Tag Archives: the journey of joenes

[Oct. 17, 1962] It's Always Darkest… (The November 1962 Fantasy and Science Fiction)

[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Ah F&SF.  What happened to one of my very favorite mags?  That's a rhetorical question; Avram Davidson happened.  The new editor has doubled down on the magazine's predilection for whimsical fantasy with disastrous (to me) results.  Not only that, but it's even featuring fewer woman authors now than Amazing, of all mags.  I am shaking my head, wishing this was all some Halloween-inspired nightmare.  But no.  Here it is in black and white with a forty cent price tag.  Come check out this month's issue…but don't say I didn't warn you:

The Secret Flight of the Friendship Eleven, by Alfred Connable

We all know astronauts are lantern-jawed, steely eyed, terse test-pilots.  Great for getting the job done, not so great for poetic inspiration.  Eleven is the tale of a corps of artistic types selected specifically so as to describe their journeys in more approachable terms.  But space has the last laugh.

Every so often, a brand new author knocks one out of the park on the first at bat.  This is not one of those cases.  For satire to work, it has to be clever, and this is just mundanely droll.  One star.

Sorworth Place, by Russell Kirk

It's October, so ghost stories are thoroughly appropriate.  This one, however, set in a battered Scottish castle, is neither original nor particularly engaging.  Two stars.

Card Sharp, by Walter H. Kerr

I really have no idea what Kerr's poem is about.  Even Davidson's explanation is no help.  One star.

Hop-Friend, by Terry Carr

Thus begins about twenty pages of relative quality, an island of the old F&SF in a sea of lousiness.  Newish author Carr finds his feet with this sensitive and striking tale of first contact between Human and Martian.  Introverts can never fathom extroverts, and similarly, xenophobes find xenophiles, well, alien!  But extroverted xenophiles, even from different species, are birds of a feather.  Four stars (even if Carr's Mars conforms more to older theories of the Red Planet's atmosphere).

Pre-Fixing it Up, by Isaac Asimov

How many rods in a furlong?  How many grains in a pennyweight?  I have no idea…and with the metric system, it doesn't matter.  The Good Doctor explains the ins, outs, and many merits of the new standard that lets you measure everything from an atom to a universe with a series of easily manipulated units.  Four stars.

Landscape With Sphinxes, by Karen Anderson

Back into the sea with a Sphinx-themed riddle: What earns four stars at its prime, two stars when it doesn't try, and three stars most of the time?  The Anderson family of writers.  No matter how good an author one is, it takes more than a promising beginning to make a story.  Two stars for this third of a vignette.

Protect Me from My Friends, by John Brunner

There is a fine line between innovation and illegibility.  I read Brunner's first person account of an overwhelmed telepath twice (it's short), and I still don't like it.  Two stars.

You Have to Know the Tune, by Reginald Bretnor

Another half tale from the fellow we know better as Grendel Briarton (of Feghoot "fame" — and that entry is truly bad this month).  Industrialist on the way to Africa hears a tale of the pied bassoonist of the veldt only to find it's likely no legend.  Trivial.  Two stars.

The Journey of Joenes (Part 2 of 2), by Robert Sheckley

As any of my readers knows, no greater fan of Robert Sheckley walks the Earth.  His short stories are funny, thought-provoking, chilling, clever — by turns or all at once.  In the last decade, he wrote enough to fill six excellent collections, none of which will ever leave my library.

Where he falters is novels.  Somehow, Sheckley can't keep the pace for 150 consecutive pages, and the result is, while never bad, never terrific.  Cases in point: Time Killer and The Status Civilization.  Bob seems to be cognizant of this weakness.  In his latest book, The Journey of Joenes he attempts to overcome it by writing a novel composed of short, somewhat independent narratives.  The result is something that is, to my mind, no more successful than his previous book-length works.  You may, of course, disagree.

Joenes is a pure satire, putatively written in a post-apocalyptic 30th Century Polynesian.  It details the life of Joenes, an American-born Tahitian power engineer, who is one of the few to survive the worldwide cataclysm.  The tale is told by others: Polynesian historians; excerpts from the memoirs of Joenes' beatnik companion, Lum; edifying tales recorded anonymously. 

There is a plot — Joenes comes to the United States, winds up before a Court on the charge of sedition, is sentenced to a mental hospital for the Criminally Insane, flees to become a professor of Polynesian Cultural Studies, goes into government, and ultimately escapes nuclear anhilation.  This, however, isn't the point.  Rather, we see our own modern culture through a mirror darkly, distorted not just as a satire of our society, but of legend in general.  The history of the United States is mixed liberally with that of Ancient Greece.  Historical and mythical personages are referenced with equal frequency.  It's effectively done, essentially doing for 20th Century America what Homer did for 12th Century B.C. Greece.

Joenes is clearly an attempt by the author to make the philosophical treatise for the 1960s, the equivalent of Stranger in a Strange Land or Venus Plus X.  The satire is approachable, even for the layman, and there is some sex in it.  Whether it succeeds wildly like Heinlein's piece or fizzles like Sturgeon's, only time will tell. 

I can only speak for myself.  While Sheckley is always readable, I felt that the joke went on too long, particularly in the latter portions.  Perhaps I'm just too close to the subject matter he was aping.  In any event, I give Joenes three stars.  If this kind of thing is your bag, I suspect you'll rate it more highly.

And that's that for this month.  More disappointment in 130 pages than I've seen in a long time, if ever.  When I do the Galactic Stars next month, I'm certain F&SF won't be on the list, and that saddens me.  Nevertheless, I hope against hope that this is just a phase, and the once proud digest will someday return to its former glory.  Time will tell…




[September 18, 1962] On the Precipice (October 1962 Fantasy and Science Fiction)

[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Are the times changing?

Summer threatens to change to Fall, and the kids are going off to high school and college.  Is this just another turn of the wheel, or are we on the verge of something different, what Historian of Science Thomas Kuhn might call a new "paradigm?"

I had this feeling once before.  In '53, right after Korea, and after Stalin died, America seemed poised on the edge of an unprecedented era of stability.  Well, really stagnation.  The pendulum had swung heavily in the direction of conservatism.  Black soldiers had come home from the war and were being treated worse than ever.  Ditto women, who had for a while gotten to enjoy some of the rights of men while they were off to war.  The swing music from the prior two decades had gotten overripe and shmaltzy, only somewhat mitigated by the western, blues, and latin music I was able to tune into on nights with clear reception.  The one truly bright spot was science fiction, which had been booming since the late '40s.

Then rock and roll hit, and boy was it a breath of fresh air.  Sure, you couldn't hear Black songs on White stations, but there's no color bar on the airwaves.  Fragile 78 records gave way to durable 45s.  The vacuum tube started to step aside for the transistor.  We were building the missiles that would soon blast us to orbit.  At the same time, sf started to wane.  We went from forty magazines to six over the course of the decade. 

This, then, has been the recent paradigm.  Here we are nine years later, but Elvis and the Everley Brothers still dominate the airwaves.  A new President has asked us what we could do for our country, not what it could do for us; tasking us to go to the Moon before the decade is out, but Black men must still fight even for the right to go to school or ride a bus in much of the nation.  There are now ten thousand Russian troops in Cuba and ten thousand American soldiers in South Vietnam, but are these transitory brush fires or the tip of a belligerent iceberg?

Are the 1960s going to be a continuation of the 1950s?  Or are we overdue for a new epoch?  You tell me.  I'm no soothsayer. 

I suppose in one way, the shift has already happened.  The Magazine of Fantasy and Science Fiction has become quite different since new editor Avram Davidson took over earlier this year.  It's not bad, exactly, but it has meandered even further into the literary zone.  This has rendered one of my favorite mags almost unreadable on occasion.  The October 1962 issue does not have this problem, for the most part, but it's not great.

Enough dilly-dallying.  Here's the review:

A Kind of Artistry, by Brian W. Aldiss

The son of a baroque and decadent far future Terra journeys across the galaxy to make contact with a most unusual alien intelligence.  Upon his glorious return, he must decide if he has the strength to break the stultifying conditioning of his inbred upringing.

Aldiss wishes he were Cordwainer Smith, and he just isn't.  Nevertheless, despite some rough patches, there are some good ideas here.  The extraterrestrial has a wildly implausible biochemistry, but the meeting of species is genuinely gripping.  Three stars.

There Was an Old Woman Who Lived in a Shoe, by Robert F. Young

Overpopulation continues to be the theme of many of our current science fiction stories.  A common concept is the idea that excess population can be shipped to the stars, but as any student of history knows, neither England, Spain, France, Portugal, nor any other country ever became empty as a result of colonization.  We can't expect spaceships to change that equation. 

Neither does Young.  His story is cute, if one-note, holding our interest for as long as the idea can be stretched.  Three stars.

Twenty-Four Hours in a Princess's Life, With Frogs, by Don White

What if all the fairy-tale princesses were pals, all living together in Hans Christian Andersonville with intersecting storybook plotlines?  Aurora, Cinderella, Snow White, Rapunzel… the whole neurotic gang of them.  Don White explores that possiblity in a clever, funny piece that makes me hope that Disney never tries to combine its franchises.  What a mess that would be!  Four stars.

Inquest in Kansas (A Modern American Ballad) by Hyacinth Hill

The unknown Ms. Hill (I understand she may be Virginia Anderson) has a poetic piece about a woman seduced from her home and family by a unicorn.  Whether you find it horrifying or liberating depends on how you infer her life history.  Two stars, as it didn't grab me.

Measure My Love, by Mildred Clingerman

What a fascinating, almost excellent, but ultimately disappointing piece this was.  Dodie is a youngish spinster whose actress cousin, Althea, has a penchant for melodramatic love affairs.  When Althea's irresistible romantic nature meets the immovable, unwinnable affections of a married man, Dodie takes her cousin to the local witch, Maude, to cure her of her of broken heart.  Turns out the "witch" is more than meets the eye, but it's an open question whether or not her panoply of equipment can remedy Althea's condition. 

Clingerman is one of the most seasoned veterans our field, and her work has a pleasantly old-fashioned tone to it — appropriate both for the era (just post-war) and the protagonist portrayed.  The story moves you along the plot, slowly unfolding things to maintain your interest.  What hurt Measure for me was that, near the end, Maude mentions that she might also be able to cure Dodie's "little problem," hitherto undiscussed but strongly hinted at.  But then the problem turns out to be something completely different from what I expected (given the close relationship of the cousins, and Dodie's unending patience where things Althea-related are concerned). 

I wonder if I guessed wrong, or if the ending was changed at the editor's insistence for being a bit too…unconventional.  Either way, it turned a four-star story into a three-star one.  I'm probably being unfair, but unsatisfying endings sit poorly with me.

Slow Burn, by Isaac Asimov

The Good Doctor touches on one of my favorite scientific topics — the theory of Phlogiston and how its research eventually led to the discovery of oxygen.  It's one of those fascinating models that almost but not quite got things right, like impetus theory in the 13th Century ultimately led to the concept of momentum.  I mentioned Kuhn's "paradigms" earlier, and Phlogiston is a perfect example of the concept.  Four stars.

The Unfortunate Mr. Morky, by Vance Aandahl

One of my readers once said that Mr. Aandahl really wants to be Ray Bradbury.  Surely, there must be loftier goals.  In any event, this incomprehensible piece about the connection between time travel and the profusion of milquetoast personalities isn't worth your time.  On the other hand, it's only a few pages, so you might as well see why I gave it only one star (and perhaps you'll disagree with me).

The Journey of Joenes (Part 1 of 2), by Robert Sheckley

At long last, Bob Sheckley has come back to us.  It's my understanding that he's been writing mainstream mysteries and such, which probably pays better than sf.  His latest work, which Editor Davidson says is a hacked up version of the novelized form due out later this year, follows the adventures of Joenes, an American ex-power engineer raised in Polynesia.  His pilgrimage to the Mainland to find his destiny is a series of satirical vignettes told from a foreign and futuristic perspective that turns the story into a kind of dark Canterbury Tales.

It's a fun read, though I hope there's light at the end of the tunnel.  Sheckley is better at short stories than novels, so the format plays to his strengths.  I do have to wonder why F&SF prints chopped up novels to fill up half of two consecutive magazines.  I expect that of Ace Doubles, not a high-end digest.  Three stars so far.  We'll see what happens.

And so we find ourselves on the other side of another issue.  On the face of things, it seems to reinforce the trend that F&SF is in a new and duller era.  Will we soon have enough data points to know if the larger world has changed, too?