Tag Archives: charles beaumont

[Dec. 15, 1959] Between Superstition and Knowledge (Twilight Zone 4-week wrap-up)

This Friday night was a bit of a repeat performance of last week's: another trip to the German delicatessen in Escondido, another beer, another coffee and dessert.  This time, I was in the most enjoyable company of my wife, and we had an avid discussion of what it is to be a "fan." 

A mutual friend of ours once observed that fandom has three things in common—the following utterances:

"Where did you get that?"

"How can we get more people into it?"

"It's not as good as it used to be…"

It's true that fandoms come and go.  The "Golden Age" of science fiction, when Astounding ruled the roost with its Campbellian stories, is departed.  The boom of science fiction magazines came to an end a couple of years ago.  The cozy British country-house mystery is becoming a thing of the past. 

Things change.  It's an inevitable part of life.  But it's a mistake to get so stuck in nostalgia that one cannot see the old fandoms that continue to thrive (Conan Doyle, for instance) or the new evolutions in current fandoms (the small but rising tide of female authors, the general increase in quality of science fiction and fantasy even as the number of digests diminishes). 

There are also brand new fandoms.  I am very excited to have gotten in on the ground floor of one on which the paint is still wet: Rod Serling's anthology science fiction show, The Twilight Zone.

Three months ago, the program was an exciting idea.  Now, eleven episodes in, it is a bonafide phenomenon with staying power.  Though the quality of each episode varies, of course, Twilight Zone is still head and shoulders above what came before on television.  I've high hopes it will only rise in excellence.

Here's what my daughter and I have enjoyed for the last four Fridays:

Time Enough at Last came out on November 20.  The buzz I hear is that it went over well, and there's no question that Burgess Meredith turned in a fine performance as a frustrated bibliophile bank teller, who finds himself alone after surviving a nuclear holocaust.  But the ending, where he finds a lifetime of books to read and then immediately breaks his glasses, is not clever.  It's just cruel, and it soured me on the whole piece.

Charles Beaumont is the first writer whose name isn't Rod Serling to pen an episode, and his outing, Perchance to Dream was interesting.  A fellow with a heart condition is afraid to sleep for he knows that a temptress in his dream will lead him into a carnival of horrors, which will aggravate him into cardiac arrest.  The afflicted man tells his story to a sympathetic doctor, and we get to see the narrative progress in flashback.  It's creepy and fascinating.  I guessed the ending early on, but the tale was so compelling, I forgot all about my premonition until it actually happened.

I enjoyed the subject and setting of Judgment Night, in which a German man finds himself aboard a British liner cruising the Atlantic during World War II.  He is deathly afraid of U-Boats and seems to be certain that an attack from under the sea is impending.  It's a suitably atmospheric piece though somehow a bit plodding.  It was during this episode that my daughter noted that virtually none of the protagonists on the show are female.  I can only recall one, from The 16 millimeter Shrine.

This week's episode, (And When the Sky was Opened, was a winner.  Written by the master of science-fiction horror teleplays and fiction, Richard Matheson, it stars the excellent Rod Taylor as one of three survivors of a spaceplane crash.  It seems each of the astronauts is disappearing one-by-one, not just from the Earth, but from history and memories.  Creepy creepy stuff, though my daughter complained that she was getting tired of episodes featuring "people acting crazy."  (A neat tidbit: the spaceplane featured is the X-20, a real-life Air Force project that has either just gotten or is in the process of getting the green light for construction.  This vehicle will be the next step beyond the X-15, actually capable of orbital flight!)

As much as I enjoyed the episode, it shared the same overwrought middle that I've seen consistently in the last eleven episodes.  This, I think, is the main weakness of this young show.  While the writing is often brilliant, the acting usually excellent, and the cinematography remarkable, the middle third of each episode tends to take a bit too long padding out the set-up before the payoff. 

Perhaps I'm just a little too clever, guessing the ends before well before they happen.  It may well be that Twilight Zone is starting easy to draw in the uninitiated, those who haven't read a thousand science fiction stories already.  With all the talent going into this program, I have faith that the show will continue to mature and, as with science fiction, move beyond "gotcha" storytelling.

What say you?

Note: If you like this column, consider sharing it by whatever media you frequent most.  I love the company, and I imagine your friends share your excellent taste!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Nov. 26, 1959] Happy Thanksgiving! (December 1959 Fantasy and Science Fiction)

Happy Thanksgiving!

This season, we have much to be thankful for, but I am particularly thankful that I ended this publishing year on a high note—the December Fantasy and Science Fiction.

If anything could get out the taste left by this month's Astounding, particularly the Garrett story, it's F&SF.  In this case, the lead novelette, What now, little man? by Mark Clifton, was the indicated antidote.

Clifton addresses the issue of racial abuse head on with this excellent tale.  On a distant mining colony, humans have only one native source of food—the bipedal, humanoid "Goonie."  When the colony was first inhabited, the Goonies were deemed unintelligent by human standards.  They seemed to have no culture, and they let themselves be slaughtered without so much as a peep of protest.

Then they proved to be trainable.  At first, they performed simple beast-of-burden chores, but over time, they learned more sophisticated skills.  By the time of the story, many can read and write, and one exceptional example can perform as an accountant.

This tale is that of a man wracked with conscience.  This farmer, who was the first to train a Goonie to perform advanced mathematical services, is convinced that the slaughter of Goonies is wrong.  To champion this cause, he is willing to put his life on the line, though it turns out that a female sociologist from Earth employs better, non-lethal methods to effect change, or at least to set the world on the course of change.

The protagonist, and the reader, are left with the fundamental questions: What defines intelligence?  Who defines intelligence?  Can one justify making the definition so rigid as to exclude members of one's own race?  And what do the Goonies represent?  True pacifists?  The ultimate survivors?

Good stuff.  Four stars.

Dr. Asimov has another fine article, this one on the layers of the Earth's atmosphere.  It's well timed, perhaps on purpose, as I'd just read a scholarly article on a new revised atmospheric model.  We've learned a lot in just three years of satellite launches. 

I've never heard of Gerard E. Neyroud.  His Terran-Venusian War of 1979, in which Venus conquers the Earth with love, but subsequently devolves into civil war, is glib and fun, if rather insubstantial.

Marcel Aymé has another cute short translated from the French.  The State of Grace is about an (un)fortunate fellow whose saintliness is blessed with a halo only a few decades into his life.  This quickly becomes a terrible annoyance to his wife, who begs him to do something about it.  His solution: to sin like there's no tomorrow.  Yet, no matter how far he indulges himself in the seven deadly sins, he cannot rid himself of the damned thing.  The moral is, apparently, piety will out, even when covered in degradation.

Stephen Barr's The Homing Instinct of Joe Vargo is chilling stuff, indeed.  An expedition to a mining planet finds a truly unbeatable creature.  Ubiquitous, cunning, and virtually indestructible, "It" is a translucent blob that kills by extruding threads of incredible strength, constricting its prey, and slicing it alive.

Only one fellow, the eponymous Joe Vargo, is able to survive thanks to equal parts wisdom and luck.  The ending of the story is unnecessarily downbeat, and also implausible.  As with Poul Anderson's Sister Planet, one can excise the coda and come away with a perfectly satisfying story.

Jane Rice has another good F&SF entry with The Rainbow Gold.  Told in folksy slang, it is the story of a somewhat magical (literally) yokel family and their quest to secure that legendary pot of gold at the end of a rainbow.  It's a lot of fun, and it has a happy ending. 

damonknight has, perhaps, the best line of the issue in his monthly book column.  Writing of Brian Aldiss, he says, "If the writer ever does a novel with his right hand, it will be something worth waiting for."

The Seeing I is Charles Beaumont's new column on science fiction in the visual media.  In this installment, he details at length his involvement with the new show, The Twilight Zone.  It's an absolutely fascinating read, and it just goes to show that things of quality can still be made, on purpose, so long as people are willing to invest the time and energy into the endeavor.

Finally, we have Robert Nathan's A Pride of Carrots, written as a radio play.  That's because it actually was a radio play a couple of years ago on CBS.  The prose has been substantially embellished, but it's largely the same story.  At least, I think it is.  I'm afraid fell asleep during the last act of the radio show.

I won't spoil the plot, save that it involves the planet Venus, two warring states peopled by vegetables, two visitors from Earth, and an interracial love triangle. 

But is it good, you ask?  Well, it's silly.  It's not science fiction, but it is occasionally droll.  Try it, and see what you think. 

That wraps up the year.  I'll be compiling my notes to determine which stories will win Galactic Stars for 1959.  I'll make an announcement sometime next month.

In the meantime, enjoy your turkey.  I'll have more for you soon.

Note: I love comments (you can do so anonymously), and I always try to reply.

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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