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[July 14, 1967] The Beat Goes On (August 1967 Amazing)


by John Boston

The August 1967 Amazing looks out on the world through one of Frank R. Paul’s later and less interesting works, trimmed of course from its original pulp size.  This one, titled A City on Uranus, is from the back cover of the April 1941 Amazing, as usual cropped to fit the lower half of this smaller magazine.  The issue’s overall contents and presentation are also as usual: one new story and a bunch of reprints, with Harry Harrison’s intelligent book reviews taking a few pages.


by Frank R. Paul

La de da de de.

The Man from Zodiac, by Jack Vance

Once more I say—at the risk of repeating myself repeating myself repeating myself—when a first-rate author shows up at the bottom of the market, there’s a reason for it.  The one non-reprinted piece of fiction here is Jack Vance’s “Great New Short Novel,” as the table of contents has it, The Man from Zodiac.  Zodiac Control, Inc., is a corporation that sells government services to colony planets across the galaxy, or galaxies (there is ambiguous reference to Andromeda), with competitors like Aetna, Fidelity, and Argus. 


by Gray Morrow

The eponymous Man is Milton Hack, a Zodiac employee (and also a minority shareholder, a fact which ultimately has little significance), who is charged by the main owners with getting and supervising a contract with the Phrones of Ethelrinda Cordas.  The Phrones are cartoon barbarians who have (or whose elite has) little interest in schools, sewer systems, and the other usual appurtenances of government; they wish only to obtain weapons with which to smite their neighbors and enemies, the equally cartoonish Sabo. 

Hack engages in a course of bamboozlement and chicanery and ends up representing both the Phrones and the Sabos with identical contracts, and persuading them to live in something resembling peace, outsmarting everyone in sight at every opportunity since they are all utterly stupid.  It’s frankly pretty crude, devoid of Vance’s usual sharp satirical wit; worse, it’s thoroughly boring, and gives the impression that the author is as bored as the reader.  Or maybe he is attempting to emulate the literary and commercial success of Christopher Anvil.  Two stars.

Martian and Troglodyte, by Neil R. Jones

The reprints are the usual mixed bag, slightly better mixed than in some issues.  The longest and oldest—a “Special—Short Novel” per the contents page—is Neil R. Jones’s Martian and Troglodyte, from the May 1933 Amazing.  Jones is best remembered for his protracted “Professor Jameson” series, about a scientist who is revived from his orbiting tomb and who goes chasing around the universe for a couple of dozen stories with the robot-bodied Zoromes.  In this one, Thrag, a cave guy who has been chased out of his tribe in a dispute over possession of the winsome Tua, is saved from becoming lunch for a cave bear by visiting Martians on a voyage of discovery.  (Jones’s Earth has many perils.  In addition to cave bears and saber-tooth tigers, tyrannosaurs and pterodactyls are still around.) Thrag learns not to be afraid of the Martians and they help him out in his quest to recover Tua from her brutal usurper by lending him lethal Martian technology.  Thrag’s and the Martians’ efforts to figure each other out are surprisingly well done. 


by Leo Morey

Overall, this is a pleasant antique, though Jones’s peculiar verbosity is sometimes a distraction.  (Any resemblance to the present commentator is entirely illusory.) A sample:

“In the depths of space between the earth and its contemporary planet, known to present day man as Mars, a small space ship sped at an inconceivable speed across the millions of miles of space towards the earth.  It was now very close, having been upon its journey through the stellar void for the period of time in which it had taken the great globe it was approaching to turn upon its axis forty times.  Forty times the topographical features of the planet earth had swung lazily before the eager eyes of the two space navigators within their interstellar craft as day by day, according to the rotation of the cosmic sphere, the planet grew larger in proportion as they drew near.”

Two stars; it probably would rate higher by the standards of its time.

Blabbermouth, by Theodore Sturgeon


by Malcolm Smith

Theodore Sturgeon’s Blabbermouth, from the February 1947 Amazing, is about a captivating woman who is telepathic and compulsively blurts out people’s secrets to those from whom they are being kept secret.  This brings ruin to her husband’s career as a prominent New York radio emcee, but by the end he figures out how to make lemonade (i.e., money) from this particular lemon.  The story is told in an affected semi-Damon Runyonesque style that bespeaks a writer trying to execute the cliches he thinks his market requires.  And maybe it did.  Or not.  This is only the second published story Sturgeon sold to an SF or fantasy editor other than John W. Campbell, and maybe he didn’t have much confidence about following his own bent anywhere else.  Two stars.

The Roller Coaster, by Alfred Bester


by Bernard Krigstein

There are two stories here from the magazine’s brief high-word-rate renascence of 1953-54.  Alfred Bester’s The Roller Coaster, from the May-June 1953 Amazing, is also told in an affected style, but it’s Bester’s own affectation, so it’s a lot more convincing than Sturgeon’s off-the-rack costume in Blabbermouth.  It starts with a slap to the reader’s face of Spillaneish violent sadism—quite appropriate in context, as it turns out—and continues without letup or wasted words to retell a familiar SF story.  It’s as if somebody said, “You read Vintage Season?  Here’s how it really goes.” Four nasty stars. 

One Way Street, by Jerome Bixby


by Augusto Marin

In the other renascence item, Jerome Bixby’s One Way Street (Amazing, December 1953-January 1954), the protagonist has a split-second blackout, drives off the road, and wakes up in a wrecked car and a slightly different world—phone numbers are different, his dog is different, there’s no Hamlet, Shelley, Keats, or atomic power, and Stalin’s alive.  His wife’s a little different too, but he likes the differences and is trying to make a life in this new world when he gets a chance to try to go home via an experimental procedure.  The surprise ending is about as surprising as the sun rising in the morning, but overall the story is sharply and economically done.  Three stars, pushing four.

North God’s Temple, by Henry J. Kostkos


by Leo Morey

We dip back into the archaic with Henry J. Kostkos’s North God’s Temple (Amazing, August 1934), in which a Professor Challenger-type blowhard, Professor Norton of the Cosmopolitan Museum, receives a telepathic summons from the historians of the People of the Magnetic God, who live undersea near the North Pole.  So he fakes up a pretext for an expedition to seek out the magnetic pole.  Once there he is summoned alone and sucked underwater and then underground in a rowboat, and finds the Temple of the Magnetic God (it must be, since he’s pinned to the wall until he manages to work his steel revolver out of his pocket).  This Temple landed on Earth after the breakup of the former fifth planet that became the asteroids.  Then Norton gets sucked back underwater in a contretemps that apparently is intended to explain the migration of the magnetic poles.  Two stars for this tiresome period piece.

Vis Scientiae, by Miles J. Breuer, M.D.

But there’s still one more piece of archaic to eat: Vis Scientiae, a poem by Miles J. Breuer, M.D. (Amazing, May 1930), which seems to be a lament by the ancient gods that they’re no longer in charge of those pesky humans.  It must speak for itself:

“They have chained the livid lightning that goes hurtling down the sky,
Made it slave for them and pass them scatheless as it hurtles by;
They have trapped the furious tempest at whose breath the forest reels,
And the angrier it rages all the merrier turn their wheels; . . .”

Et cetera, though the meter varies.  The substance of Tennyson and the accidents of Robert W. Service?  The best to be said for it is that it could have been worse.  Two stars.

Summing Up

A couple of stories well worth reading, a couple more at least readable, and a couple of wastes of time.  La de da de da.






[September 17, 1963] Places of refuge (October 1963 Fantasy and Science Fiction)


by Gideon Marcus

Every animal needs a safe place.  A refuge from the violence and competition of the natural world in which to evade danger, to regather one's strength in security.  The groundhog and the sand crab burrow.  The gazelle seeks the center of its herd.  The cat finds a private place to devour its prey (often just outside your back door).

Humanity, too, needs its sanctuaries.  We've built castles and moats, erected Great Walls, forged mighty nations defended by vast militaries.  Humans also create spiritual refuges, places that couldn't resist the mildest physical attack, but nevertheless provide an island of calm in which we can find shelter from chaos.  Churches.  Temples.  Libraries. 

On the morning of Sunday, September 15, 1963, one of those sanctuaries was violated: someone, or several someones, planted dynamite in the 16th Street Baptist Church in Birmingham, Alabama.  It went off during services, killing four girls (Addie Mae Collins, Cynthia Wesley, Carole Robertson and Carol Denise McNair) and injuring 22 more. 

It is unknown who is responsible, but the motivation is clear, for the victims share a trait beyond their humanity and their gender — they are Black.  And there is an evil set of Birminghamians, undoubtedly White, who would deprive their neighbors even of the dignity of refuge.  It is terrorism, plain and simple.

I heard the news of the bombing in the same manner as most of you, I'm sure.  There was a special bulletin over the radio.  At first, the significance of the event was difficult to parse.  The South has been wracked with violence for years, ever since Blacks dared to challenge the social order and demand the equality that should be their unquestioned right.  Firehoses, police dogs, stonings, lynchings, assassinations — these attacks have become all too commonplace. 

But this latest hideous act involved the mass slaughter of children, in the one place they should have been expected to have been safe.  I'm certain its perpetrators felt it would be some kind of rallying call for White racists to resist the tide of integration.  If public reaction be any indication, it will have the opposite effect.  This nation, already moving toward championing the cause of equality, already committed to deploying soldiers to ensure the civil rights of Black students, can only be spurred with greater urgency to destroy segregation and bigotry before it claims as victims more children, more sanctuaries.

That's the view from 50,000 feet.  On Sunday morning, I was incapable of analysis or even hope.  All I could think about was the horror that had happened, and the families who'd lost their little girls.  One of the dead was the same age as our Young Traveler.  I wasn't ready to process the tragedy.  I needed my own place of refuge, a moment of peace to collect myself.

So I shut out the world and picked up a book. 

The visions of other worlds afforded by the "All Star" October 1963 Fantasy and Science Fiction might not turn out to be pleasant, but they would at least let me visit different ones. 

As it turned out, the excursion was just what I needed.  This month's issue is a good one:

Girl of My Dreams, by Richard Matheson

The first tale was, for me, a bit of "out of the frying pan and into the fire."  It's a thoroughly unpleasant tale about a thoroughly unpleasant fellow who marries a possessor of the second sight.  Said wife sees the catastrophes that will befall others in her nightmares, and her scoundrel husband then uses this knowledge to fleece the upcoming victims.  Having a conscience, the clairvoyant sabotages one of her husband's plans on the eve of success.  It is only after he batters her to death for her trouble that he learns that she has foreseen his death and no longer can tell him how to avoid it.

Matheson never writes poorly, but the Twilight Zone twist combined with the rampant domestic cruelty (never lauded, mind you) make this a story you may well want to skip.  Three stars.

Epistle To Be Left In The Earth, by Archibald MacLeish

The low point of the magazine is another "Tell those who come after us that Earth was once a lovely place" poem.  It don't even rhyme.  One star.

Deluge, by Zenna Henderson
(poetic sting by Jeanette Nichols)

Now we come to the part I was most looking forward to, the return of Zenna Henderson's The People.  This episode of the saga is chronologically the first, showing what caused a family of humanoid espers to depart from Home and take refuge in the ruralities of America. 

Henderson's stories are always poignant, emotionally laden pieces.  The problem with this one is there is no real dramatic tension.  Like a movie about the Titanic, we know how it's going to end from the start.  Moreover, it lacks that delicious tension implicit in the stories set on Earth: the worry of discovery, the friction with locals, the adaptation to a new environment. 

Deluge is thus a series of evocative, poetic scenes in an inexorable and rather dull narrative, a piece that would have been better left unwritten, or perhaps simply incorporated in other stories.  Three stars.

(Since we've now gotten the beginning and the (also lackluster) end of the series, one wonders if it's time for Henderson to move on to other subjects.  On the other hand, an official meeting between The People and the people of Earth would be nifty to read.)

Faed-Out, by Avram Davidson

Followers of this column know that I was once a big fan of Davidson's work but feel his latest stuff has been too somber, incomprehensible, or both.  Faed-Out is a return to form, about a veteran B-movie villain with a heart of gold, who helps bring to rest the soul of a departed fellow thespian.

This workmanlike plot is elevated by being a wonderful character piece brought to poignant conclusion in its last paragraph.  Four stars, and welcome back, sir.

How to Plan a Fauna, by L. Sprague de Camp

De Camp has been a writing fiend, lately.  This time around, he points out the typical flaws in science fiction ecologies and gives a broad, if cursory, account of terrestrial predator/prey ratios to be applied to other planets to make convincing faunas.

It's a bit of an argument with a strawman — the examples De Camp draw on are Burroughs and other pulpish folk; truly outdated stuff.  Plus, the survey of Earth's food chains is rather glib and superficial.  Three stars, and I'd rather see the Good Doctor Asimov's take on the subject.

Special Consent, by P. M. Hubbard

Hubbard returns with a tale as different from his pleasant Cornish ghost storyThe Golden Brick as he could get.  Consent tells of a post-atomic world in which women are ascendant and the gender balance is strictly enforced by law.  Would-be mother of a daughter, Madi, must obtain special consent from her husband — by force, if necessary — for the birth.

It's a strange story, and very opaquely written, but it does make you think.  Three stars.

Twinkle, Twinkle, Little Star, by Isaac Asimov

I see Editor Davidson has given up on preambling Asimov's articles, now letting Isaac do the honors.  This development is to the good.  The current month's article is (appropriately) about stars, and it puts paid the notion that our yellow dwarf sun is at all insignificant.  When compared to the red dwarfs that make up the majority of the stellar population, our star looks quite impressive.

It's a good piece, and the bits about sub-stellar objects (stars too small to shine — he calls them "black dwarves") are fascinating, but I was disappointed that he went through all the trouble to tell us about white dwarfs, incredibly dense objects with the mass of a star but the volume of a planet, but didn't bother to explain what they are.  If you don't know already, white dwarfs are the end result of stellar evolution.  Once a star has fused all of its hydrogen, it collapses in on itself, becoming composed entirely of squashed neutrons with shared electron shells.

Four stars that really should have been five.

They Don't Make Life Like They Used To, by Alfred Bester

Last up is the tale I read first, a Garden of Eden analogy set in post-apocalyptic New York.  Call it The World, The Flesh, and the Devil, but instead of Mel Ferrer, you've got aliens.  And Harry Belafonte's White.

Actually, it's quite good, which surprised me since I've got a long-running animosity toward Alfred Bester.  You may be off-put by the assiduous adherence to gender roles in the piece, although I got the impression that the two protagonists were playing up these clichés rather than falling into them unconsciously.  I particularly appreciated the complete absence of romance between the characters throughout the vast majority of the piece.

Detractors: At the conclusion, aliens shatter the post-atomic Eden, and the protagonists commence to screw.  Though I get what Bester was doing, it cheapened the story for me.  The worst bit of the piece, however, comes right at the beginning: The female protagonist is driving to get supplies (in a masterfully told set up that only gradually reveals the post-apocalyptic setting), and it is noted that "her bosom danced enchantingly."  Since the only viewpoint is the owner of the bosom, one has to wonder just who was watching.  Did she notice the enchanting movement herself?  Isn't it unsafe to admire one's jiggling while operating a vehicle? 

Anyway, it kept my interest and, for the most part, I liked it.  Four stars.

I put down the magazine and take a deep breath.  It is September 17th, and I find myself able to once again acknowledge and take on the world's strife.  If you are need of some solace from the storm, try finding it where I found mine: within the pages of this month's F&SF.




[Oct. 26, 1961] Fading Fancy (November 1961 Fantasy and Science Fiction)


by Gideon Marcus

Have you ever ordered your favorite dessert only to find it just doesn't satisfy like it used to?  I'm a big fan of crème brûlée, and I used to get it every chance I could.  That crispy carmelized top and that warm custard bottom, paired with a steaming cup of coffee…mmm. 

These days, however, crème brûlée just hasn't done it for me.  The portions are too small, or they serve the custard cold.  The flavor doesn't seem as bold, the crust as crispy.  I've started giving dessert menus a serious peruse.  Maybe I want pie this time, or perhaps a slice of cake.

Among my subscription of monthly sf digests, The Magazine of Fantasy and Science Fiction used to be my dessert — saved for last and savored.  These days, its quality has declined some, and though tradition will keep it at the end of my review line-up, I don't look forward to reading the mag as much as once I did.  This month's, the November 1961 issue, is a typical example of the new normal for F&SF:

Keith Laumer is an exciting newish author whose work I often confuse with Harry Harrison's — probably because Retief reminds me of "Slippery Jim" diGriz.  Laumer has a knack for creating interesting sentient non-humans.  He gave us intelligent robot tanks in Combat Unit, and this month, he gives us sentient, symbiotic trees in Hybrid.  It's a story that teeters on the edge of greatness, but its brevity and rather unpleasant ending drag it from four to three stars.

The Other End of the Line is the first new story from Walter Tevis in three years.  Ever wonder what happens if you break a bootstrap paradox (i.e. one where your future self gives your present self a leg up)?  Well…it's not a good idea.  Cute stuff.  Three stars.

Rick Rubin is back with his second story, the first being his excellent F&SF-published Final MusterThe Interplanetary Cat is a weird little fantasy involving an incorrigible feline with an insatiable appetite.  It's almost Lafferty-esque, which means some will love it, and some will hate it.  I'm in the middle.  Three stars.

Faq' is the latest by George P. Elliott, whose Among the Dangs was a minor masterpiece.  Elliott's new story is in the same vein — a Westerner who finds a fictional yet plausible tribe of people, alien from any we currently know.  It's got a nice, dreamy style to it, but it lacks the depth or the powerful conclusion of Dangs.  Three stars.

Doris Pitkin Buck is another F&SF new author.  Green Sunrise, like Buck's last work (Birth of a Gardner), Sunrise features a lovers' squabble between a scientist man and a non-scientist woman.  Once again, the language is evocative, but the plot is weak, the impression fleeting.  Two stars.

The Tunnel Ahead is an overpopulation dystopia-by-numbers tale by Alice Glaser.  Cramped living conditions?  Check.  Algae-based food products?  Check.  Drastic, random population reduction methods?  Check.  Two stars?  Check. 

Randy Garrett's been skulking around F&SF lately, but I don't know that it has been to the magazine's benefit.  Mustang is essentially Kit Reed's Piggy, but not as good.  Two stars.

Dethronement is Isaac Asimov's latest article, a sort of screed written in response to a bad review of his Intelligent Man's Guide to Science by biologist Barry Commoner.  The latter objected to the former's obliteration of the line between non-living and living matter.  This, Commoner maintained, destroyed the field of biology entirely.  The Good Doctor explains that finding bridges between disciplines does not destroy the disciplines any more than bridging Manhattan with the other four burroughs of New York makes Manhattan no longer an island.  It's a good piece.  Four stars.

Alfred Bester covers Heinlein's Stranger in a Strange Land in his books column.  He didn't like it either. 

John Updike has a bit of doggerel about scandalous neutrinos called Cosmic Gall.  It is followed by Algis Budrys' rather impenetrable article on science fiction, About Something Truly Wonderful.  Both rate two stars. 

Part 2 of Gordy Dickson's Naked to the Stars rounds out the otherwise lackluster issue.  It deserves its own article, but you're going to have to wait for it, since Rosemary Benton and Ashley Pollard will be covering some exciting scientific developments, first.  I'll give you a hint — they involve the biggest rocket and the biggest boom.

[Sep. 12, 1959] Best of the Best (October 1959 Fantasy and Science Fiction, second part)

Statistics are (is?) fun.  There is a simple joy to compiling data and finding patterns.  Since the beginning of the publishing year, i.e. issues with a January cover date, I have been rating stories and magazine issues in aggregate.  This is partly to help me remember the stories in times to come and also to trace patterns of quality.  In a couple of months, I plan to have my own mini-Hugo awards; perhaps one of you might help me think of a catchy name.

I use a 1 to 5 star rating system, and until this month, individual issues varied between aggregate ratings of 2.5 and 3.5.  But this month, the October 1959 issue of Fantasy and Science Fiction broke the curve scoring an incredible, unprecedented 4.5 stars.  That’s about as close to perfection as I can imagine, and I strongly urge all of you to get your hands on a copy while they remain at newsstands.

I talked about the first third of the book last week.  I’ve since finished the rest, and the quality has not dipped an inch. 

To be sure, Charles G. Finney’s The Gilashrikes is only decent.  A biologist mates his gila monster to his shrike, and the resulting hybrid, in an attempt to make up for their ignoble provenance, become the town moralists, enforcing virtue to an increasingly annoying degree.  I know of Finney from the much raved-about Circus of Dr. Lao, and Gilashrikes has a similar, whimsical quality.

Operation Incubus, by Poul Anderson, on the other hand, is fantastic in both senses of the word.  A newlywed magician couple, one a lycanthrope, the other an adept (relearning her trade after losing the maidenhood that was the source of much her power) go on a honeymoon only to run afoul of demonic predators.  It’s lyric, tasteful, and impacting.  Also very exciting.  It paints a universe much like ours, but with magic more intertwined with our lives.  Highly recommended.

Hassoldt Davis’ The Pleasant Woman, Eve is a Garden of Eden story starring God and the Wandering Jew discussing how to get the first humans to make more of themselves independently.  It’s very good, but it could have used an extra paragraph.  Perhaps space concerns dictated the abrupt ending.

The Pi Man is Alfred Bester’s latest tale of a haunted, pursued psychic.  In this case, the protagonist is sensitive to karmic patterns, and he must do good and hateful things, in turn, to maintain balance in the universe.  It’s very strangely written, and it took me a few pages to get into it, but I found the journey ultimately rewarding.

Finally, for the short stories at least (and they are all under 16 pages in length to accommodate Heinlein’s serial) is Avram Davidson’s Dagon.  I must confess that I did not quite understand this rather ominous tale of an American soldier’s rise to virtual Godhood in post-War China.  As the fellow becomes more powerful, he becomes more detached from reality, in the end becoming an intangible viewpoint on the world.–a literal goldfish in a bowl.  Perhaps that is the point—with power comes a loss of free will and agency.  Or perhaps it was just a comeuppance delivered by a mischievous old Chinaman.

As for the novel, Heinlein’s Starship Soldier, the first half is excellent, particularly in contrast to Dickson’s recent military serial, Dorsai!.  Oh, it’s got its share of Heinlein preaching through the mouths of characters, but he has to get it out somewhere.  I’ll devote a full article to the story next month.

As a teaser for the next article, I've just learned that the Soviets have launched their second lunar probe.  It only takes half a day to get there, so we'll know if it was a success in short order!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!

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Fire from the Sky (March 1959 Fantasy & Science Fiction; 3-10-1959)

Last time on this station, I informed all of you that Part 2 of this (last) month's Fantasy & Science Fiction review would have to wait since I'd wanted to get through the Poul Anderson novelette before reporting.

Well, I'm glad I did.  Damn that Anderson, anyway.  How dare he write a good story!  Now I can't justify skipping him.  But more on that later.

Of Time and Cats by Howard Fast, who normally doesn't dip his toe in the science fiction pool, is a fun tale of the multiplicity that ensues when time travel is involved.  A slick, paradoxical story.

Algis Budrys has another winner with The Distant Sound of Engines about impending death and the urgent need to impart a lifetime's accumulated wisdom before final departure.  Sad.  Good.

Avram Davidson's The Certificate is dystopic in the extreme, and probably inspired by the recent Holocaust.  A subjugated humanity is reduced to bitter slave labor.  The only "gift" from their new overlords is perfect health.  How does one escape?

I liked Three Dimensional Valentine by Stuart Palmer (who had a story in the very first F&SF) quite a lot.  It is fun and frivolous and rather old-fashioned.  It is also unexpected.  The author has given me permission to distribute this one, but I haven't quite received it in the mails yet.  I'll let you know when I do.

And now to Poul Anderson's The Sky People.  As you know, I always approach Anderson with trepidation.  Apart from the amazing Brainwave, his work is generally turgid, and I don't like his manly men and absent women.

This one was different.  There is still plenty of swashbuckling in this post-apocalyptic tale, but it is done in the style and with the flaire of a good pirate movie like Black Swan.  It is set in old San Antone, in the heart of the decaying "Meycan" Empire, south of Tekas and north of S'america.  Their technology and mindset is mired in the 16th century.  The eponymous "Sky People" are dirigible-driving corsairs from the Kingdom of "Canyon."  Though rapacious and ruthless, they possess a greater technology than their target–the Meycans.  Unfortunately for them, the timing of their attack proves to be inauspicious as it coincides with the arrival of a delegation from the Federation, successors to the Polynesian nations of Oceania. 

Told by three viewpoint characters, one Polynesian, one sky pirate, and one Meycan (a woman!), it is really quite good.  Not only has Anderson managed to convincingly portray a wide variety of cultures, he has done a fine job of projecting recovery from an atomic catastrophe in a world that has used up most of its natural resources.  I don't know if Anderson has written other stories in this universe or if he intends to, but I would enjoy reading more.

The final story is Alfred Bester's Will You Wait?.  The deal with the Devil story has been just about done to death, but this is an infernally cute story about how the modern way of business has made the process Hell on Earth.

Gosh, where does that leave us for the issue?  4 stars?  4 and a half?  Definitely a good read worth picking up–if there are any left on the stands, that is.

See you on the 12th!



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