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[September 12, 1964] A Mysterious Affair of Style (October 1964 Amazing)

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by John Boston

Georgia on My Mind

We’ve just seen that standing up for civil rights in the South is a hazardous business from the murder of the civil rights workers Goodman, Chaney, and Schwerner.  It looks like merely being a Negro passing through the South can be just as hazardous, even in the service of one’s country. 

Lemuel Penn was an assistant superintendent in the Washington, D.C., school system, a decorated veteran of World War II, and a lieutenant colonel in the U.S. Army Reserve.  There’s an annual summer training camp for reservists, and Colonel Penn went to Fort Benning, Georgia, for the occasion.  Driving back to Washington on July 11, Colonel Penn and two fellow reservists were noticed by members of the Ku Klux Klan, who followed them and killed Penn with two shotgun blasts.

The Klansmen were easily identified and brought to trial remarkably quickly—and acquitted last week by an all-white Georgia jury, according to the local custom. 

But the last word may remain to be spoken.  Days before the murder, the Civil Rights Act of 1964, which authorizes prosecution of such civil rights violations in federal court by federal authorities, was enacted.  Will it make a difference, before another Southern jury?  And will the federal government reconsider a practice that requires Negroes to travel to the South where their mere presence may provoke local racist whites to homicide?

The Issue at Hand

The October 1964 Amazing is fronted by an Ed Emshwiller cover that is, if anything, more hideous than the one on the July issue, though more capably rendered.  It looks like something a non-SF artist might do satirically for a mainstream magazine article trashing SF as silly and juvenile; more charitably, like a failed attempt at an Ace Double cover that Emshwiller found in the back of his closet.  I wonder if it was meant for one of A.E. van Vogt’s Null-A books.  The guy in the shiny white flying chair (notice how much it looks like he’s sitting on a toilet?) has a forehead high enough to accommodate an extra brain, or two or three.  The contrast between this and Emshwiller's much more sophisticated work for Fantasy and Science Fiction (for example, the April 1964 issue) is nothing short of . . . amazing.

Enigma From Tantalus (Part 1 of 2), by John Brunner

by Ed Emshwiller

The cover story is John Brunner’s Enigma from Tantalus, a two-part serial beginning in this issue, which per my practice I will read and review when it is complete.  Of course its mere presence is a source of trepidation.  Which Brunner are we getting?  The Brunner of the capable and intelligent novelets and novellas he has been publishing for years in the British SF magazines, some of which have been fixed up into fine books such as The Whole Man and Times Without Number?  Or the pretentiously befuddled Brunner of his last appearance here, February’s The Bridge to Azrael?  Stay tuned.  Stars, hold back your radiance.

In the Shadow of the Worm, by Neal Barrett, Jr.

Once past the serial, the major fiction item is In the Shadow of the Worm, a long novelet by the unevenly talented Neal Barrett, Jr.  The blurb telegraphs this one: “The Beautiful Lady . . . the Android who does but may not love her . . . the Mad Villain . . . the Unutterable Menace . . .  These are stock (almost laughing-stock) figures of science fiction.  Now Neal Barrett . . . takes them and makes them vibrant with suspense, with poetry, with meaning.”

Uh-oh.

Well, the bad news is that the story is in large part an exercise in bombastic oratory and striking of poses.  The mitigating news is that Barrett sort of brings it off, at least in its own terms.  The Lady Larrehne (am I the only one tired of a human future festooned with titles of nobility?), with her non-man Steifen, an artificial person programmed to serve and obey her, have crossed space in the good ship Gryphon (“Oh, fearsome and great she is!  A league and a half of terror and love from silver beak to spiked bronze tail—a’shimmer with golden scales from steel-ruffle neck to dragon wings; and each bright horny shield as wide as fifty humans high.”).

They are now on Balimann’s Moon, presided over by the Balimann (sic), which orbits around a planet called Slaughterhouse, which apparently produces meat for the rest of the galaxy, in the form of parodic engineered animals without much to them except the edible (“terrible blind herds stumbling toward death before birth could register on feeble brains”).  Slaughterhouse in turn is ruled by one Garahnell, who ostentatiously stages phony space battles for the visitors.

But why are Larrehne and Steifen here anyway?  To see the Worm, a/k/a the Eater of Worlds, an entity, force, effigy, or something between our galaxy and Andromeda and heading our way, and Balimann’s Moon is the best vantage point (“the last sprinkled mote of sand before the great sea begins”). 

They are also here to visit Slaughterhouse, though somehow that goal gets lost in the proceedings.  Everything is symbolic, of course, as the characters point out in case you missed it.  Says the Lady: “Is there a more cutting parody of the Good and Evil we have known back there, than Garahnell’s mock war—or the birth-death of Slaughterhouse?  When I think of the life we left—Oh, Steifen, it’s hard to say which nightmare mirrors the other!”

There’s more, much more, including but not limited to the fate of humanity, all saved from terminal tiresomeness by Barrett’s sure touch with his contrived and gaudy style.  This is not at all my cup of tea, but I must concede it’s well brewed.  Three stars.

Urned Reprieve, by Arthur Porges


by Robert Adragna

Next is the trivial and annoying Urned Reprieve by Arthur Porges, another contrived little story of Ensign Ruyter triumphing over adversity with very basic science.  Ruyter is about to be sacrificed by primitive aliens to their jealous god but saves himself with a demonstration of air pressure that wows the savages.  This is dreary enough to start, but Porges notes in passing that these aliens “were quite primitive, roughly on the level, it would seem, of the Red Indian tribes of Earth’s infancy.” Doesn’t this guy know anything besides junior high school science?  Maybe he should start with Edmund Wilson’s Apologies to the Iroquois (1960), about some “Red Indians” who were arguably more civilized than the people who subjugated them.  Two stars, grudgingly.

The Intruders, by Robert Rohrer


by Blair

The suddenly prolific Robert Rohrer is here, for the third consecutive issue, with The Intruders, an improvement over its predecessors.  It’s a jolly romp about a maniac with a meat cleaver trying to avoid and defeat his pursuers, from the maniac’s point of view, set in a spaceship rather than a haunted house (and being in the spaceship is what drove him mad—that’s what makes it science fiction and not just an updated rehash of Poe).  (That’s mostly a joke.  Sort of.) The hackneyed extremity of the plot is made tolerable and quite readable by an economical style that focuses on mundane physical detail and agreeably contrasts with its loony content.  This Rohrer is getting pretty good; if he sticks with it he may produce something memorable.  Three stars, towards the high end.

Demigod, by R. Bretnor


by Virgil Finlay

The last piece of fiction here is Demigod, by R(eginald) Bretnor, who has not previously appeared in Amazing, being most frequently found in Fantasy & Science Fiction, with the occasional foray into Harper’s, Esquire, Today’s Woman, and the like.  The Demigod is a giant golden-green humanoid who emerges from his spaceship at “the isle and port of Porquegnan, where Lucullus Sackbutt’s yacht, the Grand Eunuch, swam at anchor in an emerald sea and an atmosphere delicate with hints of duck and truffle and whispered music.”

We are quickly introduced, inter alia, to Mr. Sackbutt, the Mayor Hippolyte Ronchi, “a large, middleaged woman named, of all things, Mme. Bovary, who had come to deliver Lucullus Sackbutt’s more intimate and finer laundry,” Sackbutt’s “little friend,” Prince Alexei Alexandrovitch Tsetsedzedze, “known familiarly as Poupou . . . but who had nonetheless found his way to Lucullus Sackbutt via dress-designing and interior decorating.” Sackbutt has only just come from his bath, with “a pair of lithe, young, naked Nubian girls, whose duty it was to wash him, and who had long since learned that nothing at all exciting was going to happen to them while at work,” while Prince Poupou read to Sackbutt from his projected biography of Sackbutt, patron of the fine arts and arbiter of taste.

So Sackbutt appears to be a stereotyped homosexual, and the story continues in its arch and mannered fashion to parody what was undoubtedly a parody to begin with.  The Demigod approaches Sackbutt and stares at him, from which Sackbutt infers that he has been selected to parade for this first alien visitor all the achievements of Earthly high culture, while the rest of the world looks on, until the Demigod decides he has had enough and carries Sackbutt off to a summary end.  Bretnor is adept enough at this artificial style (reminiscent of an overstimulated P.G. Wodehouse) to keep it amusingly readable enough, as long as one can ignore the fact that the whole thing is an exercise in exploiting the last prejudice that seems to be acceptable everywhere.  Two stars for execution discounted for silliness, a burnt-out cinder for moral stature.

Jack Williamson: Four-Way Pioneer, by Sam Moskowitz

An almost welcome note of the prosaic is sounded by Sam Moskowitz, with his SF Profile, Jack Williamson: Four-Way Pioneer.  This one begins by quoting a New York Times review stating that Williamson’s writing is “only slightly above that of comic strip adventure”—a review which netted Williamson a job writing a comic strip, Beyond Mars in the New York Daily News Sunday edition.  This may not be the credential Mr. Williamson would most like to see heralded.

Aside from this promotion by pratfall, Moskowitz recounts Williamson’s childhood in the wilds, or at least the farmlands, of Mexico and the Arizona Territory, his discovery of this very magazine in 1927, his success at selling A. Merritt pastiches to it starting in 1928, and his development as a more versatile writer in the 1930s.  Moskowitz describes Williamson’s 1939 novella The Crucible of Power as “a giant step towards believability in science fiction” (read it and draw your own conclusions).  As usual, Moskowitz focuses on Williamson’s material of the ‘20s and ‘30s, with less emphasis on the ‘40s and none at all on his post-1950 work (two novels on his own not worked up from earlier writings, plus one in collaboration with James Gunn and four in collaboration with Frederik Pohl, and a dozen-plus short stories); his sole comment is “But science fiction stories continue to trickle out.”

Oh, the four ways?  “He is an author who pioneered superior characterization in a field almost barren of it; new realism in the presentation of human motivation; scientific rationalization of supernatural concepts; and exploitation of the untapped story potentials of anti-matter.” You might think becoming an academic with a specialty in science fiction was one, too.  Anyway, three stars; this one is a little meatier than Moskowitz’s usual.

Summing Up

Who would have thought it?  An issue of Amazing in which the merit, such as it is, of most of the fiction contents turns on the authors’ mastery of style: in Barrett’s and Bretnor’s cases, their ability to maintain a grossly artificial style consistently enough to keep the reader going, as opposed to laughing at their lapses, and in Rohrer’s, his ability to recount bizarre and grotesque events in the plainest and most matter-of-fact language so the story will not seem as far around the bend as its protagonist.  Well, you take what you can get with this hit-or-miss magazine.

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Magazine

[June 12, 1964] RISING THROUGH THE MURK (the July 1964 Amazing)

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by John Boston

Wishing Waiting Hoping

Can it be . . . drifting up through the murk, like a forgotten suitcase floating up from an old shipwreck . . . a worthwhile issue of Amazing?

You certainly can’t tell by the cover, which is one of the ugliest jobs ever perpetrated by the usually talented Ed Emshwiller—misconceived, crudely executed, and it doesn’t help that the reproduction is just a bit off register.


by Ed Emshwiller

Mindmate, by Daniel F. Galouye

This hideous piece illustrates Mindmate, an amusingly hokey long novelet by Daniel F. Galouye, an improvement over his last two pieces in Amazing if not up to the standard of his Hugo-nominated novel Dark Universe.  In the near future, the Foundation for Electronic Cortical Stimulation, a/k/a the Funhouse chain, is raking it in selling ersatz experience, but is being chivvied by the Hon. Ronald Winston, chairman of the House Investigative Subcommittee on Cultural Influences, who thinks the Funhouses are addictive and should be stopped. 


by Ed Emshwiller

So the Funhousers do the only sensible thing—they kidnap Winston and, before killing him corporeally, use their technology to install him as a secondary personality in the brain of protagonist Sharp, who has been surgically altered to be a dead ringer for Winston.  It’s Sharp’s job to subvert the Subcommittee’s investigation, though he’s actually thinking of playing a double game. 

Sharp’s access to Winston’s memories and habits permits him to impersonate Winston quite successfully, to the point where he sometimes wonders whether he or Winston is really in charge.  And that, along with his mixed motives, sets the theme for the story: he’s not the only one playing a double game, or the only one with a double personality and questions about who is dominant. The attendant rug-pulling is executed reasonably well, though the author cheats a little: which personality emerges as dominant seems determined by plot needs and not by any identifiable aspect of the invented technology.  And it’s all acted out in the slightly incongruous context of a gangland melodrama.  But it’s sufficiently well turned and entertaining to warrant some generosity.  Four stars.

Placement Test, by Keith Laumer


by Virgil Finlay

There are two other novelets.  Keith Laumer’s Placement Test is one of his aggressively dystopian pieces, similar in degree of oppression but much different in mood from The Walls in the March 1963 Amazing, and less effective.  In a hyper-stratified future society, protagonist Maldon, who has done everything by the book, is excluded from his chosen career path through no fault of his own, relegated to Placement Testing for a menial future, and, if he doesn’t like it, Adjustment (of his brain). 

Instead of accepting his fate, he rebels, and through a combination of chutzpah and chicanery manipulates the rigid and stupid system to get what he wants . . . only to be told (here’s a revelation as massive as the cliche involved) that it was all a set-up, his rebellion was the real placement test, and he’s going to be a Top Executive (sic).  The hackneyed gimmick is offset by Laumer’s usual propulsive execution, so three stars for competence.  But if this is Laumer’s placement test . . . he’s not quite as promising as we might have thought from The Walls, It Could Be Anything, and others. 

A Game of Unchance, by Philip K. Dick


by George Schelling

The third novelet is Philip K. Dick’s A Game of Unchance, set among colonists on a Mars every bit as unrealistic as Ray Bradbury’s, but much more depressing.  A spaceship lands at a settlement, promising a carnival: “FREAKS, MAGIC, TERRIFYING STUNTS, AND WOMEN!”—the last word painted largest of all.  But the colony has just been fleeced by another carnival ship!  This time, though, the colonists have a plan: their half-witted psi-talented Fred can go to the carnival and win the games with the most valuable prizes.

The prizes turn out to be dolls with intricate internal wiring (microrobs, they’re called), which attack and escape, and later prove bent on harm to the colonists, wiring up the local fauna and the livestock.  The UN says the colonists will have to evacuate while they flood the area with poisonous gas; then a higher-powered UN guy shows up and says that they will probably have to evacuate Mars entirely in the face of this extraterrestrial invasion, for that is what it is.  At story’s end, yet another carnival ship has shown up—this one with prizes consisting of little mechanical devices claimed to be “homeostatic traps” that will catch the little things the colonists can’t catch themselves—and at the end, they are falling for it. 

In outline, this sounds like a tight little piece of irony, but on the page it’s quite atmospheric.  Dick has become hands down SF’s master of dreariness.  (“The night smelled of spiders and dry weeds; he sensed the desolation of the landscape around him.”) But more than that, he is a master of a particular kind of horror, the horror of being trapped, not necessarily physically, but in events and situations that can only have a bad end and that his characters cannot turn away from.  The fact that some of the situations (like this one) make very little sense does not detract from their power; this is a sort of dream logic at work.  It doesn’t work for everybody, but for my taste, four stars.

The Mouths of All Men, by Ed M. Clinton, Jr.


by McLane

Ed M. Clinton is a very occasional SF writer, with eight stories scattered over the past decade, almost all in second-tier magazines.  In his short story The Mouths of All Men, Soviet and American astronauts are launched simultaneously, intending to meet in space and return together in a show of brotherhood, but while they’re en route someone triggers World War III, destroying humanity.  So they match velocities, dock, and immediately try to kill each other; then they calm down, show each other their pictures of their now incinerated families, inscribe a proclamation on their viewport, and purposefully botch re-entry so they’ll be killed on the way down.  This is more of a harangue than a story—not a badly done harangue, but the sentiments are quite familiar to SF readers, and starting to get that way for everyone else.  Two stars.

The Scarlet Throne, by Edward W. Ludwig


by Blair

The Scarlet Throne by Edward W. Ludwig, a little more prolific but about as obscure as Clinton, is another Message story, this one less well done than Clinton’s.  Esteban, the patriarch of a poor Mexican family who lives near a desert rocket launching facility in the US, is troubled by the fact that space is being conquered while his family and his neighbors still lack indoor plumbing, and decides to take his message to the launch site where the President will be in attendance.  He doesn’t get far.  The story ends with a crude but appropriate joke.  The worthiness of the message is overtaken by the story’s heavy-handedness and the rather patronizing portrayal of the Mexican family.  Two stars.

Operation Shirtsleeve, by Ben Bova

Ben Bova soldiers on with Operation Shirtsleeve, discussing how to transform Venus and Mars so we can walk around in our shirtsleeves on them—i.e., terraform them, though Bova avoids this term for some reason.  Instead, he uses “shirtsleeve” as a verb at least once.  I don’t think that usage will stick.  Anyway, the answers, respectively, are bombard Venus with algae and bombard Mars ith energy and hydrogen.  (I am simplifying a little bit.) It’s the usual fare of interesting information presented dully. 

Bova does venture outside his specialties with one observation: “While the moon has some political and perhaps even military advantages, Mars is too far away for any nation to attempt to reach single-handedly.  Manned expeditions to Mars will probably be international efforts supervised by the United Nations.” I wonder if he’s giving any odds.  Bova then concludes: “The real question is: Why bother?  That is a question that can only be answered by the men who actually land on Mars.” I would think that the people who will pony up the trillions of dollars or other currency needed to pay for this project, and their representatives, might have something to say about it too.  But the fact that Bova is even asking this question gets him a grudging three stars.

In Conclusion

So: nothing terrible, everything readable, and a couple of items distinctly above average.  Celebrate! . . . while you can. 

Next month . . . Robert F. Young.

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Magazine

[May 22, 1964] Not Fade Away (June 1964 Fantastic)

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by Victoria Silverwolf

Hello, Satchmo (And Mary)

A certain British quartet, which shall remain unnamed here, finally toppled from the top of the American popular music charts this month after dominating it for most of the year.  Whether or not this means the end of their extraordinary career on this side of the Atlantic remains unknown.  Whatever their fate may be, I wish them a fond farewell, at least for the nonce, and extend an equally warm welcome to two vocal artists from the United States.

Along with the proverbial flowers brought by April showers, the early part of May offered a hit song from a jazz legend whose career stretches back four decades.  Taken from a hit Broadway musical of the same name, Louis Armstrong's rendition of Hello, Dolly! reached Number One, and is likely to send more people flocking to the St. James Theatre to see Carol Channing in the title role.


Have you purchased your tickets yet?


Gotta love that smile.

Just recently, a much younger singer achieved the same chart position with a romantic rhythm-and-blues ballad.  Mary Wells, currently the top female vocalist for the Motown label, has a smash hit with the catchy little number My Guy.


The juxtaposition of the two titles on this single amuses me.

I suppose it's too early to tell if we're witnessing the slow demise of rock 'n' roll in the USA in favor of other genres, but perhaps the popularity of these two songs indicates something of a trend.  In any case, it's encouraging to see that, in a time when racial animosity threatens to tear the nation apart, music can cross the color line.

The Prodigal Returneth


by Robert Adrasta

Just as American performers reappear in jukeboxes and on transistor radios after an extended absence, a multi-talented author who has been away from the field for a while returns to his roots in imaginative fiction in the latest issue of Fantastic, and even earns top place on the cover.

Paingod, by Harlan Ellison


by Leo and Diane Dillon

After some years spent publishing a large number of science fiction and fantasy stories, as well as crime fiction, mainstream fiction, and a nonfiction account of his experiences with juvenile delinquents, Ellison migrated to the greener pastures of Hollywood.  Writing for television definitely pays better than laboring for the magazines, and you may have seen his work on Ripcord and Burke's Law.  The lure of Tinseltown hasn't kept him completely away from the pages of the pulps where he got his start, however, nor has he lost his talent for creating tales of the fantastic.

Trente, the alien illustrated on the cover, serves the mysterious, all-powerful rulers of all the universes that exist, known as the Ethos, as their Paingod.  He dispenses suffering to all the sentient beings in all the worlds that exist throughout all possible dimensions.  After performing this duty without feeling for an unimaginably long time, Trente develops something completely unexpected: a sense of curiosity, even concern, about those to whom he sends misery and sorrow.  At random, he enters the body of one lifeform on an insignificant planet, which happens to be Earth.  In the form of an alcoholic derelict, he speaks to a sculptor, who is mourning over the loss of his talent.  They both learn something about the nature of suffering, and Trente discovers the motives of the Ethos, and why they selected him to be the Paingod.

This is a powerful story with an important theme, told in a way that holds the reader's attention throughout.  Particularly effective are the scenes in which Trente dispenses suffering to an extraordinary variety of entities, described in vivid and imaginative detail.  I also greatly enjoyed the life story of the man whose body Trente inhabits.  Although the character really plays no part in the plot – he's merely a shell for the alien to wear – the complete and compassionate biography of one who knew more than his share of unhappiness adds to the story's theme, and displays the author's skill at characterization.

The rationale offered for the existence of suffering is, almost inevitably, a familiar one, philosophers having debated this question for millennia.  Ellison has a slight tendency to write with more passion than clarity; the phrase centimetered centuries threw me for a loop.  Despite these quibbles, this is a fine story, likely to remain in memory for a long time to come.

Four stars.

Testing, by John J. McGuire


by Dan Adkins

With the exception of one story in a recent issue of Analog, McGuire is another author we haven't seen around for a while.  Unlike Ellison's success with screenwriting, the explanation for this absence is simply that McGuire isn't very prolific, his few stories mostly written in collaboration with H. Beam Piper.  Our Illustrious Host didn't like his previous solo effort at all, which doesn't bode well for this one, but let's give the fellow a chance.

The narrator is the pilot of a starship carrying a small team of experts whose mission is to determine if a planet is suitable for colonization, a premise that may seem overly familiar to many readers of science fiction these days.  Also unsurprising is the fact that only one of the members of the team is female, and it's obvious that her role in the story is to be the Girl.  They foolishly break with Standard Operating Procedure and step out onto the surface of the Earth-like world without taking full precautions.  Instantly teleported far away from their landing site, they find themselves under observation by a floating sphere with dangling tentacles.  An agonizingly long and dangerous journey begins, as the team makes their way back to the starship through lifeless deserts and snowy mountains, facing deadly alien creatures, constantly under the watch of the inscrutable sphere. 

The only suspense generated by the story is wondering who's going to get killed next, and by what, since the bodies pile up quickly once the sphere shows up.  The mystery of the sphere remains unsolved, although the narrator makes some educated guesses about its nature and motivation.  If the author's main intention is to make the reader feel the suffering of his characters, he does a fair job of acting as a Paingod.  Otherwise, I found it overly long and tedious, as I kept reading about one random, violent death after another.

Two stars.

Illusion, by Jack Sharkey

by Blair

Unlike the first two writers in this issue, Sharkey shows up in the genre magazines on a routine basis, which is sometimes a good thing, and sometimes not such a good thing.  His latest yarn is a variation on the old, old theme of a deal with the Devil.  (Well, technically, a demon, and not Satan himself, but you know what I mean.) The protagonist gets three wishes in exchange for his soul, which isn't the most original idea in the world, either.  The first is for a never-ending pack of self-lighting cigarettes; the second for complete invulnerability, unless he deliberately tries to harm himself; and the third is for the power to make illusions become reality.  If you've ever read one, or two, or a zillion of these stories, you know that things don't work out well, after some slapstick antics. 

Sharkey uses the word illusion in an odd way, meaning anything from tricks of perspective (objects looking smaller when they're far away) to whatever appears on a TV screen.  The whole thing is inoffensive, I suppose, but lacking the rigid logic this kind of story needs and not very amusing.

Two stars.

Body of Thought, by Albert Teichner


by Dan Adkins

Teichner, like Sharkey, also hasn't gone away, making an appearance in Fantastic or Amazing or If every few months or so.  This time he offers us a tale about a secret government project to collect the brains of outstanding intellectuals soon after they die, keep them alive, and attach them to a computer that will allow them to work together, producing results far beyond anything one mind could do alone.  The story moves at a very leisurely pace.  We follow the main character, an elderly physicist contacted by the folks behind the project, as he visits the lab where this is going to take place, and discusses it with a colleague who is also one of its subjects. 

I had no idea where the plot was going, or what point the author was trying to make, until near the end, when a group of potential brain donors argue about what use should be made of this symbiotic, semi-organic supercomputer, each one claiming that his (never her) field is the most important.  I can appreciate the statement Teichner is trying to make about the human ego, but he sure takes a long time getting around to it.

Two stars.

Genetic Coda, by Thomas M. Disch

Disch is another perennial of Cele Goldsmith's pair of publications, either as himself or as Dobbin Thorpe, a pseudonym that always makes me smile, just because it sounds so silly.  Under his own name Disch comes up with a sardonic vision of the future.  Sextus is a humpbacked freak, living with his equally deformed father, his physically normal but perpetually angry mother, and several tutoring robots.  After his mother dies and his father vanishes, he lives alone with the machines, hidden from a world that would force him to undergo castration because of his abnormal genes.  (His father managed to escape that fate through bribery and isolation.) Determined to father a child, Sextus invents a time machine, leading to the kinds of paradoxes you expect, as well as some very Freudian complications.

I have mixed feelings about this story, which some might see as nothing more than a dirty joke, and others as a razor-sharp satire on human aspirations and pretentions.  It's very clever, but you're always aware that the author knows exactly how clever he is — far more than the dolts he writes about.  I'm going to have to be wishy-washy about it and give it a barely passing grade.

Three stars.

From the Beginning, by Eando Binder


by Michael Arndt

We haven't seen that byline in the pages of a science fiction magazine for a long time.  That's not a surprise, since this Fantasy Classic is a reprint from the June 1938 issue of Weird Tales.

As many SF fans know, Eando Binder is actually a pen name for brothers Earl and Otto Binder; E and O Binder, get it?  The introduction by Sam Moskowitz explains that Earl stopped writing after a few years, and most stories under the name of Eando are the work of Otto alone.  The present example is one of those tales, old-fashioned even in the late 1930's, where one man invents or discovers something amazing, so his friend comes over and they talk about it. 


Cover art by Margaret Brundage, who drew a lot of scantily clad ladies for this publication.

The gizmo, in this case, is an incredibly ancient metal ball, found during a paleontological expedition.  When placed in an electrical field, it produces telepathic messages from the remote past.  These reveal that a race of robotic beings with radium-powered brains came to the solar system from another star in search of radium to replace their dwindling supply.  We get a blow-by-blow history of the planets, as the robots create things like the Great Red Spot of Jupiter and the canals of Mars in their quest for radium.  Eventually they come to Earth, after they have drained the outer planets of the vital substance.  They set out for yet another star system, allowing only a small number of the elite to escape (there is only enough room aboard their spaceship for a few, so of course the upper class gets to go). The others to perish at the metal hands of an executioner.  The source of the telepathic messages is a rebel, who chose to remain on Earth alone rather than die (which seems like a reasonable choice to me.) The climax of the story tells us about the origins of the human race. 

Although some of the events in the story create a Sense of Wonder, overall it's a creaky example of Gernsbackian, pre-Campbellian scientifiction, of historic interest only.  I had to look twice to make sure it came from 1938 and not 1928. 

Two stars

Many Happy Returns?

Other than Harlan Ellison's hard-hitting fable, this is a weak issue, full of disappointing stories.  It makes me hope that the author of Paingod won't be blinded by the bright lights of show business, and will stick around for a while.


The Chicago airport probably doesn't have Ellison in mind, but what the heck.

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[April 22, 1964] World Affairs (May 1964 Fantastic)

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by Victoria Silverwolf

Hail, Britannia

To the surprise of absolutely nobody, the Beatles again have the most popular song on the U.S. charts.  This time is it's a cheerful little melody called Can't Buy Me Love.


You'd be grinning too, if you were that popular.

I suppose there will be no end of imitations.  My sources in the UK tell me a new group just released its first album.  You can't tell from the minimalist cover, but they're called the Rolling Stones.


I thought they were called Decca.

The album isn't yet available on this side of the Atlantic, so I can't tell you what it sounds like.  Judging by the haircuts, I assume it will be a lot like the Fab Four.  Fantastic Five, maybe, if Marvel Comics doesn't object.

The British don't just export music, of course.  They also supply us with sex and violence, in the person of James Bond, Agent 007.  From Russia With Love, the sequel to the hit movie Dr. No opened on Yankee screens this month.


One should always be properly dressed while wielding a pistol.

All's Fair

Other nations besides the United Kingdom have a chance to impress Americans for the next couple of years.  The New York World's Fair opened to the public today, with exhibits from dozens of foreign countries, as well as several states and business corporations.


That's the Unisphere, symbol of the Fair.  I call it a globe.

Those of us with long memories will recall the 1939 New York World's Fair.  It's hard to believe that a quarter of a century has gone by.


The pointy one is the Trylon and the round one is the Perisphere.  They look more modern than the new one, don't they?

It would tedious to try to describe all the stuff going on at this extravaganza, but let me point out a few highlights.  Science fiction fans will want to visit the Space Park.


NASA shows off their fancy equipment.

The state of Wisconsin brags about its most famous products.


Does that mean the World's Largest Cheese gets in free?

Noted puppeteers Sid and Marty Krofft will present a stage spectacular called Les Poupées de Paris (The Dolls of Paris.) So what?  Who cares about a kiddie puppet show?  Well, this musical revue is for adults only.  Seriously.  You have to be at least twenty-one years old to get in.  It's just too sexy and too scary for the little ones.


Here's one of the scary parts.  I can't show you the sexy parts unless you have proof of age.

For those of us who can't make it to the Big Apple this year or next, at least we can explore strange new worlds in the pages of our favorite magazines.  Let's head for the main gate and see what the latest issue of Fantastic has to offer.

Tickets, Please


art by Ed Emshwiller

Adept's Gambit, by Fritz Leiber

Our first exhibit is an oldie but a goodie — this issue's Fantasy Classic deserves the name, and I won't complain about filling more than one-third of the issue with a reprint.  It appeared in the pages of the 1947 Arkham House collection Night's Black Agents.


Cover art by Ronald Clyne

Just over three thousand copies of the book exist, so most fantasy fans won't be familiar with this novella featuring our old friends Fafhrd and the Gray Mouser.

A brief introductory note explains that the two adventurers are no longer in their usual fantasy realm of Nehwon.  Having made their way through passageways that connect all possible worlds, they are now on Earth.  To be specific, the Eastern Mediterranean area, in what seems to be ancient times.  Don't expect historical fiction, though.  This is a place full of enchantment and supernatural menace.

As they often do, the pair relax after their struggles in the arms of beautiful young women.  Things quickly go wrong when Fafhrd's paramour turns into a sow.  He suspects his companion of playing tricks on him, but this theory explodes when the Mouser's girlfriend changes into a giant snail.  Both ladies regain their normal shapes after a while, but whenever either of the heroes embraces a woman, the same thing happens.

This is, of course, an intolerable situation.  Reluctantly, they seek out their eldritch mentor Ningauble of the Seven Eyes.  That bizarre being sends them on a weird quest, in the company of a mysterious woman.  A long flashback sequence, narrated by the woman, relates the strange connection she has with her brother, a powerful practitioner of black magic.  It all leads up to a final confrontation with the evil sorcerer.

Nobody writes sword-and-sorcery adventures as well as Fritz Leiber.  This tale has just the right balance of wit, imagination, action, suspense, fully realized characters, colorful descriptions, and more than a touch of the macabre. 

Five stars.

To the Victor, by Leo P. Kelley


Cover art by George Schelling

We exit the giant Leiber pavilion and enter the first of four smaller exhibits. 

The setting is a planet inhabited by primitive aliens.  Humans colonized the place long ago, filling it with vast, high-tech buildings.  They want more elbowroom, and the aliens don't want their environment sacrificed to the newcomers.  Conflict is inevitable.  This isn't the usual kind of war, however.  One human being and one alien face each other in single combat.

A man well over one hundred years old, with doubts about what humanity has done to the planet, is the protagonist.  He witnesses the battle, and makes a symbolic gesture of his own.

The author contrasts the rapaciousness of the technological invaders with the aliens' love of the natural world.  I appreciate the point he's trying to make, but he does it in a heavy-handed way.  The combat scene involves odd, almost comic Rube Goldberg devices, which spoils the story's somber mood.

Two stars.

Master of Chaos, by Michael Moorcock


Cover art by Virgil Finlay

Time for a brief excursion outside the American section of this paper World's Fair, and a quick look at what the British have on display.  Will they offer us something as groundbreaking as the Beatles?

Well, not really.  Like the lead novella, this is a swashbuckling fantasy adventure yarn.  The hero goes to a castle that lies at the edge of the Earth.  After nearly losing his way inside its labyrinthine corridors, and doing battle with a monster, he confronts the sole inhabitant (As tradition demands, a beautiful and seductive sorceress).  Their meeting leads to a new challenge.

The most interesting and original concept in this story is the idea that Earth is surrounded by ever-changing Chaos.  As Chaos is conquered, Earth grows.  It's a striking notion, and adds a novel touch to an otherwise typical example of the genre.

Three stars.

All For Nothing, by David R. Bunch


Cover art by Lutjens

Back to the States with a writer like no one else, for good or bad.  In this offbeat creation, written in the author's eccentric style, a man creates an exact duplicate of himself.  His mad scheme is to challenge God to accept the double in his place, so he can escape from life and the afterlife.  Adding to the horrific mood is the elaborate machines the fellow intends to use to kill himself in a particularly slow and painful way.

I don't know what to make of this grim account of someone who doesn't want to exist in Earth, Heaven, or Hell.  It certainly held my attention, if only in a depressing way. 

Two stars.

Gulliver's Magic Islands, by Adam Bradford, M. D.


Cover art by Blair

If Fritz Leiber's name brought me into the fairgrounds, then Adam Bradford's made me want to find the exit.  Fair is fair, however, and I have to give the man a chance to redeem himself.  His last two Swiftian pastiches failed to add anything to the original, and missed the satiric point.  Will he stumble again?

(By the way, the magazine's editorial reveals that the author's real name is Joseph Wassersug.  He's a physician who writes medical articles.  As far as I can tell, he's never published any fiction other than this series.  The editorial also promises – or should I say threatens? – another one to follow.)

Once again, the narrator follows in Gulliver's footsteps.  He visits Balnibarbi, the island of scientists; Laputa, the flying island that floats above it; Glubbdubdrib, the island of magicians; and Luggnagg, the home of the immortal struldbrugs.  Not much is done with any of these except Balnibarbi.  I have to admit that the author provides some decent satire on the way in which scientists have to chase after money for their projects.  For that reason, this entry is a little better than the others.

(One odd thing that struck me.  The inhabitants of Glubbdubdrib are described as dark-skinned.  The name of their leader is Loother Krring.  All other words made up by the author seem to be meaningless, but this one appears to be an allusion to Doctor Martin Luther King, the famous civil rights leader.  What the point of this reference might be escapes me.)

Two stars

After the Fair is Over

As night falls and we leave the fairgrounds, souvenirs in our hands, we look back over an eventful day.  Obviously, the Fritz Leiber pavilion was the highlight of the fair.  If the other exhibits were disappointing, well, that's life.  At least we can send a postcard telling the folks back home all about it.

[Come join us at Portal 55, Galactic Journey's real-time lounge!  Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




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