[January 2, 1964] All's well that ends well (January 1964 Analog science fiction)


by Gideon Marcus

Auld Lang Syne

Greetings from 1964!  Given the challenges we faced in the latter part of last year, it was proper and cathartic to wrap up 1963 with a bang.  Here are some snapshots from our gala (and weren't we lucky to find a film developer willing to work on New Year's Day?)

Speaking of wrapping up, the last magazine of the old year, though dated January 1964, was the January 1964 Analog.  This is usually among the lesser science fiction magazines I read, but this time around, I was pleasantly surprised.  Come take a look!

Ending Well

Secondary Meteorites (Part 1 of 2), by Ralph A. Hall, M.D.

Could that black chunk of meteorite actually be from Mars?  There is an increasing body of evidence that the meteorites that hit the Earth were, themselves, bits of other planets blasted away by their own meteor strikes.  The subject matter is fascinating, but Dr. Hall manages to make it nigh incomprehensible.  It's too technical and presented all out of order (even Dr. Asimov learned early in his career that you have to define your terms first).  And this is only PART ONE!

Two stars.

The Eyes Have It, by Randall Garrett

My disdain for Mr. Garrett has been a constant of the Journey, ever since the offensive and just plain bad Queen Bee.  Over time, he has occasionally written decent stuff, and when he teams up with others, his rough edges get smoothed a bit.  Still, his name in the Table of Contents has always made me less eager to read a magazine.

Well, never let it be said that I can't keep an open mind.  Garrett's latest work is a tour de force.  If Asimov perfected the science fiction mystery with The Caves of Steel, Garrett has created the genre of magical mystery with The Eyes Have It.

The year is 1963, the place, France.  But this is no France we know.  Instead, it appears to be in a timeline that diverged nine centuries prior, one in which the Angevin Empire remained ascendant…and in which the use of magic developed. 

Lord D'Arcy is Chief Criminal Investigator for the Duke of Normandy, summoned to investigate the murder of the fantastically lecherous Count D'Evraux.  With the aid of his assistants, Sorcerer Sean O Lachlainn and chirurgeon Dr. Pately, he must find out how and at whose hand the Count met his untimely demise, and he has just twenty four hours to do it.

The attention to detail, the world-building, the characterization, the writing — all are top notch.  This is the sort of work I'd expect from Poul Anderson (and only when at the top of his game).  For Garrett to pull this off is nothing short of miraculous.

Dammit, Randy.  It's going to be hard to keep hating you.

Five stars.

Poppa Needs Shorts, by Leigh Richmond and Walt Richmond

The last piece by the Richmonds was an utterly unreadable book-length serial.  This one, on the other hand, is a cute vignette convincingly told from the view of a 4-year old child who just wants to know about "shorts."  Leigh and Walt have a pretty good idea how kids learn, I think.

Three stars.

Subjectivity, by Norman Spinrad

The pages of our scientific journals offer a wealth of ideas that can be turned into SF stories.  New author Norman Spinrad seizes on Dr. Timothy Leary's paean to LSD in technical clothing, Psychedelic Review as inspiration for his second story:

Though humanity has invented an engine that will propel spaceships at half the speed of light, the heavens remain out of reach.  It's not the endurance of the ships that's the problem — it is that of the crew.  No matter how well-adjusted they are, all of them go crazy in less than half the time it takes to get to Alpha Centauri.  After twelve failed attempts, the powers that be assemble a crew of misfits with a twenty-year supply of hallucinogenics to keep them sane (if potted) and open up the stars.

Mission #13 succeeds…but not in a way anyone could have predicted.  A fun, slightly acid (no pun intended) little piece.  Four stars.

See What I Mean!, by John Brunner

In this disappointing outing from Brunner, a deadlock in negotiations between East and West is resolved when the four foreign ministers involved are psychoanalyzed, and it turns out the British and Russian officials have more in common with each other than with their ideological partners (from the U.S. and China, respectively).

Not much here.  Two stars.

Dune World (Part 2 of 3), by Frank Herbert

Frank Herbert's epic in the desert, a kind of Lawrence of Arabia in space, continues.  After the assassination attempt on his son, and with warnings that he has a traitor in his midst, Duke Leto of the House of Atreides attempts to shore up his position on Arrakis, sole source of life-extending "spice".  The planetology and culture bits are pretty interesting, particularly the depiction of the forbidding dune world of Arrakis and the spice-mining operations thereon.  I continue to get the impression, though, that Herbert is still too raw for this project.  The viewpoint jumps from line to line, much is conveyed through exposition, and the incessant use of italics is really trying to read.

Three stars again.

Crunching the numbers

So how did the first batch of magazines dated with the new year fare?  There are definitely some surprises.

  • Analog, came in first with a respectable 3.4 star rating.  Moreover, Randall Garrett of all people had the best story.  These must be the end times.
  • Fantastic came in a close second at 3.3.  New World tread water at 3.  IF got 2.8.  F&SF scored a disappointing 2.5.  Amazing dragged through the muck at a miserable 1.9.
  • All in all, there were nearly 200 pages of good-to-excellent stories.  Not a bad haul.
  • Women only wrote one and a half of the 31 fiction pieces this month, and theirs were short ones.  No surprises there.

Next up: the first book of the new year!




7 thoughts on “[January 2, 1964] All's well that ends well (January 1964 Analog science fiction)”

  1. Analog at the top of the heap with Fantastic close behind. Who'd a thunk it.

    The science article actually started well with the eye-witness accounting of a massive meteor strike. That part was even engaging. Alas, it quickly devolved into tedium. At least it was about actual science.

    Randy Garrett hit an absolute home run. This did seem like an odd story for Analog, what with the magic and all. It seems like IF might have been a better fit. Which would then explain why this was so much better than his usual output: an editor who edits! Still, good story. I wonder if we'll see some more of Lord D'Arcy.

    The Richmonds left me cold. They probably do have a pretty good idea of how a four-year old thinks, but I found the voice annoying. Plus, I initially misread the statement that he was ten years younger than his 14-year old brother as him being ten and was mightily annoyed at this moronic child. I eventually figured it out, but the story was ruined by then.

    I didn't much care for the Spinrad either. Well written, but the subject matter just didn't work for me. I liked his first story much better. I do still hope to see more from him.

    The Brunner was quite a disappointment. The foreign ministers weren't so much psychoanalyzed as kidnapped and brainwashed. A stunning and unbelievable lack of security around four very important men.

    I continue to enjoy "Dune World" a bit better than you. I confess I didn't even really notice the constant viewpoint switching. This section was a bit talky, though. Hopefully, we'll see some action in the finale.

    All in all, a pretty darn good issue. Especially for a magazine that's had me thinking about not reading it anymore. Now if they could only get some decent science writing.

  2. A Randall Garrett story that's actually good? Will wonders never cease? I also think Dune World shows definite promise, though it's still a bit raw.

    I didn't much care about the Richmonds' story and the Brunner was a disappointment, since he is capable of better.  Spinrad shows promise, but the story itself wasn't all that great.

    And is that Spaceman's Punch I spy in the party pics?

  3. This doesn't seem like an issue of Analog at all.  Not only in the fact that the quality of the stories is better than usual, on average, but that some of them aren't really science fiction, in my book.

    "The Eyes Have It" — Maybe JWC can justify the magic in this story as a "wild talent," but as far as I am concerned it's pure fantasy.  It could have appeared in the pages of the old Unknown.  Anyway, the world-creating — also a strong point of "Dune World" — is fine, and the murder mystery plot — maybe this should have shown up in the sister magazines F&SF and EQMM at the same time — was decent. 

    "Poppa Needs Shorts" was a little too "cute" for me.  Not speculative fiction at all, I'd say; just a mainstream anecdote that has a little bit to do with technology.

    "Subjectivity" starts off as not-very-plausible SF — you need to empty out an overcrowded Earth by sending a small handful of people to the stars for several years, failing again and again?  How about trying to reduce the population instead?  Besides that, the tell-don't-show first part of the story is dry, and the two twist endings are predictable.

    "See What I Mean!" was so-so.  A minor piece, and probably psychologically simplistic.

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