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[October 20, 1964] The Struggle (November 1964 Fantasy and Science Fiction)

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[Have you gotten your copy of Rediscovery: Science Fiction by Women (1958-1963)? It's got some of the best science fiction of the Silver Age, many of the stories first appearing in The Magazine of Fantasy and Science Fiction!)


by Gideon Marcus

The Good Fight

1964 has been a year of struggle.  The struggle to integrate our nation, the struggle against disorder in the cities, titanic power struggles in the U.S., the U.K. and now the U.S.S.R.  The struggle to hold on to South Vietnam, to preserve Congo as a whole nation.  The struggle of folk, rock, Motown, country, and surf against the inexorable British invasion.

So it's no wonder that this month's Fantasy and Science Fiction makes struggle the central component of so many of its stories.  This magazine is wont to have "All Star Issues" — this one is an "All Theme Issue":


by Ed Emshwiller

The Issues at Hand

Greenplace, by Tom Purdom

Purdom, who just wrote the excellent I want the Stars (review coming in the next Galactoscope), depicts a 21st Century in which immortality has created a stranglehold on politics.  Canny machine bosses can hold on to power indefinitely.  Nicholson is a man who would break this power, loading himself up on psychically enhancing drugs and personally investigating "Greenplace", a stronghold neighborhood of the 8th Congressional District.  There, he encounters resistance, violence, and a secret…

Remarkable for its melange of interesting ideas and surreal execution, it's a little too consciously weird for true effectiveness.  Three stars.

After Everything, What? by Dick Moore

Two thousand years ago, genetic supermen ruled the galaxy.  They weren't dictators; rather, they were created by humans to be the best that humanity could be (that's what the story says — I'm not endorsing eugenics).  After a century of dominance, they all died out.

It's a well-written piece, but the conclusion is obvious from the beginning: the ubermenschen struggled against boredom…and lost.

Three stars.

Treat, by Walter H. Kerr

It used to be that, on Halloween, people would wear scary masks so that when they encountered bonafide spooks on their day of free reign, they would be mistaken for compatriots.  Nowadays, the shoe is on the other foot — spooks can only freely walk the Earth on Oct. 31 since everyone mistakes their frightening faces for masks.

Cute?  Three stars.

Breakthrough, by Jack Sharkey

Here, the struggle is Man vs. Machine.  A chess-playing computer betrays its sentience by developing a sense of humor.  So its creator, tormented with feelings of inferiority, shoots the machine dead.

Sharkey can be good.  More often he can be bad.  Here, Sharkey is about as bad as he ever gets.

One star.

Dark Conception, by Louis J. A. Adams

When the Savior comes again, will it be in the form of another virgin birth?  And what happens when the new Mary happens to be Black?

This is the first piece of the issue that has some of the old F&SF power, but the ending doesn't pack a lot of punch since the conclusion is telegraphed, and the author doesn't do much with it.

Three stars for this missed opportunity of a tale.

One Man's Dream, by Sydney Van Scyoc

Against age, all mortals struggle in vain.  A Mr. Rybik has himself "tanked" in life-sustaining fluids in the hopes of purchasing a few more years.  But not for himself — he wants to preserve the other personality who lives in his head, the pulp adventurer called Anderson.  This Anderson is more real to him than even his wife or his kids, entertaining, sustaining, allowing Rybik to enjoy a life of vicarious excitement.

But when Rybik's money runs out, he finds that no one in the real world wants to pony up dough to save a crazy dreamer who neglected his family.  Can Anderson save him now?

Well crafted, it engages while it lasts, and then sort of fades away.  Like Anderson.

Three stars.

The New Encyclopaedist – III, by Stephen Becker

Another of these faux articles written for an encyclopaedia, copyright 2100 A.D.  This one details a latter day crusade against immorality by a McCarthy parody.  Mostly a bore, though there is one genuinely funny line.

Two stars.

Where Do You Live, Queen Esther? by Avram Davidson

Esther is a Creole house-servant.  Her struggle is with her employer, Eleanor Raidy, who treats her poorly.  In typically overwritten fashion, the author details Esther's revenge.  Only Avram can make seven pages feel like 20.

I understand Davidson is quitting the editorship of F&SF to devote more time to his writing.  If this is the kind of stuff we can look forward to, he might consider an altogether different career.  And it's a reprint, no less!

Two stars.

The Black of Night, by Isaac Asimov

Dr. A's article for the month details the struggle to answer Olbers' paradox: if the universe be infinite, and stars evenly distributed, why isn't the night sky as bright as the day's?

As one might guess, the issue is with the postulates.  Neither are correct, as we now know.  Asimov does his usual fine job explaining things for the layman.

Four stars.

On the House, by R. C. FitzPatrick

In the earlier story, Dark Conception, the husband of the pregnant Mary confronts Mary's doctor.  Both husband and doctor are Black, but the husband considers the doctor a "Tom" and won't be satisfied with mere equality:

"I don' want what you want, man.  I want what they got and for them to be like me now.  I want to lead me a lynch mob and hang someone who looks at one of our girls.  I want to rend me some of my land to one of them and let them get one payment behind.  I want them to try to send they kids to our school.  I want 'em to give me back myself like I was before, when I didn't hurt so bad that I better off dead."

Fitzpatrick's On the House is a deal with the Devil story, but the protagonist is a Black woman, and all she wants is to change places with "one of them". 

It's another piece that would do a lot better with development beyond the punchline, but I at least appreciate the variation on the theme.

Three stars.

Portrait of the Artist, by Harry Harrison

If there is going to be one struggle that defines the modern age, it's the struggle to reconcile automation with personal dignity.  Harrison, in this piece, shows the mental devastation that happens when even such an imagination-laden field as comic artistry can be done by a machine. 

It was pretty good up to the end where (if you'll pardon the unintentional pun, given how the story ends), Harrison fails to stick the landing.

Three stars.

Hag, by Russell F. Letson, Jr.

Is a witch's pox effective against modern vaccination?

Another pleasant (if forgettable) prose poem.

Three stars.

Oversight, by Richard Olin

Wacky doctor wins his struggle against aging by infusing his cells with planaria (flatworm) DNA.  It has unintended consequences.

Another story with an obvious ending — and this one doesn't make biological sense. 

Olin's last (and first) story was better.  Two stars.

The Third Coordinate, by Adam Smith

We end with the struggle to reach the stars.  The concept is novel: humanity has invented a teleporter, but while direction can be controlled, distance cannot.  What its operators need is three known destinations, coordinates that can be used to calibrate the device so that accurate ranging can be done.

Great idea.  Very poor execution.  Nothing happens for the first 20 pages but some of the clunkiest exposition and character development I've read in a while.  And there's no tension in the end, either.  Pilot succeeds, end of story.

Two stars, and a hope that the theme gets picked up by someone with more chops.

Summing Up

As it turns out, the biggest struggle this month was finishing the damned magazine.  Conflict is vital to any story, but it's only one component.  Execution and development matter, too.  Even Davidson's story intros have lapsed into badness.  I'm looking forward to the editor's departure from F&SF; any change has to be an improvement, right?

[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




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[March 9, 1964] Deviant from the Norm (April 1964 Galaxy)

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by Gideon Marcus

It's Spreading

25 years ago, a group of fen met in New York for the first World's Science Fiction Convention.  Now, conclaves are springing up all over the nation (and internationally, too).  Just this weekend, I attended a small event ambitiously titled San Diego Comic Fest.  It was a kind of "Comics-in," where fans of the funny pages could discuss their peculiar interests: Is Superman better than Batman?  Are the X-Men and the Doom Patrol related?  Is Steve Ditko one of the best comics artists ever?

I was there as an invited guest to speak on the current state of comics and science fiction.  I understand that the proceeding was filmed and may even be broadcast on local television.  When that happens, I shall be sure to give you a heads up.

Slinging my new color camera, I took photos of some of the new friends I made.  There was also excellent space-themed decor, which I had to capture for posterity.  Many thanks to my friends with the private dark room who developed these prints so quickly for publication:


Posters lining the bar at the Lunar Lounge


Mercury meets Sputnik


The Young Traveler (initials L.E.M.) poses with a mock-up of the Apollo LEM


Alvin of the Chipmunks (his name really is Alvin!)


The artist known as Napoleon Doom


The Traveler with a familiar face


A beautiful, newly commissioned drawing of Dr. Martha Dane, the Journey's unofficial mascot

While the con possessed many superlative qualities, I think my fondest memories involved reading the latest issue of Galaxy, sitting in the lobby of the event hotel, listening to one of the fans play an endless medley of classic and new tunes on the piano.  With that, I suppose it's appropriate I tell you about what I read…

The Issue at Hand


Cover by Sol Dember illustrating Final Contact

The Boy Who Bought Old Earth, by Cordwainer Smith

For years, Cordwainer Smith has teased us with views of his future tales of the Instrumentality, the rigid, computer-facilitated government of Old Earth.  We've learned that there are the rich humans, whose every whim is catered to.  Beneath them, literally, are the Underpeople — animals shaped into human guise (a la Dr. Moreau) who live in subterranean cities.  A giant tower, miles high, launches spaceships to the heavens, spreading the Instrumentality to the hundreds of settled stars of the galaxy.  All but one, the setting of Smith's newest book.

Old North Australia stands alone, an island in an Instrumentality-dominated sea of space.  On that grey, dusty world, its inhabitants still pledge fealty to the Queen of the British Commonwealth (she and that confederation dead some 15,000 years).  What enables this world, dubbed "Norstrilia," to stand alone?  Like Frank Herbert's Arrakis, Norstrilia is the sole producer of the longevity drug, stroon.  This has made Norstrilia fantastically wealthy, able to produce the most lethal of defenses (including Mother Hitton's Littul Kittons).

Our viewpoint in Boy is Rod McBan, a protagonist with a problem.  The scion of one of Norstrilia's oldest and richest families, he has been barred from achieving adulthood for his inability to communicate telepathically with his peers.  Four times the boy has lived to the age of sixteen; three times, he has had his memories erased in the hopes that Rod might develop the appropriate mental gifts to participate meaningfully in society.  Failure to do so a fourth time means judgment by tribunal and possible sentence to death.

How Rod escapes this fate and turns around his fortune so entirely (figuratively and literally) such that he becomes possessor of the Manhome, Old Earth itself, is an interesting tale I shan't spoil.  I can, however, share my thoughts on the story's execution.

Smith is one of the more unusual authors out there.  Having been raised in pre-Communist China and then employed by intelligence agencies, Smith has much more experience with non-Western cultures.  This shows up in his writing, with the Instrumentality and its denizens a fair bit further from the norm of SF societal depictions. 

The author is hampered, however, by choosing Norstrilia as his setting.  The planet is prosaic, deliberately so by choice of the inhabitants.  Missing is that lucid dream-like quality Smith has imparted his other Instrumentality stories.

Moreover, the novel is very short, and it ends abruptly just as it's getting interesting.  I suspect the piece has been cut for space.  The result is just two thirds of a story arc.

For these reasons, I give Boy 3.5 stars and hope that a fuller rendition comes out in proper book form.  Perhaps, like Heinlein's Starship Troopers, this will turn a flawed gem into a masterpiece.

Earth Eighteen, by Ernst Mason

After finishing the serious, humorless piece that was Boy, it was quite a jolt to be thrown into this comedy article, a tourguide for aliens visiting a ruined and mostly depopulated Earth.  Thus, it took me a while to slow down and get into the thing, but once I did, I found moments of genuine cleverness.  The Gaughan pictures are cute, too. 

Three stars.

For Your Information, by Willy Ley

The non-fiction article this month deals with statistical bell curves: the phenomenon whereby any set of things (height of people, size of noses, width of beans) falls within boundaries with the most common incidence being right in the middle.  It's not a bad piece, but it's short and ends abruptly. 

Three stars.

The End of the Race, by Albert Bermel

If you've read the recent novel (soon to be movie) Fail-safe, then you know the ending to this story, a farcical piece about negotiated disarmament between the superpowers.  It was better when it wasn't played for laughs, and not very good laughs at that.

Two stars.

Final Encounter, by Harry Harrison

Now here is the real gem of the book, and a real departure from the norm.  Ship's captain Hautamaki, of the race of Men, takes aboard a married pair of more conventionally human anthropologists, Gulyas and Tjond.  Their mission: to make first contact with aliens.  The extraterrestrials have left tantalizing clues of their existence, beacons on various worlds pointing to one star in the galaxy.  Friction quickly erupts amongst the crew.  Tjond, the sole woman, finds Hautamaki's insistence on nudity disturbing.  And she cannot comprehend at all the society of Men, which includes no women, involves marriage, love, and production of children by homosexual union alone. 

Worse yet, Hautamaki insists on jettisoning all weaponry and adopting a completely peaceful posture when approaching the aliens.  His reasoning is that the threat of violence could jeopardize the contact, and if the aliens prove hostile even in the face of no provocation, well, the next mission will be so alerted.

I absolutely loved this story.  It possessed that well-executed strangeness that I'd sort of expected from the Smith.  I appreciated that it was the Man who was the gentle pacifist.  And, as in Evelyn Smith's They Also Serve, a homosexual man is key to a peaceful first contact.  But unlike Smith's story, this is the first instance in SF (aside from Sturgeon's The World Well Lost from 1953) where the homosexuality is explicit — and completely unapologetic.

How times have changed.  Five stars.

At the Feelies, by Jack Sharkey

At the con, I had a discussion with a fellow who mused on the future of movies.  After silent films came talkies.  Then color, 3-D, "Sens-o-rama," and so on.  It was timely, then, that I read this piece right after.  It's a (fictional) review of Gone with the Wind redone such that the audience can feel and smell from the point of view of the actors — a technology with mixed blessings, as you can imagine.

It's cute.  Three stars.

Soft and Soupy Whispers, by Sydney Van Scyoc

Van Scyoc offers up a typically macabre piece about a mentally disturbed man whose insanity is kept under control through the installation of a mental companion.  In essence, the fellow is made sane through schizophrenia.  It's subtle and interesting, but a bit obtuse and more artful than plausible.

Three stars.

The Blasphemers, by Philip José Farmer

Last up is another piece from left field, this one dealing with a race of centaurs that possesses four sexes, all of which are necessary to produce (and capable of bearing) children.  The aliens are an advanced, starfaring race.  Highly religious, they venerate the spirits of their ancestors, holding sacred the statues of their elders.  One iconoclast leads his mated quartet to a shrine and proceeds to make love amongst the monuments.

He is caught and brought before a judge, but instead of being sentenced to immolation, he is congratulated for his heresy and informed that the state religion is bunk, actually a tool to justify the conquest of planets: one of the faith's tenets is that an early ancestor left statues of himself on planets to be colonized by the race; such statues were actually carved recently by advance scouts.

Our protagonist is then made a ship's captain and dispatched to colonize as many worlds as he and his companions can, until common sense prevails over faith and the old order is toppled.

Particularly interesting about this piece is the assertion that religious faith is instilled by nature, not nurture.  Like sexual preference, one can't help one's feelings on the subject, the story says.

Ambitious and laudable as Farmer's goals are in this piece, his execution is workmanlike.  Ted Sturgeon once called Farmer an author who always almost gets it right, and that record continues with The Blasphemers.  I suppose Harrison can't write all the iconoclastic tales.

Three stars.

Summing Up

With just one very short clunker in the mix, and despite the (relative) disappointment of the Smith novel, the April 1964 Galaxy is a welcome departure from the standard.  I'm impressed.  What wonders await us in two months?

[Come join us at Portal 55, Galactic Journey's real-time lounge!  Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




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[July 24, 1963] The Numbers Game (August 1963 Fantastic)

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[Did you meet us at Comic Con?  Read this to see what we’re all about!]


by Victoria Silverwolf

Those of us living in the United States had to memorize a new number this month.  In addition to our telephone numbers, Social Security numbers, and so on, we now have Zone Improvement Plan numbers, also known as ZIP Codes.  These numbers help the United States Post Office Department direct the mail to its proper destination.  We used to be able to use one or two digit Postal Zone numbers, and only for big cities.  Now every area in the nation has a ZIP Code.  The Post Office sent a postcard to every mailing address in the country –seventy-two million, more or less — listing its five digit ZIP Code. 

They even created a mascot, a cartoon mail carrier named Mr. Zip.

Other numbers in the news this month were 15 (as in the X-15 hypersonic rocket-powered aircraft), 90 (as in Flight 90 of this vehicle), and 100 (as in 100 kilometers above the surface of the Earth, considered to be place where outer space begins.) Just a few days ago, Joseph A. Walker, pilot for the X-15's Flight 90, reached an altitude of 107.8 kilometers and a speed of nearly six thousand kilometers per hour.  That makes him the first person to reach outer space in an airplane, and America's first civilian astronaut.

In popular music, of course, the only number that really matters is one.  Earlier this month, a rhythm and blues group called The Essex reached Number One on the American pop music charts with their catchy, if hardly innovative, tune Easier Said Than Done.  The most unusual thing about the musicians who make up The Essex is that all of them are active members of the United States Marine Corps.

Currently, the top position is held by the vocal duo Jan and Dean, with Surf City.  This is the first song in the relatively new genre of surf music to reach Number One.  Speaking of numbers, this tune begins with a numerical lyric that may raise some eyebrows.
Two girls for every boy

With all these numbers spinning around in my head, I thought I could get away from them for a while and enjoy the latest issue of Fantastic.  It turns out that the simple question How many stories are in this issue? requires some tricky mathematics.

Bazaar of the Bizarre, by Fritz Leiber

Vernon Kramer's colorful cover art accurately portrays the lead story.  The cover blurb, however, is unfair to the Gray Mouser's companion Fafhrd, who actually plays a more active role in their latest adventure.

Two strange sorcerers, who often send the pair on weird and dangerous quests, summon them to a nighttime marketplace in the city of Lankhmar.  The Gray Mouser arrives early.  Having a little time to kill, he investigates a new shop that appears out of nowhere.  It is full of wonderful things.  Of particular interest to the lusty little fellow are the alluring young women within cages hanging from the ceiling.

Meanwhile, his giant friend Fafhrd meets with the wizards.  It seems that an evil force from another universe threatens the land of Nehwon.  They provide him with magical objects and send him to destroy the invader.  What follows is a deadly battle against sinister foes.

No one is better at writing sword-and-sorcery than Fritz Leiber.  Every line begs to be read aloud, the better to appreciate its poetic rhythm and vivid imagery.  Exotic details make the setting seem very real.  The author adds just the right of touch of wit to spice up his story.  The climactic battle is thrilling.  Five stars.

The Red Tape Yonder, by Vance Simonds

A government official dies and tries to make his way to Heaven.  He encounters multiple obstacles.  This is a heavy-handed satire of bureaucracy.  A few lines suggest that the author is a loyal supporter of the G.O.P., so I hope my left-leaning tendencies don't interfere with my ability to judge this story on its merits.  Two stars.

The Grass, More Green, by W. Lee Tomerlin

A henpecked husband receives several miniatures from a friend who feels sorry for him.  The fellow becomes obsessed with his little world, locking himself in his basement.  What happens isn't very surprising.  This story reminded me of Rod Serling's nostalgic tales of men yearning to escape their disappointing lives.  (In particular, the Twilight Zone episodes Walking Distance and A Stop at Willoughby.) Unfortunately, the author doesn't quite have the delicate touch required for this theme.  The man's wife is a caricature of a selfish, nagging woman.  Two stars.

A Hoax in Time (Part 3 of 3), by Keith Laumer

The three protagonists of this novel – a wealthy heir, a carnival worker, and an artificial woman, formed by a computer with immense powers – are in a parallel reality, created by their journey through time.  The heir undergoes an intense training program, which transforms him from a useless, spoiled weakling into a man with extraordinary mental and physical skills.  While on an outdoor test of his abilities, he discovers a plot to overthrow the utopian society he and his companions brought into being. 

The story moves quickly, particularly at the end.  The author relies on a deus ex machina — almost literally, in this case — to tie everything up.  If the first third of this serial was a comic romp, and the second third a philosophical essay, the final third is a fast-paced adventure story.  Although entertaining, the disparate elements of the story never quite come together.  Three stars.

Two More Tales for the Horrid at Heart, by Brad Steiger

Here's where the counting of stories gets complicated.  Two tiny works of fiction appear under the title above, but they also have their own titles. 

Sacrifice Play features an archeologist who discovers an inscription at the ruins of Ankor Wat.  They promise fabulous wealth in exchange for a sacrifice to a demon.  As you might imagine, this is a bad idea.

In One Too Many, a married couple sneaks vodka into the fruit punch of a mysterious fellow who never drinks alcohol.  They soon find out the reason for his abstinence.

Both stories feature twist endings.  The first one is obvious, and the second one is arbitrary.  Two stars.

The Devil in Hollywood, by Dale Clark

This month's reprint comes from the August 8, 1936 issue of Argosy.  A little over a decade ago, it was reprinted in Avon Fantasy Reader. 

Dale Clark (which Fantastic misspells as Clarke in the table of contents and title page of the story, although Sam Moskowitz spells it correctly in his introduction) is a pseudonym used by a writer with the much more interesting name of Ronal Sherwood Kayser.  He writes mostly crime fiction, although I don't think he's published anything for a while.  He also wrote a few fantasy stories for markets such as Weird Tales.

A movie director convinces an unemployed cameraman and an aspiring actress to work on a film he is producing on his own.  The director himself will play the lead role.  The plot of the movie, which reminds me of the early German talkie Der Blaue Engel, involves a man who becomes involved with a heartless dancer.  He makes a pact with Satan in order to acquire sufficient riches to purchase her affection.  This story-within-the-story turns out to be all too real.

This tale of terror is written in a realistic manner, probably due to the author's experience with hardboiled fiction.  The description of the moviemaking industry is very convincing, making the supernatural aspects seem believable.  Four stars.

Sometimes I Get So Happy, by David R. Bunch

A writer that some readers love to hate returns to the dystopian world of Moderan, whose inhabitants have bodies made mostly of metal.  The narrator recalls his former life, when he was made entirely of flesh.  He remembers a failed romance.  The main appeal of this story is the author's unique style.  Three stars.

Fables of the Past & Future, by Thomas M. Disch

Once again, I have to scratch my head and wonder how I should count this trio of vignettes.  The title listed above only appears in the table of contents.  Unlike the pair of tales by Brad Steiger, each of these stories has its own introduction by editor Cele Goldsmith.

In The Return of the Medusae, the inhabitants of New York City turn to stone.  Those who remain alive treat them as statues, destroying them if they fail to please.  This story may be an allegory about the nature of art.

In Master Said-And-Done, a mute hunchback makes a deal with the Devil, damning himself by accepting three wishes.  This familiar theme leads to a twist ending.  Of the three so-called fables, this is the most traditional.

The Enchanted Prince, 1963 is a twisted fairy tale that combines medieval elements with modern touches.  An orphaned princess, raised by a cruel uncle, has to go to public school.  The reason this horrifies her has to do with a serious problem facing the United States today. 

The author writes well, but his sardonic tone will not appeal to all readers.  Three stars.

Cornie on the Walls, by Sydney van Scyoc

The magazine once more makes a spelling error, giving the author's first name as Sidney.  This may disguise the fact that she is a woman.  Since she has only published a small number of stories, mostly in Galaxy, perhaps we can forgive this mistake.

Her latest offering is a strange tale, which requires close reading.  An artist of the future lies motionless, connected to his house by machines.  He uses his mind to create pictures that appear on the walls of his home.  Students and tourists show up to observe them.  Against his will, distorted images of a dead woman, apparently his wife or lover, appear on the walls. 

This is a dark and disturbing story, often gruesome.  The author creates a compelling science fiction horror story.  Four stars.

Let's see; that makes six stories; one-third of a novel; two stories that might be one story; and three stories that might be one story, for a total of . . .

I better go study this crazy New Math that everybody's talking about.

[P.S.  Did you take our super short survey yet?  There could be free beer/coffee in it for you!]

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[February 20, 1963] A merry chase (March 1963 Fantasy and Science Fiction)

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[While you're reading this article, why not tune in to KGJ, Radio Galactic Journey, playing all the current hits: pop, rock, soul, folk, jazz, country — it's real now, man…]


by Gideon Marcus

If you've been reading the papers this week, you've no doubt been avidly following the improbable trip of the Anzoategui.  This Venezuelan freighter was hijacked by Communist dissidents who wanted to embarrass Venezuelan prime minister Betancourt such that he wouldn't visit the United States.  Several navies chased the purloined vessel as it steamed 'round the eastern hump of South America, ultimately finding sanctuary in Brazil.

The editorial helm of F&SF was recently taken over by Avram Davidson, and like the poor freighter, the magazine has been a captive to its new master and his whims.  Quality has declined steeply, and were it not for Asimov's article and the excellent tale at the end, this issue would barely be fit to warm a stove.

But, those two pieces are the saving grace of the March 1963 Fantasy and Science Fiction…

Seven Day's Wonder, by Edward Wellen

This un-shocking tale of an electric New Testament missionary will fail to galvanize you, either with its ponderous pace or its puny puns.  Honestly, this is the sort of thing Avram Davidson (now F&SF's editor) used to make work.  Sadly neither Wellen nor Davidson are Davidson anymore.  Two stars.

The Day After Saturation, by D. K. Findlay

If overpopulation compel us to settle the seas, is de-evolution toward our aquatic ancestry the next inevitable phase?  Probably not, and this, Findlay's first work, is overwrought.  Two stars.

The Sky of Space, by Karen Anderson

Not a bad poem on the changing understanding but unchanging characteristics of outer space.  Three stars.

The Question, by Donald E. Westlake and Laurence M. Janifer

Hot enough for you?  Be careful what you take for granted.  It might just disappear.  Three stars.

The Importance of Being Important, by Calvin Demmon

Second in a matched pair on solipsism (also from a new author), it explores the perfect life of a fellow whose existence is merely another's convenience.  Pointless.  Two stars.

The Journey of Ten Thousand Miles, by Will Mohler

It's the end of the world, and Tyson St. J Tyson III desperately wants to leave his tomb of a house and go on a sea cruise — only the sea isn't there anymore.  Three pages of a story inflated five-fold to no one's profit.  One star.

Captain Honario Harpplayer, R.N., by Harry Harrison

Overblown, unfunny pastiche of C. S. Foreseter's work.  I've often said that I have trouble distinguishing Harrison and Laumer, but Laumer is funnier when he tries.  1 star.

Game for Motel Room, by Fritz Leiber

When a three-brained, too-silky centenarian beauty with a homicidal husband comes a flirtin', best you send her packing sooner rather than later.  Decently written, but disturbing and kind of dumb.  Two stars.

You, Too, Can Speak Gaelic, by Isaac Asimov

I love pieces on etymology, and the Good Doctor does a fine job of explaining the (not) Celtic roots of para-dimethylaminobenzaldehyde.  Four stars.

Zack With His Scar, by Sydney Van Scyoc

When the world of the future is perfect, the only imperfect thing…is you.  And the only therapy is being saddled with someone worse.  I don't know that I liked this story, but I found it interesting.  Three stars.

Hunter, Come Home, by Richard McKenna

I put off reading the final novelette for days, given how lackluster the rest of the issue had been.  But this story makes up for them all.  It's sort of a cross between Deathworld and Hothouse — a planet with a single, planet-spanning and omnivariate lifeform is under attack by a group of rapacious colonists bent on scouring the native biome and replacing it with terrestrial plants and animals.  The rationale of the invaders is plausible (if distasteful), the depiction of the native life is profound, and the characterization is superb.  Five stars.

And there you have it.  Mediocrity and downright lousiness followed by a burst of talent.  Let's hope Asimov and McKenna don't disembark at Brazil, never to be seen again…

[P.S. If you registered for WorldCon this year, please consider nominating Galactic Journey for the "Best Fanzine" Hugo.  Your ballot should have arrived by now…]




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[January 10, 1963] (February 1963 Galaxy)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

The Traveler family has now been on the island of Kaua'i (in the newest state of the Union, Hawai'i) for five days, and I can feel the shackles of the mainland loosening.  We are staying in a vacant worker cottage on the Waimea Sugar Plantation, guests of one of the manager's, and it's just lovely.  Timeless beauty surrounds us.  There's no question but that this state is destined to be a tremendous tourist attraction some day – but I hope this island never loses its virgin charm.

It's hard to describe the relaxation that comes with visiting this sub-tropical paradise.  In the main room of our three-room cottage, the Young Traveler plucks away at her ukelele, singing Elvis' recent Hawai'ian hit, I can't help falling in love with you, and then the apt Jamaican Farewell popularized by Belafonte not long ago.  Last night, we were guests of the Gaylord family at their Kilohana estate.  After a sumptuous meal of meticulously prepared fish and delectable desserts (including a half-coconut), we dallied in the Sitting Room as one of the family played Scott Joplin tunes on the piano. 

Of course, even in this Westernmost bastion of America, modern civilization is encroaching.  We flew into the new small but international airport at Lihue (and commerce is already relocating from its traditional center here at Waimea to that burgeoning mini-city).  The grocery chain, Safeway, is building a supermarket on the island. 

And then there are the relics of the Mainland we've brought with us in the form of the books packed in our suitcases.  The Young Traveler has been devouring Dale Carnegie's classic, How to Win Friends and Influence People (Watch out World!), while I have just finished this month's Galaxy.

Its editor, Fred Pohl, has spilled much ink over the role of the science fiction writer.  He insists that our job is not to predict the future, and indeed, we're pretty bad at such things, statistically speaking.  Rather than saying, "This is what will happen," we really say, "This is what will happen if."

The timing is no coincidence.  The February 1963 Galaxy is filled with "what will happen ifs," — have a look:

Home from the Shore, by Gordon R. Dickson

Dickson's story asks, "What will happen if the nascent trend of undersea living is carried to its logical conclusion?"  The result is, as we've seen previously explored in The Underwater City, a nation of humans living underwater.  Living in Castle-Homes and Small-Homes on the ocean floor, some six million people, enhanced by genetics and technology, thrive alongside their dolphin companions.

It is an uneasy existence, the Landers resenting the independence of their former brethren (who they'd hoped to use primarily as stock for space exploration).  As Home from the Shore begins, one of the sea people's leaders, Johnny Joya is defecting from the astronaut corps to rejoin his people.  It turns out that the precipitous action is the spark that provokes war between the Landers and the mermen.  Willy-nilly, this fight will catapult the sea people to the next phase of their existence.

Dickson pens a vivid piece, but it feels more prologue than complete tale, and the details are a bit too oblique to follow in places.  In particular, I'm never quite sure just how life underwater works or how it's sustainable.  I found myself stalling at the beginning a number of times.  I think Shore earns three stars, but just barely.

Think Blue, Count Two, by Cordwainer Smith

This latest tale of the "Instrumentality," Smith's unique far future, explores the ramifications of centuries-long space flight given an unchanging temperament for humans.  How will we keep our sanity, our morality, when faced with the yawning vastness of space, divorced from the society that keeps us civilized.

Think Blue, Count Two is a sequel, of sorts, to The Lady who Sailed the Soul, which introduced us to the concept of interstellar sailing ships and deep frozen passengers.  This latest edition stars an ingenue colonist, chosen solely for her beauty, and details how she manages the increasingly neurotic attentions of her two male co-passengers.

It's another beautiful Smith tale, but Think Blue is less about what the protagonist does but what happens around and to her.  Riveting but somehow unsatisfying stuff.  Four stars.

For Your Information: First Flight by Rocket Power, by Willy Ley

To project where we're going, one has to know where we've come from.  This month's science department traces down the very first rocket powered human flight and then describes the important ones since.  Three stars.

(Anyone want to lay odds on whether the Russians will beat Gordo Cooper to be the first person in space in 1963?)

Comic Inferno, by Brian W. Aldiss

Aldiss makes a bold prediction in this story of robots and people: As life gets easy, our breeding instinct will wane, and a hundred years from now, the world will be a fraction as populated.  Mechanical people will fill in the gaps, being our servants and our underclass.  But what if the romen tire of their inferior position?

There are great concepts in here, but Comic Inferno is rather rough sledding, what with its Extremely British satirical style.  Much like the Dickson, it takes time to get into, but in retrospect, the trip was rewarding.  Three stars.

Pollony Undiverted, by Sydney J. Van Scyoc

Here is another journey into an indolent future, in which all needs are met save for the ones that matter most – those that give us emotional satisfaction.  Van Scyoc gives us a tale from a feminine perspective that captures the frivolity of existence and the fleeting nature of happiness in a world made infinitely small by teleportation.  Three stars.

Day of Truce, by Clifford D. Simak

Did you just put up a fence to keep tykes from riding their bicycles and scooters on your property?  Maybe a menacing "No Trespassing" sign?  What if these are the first unplanned shots in an escalating war between the Homeowners and the Punks?

Simak writes a fun, barbed story about a battle deep in the course of the conflict at a time when a man's home is truly a castle, and the teenage delinquents are armed with time bombs and Molotov cocktails.  Four stars.

The Bad Life, by Jerome Bixby

You may remember Bixby from his The Twilight Zone story, It's a Good Life.  His latest story shares no similarities but for the titles and the overwhelming sense of feeling trapped in a hellish situation.

John Thorens is a do-gooder, a Hand of the Helping Hands dispatched to the Jovian artificial moon/penal colony called Limbo to bring solace to the criminals living there.  The extrapolation in this piece is, "How would a first generation Australia in space treat a well-meaning vistor?" 

Not well.  An intellectual among boors, a civilized man among animals, Thorens is hounded and beaten to the point of insanity. 

This is a brutal story, difficult to read, made compelling by Bixby's sheer "writerliness" (as one of my readers might put it).  Not recommended for the easily disturbed, and perhaps Bixby overdoes the writing by 10%.  But it'll sure stay with you.  Three stars. 

And that's that.  A dense read, a hard read at times, but in many ways a rewarding one.  None of the futures depicted are pleasant ones, but they offer valuable signposts of potholes to avoid on the path of progress.

Next up – John Boston and this month's Amazing!

[P.S. If you registered for WorldCon this year, please consider nominating Galactic Journey for the "Best Fanzine" Hugo.  Check your mail for instructions…]




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Magazine

[Sep. 10, 1962] Leading by Example (the terrific October 1962 Galaxy)

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[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Thirteen years ago this month, amidst the post-war boom of science fiction digests, Galaxy Science Fiction was born.  Its editor, H.L. Gold, intended his brainchild to stand above and apart from the dozens of lesser mags (remember those days of abundance?) with progressive and smart strictly SF stories.  He succeeded — Galaxy has showcased some of the best the genre has to offer, as well as a fine science fact column penned by Willy Ley.  The consistency of quality has been remarkable.

Two years ago, Fred Pohl, a bright authorial light already, took the helm from the ailing Gold.  If anything, he has improved on excellence, continuing to coax fine works from established authors and interesting pieces from new ones.  It helps that he, himself, can fill the pages with good material and often does….though I have to wonder if he gets paid when he does that.

If you were to pick any single issue to turn someone on to Galaxy (or to science fiction in general), you could hardly do better than to give them the latest issue (October 1962) of Galaxy.  Not only isn't there a clunker in the mix, not only does it feature a new Instrumentality story by the great Cordwainer Smith, but it includes part one of an incredible new novel by the editor.

Wow.  I think I threw in more superlatives in the last three paragraphs than I have in the last three months.  I guess it's time to show you what all the hubbub's about:

The Ballad of Lost C'mell, by Cordwainer Smith

Many authors write in a consistent world.  Some are developed following an individual through her/his life in a series of stories.  Others might take place in a common setting but feature different protagonists.  Smith has introduced his Instrumentality universe through oblique flashes.  Each piece involves wildly different places and characters, each with a limited view of things.  Only after reading several of them does one get an idea of the nature of Smith's creation.

Thousands of years from now, Earth has seen global empires rise and fall.  The current ruling entity is the Instrumentality, a council of pure-humans ruling over the people-citizens and genetically altered animal-subcitizens.  Technology caters to virtually every need; the world enjoys a purely service-based economy with the Underhumans providing the services.  For humans, Earth is a beautiful, magical place filled with strange wonders.  For the animal-people, enslaved to the pure humans, life is a struggle and punishments harsh.  We are beyond the familiar subtext of racism/male-chauvinism that suffuses Western stories – the relationship between the races hearkens to the rigid castes of Asia.  The animal-men may be cast in human mold, but their treatment is peremptory, inhumane.  And the humans are blithely unaware that their creations have the capacity to rebel…

C'mell is the most straight-forward of Smith's Instrumentality stories, and it gives the sharpest insight, to date, of the world he's created (though it by no means reveals all of its secrets).  As always, it displays Smith's mastery of the craft, mixing showing and telling, romance and austerity, far-future and relatability.  Smith is an author who doesn't put pen to paper unless it's for a four or five-star story, and C'mell is no exception.  Five stars.

Come Into My Cellar, by Ray Bradbury

We've seen the plot where intelligent fungus take over humanity through forced symbiosis in Aldiss' Hothouse stories.  Bradbury gives us a much more conventional setup, where the evil mushrooms send spores of themselves via mail-order catalog to be grown and ingested.  A nicely written but dumb story, and it has the same ending as All Summer in a Day, which is to say, Ray doesn't bother to end it.  Three stars – about as good as Bradbury (not really an SF author) ever gets.

The Earthman's Burden, by Donald E. Westlake

A competent if somewhat forgettable story of an arrogant, resurgent Terran star empire and the lost colony that promises to be more trouble than it's worth to conquer.  There's pleasant satire here, particularly of the buffoonish Imperials, but nothing we haven't seen before.  In fact, I rather expected to find this piece in Analog (you'll see why).  Three stars.

For Your Information: End of the Jet Age, by Willy Ley

A generation ago, propeller planes were the way to travel.  Now that they've been eclipsed by the jets, one has to wonder just how long our 707s and DC-8s will last before they are, in turn, replaced by the next mode of transportation.  Ley gives us an excellent preview of rocketplane travel in the 1980s as well as a spotlight on a living fossil and answers to readers' questions.  Four stars.

A City Near Centaurus, by Bill Doede

Speaking of series, Doede has a third story in his tale of teleporting humans , who have exiled themselves from Earth using subcutaneous matter transmitters that work at the speed of thought.  This latest piece involves a dilettante archaeologist who'll brave offending the Gods and even risk death to dig an ancient, abandoned site on Alpha Centauri II.  Another piece that shouldn't work (why does the native speak perfect English?), but Doede always pulls it off.  Four stars.

How to Make Friends, by Jim Harmon

Resigned to an 18-year hitch, the solo operator of a Martian atmosphere seeder resorts to building his own companions to preserve his sanity.  It's a little bit McIntosh's Hallucination Orbit (one wonders if the events of the story are really happening) tinged with Sheckley-esque satire and robotics.  But Harmon is not quite as skilled as either of these authors, and so the story ends up like most of Harmon's work, never quite hitting the mark.  Three stars.

Plague of Pythons (Part 1 of 2), by Frederik Pohl

How fragile our interconnected, technological world is.  How easy it would be for a few malicious demons, selectively possessing our bodies at propitious times, to utterly disintegrate our society.  Fast forward two years, after the world has reverted to feudal savagery.  Communities larger than the village are impossible.  Religion has revived in a last-ditch attempt to protect humanity from bodily appropriation.  One ex-engineer, name of Chandler, is on trial for a heinous assault he most assuredly committed, but which wasn't his doing.  What justice can he find in a world where the dispensers of justice can, at any time, cease being themselves?

Pythons is a brutal, uncomfortable story, crushingly bleak.  It's not the sort of thing I would normally go for, and I definitely caution against it if mind control pushes unpleasant buttons.  Yet Pohl executes the thing deftly, and he holds out the barest sliver of hope to keep you going.  I have no idea how Pythons will conclude, but if the latter half is as good as the first, we'll have a minor masterpiece on our hands.  Four stars (for now…)

Roberta, by Margaret St. Clair

Roberta explores the lengths one might go to erase the wrongness they feel exists in themselves – and the possibility that it is impossible to escape that wrongness.  It is the first story I've read that explores the concept of transsexualism, and while it is not a positive story, it is an interesting one.  Three stars.

Bimmie Says, by Sydney J. Van Scyoc

While we're on the subject of changing physical form, is it possible to be transCarnivorous?  In other words, what if cats and dogs can be made mutually intermalleable?  And if pets can be transformed, why not people?  Van Scyoc's story is clearly inspired by Keyes' hit, Flowers for Algernon, whose excellence it does not quite reach.  Still, it's not bad, and I'm glad to see Sydney's continuing her promising career.  Three stars.

Who Dares a Bulbur Eat?, by Gordon R. Dickson

Last up is the second in the adventures of the interstellar ambassadorial couple, Tom and Lucy Reasoner — a sort of Hammett's Nick and Nora meets Laumer's Retief.  In this installment, the Reasoners are tasked with attending a diplomatic banquet to find the weakness in the newly discovered Jacktal empire, a rapacious regime more powerful than the Terran Federation. 

It's a bit of a muddle, and the title fairly spoils the piece, but the conclusion is great fun and worth the price of admission.  Three stars.

All told, this comes out to a 3.5 star issue, none of it tiresome, much of it amazing.  I am also happy to see that F&SF will not have the monopoly on woman writers this month.  It's issues like this that buoy me through the lousy patches (like last month's Analog).  I mean, suffering for art is all well and good, but sometimes it's nice to have nice things to say!

Next up, let's see how the October 1962 Amazing stacks up.  See you then!

—

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Science Fiction/Fantasy

[February 14, 1962] St. Valentine's Update (The Second Sex in SFF, Part V)

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by Gideon Marcus

It's not quite time for a funeral, yet!

Nearly a decade ago, the Chicken Littles of our genre scribbled at length in our magazines and buttonholed each other at conventions to voice their fears that science fiction was dying.  Well, it is true that we are down to just six American sff digests per month, off of the 40 magazine peak of 1953.  On the other hand, I'd argue that we're not that much worse off for having lost the lesser monthlies.  Moreover, sff novels still seem to be doing a brisk trade.

In the three years since I started this column, I've seen a cadre of new writers burst onto the scene; clearly, no one told them that their field is dead!  And while sff continues to be something of a man's world, this fact is changing, slowly but surely.  Since just last year, when I wrote 18 mini-biographies of the women authors of science fiction, I've become exposed to a whole new crop of female bylines.  Some of them are just new to me, having been in the biz for a long time.  Others are genuinely fresh onto the scene. 

Without further ado, the supplemental list for early 1962:

Doris Pitkin Buck

Currently an English teacher at Ohio State University, where at least two authors that I know of might have enjoyed her acquaintance: former OSU students John Jakes and Harlan Ellison.  Mrs. Buck is a comparative rarity in our genre.  Not many manage to balance unabashed love for sff and a "respectable" career in academia.  Said career includes an active college writing stint, a cluster of stories written in the early 50s and a couple of recent pieces, of which I was not particularly fond, but that nevertheless suggest a high degree of literacy. 

Mildred Clingerman

Like Buck, Clingerman is a veteran with ten years of professional sff experience under her belt.  Her consistent career has produced 16 stories, most of them published in the pages of Fantasy and Science Fiction.  Sadly for my readers, her last one came out in 1958, just before I started this column.  However, she recently released A Cupful of Space, a collection of all of work to date, so you can enjoy her quirky, often whimsical, occasionally macabre stylings all in a sitting.  Like Buck, she's a teacher, at the University of Arizona.

Kate Wilhelm

The elusive Ms. Wilhelm has enjoyed a prolific career that started in 1956 and yet has rarely crossed my path.  I first encountered her excellent The Mile-Long Spaceship in the April 1957 Astounding.  This tale of a telepathic contact across the stars was impressive despite its extreme shortness; it must have really impressed Astounding editor, John Campbell since his magazine tends to be the most staggish of the digests.  Her latest work, A Time to Keep was not in the same league, but everyone is entitled to periodic variances.  Here's hoping she publishes more works in the magazines I cover – there aren't many that I don't these days…

Otis Kidwell

Otis Kidwell, who acquired the surname Burger some time after her birth, sprang onto the sff scene just last year with the compelling The Zookeeper.  However, it was hardly the first publication of this noteworthy New Yorker (great-grandaughter of famed abolitionist, Sydney Howard Gay) – her short pieces have appeared in The New Yorker since 1957. 

Sydney J. Van Scyoc

"Joyce," as her family and friends know her, took on her mannish first name to help her break into the science fiction market.  It took several years of writing for her work to see print, but her premiere tale Shatter the Wall, which came out just last month, shows real promise. 

Maria Russell

Ms. Russell (real name, Mary R. Standard) is a true newcomer.  Her first (and currently only) story is The Deer Park, a haunting, surreal tale that was a fine addition to the F&SF in which it appeared.  Details on her non-writing career are scarce, but I am given to understand that she is computer systems analyst in Connecticut, a fine career for a science fictioneer. 

Anne Walker


Picture courtesy of the Vassar Chronicle

Ms. Walker (also known as Mrs. Gutterman) is a Vassar graduate and New England resident with but two stories to her name, but boy were they good ones.  She's newish, coming on the scene in 1959, so she has plenty of time ahead of her if she wants to continue.

Joy Leache

I'm afraid I know even less about Joy Leache, whose career started in 1959, and whose latest story, Satisfaction Guaranteed was a good'n.  Does anyone have a clue?

Rosemary Harris

A nurse during World War 2, Ms. Harris is Londoner whose first work, Hamlin, appeared in F&SF last year.  Hamlin is a derivative of the Pied Piper Tale, so it's no surprise that Ms. Harris also writes childrens' books.  Will she keep toes in both genres?

At this rate, we'll soon reach gender parity in scientifiction, which I think will be to its benefit.  After all, that will mean we are finally seeing the best efforts of our entire population, not just one half.  I can' wait to see who will be on the 1963 supplement!

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Magazine

[January 12, 1962] Odd one out (February 1962 Galaxy)

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by Gideon Marcus

Science fiction is a broad genre.  It includes hard scientific, nuts-and-bolts projections that read like modern tales with just a touch of the future in them; this is the kind of stuff the magazine Analog is made up of.  Then you've got far out stuff, not just fantasy but surrealism.  The kind of work Cordwainer Smith pulls off with such facility that it approaches its own kind of realism.  In this realm lie the lampoons, the parables, the just plain kooky.  They get labeled as "science fiction," but they don't predict futures that could actually happen, nor do they incorporate much real science.  Rather, they end up in the sf mags because where else would they go?  The Magazine of Fantasy and Science Fiction showcases this type as a good portion of their monthly offerings (appropriately enough — "Fantasy" is in the name).

Galaxy magazine has always trod a middle road, delivering pure scientific tales, fantastic stories, and pieces of psychological or "soft" science fiction that fall somewhere in between.  It's that balance that is part of what makes Galaxy my favorite magazine (that and stubborn loyalty – it was my first subscription). 

The first Galaxy of 1962, on the other hand, veers heavily into the fantastic.  Virtually every story presented has a distinct lack of grounding in reality.  Does it work?  Well…see for yourself.

Fred Pohl and his lately deceased frequent partner Cyril Kornbluth wrote a whole lot together.  In fact, I think they've published more since Kornbluth's death than while he was alive!  I have to think Pohl is doing most of the work on Kornbluth's outlines, but perhaps there's something mystical going on.  Anyway, Critical Mass is the latest from this duo, a satirical "if this goes on" piece combining the mania for construction of bomb shelters and the public passion for baseball.  An entertaining piece though lacking in nuance.  Three stars.

LaGrange points, those places of gravitational stability involving two celestial bodies, were the topic of a recent Asimov piece.  Willy Ley now discusses them in his latest science column, For Your Information: Earth's Extra Satellites.  There's interesting stuff here though I'm afraid the Good German no longer has the gift for presentation that the Good Doctor possesses.  Three stars.

Shatter the Wall is an odd piece by newcomer, Sydney Van Scyoc.  Television, now taking up entire walls of houses, has become the object of the world's attention.  In particular, a prosaic domestic drama featuring four stars whom everyone tries to emulate.  Wall reads like a dream, and if taken in that way, is a neat story.  I found it a little too off-kilter to really connect, however.  You might feel differently.  Three stars.

There's a new hobby I've discovered called "board wargaming."  Players do battle using cardboard chits representing military units and a set of rules considerably more involved that those of, say, Chess or Checkers.  Avalon Hill, a publishing company, started the fad with Tactics II, a simulation of modern strategic warfare, and recently followed it up with a D-Day game and a couple on Civil War battles.

Now, imagine if the world stopped settling their differences with armed conflicts and instead resorted to simulated fighting. 

That's the premise of James Harmon's The Place Where Chicago Was.  All war is simulated, presumably facilitated by computer.  Big cities are not actually destroyed in enemy pseudo-attacks.  Rather, they are simply quarantined for twenty years and left to fend for themselves.  Residents are forbidden to leave; outsiders are restricted from entering.  To enforce the peace, giant psycho-transmitters are set up that broadcast pacifistic thoughts to the populace. 

It's such an implausible idea that I have to think Harmon is attempting some kind of satire.  On the other hand, it doesn't read like satire.  It's well written, but I don't quite know what to make of it.  Three stars.


by Cowles

The Martian Star-Gazers is a "non-faction" piece by Ernst Mason, whom I've never heard of.  It tells the sad story of the erstwhile inhabitants of the Red Planet, done in by their fear of the heavens.  I appreciated Mason's take on Martian constellations, particularly their contrast with terrestrial counterparts.  Three stars.

Algis Budrys writes deep, thoughtful stuff with a somber edge.  The Rag and Bone Men features a stranded alien intelligence that has taken over the Earth but only wishes to be able to go back home.  Terran science simply isn't up to the task, and neither are the mind-slaved humans who labor at it.  A weird, perhaps overly poetic story.  Three stars.

Ed Wellen is back with another non-faction "Origins" piece, Origins of Galactic Fruit Salad.  A catalog of intergalactic service decorations, it's in the same vein as his last piece: Origins of the Galactic Short-Snorter.  Sadly, unlike that work, Galactic Fruit Salad commits the cardinal sin of any comedic piece – it's not funny.  One star.

The Big Engine, by Fritz Leiber, is solipsism done backwards.  The world is a giant machine, all of its pieces playing preordained parts save for the few components that become self-aware.  There's not much to this story, but I must confess that I found it all the more memorable for having read it on a busy street corner, where the thrum of Leiber's mechanical world was most immediate.  Three stars.

The balance of the issue comprises Part 2 of Poul Anderson's Day after Doomsday, which as I said in my last article, was disappointing in comparison to the promising first half. 

While I applaud the effort toward experimentation in this issue, the result is an oddly monotonous clutch of stories, no "real" sf here.  Each of the tales might have been decent sandwiched between traditional stories, but they become an abstract, off-putting blob in unrelieved combination.  Galaxy would do well to return to its heterogeneous mix of sf types; I think trying to beat Analog or F&SF at their own games would be a bit of a forlorn hope.

See you in two with a "Fantastic" update!

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