Tag Archives: san francisco chronicle

[August 6, 1966] I Won't Dance, Don't Ask Me (Anna Halprin and the Dancers Workshop)


by Victoria Lucas

Actually, thanks, I'd love to dance

Good day, readers. It's been a long time since I wrote about music in San Francisco, but when I did you might remember that I wrote about the San Francisco Tape Music Center and its experimental music.

321 Divisadero, as their venue is known, is not just the TMC. It also houses Radio Stations KPFA/KPFB (the San Francisco part) and something (on the 3rd floor) called the Dancers Workshop Studio.

But I'm not a dancer

Even after becoming curious about the people "upstairs" – namely Anna Halprin, who runs said studio – I've mostly seen her group dances outside around San Francisco, too busy with other things to get to indoor workshops or to her famous deck in Kentfield (north of San Francisco), built for her by her architect husband Larry Halprin.


Larry and Anna Halprin, architect & dancer

And my boy friend Mel and I have a sort of budget of both time and money that is pretty loose but by which we hope to avoid both bankruptcy and fatigue. (As I've written here before, there is a LOT to do in San Francisco and surrounding area.)

Halprin left the dance of the theatre for the dance of life

Eventually I learned that Anna Halprin studied contemporary dance and started a performance company with dancers AA Leath and John Graham, her daughters Daria and Rana Halprin, and designers Joe Landor and Patrick Hickey. They toured nationally and internationally before starting the San Francisco studio in 1964. There they worked with a dizzying array of avant-garde composers, filmmakers, poets, and other dancers, including dancer Merce Cunningham, John Cage's partner.


Cage & Cunningham pose with artist Robert Rauschenberg

Like Cage, Halprin uses pictorial scores and chance operations, but always with her focus on self-awareness as her pupils perform movements. She's also tackled issues of race and sexuality head on.

Radical refers to "root" & I can dig it

In "Parades and Changes" she introduced full-on nudity to San Francisco audiences and, even more radical, the idea that anyone could dance with "more like 10 seconds" of training rather than the 10 years dance maven Martha Graham laid down.


Halprin during a workshop

Unfortunately, I missed the performances at the Playhouse where I volunteer my time, since they were before my move to The City. After the "Trunk Dance" in 1959, the name of Terry Riley appears on the 1961 program for "Four Legged Stool," and Morton Subotnick and David Tudor (who also acts as electronicist for Cage and Cunningham) created the music for her revision called "Five Legged Stool" the following year.

She eventually realized, according to what I've read, that she wanted to get beyond dance as a performance piece or something based on specific music or a programmed narrative. She worked with Gestalt-psychologist Fritz Perls and engaged with the audience after "Parades and Changes," with a vision of "spontaneity and freedom." That is a performance I wish I had seen – sometimes there are so many things going on that if you're not at the right place and time to see a notice about something you miss it entirely! This is why I buy the Sunday Chronicle with the pink section in it every week–their event lists are pretty thorough. (But they might not cover "workshops.")


Anna Halprin by herself

I hope to still be able to make at least one of her workshops or events in future. Ms Halprin, if you live to be 100 I suspect you will not be able to realize all the talent and compassion within you. Good luck! (And thank you, Ms Michaels, for the honorific "Ms"!)






[September 30, 1964] San Francisco Arts Festival (Marantz Rocks the Plaza)

[Don't miss your chance to get your copy of Rediscovery: Science Fiction by Women (1958-1963), some of the best science fiction of the Silver Age. If you like the Journey, you'll love this book (and you'll be helping us out, too!)



by Victoria Lucas

Life in the Big City

You'll be glad to know I've evolved a routine (haha). Weekdays: walk to 633 Battery after taking J streetcar to Market and Sansome, bus up Sansome, reading book. (I'm on Moby Dick right now.) Back same but bus goes down Battery Street to Market. Catch streetcar back to the end of Church at 30th where it turns around in front of my apartment.

Saturdays: walk to parks, sometimes all the way to North Beach. If I have any money I might drive to and shop at the Safeway at Market and 7th Street. If it's nearly Friday payday sometimes all I have left is spaghetti and margarine. Saturday nights usually a date (if it's with dinner I don't usually eat during the day). I very occasionally drive somewhere like Berkeley or San Mateo or Santa Cruz if I have money for gas and/or a show or concert. I wonder when I'm going to get a raise to a whole dollar an hour.

Sunday: mornings I pick up the Sunday Chronicle, a heavy load. I read the funnies first, then the pink section. The pink section is the entertainment section, and I eagerly devour it, looking for stuff I want to do–especially free stuff.  This last weekend I found something both wonderful and free and on my usual weekend route, at the Civic Center.

A patron of the Arts

I learned they have these Arts Festivals in Civic Center Plaza in the fall.  In fact, sometimes musicians play their instruments in echoing spaces under the eaves or in the lobbies of some of the Civic Center buildings, so I usually stop here on my weekend itinerary through the City.

Civic Center Plaza
Civic Center Plaza, San Francisco

This time the Plaza was my destination, shown here with City Hall, the building with the dome bisecting the Plaza's green areas.  City Hall faces Van Ness Avenue (not visible at the bottom, a major north-south street), and the Plaza takes up two city blocks, just as City Hall does.  I learned that it was the San Francisco Tape Music Center that furnished the Marantz speakers that enlivened the gathering from both ends of the Plaza.  This year the Arts Festival was held on September 25 through 27.  You'll notice on the program below that a misprint had September 26 as Friday, when it should have been September 25.

Friday it began with folk dancing and a "Dancer's Workshop" but at 8 pm The San Francisco Tape Music Center revved up its speakers and regaled us with contemporary music.  Oh, what bliss!  Then from 9-10 were experimental films, starting with Bruce Baillie.  But since I was alone (and the Tenderloin is right there), I couldn't stay, so I walked to Market Street and paid my 15 cents for the J streetcar back to my apartment. As I walked away I heard the first notes of the music accompanying Baillie's "To Parsifal," and knew I wouldn't be sorry I left. I hate Wagner.


Steve Reich, with San Francisco Mime Troupe

Saturday I wasn't really interested in the folk dancing so after a leisurely breakfast and walk I arrived at the Plaza in time for the San Francisco Mime Troupe's production of Moliere's "Tartuffe," directed by R. G. Davis and with music by Steve Reich, who is sometimes featured at the Tape Music Center.  Somebody told me that the Saul Landau listed in the program as responsible for "Lyrics" makes films.  They cranked up those Marantzes again.  Dance and poetry and dance again, and a puppet show by the Lilliputian Theater.


Lilliputian Theater puppet

Finally, at 8 pm more Tape Music Center.  The Marantzes danced.  Again the first film was by Bruce Baillie, and that's great, but once again I had to leave early.  On Sunday more dance, more puppets, El Troupo de Mimo (as the Mime Troupe likes to call itself) performed "Tartuffe" again. I hear they performed one of my favorite plays last year; I wish I could have seen it: Jarry's Ubu Roi.

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San Francisco Mime Troupe in Ubu Roi

Come on Down

After more dance the Tape Music Center was back on Sunday at 6 and only till 7, since Monday was a workday. It was still summer here, and the evenings were cool and breezes carried the smell of food cooking and being served from the carts and tents on the Plaza. People were everywhere. It was a delightful night, and I really, really hope they do this again next year–especially the Mime Troupe and the Tape Music Center. However, the Mime Troupe performs in the parks, and I'll be seeing them, and the Tape Music Center is on Divisadero right on a bus route. I'll be hearing them again soon. You should come and see them along with San Francisco's other sights. It's a happening City, and I love it!


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]