[Oct. 24, 1959] Bleah! (November 1959 Astounding–the worst yet!)

I've found the bottom, and it isn't the Mariana Trench.

They say fifty cents won't buy you what it used to, and that's certainly true of Astounding, a science fiction digest.  The November issue, which has a hastily pasted price of four bits on its cover (replacing the original 35 cents) is, without a doubt, the worst pile of garbage I've read in a very long time.

I'll spare you the gory details and give you a quick thumbnail sketch of its contents.  Opening the ish is the first part of a two-part story, The Best Made Plans.  I didn't even make it through the first half of this first part.  So dull was the tale, so linearly and prosaicly was it told, that I can't even remember what it's about.  I'll read the summary next month and, perhaps, try again.

Eric Frank Russell's Panic Button features two exploring aliens who happen across a lone Terran on an otherwise uninhabited planet.  Upon finding him, the human pushes a blue button, which frightens off the aliens.  This is all part of a brilliant human scheme to seed the planets of the universe with convicts equipped with panic buttons.  The assumption (proven correct, of course; aliens are so dumb, says editor Campbell) is that the button must do something and the lone humans must be there for a reason, and the overactive imaginations of the would-be conquering aliens do the rest. 

And this is one of the book's better stories!

Then you've got A Filbert is a Nut, by newcomer Rick Raphael.  In this one, a crazy person makes atom bombs out of clay that work.  Or does he?  Passable–for 1953 Imagination, perhaps.

Randall Garrett's The Unnecessary Man should have been titled "The Unnecessary Story."  Young man learns that democracy is a sham and the galaxy is run by a dictatorship.  But it's a benevolent one, so that's okay.  Bleah.

I've never heard of Richard Sabia before, and if his I was a Teen-age Secret Weapon is any indication, I hope I don't see him again.  Yokel causes harm to anyone around him.  He is eventually inducted into the army, dropped off to be captured by the enemy, and Communism's collapse ensues.  Lousy.

Finally, we have Robert Silverberg's Certainty, which is almost decent.  Alien ship lands on a human outpost planet, and the crew of the garrison ship is helpless against the intruders' mind-control powers.  Again, it's the sort of thing I'd expect from a decade-old lesser mag.

As for the Analytical Laboratory for the far-superior August issue, the readers' results are well in line with mine, with Leinster's The Alien's a clear winner.

I'm sorry I don't have anything cheery to report.  It took me most of the month to get through this awful, 1.5 star book.  I'm about ready to cancel my subscription…


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[Oct. 22, 1959] Fiat Libro! (A Canticle for Leibowitz)

Walter M. Miller Jr.’s A Canticle for Leibowitz is a melancholy masterpiece.

Every so often, a science fiction novel comes around that transcends the genre and gives lie to the assertion that non-mainstream fiction is somehow literarily inferior.  When this happens, the field gains a bit of respectability and, hopefully, attracts more great authors to its fold.

Miller’s three-part novel was originally published as three separate stories in Fantasy and Science Fiction, and I am given to understand that they have been much improved in book form.  In brief summary, Canticle tells the story of seventeen centuries of history after an atomic apocalypse nearly destroys humanity.  The protagonists are monks associated with an abbey of the Catholic Church which, as it did in the Dark Ages after the fall of the Western Roman Empire, keeps the flame of knowledge kindled even as the world sinks to barbarism around it.

In the first part, Fiat Homo, a 26th century novitiate discovers a fallout shelter that bears relics of the long-departed, venerable Leibowitz, in whose honor the novitiate’s abbey has been founded.  It is more of a mood piece than anything else, and if not for the setting, could have been a tale of any 7th century monastery.

Fiat Lux is a 32nd century story tale that takes place during a Renaissance.  As abbey monks re-invent the arc light, a natural philosopher from a would-be continental empire visits the compound to conduct research.  His coming presages an invasion by the empire’s ruler as prelude to a bid for American conquest.  This was my favorite section of the book, capturing that flush of excitement that accompanies a great scientific leap forward.  It also has, I think, the best-drawn characters.

Part 3, Fiat Voluntas Tua, takes place in the 37th century.  Humanity has surpassed the achievements of the 20th century, with robot highways and interstellar colonies.  Yet the old rivalries between East and West remain, and the Superpowers are just a hair-trigger away from a second Diluvium Ignis.  The Church stands ready to launch an mission (of the religious variety) to the stars to preserve itself through the impending catastrophe.  I enjoyed this part the least, though it is by no means unworthy.

Canticle moves at a majestic, unhurried pace, and yet also a page-turner–no mean feat.  Throughout is this feeling of inexorability, that humanity is doomed to a certain cycle of events so long as we remain human.  The book is the embodiment of Santayana's now-famous aphorism, "Those who cannot remember the past are doomed to repeat it."  My wife found the premise depressing, but I saw (and I think Miller intended us to see) that sliver of hope in the Church's final peregrine mission.  Canticle's Church is the one element of humanity whose purpose was to preserve humanity's memories, after all. 

Miller makes liberal use of Latin, which is translated directly, obliquely, and sometimes not at all.  For those of us who took college Latin, it poses no great difficulty, but the new breed of uncultured students may find it challenging.  It cannot be denied that it lends a distinct and authentic flavor to the proceedings.

Interestingly, one character (aside from the erstwhile Leibowitz) appears in all three parts of the book: Lazarus, the Wandering Jew.  Wry and wistful, he lends an earthy element to otherwise rather majestic proceedings as he carries the virtual entirety of the mantle of Judaism as he waits for Him to return to Earth.  I liked Lazarus, but I may be a little biased on the matter.

In sum, Canticle is a superb piece of fiction: spiritual, daring, by turns tense, prosaic, horrifying, and humorous.  I'll be very surprised if it isn't nominated for next year's Hugo.

(By the way, this article marks a full year since I began this column!  Many thanks to those of you who have stuck with me.  You keep me writing.)


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[Oct. 20, 1959] The Twilight Zone and the Far Side (Television and Luna 3)

Twilight Zone, the new television science fiction/fantasy serial program, continues to be excellent.  As a result, Friday night's activities now revolve around ensuring that the family can tune in.

Here's a quick recap:

Episode 2, One for the Angels features aged sidewalk peddler Lou Bookman, beloved by the neighborhood children.  Unfortunately for all concerned, his hours are numbered; a certain Mr. Death has been dispatched to ensure that the salesman's departure occurs according to schedule.  Of course, the huckster has other plans, but cheating Death has its own set of consequences…

There were no surprises in this episode, at least not to me, but I did enjoy the characterization of Mr. Death a great deal.

Episode 3, Mr. Denton on Doomsday, follows the eponymous Al Denton, a former gunfighter turned alcoholic both for his protection and that of those who would challenge him (and lose).  An encounter with a new gun and a mysterious snake oil salesman named Dr. Fate sobers Denton up, but also appears to set him back on his old destructive path. 

I did not see the twist coming in this episode, and it's a good one.  And if you like oaters, you'll especially enjoy this outing.

My daughter summed up the last fortnight's viewing with this: "The great thing about this show is it takes all your deepest fears and sets them on their head."  I think I may have her start writing my columns from now on.

In other news, Luna 3 has finally returned a dozen vacation slides from its jaunt around the Moon.  At first glance, it looks as if the back side is quite a bit different from the front.  Significantly, there are far fewer of the gray splotches or "maria" (seas).  The Soviet news source, T.A.S.S., has been typically tight-lipped regarding the primary question on everyone's lips: is the far side where the Moon keeps all the cheese?

Seriously, I have not read anything in the press regarding data from Lunik's other scientific instruments.  These are the results I was really excited about.  It is rumored that previous releases were incorrect and that Luna 3's only experiment was the camera.  That's a shame, if true, though one cannot deny the moment of that lone experiment's success.

Next up: A Canticle for Leibowitz! See you soon.


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[Oct. 15, 1959] Space to Grow (Explorer 7 and some naysaying)

Here's a couple of interesting space news items:

Firstly, a new Explorer (#7) has soared into the sky.  This one was launched at the tip of a Juno II rocket, the kind that sent Pioneer 4 past the Moon and into solar orbit.  Whereas Explorer 6 was known as "The Windmill," the quite different Explorer 7 has been nicknamed "The Gyroscope."  Though the craft bears the same Explorer designation as its predecessor, it was actually made by NASA's Jet Propulsion Laboratories, the (somehwhat) friendly rival of Space Technology Laboratories, darling of the U.S. Air Force.

Explorer 7 is a lovely, complex satellite, with a battery of scientific instrumentation.  Not only will it probe the radiation and micrometeoric environment of space, as prior spacecraft have done, it also wields a new experiment designed to measure the heat budget of the Earth.  Simply, it will help determine how much of the sun's energy is absorbed and reflected by our planet, measuring quantitatively the sun's effect on the Earth.  Pretty neat stuff!  I will definitely report on the science as it is published.

Secondly, Explorer 6 has finally gone silent, but even mute, it has proven useful.  On October 13, the Air Force shot a plane-launched Bold Orion anti-missile rocket at it to test our ability to intercept Soviet missiles in flight.  I can't get exact figures, but it got pretty close, apparently.  Probably close enough that, if the rocket had a little nuclear bomb on it, it could destroy an enemy missile.

Meanwhile, in the "why bother" department, a piece in the Miami News caught my attention.  The first, titled Space Science Called Foolish, has Brown University Professor Emeritus Dr. Charles A. Krause humbugging all over the space program.  "There's a lot of nonsense going on in the field of space science," the esteemed doctor opined. "I'm for forgetting this nonsense and keeping our earth science up to date."  He went on to say, "Space is a vacuum, void of matter or gas.  There is nothing to be gotten out of a vacuum.  We can get a lot out of the Earth."

Apparently, Dr. Krause is not aware that the Earth's upper atmosphere and magnetic field, integral parts of this planet, can only be surveyed from space.  Moreover, he is blissfully ignorant that there is plenty to be gotten from a vacuum, one far better than any that can be manufactured on Earth.  In any event, the Sun, the Moon, the planets, the asteroids, meteors, comets, micrometeoroids, charged particles, solar wind, etc. all exist in space.  It is hardly devoid of matter or gas.  Understanding how they move and interact perfects our knowledge of Earth-bound physics.

In short, Dr. Krause is a schmuck.  And so are the editors of the Miami News.

Oh, and here's another one: Rockets too Puny for Moon.  It's less inflammatory, but it is already out of date.  The seminal quote is, "U.S. guidance systems are on par with those of Russia.  The weight-carrying capacity of our moon rockets is not."  The unknown author's point is that, until we get beefier rockets, we can't send guidance good enough to get a probe on the moon. 

Given that the new Atlas Able will be launching before the end of the year, this defeatism seems misplaced.  I guess we'll see.


Footage from a new TV show, Destination Space


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[Oct. 12, 1959] Seattle's finest (GGC, a fairer science fiction convention)

Seattle really knows how to throw a science fiction convention.

I had been saddened that I hadn't gotten to join Bjo Trimble in her caravan across the country to Detention last month.  After once again experiencing the joy that is GGC (the acronym was never explained to me), all of my regrets disappeared.

I mentioned in my last article that GGC is quite remarkable.  Much of the attendance is female, and the emphasis is on female creators and protagonists in our niches of the literary and cinematic worlds.  There were lectures on our woman science fiction luminaries, with Judith Merril and Katherine MacLean particularly prominent.  There was an update on the state of women in the sciences.  Someone from Space Technology Laboratories talked about scientist Frankie van der Wal and engineer Jenny Sanders: the former directed the Mouse In Able project that launched rodents atop several Thor-Able test rockets; the latter is the first woman to work at Cape Canaveral.  There was also a spotlight on women in comic books, Wonder Woman being the obvious example, but with much also made of newcomers Supergirl and Lady Blackhawk.

For those who couldn't attend the convention (and for those who did and want to see themselves), here is a selection of photographs, on which I rushed development to get quickly to press.  I did not get pictures of the science-fiction play or the costume masquerade–the light level was too low, but I did get a nice selection of attendees.  Take a look!

A superheroine, by the name of Bluebird (a new character, apparently).

This is Nick, a gentleman with whom I had a pleasant conversation, and behind him are a number of attendees playing various card games.

Michael is an interesting chap.  He is part of a growing group of people who finds solace in the past, reveling in past literature, culture, and clothing (he appears to be from the 1920s).  It's a seductive idea, though I'm certainly not about to go in for that sort of thing.

Miss Molly (good Golly!) is a vendor for a small publishing group called Northwest Press.  They print, among many things, comic books of a rather progressive and subversive nature.  Avante garde indeed!

I'm sure you've all seen Walt Disney's newest masterpiece, Sleeping Beauty.  These costumes are exquisite.

(These are the best I could find amongst my rolls of film, but perhaps other attendees have contributions they'd like to make.  There were certainly plenty of snapshots to take!)

In many ways, the convention was a glimpse into the future of society and fandom.  Someday soon, women and men will work in all arenas of life as equal partners, heading shoulder to shoulder to the stars.  I can't wait for this golden time to arrive.

Until then, at least we have GGC.  See you next year…


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P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!


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[Oct. 10, 1959] Middle Ground (Nov. 1959 Fantasy and Science Fiction)

It's going to be a dreary month, if October's selection of digests is any indication.

Of course, my mood isn't buoyed by the fact that I must compose this article in long-hand.  I hate writing (as opposed to typing; and typing on an electric is sheer bliss).  On the other hand, I'm the one who chose to occupy much of the next few days in travel, and fellow airplane passengers don't appreciate the bang bang of fingers hitting keys.

I'm getting ahead of myself.  Let's start at the beginning, shall we?  As I write, I am enjoying my annual plane trip to Seattle for the purpose of visiting my wife's sister, myriad local friends, and to attend a small but lively science fiction convention.  This one is singular in that its attendees are primarily female, and its focus is woman creators.  People like Katherine MacLean, Judith Merril, Pauline Ashwell, Anne McCaffrey, etc. 

Once again, I get to ride in the speedy marvel that is the jet-powered Boeing 707.  San Diego to Seattle in just a few hours is a luxury to which I hope I never become jaded.  Although I will concede that the roar of jets is less pleasant a sound than the thrum of propellers. 

I made several attempts to read this month's Astounding, but I could find nothing in it I enjoyed.  I'll summarize that effort later.  In the meantime, I have just finished the November 1959 F&SF, and if you can read my chicken-scratch (I hope my editor cleans it up before publication), I'll tell you all about it.

F&SF often features brilliant stories.  Last month, the magazine had an unheard-of quality of 4.5 stars, just under the theoretical maximum of five.  This month, we're at the nadir end of quality.  It's readable but fluffy, forgettable stuff.

Story #1, The Martian Store by Howard Fast, recounts the opening of three international stores, ostensibly offering a limited set of Martian goods.  They are only open for a week, but during that time, they attract thousands of would-be customers as well as the attention of terrestrial authorities.  After the Martian language is cracked, it is determined that the Martians intend to conquer the Earth.  The result is world unity and a sharp advance in technological development.  Shortly thereafter, an American company begins production and sale of one of the Martian products, having successfully reverse engineered the design.

Except, of course, in a move that was well-telegraphed, it turns out the whole thing was a super-secret hoax by that company in order to create a demand for those putatively Martian products.  World peace was a by-product.  Thoroughly 3-star material.

G.C. Edmondson's From Caribou to Carry Nation is a gaudily overwritten short piece about transubstantiation featuring an old man who is reborn as his favorite vegetable… and is promptly eaten by his grandson.  Two stars, and good riddance.

Plenitude, by newcomer Will Worthington, is almost good.  It has that surviving-after-the-apocalypse motif I enjoy.  In this story, the End of the World is an apparent plague of pleasure-addiction, with most of the human population retreating into self-contained sacks with their brains hooked into direct-stimulation machines.  It doesn't make a lot of sense, but the quality is such that I anticipate we'll see ultimately see some good stuff from Worthington.  The editor says there are three more of his stories in the bag, so stay tuned.

There is a rather pointless Jules Verne translation, Frritt-Flacc, in which a miserly, mercenary old doctor is given a lordly sum to treat a patient only to discover that the dying man he came to see is himself.  Two stars.

Then there is I know a Good Hand Trick, by Wade Miller, about the magical seduction of an amorous housewife.  It's the kind of thing that might make it into Hugh Heffner's magazine.  Not bad.  Not stellar.  Three stars.

I'll skip over the second half of Starship Soldier, which I discussed last time.  That takes us to Damon Knight's column, in which he laments the death of the technical science fiction story.  I think Starship Soldier makes an argument to the contrary. 

Then we've got Asimov's quite good non-fiction article, C for Celerity, explaining the famous equation, E=MC^2.  I particularly enjoyed the etymology lesson given by the good doctor regarding all of the various scientific terms in common physical parlance.  I've been around for four decades, and my first college major was astrophysics, yet I never knew that the abbreviation for the speed of light is derived from the Latin word for speed (viz. accelerate).

James Blish has a rather good short-short, The Masks, about the futuristic use for easily applied nail polish sheets.  It's a dark story, but worthy.  Four stars.

Ending the book is John Collier's After the Ball, in which a particularly low-level demon spends the tale attempting to corrupt a seemingly incorruptible fellow in order to steal his body for use as a football.  Another over-embroidered tale that lands in the 2-3 star range.

That puts us at three stars for this issue, which is pretty awful for F&SF.  Given that Astounding looks like it might hit an all-time low of two stars, here's hoping this month's IF is worthwhile reading.  Thankfully, I've also picked up the novelization of Walter Miller's A Canticle for Leibowitz, and it's excellent so far.

Back in a few days with a convention report and a book review!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!

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[Oct. 8, 1959] Shooting Stars (Heinlein's Starship Soldier)

Robert Heinlein newest short novel is out, and my feelings toward it are much mixed.

If you have a subscription to The Magazine of Science Fiction and Fantasy (FASF), you've no doubt read Heinlein's Starship Soldier, by turns a coming-of-age story, a depiction of boot camp life, and a clearing house for Heinlein's unique socio-poltical views.

In brief, it's the tale of Juan Rico, a young man of Filipino extraction, who enlists in the army on the eve of an interstellar war.  As a member of the Mobile Infantry, he is one of the few elite pilots of a suit of powered armor, which packs enough punch to take out a 20th century tank batallion.  Platoons of be-suited soldiers are ejected from orbital spacecraft, whereupon they parachute to the surface and engage the enemy.  In this book, the enemy is a race of intelligent, hive-minded bugs, whose capacity for perfect coordination gives them the upper hand in the first stage of the war.  While it is suggested that humanity eventually wins the war, it is never explicitly explained how.

Heinlein's future is unique: after the Disorders wracking all of the world's governments at the end of the twentieth century, groups of veterans take power throughout the world, eventually combining into a federal government under which only veterans attain citizenship.  The resulting society is depicted as liberal and pleasant.  One of the characters, a teacher of "History and Moral Philosophy" (a required high school course) explains that, as a system, it is no more arbitrary than any other democratic system where the franchise is barred from some on the basis of age, origin, or profession.  The teacher suggests that the system works not because veterans are any better or smarter than civilians, but because they've had "skin in the game," and thus prioritize the welfare of the whole over themselves.

I have trouble buying this: veterans are criminals about as often as anyone else (and the teacher even concedes this in the story), and given that the Roman Empire's citizenry was largely composed of veterans by the end of its existence, I don't know that history backs Heinlein's dream.

Still, there's no denying that the story is superbly written, and the society Heinlein depicts is interesting.  More importantly, Johnny Rico is a great character (if perhaps not sufficiently differentiated from Heinlein's other 18-year olds).  The first half of the short novel begins in medias res with Rico raiding a world of the Bugs' co-belligerents, the Skinnies.  The remainder of this installment deals with Rico's enlistment and training, which is incredibly realistic and engaging.  It ends with Rico as one of the 9% who make it through boot camp to become a space soldier.

Part two is also excellent though somehow more detached.  It is mostly told in recollection, describing the start of the Bug War and Rico's early involvement.  It segues into present tense with Rico entering Officer Candidate School.  The novel ends with Rico leading his old platoon with his father as platoon sergeant.  Near the end, we get a lot of moralizing from the mouth of one of Rico's later teachers with some vague anti-Communist screeds and analogies to the recent Korean War.  However, while there is much talk of the value of a military-run society, there is no reference to nudity or cats, so it's not quite all one might expect of a Heinlein novel.

Heinlein is a veteran, and he went through bootcamp and Navy O.C.S.  He knows whereof he speaks, and it shows.  I've no fault with the writing or the story.  My main issue is that the thing feels unfinished.  We have an excellent beginning, with hints of some really excellent depiction of future space combat (much better than as shown in Dickson's recent Dorsai!), then there is an engaging training montage, some good world set-up… and then it just ends.  It really needs a return to the style of the first half, with perhaps another battle to end the story as it began.

I understand Heinlein is releasing a stand-alone novel later this year.  Since the serial is too short for publication, I'm hoping he'll develop it further.  He was likely limited by the size of the vehicle (FASF), which was back to its usual 128 pages this month.

I will say this for the book.  Not only is there a nice, poly-ethnic cast, including a non-White protagonist, but women are a key part of the military.  Whereas the Mobile Infantry are generally (wholly?) male, the Navy is primarily female, and women make the best pilots.  In fact, it was Rico's high school sweetheart who enlisted first, and she distinguishes herself as much as Rico, though she is, sadly, incidental to the story. 

Next time, I'll discuss the rest of the magazine.  In the mean time, Ad Astra!

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!

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[Oct. 6, 1959] Shooting the Moon's backside (The flight of Luna 3, first part)

The Soviets have done it again, reaching yet another milestone in space exploration before the Americans.

This time, the goal was the Moon's far side, which had never been seen before.  The reason for this is that the Moon is tidally locked in its orbit around the Earth such that it cannot rotate (much as an object floating in water will stay fixed with is heavy end pointing down).  As a result, humanity has only seen one side of the Moon for the entirety of human existence.  Isaac Asimov once joked, in the form of a medicore science fiction tale, that there is no back side to the Moon–that it's really just a false front movie prop.

But there is a far side.  We know this because the Soviets have sent its third "Lunik," formally named Luna 3, sailing around the Moon to take pictures of it.  The results promise to be a darn-sight better than what we managed with Explorer 6 and a much closer target.

It is not a surprise that this new and improved Luna is such a capable craft.  It weighs an impressive 278.5 kg, which is nearly twice as heavy as the American Atlas Able Pioneers, imminently scheduled for lunar launch.  Not only does the new Soviet probe have a real movie camera on board, but it also mounts a slew of scientific experiments designed to probe the magnetic fields and charged particles of cislunar space.  I'm really hoping that its measurements will shed light on why the Earth's magnetic field gets so wibbly and wobbly about 70,000 kilometers up; the leading current theory is that it is due to interactions with the sun's magnetic field.

Now, at this point, you're probably wondering why I haven't included Lunik's photos of the Moon.  Well, the answer is simple: they haven't arrived yet.  As I write, the probe is making its closest approach to the Moon.  It will then fly about 70,000 kilometers beyond the Moon before circling back for a close pass by the Earth, whereupon it will transmit its photographic cargo.  That will happen in just under two weeks.

Thus, my enthusiasm may be premature.  It is quite possible that Luna 3 may suffer a catastrophic error that prevents it from sending pictures home or even taking pictures in the first place.  Even if that happens, the Soviets will still have been the first to succeed at a tricky bit of orbital billiards. 

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!

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[Oct. 3, 1959] Entering the Twilight Zone (Twilight Zone's first episode)

It never ceases to amaze me how far technology can progress in such a short time. 

Think about it: a thousand years ago, the pace of history was pretty placid.  Sure, there was plenty of turbulence in the span of a life, from war to plague to famine, but the background of civilization (or lack thereof) was fairly constant. 

Over the last few hundred years, the pace of change has accelerated exponentially.  There are people alive today who clearly remember a time before automobiles, before air travel, before the telephone, before electricity, before atomic energy, before computers.  So much of our values and coping mechanisms are rooted in our childhood and upbringing; how do people adjust to living in a world so wildly different from that of their youth?

It seems inevitable that change is going to become so rapid that we just won't be able to deal with it.  Perhaps science fiction is the lubricant that keeps it all from being too overwhelming.  After all, if we've already gotten a sneak preview of the future, it can't surprise us as much.

What brought this all home to me was the debut of a new science fiction/fantasy anthology on television called The Twilight Zone, hosted by screenwriter and producer, Rod Serling.  It debuted yesterday, October 2, 1959.  And here's why it is so significant, to me.

Twenty years ago, "hard science fiction" was just beginning, led by Astounding and Campbell's brood.  Ten years ago, print science fiction exploded and produced a profusion of genre magazines.  Many have died, but I think the science fiction novel may fill that gap.  And, in the last decade, the science fiction movie (and its bastard step-child, the science fiction B-movie) has come into its own.

Now we're getting science fiction delivered to every home in the country courtesy of the little glass-screened box in the living room.  We truly are living in the future. 

If this first episode of The Twilight Zone, entitled "Where is Everybody?" is any indication, the future is bright, indeed.  For the show is produced with movie-level sophistication, including technically innovative cinematography and excellent musical scoring.  Production values would be meaningless without a good story, however.  So how did TZ do on its first outing?

The episode opens up with a jumpsuited youngish man walking down an empty road.  He arrives at a cafe where music is blaring from a jukebox, steam is rising from a coffee pot, pies are in the oven… but there's no one in sight.  Moreover, the man doesn't remember who he is or where he came from.

Walking into town, he hears the reassuring bells from a church marking the passage of time, and there are hints that life is going on: a lit cigar, a phone ringing in a booth, but still no people at all.  Our protagonist stumbles upon a movie theater, which springs to life as the sun sets, and he realizes he is a member of the Air Force (which explains the jumpsuit). 

At this point, my daughter cleverly guessed that the man had flown an experimental plane so fast that he'd broken some kind of time barrier.  This was after I had guessed that the man was somehow in the same time as everyone else but out of phase.

It turns out that both of us were wrong.  The man is actually an Air Force sergeant enduring three weeks in an isolation chamber so as to get used to one aspect of a solo lunar trip: enforced solitude.  The sergeant has cracked up by the end of it, though he recovers after being let out.

For me, the ending was a bit of a let down.  I thought our explanation was more interesting.  Moreover, I just don't believe all this hype about the dangers of space travel.  I don't think weightlessness will be a problem, or loneliness, or radiation, or meteors.  Lack of air, pressure, the cost of rockets, the ability to lift off and land safely, those are real issues.  These other factors are melodramatic boogeymen.

That said, I think the show has a lot of potential.  It's smartly done and very atmospheric.  My daughter loved it and can't wait to watch next week's episode, apparently involving an aged salesman and a Mr. Death.  We'll tune in, for certain.

We should all rejoice.  Science fiction has entered yet another medium.  Truly, the Golden Age endures.

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!

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[Sep. 29, 1959] Watch the birdie! (First photo of the Earth from orbit)

For more than a month and a half, Explorer 6 has been a busy bee, happily conducting the most advanced science in orbit to date thanks to its highly eccentric orbit, taking it several thousand miles above the surface of the Earth, and its battery of sophisticated instruments.

What has this intrepid little fellow reaped in terms of scientific data?  A veritable bonanza.

Firstly, let’s look at the most accessible treasure—the first picture of the Earth taken from orbit.

On August 14, 1959, one week after launch, Explorer 6 turned its photographic eye to its mother planet.  It wasn’t a camera in the normal sense of the word; such a device would have been too heavy.  Rather, it was a simple eye that scanned the sky in strips as the satellite spun around (it rotates for stability).  Engineers on the ground then attempted to assemble the strips so that they might piece together into something recognizable as the Earth.  It was much like trying to restore a shredded document.  As Charles P. Sonnet, head of the scientific team commented, “You have to make the a priori judgment that the Earth is round.”

Apparently, one recent press conference attendee called the photo a “fake.” Chuck replied, “No, it’s not a fake… but it is pretty limited.”


Chuck Sonnet

So as a phototourist, Explorer 6 was a bit of a dud.  In other categories, however, Explorer 6 is an unqualified winner.  For two weeks, before the probe’s ion chamber broke down, Explorer 6 returned an unprecedented map of the Van Allen Belts of trapped radiation encircling the globe, and results are still coming in, though it is harder to determine the energy of encountered particles.  The on-board cosmic ray scintillator has determined that the “solar wind,” the waves of particles emanating from the sun, are not modulated by Earth’s magnetic fields but rather are controlled almost exclusively by the solar magnetic field.  Explorer 6’s magnetometer has returned a comprehensive map of Earth’s fields, which conform to theoretical predictions only out to a distance of five Earth radii—after that, they get unexpectedly variable.


Explorer 6's magetometer and the ones who built it: Paul Coleman and George Takahashi

The only field we still don’t have good data on is micrometeorites.  Virtually every launched space probe has had an experiment to measure the number and energy of little orbital particles to see if they might pose a significant threat to satellites and spaceships.  The data they have returned has not been robust enough to reach any real conclusions.  All we can determine thus far is that there are some particles up there, but they can’t be too hazardous since our satellites haven’t been damaged by them!

Explorer 6 continues to return data, not only augmenting humanity’s fund of scientific data, but also proving the efficacy of the first digital telemetry system—a necessity for any interplanetary space shot.  It is unknown how long the satellite will last, but there is no question that it has done yeoman’s work to date.  It is arguably the most successful orbital probe ever launched, and it is a harbinger of good tidings for the upcoming Pioneer Able launches to the moon and Pioneer Thor deep space probe.

P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!

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55 years ago: Science Fact and Fiction