presidency, the folly of racism, etc., and I will remember the novelette for these if nothing else.

Thus, three stars.

The New Encyclopaedist-II, by Stephen Becker

A mock encyclopaedia article, about Jacob Porphyry, who reversed the trend toward malaprop and literary inanity by making his books hard to read.

It's cute once you get into it.  Three stars.

Theoretical Progress, by Karen Anderson

This first of two poems by Karen Anderson (Poul's other half), is a modern-day send-up of Antigonish

I liked it.  Four stars.

Investigation of Galactic Ethnology, by Karen Anderson

On the other hand, the second poem, a limerick, is barely worth a pained smirk. 

Still, that's the appropriate reaction to a well-delivered pun.  Three stars.

Elementary, by Laurence M. Janifer and Michael Kurland

Raise your hand if you want to murder your agent.  Goodness, there are a lot of you!  I shouldn't be surprised…I'm not even convinced that they're a necessary evil these days.  Anyway, this story is about a pair of authors who decide to put paid to their 10% bloodsucker only to find their efforts repeatedly thwarted.

This is another piece with a great beginning and middle, but the ending didn't quite work for me.  Perhaps you'll feel differently.

Three stars.

The Haste-Makers, by Isaac Asimov

The Good Doctor's non-fiction article is on catalysts this time around.  I learned a great deal, but then chemistry has never been my bag.  The big revelation I got out of the piece was that catalysts aren't magic but merely a side effect of our living in an oxygen-filled environment (just like airplanes no longer boggle the brain when you realize that they don't fly on nothing — air just happens to be invisible).

Four stars.

The Deepest Blue in the World, by S. Dorman

When the stars become a battlefield, the men will go off to fight and die, and women will be brought to the Wedding Bench to conceive and rear the next batch of soldiers.  If they resist their breeding lot in life, it's prison and the mines for them.

A chilling story by an author with an uncanny vision of female subjugation.  A strong four stars.

Inconceivably Yours, by Willard Marsh

A bachelor worries that the failure of a contraceptive will end his bachelor days, but one God's curse is another man's blessing.  A fair story with a delicious title.

Three stars.

The Star Party, by Robert Lory

The astrologers presume to know a lot about people.  Unfortunately, master star-teller Isvara picked the wrong two Madison Avenue party attenders to cast readings on.  It's a nice little tale, though the astronomical inaccuracy at the end was unfortunate.

Three stars.

A Crown of Rank Fumiter, by Vance Aandahl

Last up, we have young Vance Aandahl, who started out strong and has been delivering weak tea indeed for several years.  This piece, about a recluse who, in the midst of death finds his humanity, is a refreshing change of direction — and thus a perfect capper for a surprisingly strong issue.

Four stars.

Summing up

I don't know that any of these stories hit it out of the park for me, but there were plenty of good pieces and no clunkers in the lot.  Even Davidson's introductions were entertaining.  This issue will certainly be a contender for best magazine this month.

More good news: F&SF has several foreign editions.  They've just started a Spanish edition, Minotauro, the first issue of which arrived by mail the other day.  My daughter, who is learning the language in high school, is currently working her way through Damon Knight's What Rough Beast and enjoying it, even translated.  So, if you speak Spanish, and you want a "best-of" issue of the magazine, you could do worse than to pick up a copy!


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[July 22, 1964] (August 1964 Fantasy and Science Fiction)


by Gideon Marcus

(If you found us at San Diego Comic-Con and can't figure out why we seem to be 55 years behind you, this should clear things up!)

Bayside Heroics

This weekend, the family and I took a mini-vacation in our home town.  Living in the suburbs as we do, it's easy to forget that San Diego has so much to offer.  Balboa Park, Old Town, the Gaslamp, not to mention the docks and the waterfront. 

Of course, being who we are, we needed some kind of event to anchor the trip, such excuse being provided by a little get together of comics enthusiasts ambitiously dubbed "Comic-Con."  I think San Diego is big enough to warrant a real SFF con — perhaps we'll get our equivalent of Lunacon someday?

Anyway, time travel was the theme, and I ran across this fellow who looked a bit like a medieval version of me:

There were also these fantastic women dressed up as Spy vs. Spy from Mad Magazine.  Very impressive!

All was not roses, however.  I took along some reading material to while away the calm hours by the hotel poolside, a bunch of books and the latest issue of Fantasy and Science Fiction.  I had (dim) hopes that this installment might reverse, or at least halt, the declining trend in the magazine's quality.  Alas, such was not meant to be.

The Issue at Hand


Cover by James Roth

A Bulletin from the Trustees of the Institute for Advanced Research at Marmouth, Mass., by Wilma Shore

It's always a good idea to start your magazine with a hook, your best stuff.  Instead, Editor Davidson led the August 1964 issue with a short piece by newcomer Wilma Shore, a dialog between a scientist from the present and an everyman from the future — one that proves utterly fruitless.  It's the sort of throwaway gag that Jack Benny might make mildly amusing.  Here, it just droops like a wet rag.

Two stars.

"I Had Vacantly Crumpled It into My Pocket … But By God, Eliot, It Was a Photograph from Life!", by Joanna Russ

Evoking but not aping Lovecraft, Joanna Russ' latest turn involves a fellow with a taste for the pulps and nothing fantastical written since 1940ish.  An abrasive anti-social, he unexpectedly finds his love in a park, her nose in a tome by the long-dead H.P.  But does she really exist?  And what ominous specter animates her, gives her purpose?

Russ never fails to deliver something atmospheric, but in the end, I found the piece as insubstantial as the story's mysterious femme fatale.

Three stars.

Poor Planet, by J. T. McIntosh

A few pages into this "latest" tale by McIntosh, I had a distinct impression of deja vu.  In fact, my description from his story in the April 1959 Satellite, The Solomon Plan, will summarize things quite adequately:

"A terran spy tries to succeed where all of his predecessors have failed before: solving the mystery of the backward planet of [Solitaire].  Where the other planets of the 26th century terran federation enjoy a correspondingly advanced quality of life, the hyper-patriotic [Solitaire] seems to be stuck in the 20th century.  Moreover, their population is unaccountably low given the length of time it has been settled."

In fact, Poor Planet is almost identical to the prior tale (which, itself, was a reprint!) including the sub-plot involving our middle-aged spy meeting with, and ultimately turning, a young local spy.  However, in this one, the spy spends much of his time leering at the girl, noting her affections for him, and then decides that it's best if he be her new father-figure.  Because all girls (even ones who are adults) need a daddy, and her current one wasn't doing his job very well.

I thought the original story decent if somewhat implausible.  This new version is the worse for its ickyness.

Two stars.

Nada, by Thomas M. Disch

I had such high hopes for this one.  It starts like something from the pen of Zenna Henderson, a sweeping piece about a teacher trying to connect with a gifted but apathetic pre-teen.  But what starts out like the next installment of The People falters and ends as a lesser episode of The Twilight Zone

Two stars.

The Red Cells, by Theodore L. Thomas

Another short "Science Springboard" piece in which Mr. Thomas says that, since red blood cells are more robust in our youth, that the key to youth is to strengthen our red blood cells.  Correlation, causation… what's the difference?

Two stars.

Epitaph for the Future, by Ethan Ayer

Decent but forgettable poetry about a man (or a planet) and his/its desire for a plain, unadorned grave.

Three stars?

A Nice, Shady Place, by Dennis Etchison

Another newcomer, and a story straight from Weird Tales.  Young woman with freckled skin (we are told this many times) goes to summer camp with her lip-licking (we are told this many times) boyfriend to find out what became of her brother.  Turns out that the campers are all forcibly made hosts to salamander-thingies that take over their minds.  A la The Puppet Masters.

Young Etchison has not yet learned Polonius's dictum, and the piece is pure corn.

Two stars.

Redman, by Robert Lipsyte and Thomas Rogers

Lipsyte and Rogers offer a perhaps prescient look into the television of tomorrow, when shows won't just simulate violence but will actually feature real violence.  In this case, the program is Massacre, portraying the slaughter of the White Man at the hand of the Indians.  Except, in this case, the Blue-eyed Devils aren't actors.

At first, I thought this was going to be an interesting take on (perhaps justified) revenge by the consistently decimated natives of our continent, as seen by an actor who derives lineage from both camps.  In the end, I'm really not sure what the two authors were trying to say.

Two stars.

The Days of Our Years, by Isaac Asimov

If you want to know how the calendar got to be the way it is today, the good Doctor's article is a nice primer on the subject.  There's little in here I didn't know, but it was a fun read, nevertheless.  Also, I happen to know that the entertainer, whom he got off the hot seat by performing in his place, was none other than Tom Lehrer.

Four stars.

When the Change-Winds Blow, by Fritz Leiber

This one started well enough — a fellow wings through the air of partially terraformed Mars, trying to forget the atomic destruction that savaged Earth and killed his would-be beloved.  But it then segues into a vividly (one might uncharitably say "purplishly") rendered lucid dream involving a cathedral of sand and people from a poem.  I didn't like it.  I'm sure it'll be nominated for the Hugo.

One star.

In the Calendar of Saints, by Leonard Tushnet

Last up is (yet another) Deal with the Devil story, this one won by Old Nick.  The gotcha is only mildly clever, but the portrayal of Communist Poland, with which Tushnet is well-acquainted, is fascinating.

Three stars.

Summing Up

It's a good thing the rest of the weekend was such a blast because this issue was really quite lacking.  Oh well.  You tune in for the sardonic (half) wit, right?  On the positive side, there was some discussion of a renewal of The Twilight Zone.  The issue is finding a new host since Serling doesn't want the job anymore.

I have a modest proposal…


[Come join us at Portal 55, Galactic Journey's real-time lounge!  Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[June 20, 1964] How low can you go?  (July 1964 Fantasy and Science Fiction)


by Gideon Marcus

SFlying West

Once again, the Journey is brought to you from Japan!  Specifically, the nation's capital, Tokyo.  We've become old hands at making the trk across the Pacific, especially since Pan Am inaugurated direct 707 service from Los Angeles to Tokyo International.

This time, we stayed at a new hotel, in the shadow of the recently completed Tokyo Tower.  From the observatory deck of the hotel, the often elusive Mt. Fuji was clearly visible, thanks to a heavy rain that had occurred the night before.

Tokyo remains as it has been for the past 16 years (our first visit was in 1948!) Bustling, filled with energy and cigarette smoke.  There is a particular focus on renovation what with the Olympics coming to town soon.  Nevertheless, life otherwise goes on normally in the thoroughfares, wide and narrow.

TV cartoons have become a big deal here, with the recently debuted "Mighty Atom" inspiring tons of merchandise.

It's not all roses, though.  Up on the other side of the country, an earthquake struck off the coast of Niigata.  Then, a tidal wave swept in.  The property damage was immense and at least two dozen people have died.

More personally, though my tragedy hardly compares, this month's Fantasy and Science Fiction managed to limbo below the low bar recently set by Editor Avram Davidson (who fled Mexico and apparently now resides in my home state of California).

With a sigh, here we go again:

The Issue at Hand


by Ed Emshwiller

Cantata 140, by Philip K. Dick

It is said that too many cooks spoil a broth, and the SFnal corollary is that too many ideas spoil a plot.  Indeed, Dick's newest novella, the third in the "News Clown" series set late in the 21st Century, has so many handwaves that I could have used the magazine to fly to Japan.  The piece's 60 pages contain:

  • An overpopulated world with abortion but not Enovid (birth control medicine).
  • A satellite of prostitutes to relieve proceative tension.
  • A super cheap way to get to said satellite.
  • Precious few other satellites.
  • Teleportation.
  • Teleportation (accidental) to another world.
  • Suspended animation as the standard treatment for excess, unemplopyed population.
  • An American population that is more "Colored" than "Caucasian".
  • The Presidential campaign of the first "Colored" candidate (the "Event of 1993" caused the demographic shift such that Whites were outnumbered, yet it is not until 2080 that a Black candidate has a chance).
  • A two-bodied, one-headed mutant human crime lord.

For the most part, the plot follows Jim Briskin as he tries to become the first "colored" President of the United States.  Other things happen, including the "blink-and-you'll-miss-it" incident in which a balky teleporter somehow links Earth to a far-off, virgin planet.  It is very quickly taken as read that this is the solution to Earth's frozen overpopulation problem (creating the excuse for the rather esoertic title — it probably refers to Bach's "Sleepers wake!" composition).  I suppose if the story stuck to these two threads and developed them in a satisying manner, this could be a good read — especially since it's written by Dick, one of the genre's masters.  Instead, the piece is a jumbled mess, stuffed with clumsy jargon, and combining both implausible and contradictory elements with several overly conventional ones.

For example, race relations appear to be stuck in the 1960s even though the story takes place more than a century later.  The overpopulation angle makes no sense.  At first, I thought there might be moral objections to abortion and/or medical birth control, but given that state-assisted suicide is a sanctioned population stabilizer, I doubt it.  And how do the prostitutes not get pregnant?  And how do 5000 of them satisfy Earth's billions?

Inconsistencies aside, the narrative is neither interesting nor comprehensible.  If I can't have good SF, I'd at least like good satire.  If I can't have that, I'll settle for decent writing.

And if that's lacking, there's no rating I can give a story other than…

One star.

The Second Philadelphia Experiment, by Robert F. Young

From the lost pages of Ben Franklin's diary comes an account of the great scientist's further explorations into electricity.  It's a facile reproduction of Franklin's style but really just exists to set up a fairly flat joke.  I was feeling more charitable when I read it, but now I think it's fair to give it just two stars.

Balloon Astronomy, by Theodore L. Thomas

This month's nonfiction seed for science fiction articles suggests using balloon-mounted instruments to provide constant weather reports.  But don't they already do that?

Two stars.

The Scientist and the Monster, by Gahan Wilson

Wilson offers The Twilight Zone episode, "Eye of the Beholder" virtually unchanged except for a slightly improved moral message at the end.  Still just worth two stars.

A

The Happy Place, by Toni Heller Lamb

Ms. Lamb's first published story is a dark piece involving a young girl who finds the cemetery a more hospitable residence than any place of the living.  There is a nice final line, and the story is nice in a macabre sort of way, but otherwise it is unremarkable. 
Three stars.


by Ed Emshwiller

The End of the Wine, by C. S. Lewis

This poem, which follows a bedraggled Lemurian as he makes landfall in Stone Age Europe, is made all the more poignant by being the author's last creation (he died last year, same day as JFK).  Thus, the double whammy as we realize what we've lost as the man from Atlantis rues over same.

Four stars.

The Salvation of Faust, by Roger Zelazny

An interesting inversion of the Faustian Bargain, it entertains and then disappears.  Three stars.

All-Hallows, by Leah Bodine Drake

A tiny poem whose message is that nothing dies — it just becomes part of the world around you.

Three stars.

Nothing Counts, by Isaac Asimov

The Good Doctor regales us with a nonfiction article on the evolution of Roman numerals and the utility of the zero.  It's well-written but there is very little useful information, and in particular, almost no history of the zero itself.

Three stars.

The Struldbrugg Reaction, by John Sutherland

New author Sutherland brings us a pointless Sherlock pastiche, the gimmick being that Holmes and Watson ("Bones" and "Dawson") are in their 90s and immortal (thanks to the Struldbrugg Reaction — see Gulliver's Travels to understand the reference). 

It's no Lord Darcy.  Two stars.

The Girl with the 100 Proof Eyes, by Ron Webb

Some schlubb decants a genie named Jeanie and coerces her to love him.  A delightful rape fantasy.  One star.

We Serve the Star of Freedom, by Jane Beauclerk

This final story, the first from Ms. Beauclerk, features a clever native of an alien world (inhabited by quite human extraterrestrials) who gets the best of traders from Earth.  It's a pleasant story, though more fable than SF.  Probably the best prose piece of the issue.  Three stars.

Summing Up

Good grief.  I do hope Avram Davidson's tenure at the helm of this once proud magazine will soon come to an end.  It's either that or my days of subscribing will.

Oh well.  At least I'm in Japan!


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]