Tag Archives: Dominic Flandry

[July 8, 1969] Nowhere fast (August 1969 Galaxy)

It's Moon fortnight!

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

The Warm War

If you, like me, are a regular watcher of Rowan and Martin's Laugh In, you might be excused for having a rather simple view of the current situation in the Middle East.  According to that humorous variety show, Israel devastated the armies of its Arab neighbors in June 1967, and (to quote another comedian, Tom Lehrer), "They've hardly bothered us since then."

It's true that the forces of the diminutive Jewish state took on Egypt, Jordan, and Syria, like David against Goliath, smiting armies and air forces in just six days, ultimately ending up in occupation of lands that comprise more area than Israel itself.

But all has not been quiet…on any front.  Hardly had the war ended that both Israelis and Arabs began trading significant shots.  A commando raid here, a bombing mission there, a naval clash yonder—none of it rising to the level of a mass incursion, but nevertheless, a constant hail of explosives.  Last summer, Egyptian President Nasser, eager to recover prestige he lost in the '67 debacle, declared a "War of Attrition".  The fighting has escalated ever since.

Just the other day, the Egyptians and Israelis exchanged artillery fire across the Suez Canal—the current de facto border between the nations—for twelve hours.  Two Israelis were wounded; the Egyptians are keeping mum about any of their losses.  Last month, Israeli jets buzzed Nasser's house in Cairo, which Jerusalem claims is the reason for the recent sacking of the Egyptian air force chief and also Egypt's air defense commander.


Israeli mobile artillery shells Egyptian positions

The United Nations views this conflict with increasing concern, worried that it might expand, go hot, and possibly involve bigger powers.  The Security Council this week is working on a resolution calling for an arms embargo against Israeli unless the state abandon its plans to formally annex East Jerusalem, taken from Jordan two years ago.

It seems unlikely that the Knesset (the Israeli Parliament) or Prime Minister Golda Meir will buckle to foreign pressure, however.  Nor can we expect that President Nasser, Jordan's King Hussein, or the coup-rattled government of Syria to be particularly tractable either.  The beat goes on.

Same ol'

One generally looks to science fiction for a refreshing departure from the real world, but as the latest issue of Galaxy shows, sometimes you're better off just reading the funnies.


by John Pederson Jr.

The White King's War, by Poul Anderson


by Jack Gaughan

A while back, John Boston noted that Dominic Flandry, an Imperial Officer serving during the twilight of the intragalactic Polesotechnic League, has become a James Bond type, or maybe a Horatio Hornblower.  Basically, he's Anderson's stock character when he wants some kind of adventure story set against the impending Dark Ages of his interstellar setting.  The results are a mixed bag since the tales are less about Flandry and more about whatever nifty astronomical phenomenon Anderson wants to showcase this month.

This time, Flandry, who has just been promoted Lieutenant j.g.  On the backwater planet of Irumclaw, a two-bit crime boss named Leon Ammon offers him a million if he'll go out of his way to survey a planet reputedly rich in heavy metals.  Flandry takes the gig, and since Ammon insists on having one of his mooks accompany him, Flandry opts to have his chaperone be female.  The trip is more fun that way, you see.

The journey takes us to the hostile world of Wayland, a tidally locked moon of a big gas giant.  Airless, except for when the sun sublimes the methane and carbon dioxide ice that comprises Wayland's surface, it nevertheless (and surprisingly) teems with life.  Flandry's scout, Jake, is waylaid by birds and forced to land.  Now, Flandry and his companion, Djana, must trek across the frozen wastes of Wayland to reach an abandoned, sentient mining computer, which just might have the facilities needed to repair Flandry's vessel.

Along the way, we learn that the hostile "life forms" are really robots, and that the old computer just might be responsible for Wayland's unique "ecosystem"…

Unlike a lot of Anderson's work (and certainly the last Flandry story), this piece was pretty interesting.  Sure, the characters are paper thin, but again, this story isn't meant to showcase character.  If you want that kind of story in the same setting, try "A Tragedy of Errors" from last year.

Three stars.

Starhunger, by Jack Wodhams


by uncredited

Starships have been plying the local constellations for decades, but despite the investigation of 31 systems, nothing even vaguely Earthlike has been found.  One last expedition goes out with nought but a forlorn hope.  Even with three systems on the schedule, it is doubtful that the unlucky streak will end—especially since the scientists on board, who want to meticulously evaluate every inhospitable rock, are at odds with the star hungry Captain, who wants to find the next Earth.

This is not a great story, consisting mostly of repetition ad nauseum of the scientist/captain struggle.  However, I did like a couple of things:

1) The notion that terrestrial planets are actually rare.  That's not a common theme in science fiction, and I feel it more likely than the converse.

2) The conflict between a simple, focused mission and a balanced, scientific endeavor is something the Ranger Moon program suffered from, with Rangers 3-5 failing largely because they tried to do too much.  Once NASA focused on just hitting the Moon with a camera, they had three out of four successes.

Three stars.

The Minus Effect, by A. Bertram Chandler


by Jack Gaughan

Speaking of ongoing characters, John Grimes, the spacefaring alter-ego of author (Australian Merchant Marine Captain) A. Bertram Chandler, gets another chapter of his life fleshed out in this tale.  Well, sort of.

Lieutenant Grimes has gotten his first command: a Serpent class courier boat with a crew of six.  On this particular mission, he has been tasked with transporting a VIP.  Mr. Alberto is a strange person, an extremely talented chef, but also something of a cipher and very physically fit.  After Alberto is delivered to the planet of Doncaster, his unusual nature is revealed.

There's not much to this story, and there's no SFnal content at all—at least none that isn't discardable.  It could have taken place in the '60s as easily as the 3060's.

A high two stars.

When They Openly Walk, by Fritz Leiber


by Jack Gaughan

Ages ago, Fritz wrote a cat's-eye view story of Gummitch the suburban feline artist called Kreativity for Kats.  In this long-awaited sequel, we follow Gummitch and his adopted little sibling, Psycho the kitten, as they interact with their family and a bonafide UFO.

It's an adorable piece, spotlighting the inner life of housecats (and demonstrating what I've known my whole life: that cats are clearly Earth's other sentient race).  It reminds me a bit of an episode of Ge Ge Ge no Kitaro I caught in Japan last year, in which cats take over a village and are (properly) revered.

Four stars.

Life Matter, by Bruce McAllister


by Jack Gaughan

In the far future, mankind, mutated by hard radiation, has developed a sentient heart.  Normally, there is an Operation for humans who reach the 21st year of life, the year that the heart begins communicating with the mind in earnest.  The biological heart is replaced with a silent, artificial pump.

Some refuse to lose their heart, pursuing a life of coronary freedom.  But is it really the romantic prospect literature would have us believe?

Like most of Bruce's work, it's a lyrical, metaphorical piece, but not quite as moving as he'd like it to be.  Fans of Bradbury may be more impressed than I was.

Three stars.

I Am Crying All Inside, by Clifford D. Simak


by uncredited

This is a kind of mood piece reminiscent of James Blish's "Okie" stories.  In a flurry of starflight, the cream and even the bulk of humanity has left its homeworld, leaving behind a wretched refuse of humans and robots.  The folk left are essentially poor Appalachians.  The people, as the robots call themselves, are the antiquated and damaged specimens.  Crying is told from the point of view of one of the robots, a farmer, who is at once the lowest of the low, and also the highest.

Fine but incomplete.  Three stars.

For Your Information (Galaxy Magazine, August 1969), by Willy Ley

Our German expat educator explains how ELDO (the European Space Agency) is planning a Jupiter mission.  There are special considerations like how to power the probe so far from the Sun, and how massive the craft can be depending on the rocket.

Interesting, but short.  Three stars.

Dune Messiah (Part 2 of 5), by Frank Herbert


by Jack Gaughan

Last time began the continuation of the story of Paul Atreides, now Paul Muad'dib, Mahdi of a galaxy-wide crusade against the old Imperial order.  Paul, now thirty, sits unsteadily on the Arrakeen throne—endless factions are arrayed against him, and his favored Fremen consort has borne no heir, this the deliberate result of being unwittingly sterilized by Irulan, an Imperial princess, and Paul's other consort.

Foreseeing that a child of Irulan's will spell Paul's doom, he avoids consummating their marriage.  On the other hand, this makes him vulnerable to the allures of his…sister.  Yes, Alia, born a saint and fully sapient from being in the womb of her mother when she overdosed on the precognition-enabling spice "melange".  She's 15, fights mechanical foes in the nude, and is excessively nubile.  As it turns out, an incestuous coupling is exactly what Gaius Helen Moiham, Reverend Mother of the Bene Gesserit (the organization that is trying to dominate the galaxy through selective breeding) wants, as it foretells ultimate genetic victory.

Meanwhile, members of the Navigation Guild, whose members use spice to navigate hyperspace, want to break the Arrakeen monopoly on the stuff, so they're trying to sequester elements of the Dune planet's biology to start up their own production.

In a final twist, the resurrected form of Duncan Idaho, one of Paul's old sword-companions, begins an affair with Alia.  But this ghoule, who goes by the name Hayt, says he is to be the intrument of Paul's destruction, so maybe this isn't a great development either.

It's all so glacial and pretentious and filled with things that rub me the wrong way: aristocracy, eugenics, fantasy masking as science fiction.  (And it's printed in smaller type face to make it both less readable and more dense.) I really don't like this book.  Frankly, I'd give it one star, but I guess I appreciate how hard Herbert is trying. 

On the other hand, John Norman tries, too, and we don't even review his books anymore.

Two stars, but I'm guessing the work as a whole is going to get one when it's all over.  Bleah.

Rescue Team, by Lester del Rey

A vignette about first contact in a time when humans and robots have become one and the same species.

Kind of pointless.  Two stars.

The New New Frontier

Fred Pohl was editor of Galaxy for almost a decade, taking over from H. L. Gold when he got sick and couldn't do it anymore.  Now he's out, and I'm still waiting for the shoe to drop: to see how different Galaxy gets under the new regime of Ejler Jakobsson.  The biggest new thing is the Dune serial, but Pohl might have bought that anyway.  It's not as if Herbert has been absent from the mag.  I guess we'll see where things are in a year.

All I can say is I hope things get better.  As with the war in the Levant, the status quo is getting us nowhere fast…






[November 8, 1967] Four to go (December 1967 Galaxy)


by Gideon Marcus

The New Frontier

Tomorrow, history will be made: the first Saturn V, largest rocket in the history of the world, will take off.  If successful, Project Apollo's launch vehicle will be "man-rated", and one hurdle between humanity and the moon will have been cleared.

Of course, we'll have full coverage of the event after it happens, but this sneak preview makes a dandy segue.  For today's article is on a literary type of explorer: Galaxy magazine.  Unlike Apollo, Galaxy, which started in 1950, is a tried, tested, and even somewhat tired entity.  Back in 1959, Galaxy moved to a larger, but bimonthly, format.  This has not been an entirely successful endeavor, and in few issues are the problems more glaring than in this one.  For if an editor needs to fill up 196 pages every other month (not to mention the 164 pages of one or two sister magazines), that editor's standards must sometimes slip…

The Old Frontier


by Gray Morrow

Outpost of Empire, by Poul Anderson

Out on the edge of space lies the mineral-poor planet of Freehold. Thinly settled by humans, and then also by the alien Arulians, it lies just outside the Empire.  A growing insurgency threatens to topple the existing order, and Ridenour, an imperial troubleshooter, is sent in to monitor the situation.


by Gray Morrow

Sounds pretty nifty, but it's not.  The first twenty pages of this seventy-page piece are nothing but characters explaining the story to each other.  Skimming the rest of the tale, I determined that it's all more of the same.  Moreover, Poul doesn't even try to disguise what he's doing.  He spotlights it by having his endlessly explaining protagonist marvel at what a pedant he's being–and when other characters do the same thing, he inwardly notes how much a pedant they're being.

As Kris notes:

Rule 1 of writing: If your characters are finding what you are doing contrived, so will the reader.

The whole thing is written in that archaic style Poul reverts to when given the chance, though there's no reason to do so in this book.  He also can't resist being a bit sexist, even in a story that takes place thousands of years from now.  Dig this gem:

"But in the parks, roses and Jasmine were abloom; and elsewhere the taverns brawled with merriment.  The male citizens were happily acquiring the money that the Imperialists brought with them; the females were still more happily helping spend it."

Because in the future, women don't work; they are parasites on the real producers–the men.

Feh.  One star.

That already gets us nearly halfway through the book.  Things do not immediately improve…

The South Waterford Rumple Club, by Richard Wilson


by Jack Gaughan

Aliens drop bags of counterfeit money on a small American town.  Economic collapse ensues, facilitating an extraterrestrial takeover.

I was about to write that Wilson was an unknown name to me, but looking through the archives, I see he's made several appearances in science fiction magazines over the past two years.  He's just eminently forgettable.  This story does not change the trend.  For one, he spends a couple of pages giving a history lesson as to why an influx of fake currency is such a deadly weapon–akin to anthrax and mustard gas.  And then we get a tedious demonstration of such an attack, followed by a couple of pages of (not well thought out) aftermath.

This is the sort of inferior stuff that filled the lesser mags of the '50s.  It doesn't belong here.

Two stars.

Thank goodness for Silverbob.  From here on, out, the issue is quite good.  But you have to make it to page 96!  (or simply skip the dross)

King of the Golden World, by Robert Silverberg

Elena, a human, has married Haugan, chief of a tribe of aliens that lives on an island dominated by twin volcanic mounts.  Theirs is a genuine love, despite their divergent evolutions, but full understanding still eludes the Earth woman.  Though the mountain on which the village is sited is clearly about to erupt, Haugan seems in no hurry to evacuate his people.  It is only on the eve of disaster that Elena learns the true, alien nature of Haugan's people.  Will she embrace it or be repelled?

This is really quite a sensitive story, timeless and nuanced.  I suspect it was influenced by Silverberg's recent nonfiction histories of the original American inhabitants (collectively referred to as "Indians").

Four stars.

For Your Information: Astronautics International, by Willy Ley

Ten years ago, it was enough to keep up with the Soviets and the Americans if you wanted to know what was up in space.  These days, Earth's orbit has become a truly international province, and this month's article focuses on the efforts of the non-superpowers, of which there are many.

As a space buff, articles on satellites always score extra marks with me, so I hope our tastes are aligned.  Four stars.

Black Corridor, by Fritz Leiber

A man awakens, naked, without memories, inside a featureless corridor.  Ahead of him lie two doors: one is labeled "Water", the other "Air".  Behind him a wall moves toward him implacably.  Choose…or die.

But beyond the first pair of doors is another, and another.  Is this a test?  Will the test end?  And what is its purpose?

Less a science fiction story and more a metaphor for life itself, this piece's worth depends solely on the execution.  Thankfully, Leiber is up to the task.

Four stars.

The Red Euphoric Bands, by Philip Latham

A comet is heading straight for an Earth on the brink of atomic war.  Is it our doom…or our salvation?

On the one hand, the storytelling and the science are quite excellent.  On the other, the conclusion is silly.  Moreover, there is a fundamental fault in this otherwise accurate piece: a comet with a two light year orbit would have a period of around six billion years–too high to serve the purposes of the story.

Thus, three stars.

Galactic Consumer Report No. 3: A Survey of the Membership, by John Brunner

The first galactic survey, conducted by Good Buy magazine, turned out to be something of a fiasco–too many beings responded, and they were just too variegated to provide anything like a profile of "an average consumer".  Yet, you couldn't call the exercise less than successful…

This series tends to be silly and throw-away, but this installment I liked a lot.  Why?  Because it's almost like a Theodore Thomas article from his F&SF column–a couple dozen story seeds all in one piece.  So many stories feature aliens that are little more than humans in costume.  This one presents some real aliens.  It also made me laugh a few times.

So, four stars.

Handicap, by Larry Niven


by Jack Gaughan

On the former Kzin world of Down, orbiting a feeble red dwarf, humans have established an agricultural colony.  In addition to its colorful history, Down offers another attraction: the Grogs.  These are comical-looking, human-sized creatures that have two phases in life.  At first, they are four-legged creatures with a dog-like intelligence.  In this form, they rove the deserts of Down, hunting and mating.  Eventually, the females anchor themselves to a rock, where they stay the rest of their lives.

And yet, these creatures have enormous brains, suggesting a great intelligence.  Why did they evolve them, and what can they do with them?  Garvey, an entrepreneur whose line is making prosthetics for "Handicapped" species, ones without manipulative organs of their own (e.g. dolphins, the enormous Bandersnatchi of planet Jinx), smells an opportunity.

Handicap, like last year's A Relic of Empire, expands what is becoming a sweeping common universe, tying in the Kzinti of The Warriors, the Thrintun of World of Ptavvs, and the hyperdrive era of Beowulf Shaeffer.  What I really like about Niven is that he isn't in a hurry to tell his story.  There are asides and subplots, weaving a meandering course through entertaining vignettes, before tying everything together at the end.  Niven's universe feels lived in, and all of its facets are interesting.  That there's a nifty story at the heart of Handicap is a bonus…though my eyebrows were raised a bit by this exchange:

Garvey: "For as long as we expand to other stars we're going to meet more and more handless, toolless, helpless civilizations.  Sometimes we won't even recognize them.  What are we going to do about them?"

Jilson (a guide): "Build Dolphin's Hands for them."

Garvey: "Well, yes, but we can't just give them away.  Once one species starts depending on another, they become parasites."

This feels a bit like an indictment of welfare, foreign aid…or assistance to the handicapped.  I would not jump to concluding that Garvey's views necessarily represent Niven's views, but I also would not be surprised, as he is a hereditary millionaire, and the plutocracy often thinks ill of public demands on their wealth.  I will simply note that I think Garvey is being short-sighted.  Isn't it worth the investment of a little charity to create an entirely new potential market of both imports and exports?  If you give away limbs to the crippled, schools to the poor, food to the starving, will they really just sit on their duffs?  Or will they simply now be unencumbered members of society, ready to participate fully?  I submit that equalization of opportunity through government assistance and charity actually serves capitalism rather than subverts it.

Well, that's a tiny quibble, and again, just because Garvey thinks this way doesn't mean the author does.  If anything, I'm glad he gave me something to think about–along with a good story!

Four stars.

The Fairly Civil Service, by Harry Harrison


by Jack Gaughan

A day in the life of the postal clerk of the future.  A particularly bad, seemingly endless day.  The kind that tries a person's soul…or tests one's abilities.

Harrison is reliably good.  He does not disappoint here.  Four stars.

To the Black Beyond

Having trudged through a barren literary landscape for half the span of a magazine, it was comforting to have solid ground to trod for the latter half.  But now that the Galaxy is done, I am once again adrift.  Who knows what lies in store within the covers of the next magazine or paperback that will cross my desk?  Like the expanses of space, it's all an unknown adventure.

Luckily, there are still enough treasures waiting to be found to make the journey worth it!





[September 8, 1966] The Bare Hardly-Essentials (October 1966 Amazing)


by John Boston

Last issue, the good news was that the customary editorial was dropped.  In this October Amazing, there’s more good news—the self-serving letter column is gone too.  Since there are only four items of fiction here, it makes for a scanty contents page.  That is not necessarily bad.


by Frank R. Paul

The cover is by Frank R. Paul, captioned Martian Spaceships Invade New York, reprinted from the back cover of the May 1941 Amazing.  Like last issue’s cover by James B. Settles, it is significantly cropped from the original.  The image also bears a very superficial similarity to last issue’s cover.  The difference between Paul and Settles, though, calls to mind Mark Twain’s remark about the difference between the lightning and the lightning-bug.  Even in his waning days, Paul did archaic style with class. 

Ensign Flandry, by Poul Anderson

The main reason for the sparse contents page is the very long (100 pages) feature item, Poul Anderson’s Ensign Flandry.  Anderson began his series about Flandry, intelligence agent of the Terran Empire, desultorily, producing four shorter stories from 1951 to 1958.  Then there was a spasm of three novellas for Fantastic and Amazing in 1959 and 1960, all of which were transformed almost instantly into Ace Doubles.  Last year, however, most of the Flandry canon was compiled into hardcover collections from Chilton, Flandry of Terra and Agent of the Terran Empire.

Now Flandry is back with this novel, which suggests that Anderson intends to spin him into a character with the raffishness of James Bond and the career longevity of Horatio Hornblower, providing a framework and formula for potboilers as far as the eye can see.  That’s a fine plan for the author but not so good for the reader looking for something more than product.


by Gray Morrow

So: Ensign Flandry, age 19, is dispatched to Starkad, a remote planet inhabited by a seafaring species, the Tigery, and a sea-dwelling species, the Seatrolls, who are fighting a sort of proxy war, backed by the Terran Empire and Merseia respectively, with overtones (emphasis on the “overt”) of the Cold War and Vietnam. 

Flandry is there with his wise mentor, and they are trying to neutralize the soft-on-Merseia peacenik who is nominally on their side.  There is a lot of intrigue and double-dealing and opportunity for Flandry to be in danger and distinguish himself and become the bigger shot we’ve seen in the earlier stories.  Anderson being the professional he is, there’s a secret and a revelation at the end that trumps everything else that’s been going on, distinguishing the work from the wholly formulaic.  But still—it’s mostly formulaic, maybe decent airport reading if your plane is delayed.  Two stars.

The Space Witch, by Walter M. Miller, Jr.

The Space Witch, by Walter M. Miller, Jr., from the November 1951 Amazing, is a piece of work, in the more extreme sense of that phrase.  Protagonist Kenneth Johnson has invited his ex-wife Marcia and her new milquetoast husband for a stay at his lake cottage.  His feelings are still raw, and Marcia is a self-centered and manipulative sexpot.  The overwrought psychodrama is interrupted by a mysterious dark cloud which generates an intense local storm, causing Ken and Marcia to take refuge in his boat as a gleaming metallic sphere appears and Marcia decompensates (“Own me like a piece of furniture, Kennie.  That’s what I want to be.”). 


by Edward Valigursky

The boat gets sucked out into the lake, Marcia drowns, Ken gets pulled into the sphere, and Marcia reappears, except it’s not really Marcia.  “We found it necessary to adopt her image, because she was the only thinkhuman [sic] available for detailed biosimulation.” Non-Marcia explains that she is a fugitive from her race and has been hiding on the Moon for 30 years watching Earth, but now her kin-aliens have tracked her down and are about to destroy the area for 150 miles around.  There ensues a discussion of options for preserving themselves and half of New England, which turns into more and higher-volume psychodrama and back-stabbing, and an ending that can only be described as twisted.  Miller’s first story, Secret of the Death Dome, was a bit crazy.  This one is a lot crazy, and Miller is getting better at crazy.  Three stars.

Mr. Dimmitt Seeks Redress, by Miles J. Breuer

Miles J. Breuer’s Mr. Dimmitt Seeks Redress (from the August 1936 Amazing) is about as tiresome as its title.  Mr. Dimmitt is a mild-mannered shrimp of a scientist.  His wife and children have been killed in a car accident caused by the reckless driving of the rich bully Graw.  Back in the lab, Dimmitt is accidentally exposed to an experimental substance that drastically slows time for him.  Initially he is frightened.  “He had read of persons who had tried a dose of cannabis indicia [sic] having terrifying experiences from the effects of the drug.  Was the effect of this thing going to be permanent?” It isn’t, but he doses himself again, goes out for a walk, sees Graw speeding (crawling, to Dimmitt) towards his house, and grabs Graw’s young son who is playing in the yard and puts him in the path of the car, too close to stop.  The gimmicky story has a gimmicky ending.  Two stars.

Eddie for Short, by Wallace West

Wallace West, he of the appalling The Last Man, seems to have learned some things in the course of two decades.  In Eddie for Short (from the December 1953-January 1954 issue), World War III seems to have killed everybody except Lita, a lounge singer in Miami, whose husband has just died of radiation poisoning at his post in the radio station that is broadcasting her, leaving everything going.  So, having not much else to do, she keeps on singing every night.


by Ernie Barth

Then, one night . . . someone is following her.  It’s Verna, a Negro woman from Key West, who speaks in a thick stereotypical accent, and who has heard Lita on the radio and trekked to Miami in search of her.  She’s going to take care of Lita, which is a good thing, since Lita turns out to be pregnant.  So Verna takes care of the household chores while Lita “literally hurl[s] herself” at the City Library and then at the local university, educating herself, since now it seems the world is not going to end (she’s convinced herself she’s carrying twins of opposite sex). 

It’s easy to make fun of this story’s racial stereotypes, but hey, it’s not bad for 1953, and West means well.  Also he’s a lot better writer than he was in 1929, and he’s still at it (he hit Analog and Magazine of Horror last year).  So, some positive reinforcement: three stars.

Summing Up

For a change, the reprinted material (some of it) has more going for it than the new material, and neither is too awful.  It’s a relief.



(And don't forget to tune in tonight at 8:30 PM (Pacific AND Eastern — two showings) for the world television premier of Star Trek!)

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