Tag Archives: paul e. wenzel

[May 10, 1968] Horse race (June 1968 Galaxy)


by Gideon Marcus

Three and Two make Two

I imagine Vegas bookies are tearing their hair out trying to predict the Presidential race this year.  On January 1, the hard money would have been on President Johnson beating Governor George Romney in a fairly easy race.  Then McCarthy and Nixon won in New Hampshire.  The former sent LBJ announcing his resignation and the latter gave the former Vice-President the first victory of his own since 1950.

Then Bobby Kennedy jumped in, trying to steal McCarthy's lunch.  Inevitably, Vice President Humphrey threw his hat in the ring, instantly commanding the loyalty of most democratic party bosses.  Meanwhile, Romney's dropped out, but Nelson Rockefeller, who said he wasn't going to play this year, has jumped in.

So, who will face each other come Labor Day?  It's anyone's guess, especially since both McCarthy and Kennedy just won recent primaries.  I guess we'll have to see if the New York Governor's campaign has legs, and if Humphrey's position translates to delegates at the convention.

Stay tuned…

Nine to Rule Them All

It's similarly a horse race with the latest issue of Galaxy, which presents a solid batch of stories.  Which one is the best?  That's a hard choice, too!


by Paul E. Wenzel

But first, the editorial.  Remember a few months ago F&SF ran competing ads from SF authors for and against the war in Vietnam?

Well, now Pohl's mags are doing it.

Pohl (Galaxy's editor) says it's not just enough to bitch about it.  Someone needs to come up with a solution.  He figures SF fans are about the smartest people around, so why don't we try our hand at it?

So now there's a contest, first prize $1,000, details at the bottom of this article.  Of course, given that you can't devote more than 100 words to the issue, and given that the war has been going on since 1945, in one way or another, and given that a lot of smart people have been trying to fix this thing…I somehow feel 100 words is not enough.

Or as my friend the divorce lawyer likes to say: "Imagine trying to fix a car.  Now try to imagine fixing that car while another party is actively trying to dismantle it."

Yeah.  Lots of luck, Pohl.

On to the stories!

The Beast That Shouted Love, by Harlan Ellison


by Jack Gaughan

Ever wonder why all people seem to go psycho all of sudden?  Why a race with countless religious texts devoted to peace, harmony, and brotherhood just goes buggy every so often?

What if some other planet, in order to preserve their peace, harmony, and brotherhood, is beaming all their psycho energy to us?  Sort of a bad emotions disposal process.

This is one of Ellison's lesser pieces.  It probably means a lot to him, but it's rather disjointed and vague and not as profound as he wants it to be.

Three stars.

How We Banned the Bombs, by Mack Reynolds


by Vaughn Bodé

Right now, the world population is 3.5 billion and rising.  Naturally, this has been the cause of concern and the topic of more than a few science fiction stories.  Bombs is one of the lesser efforts.

Reynolds posits a Reunited Nations government so powerful that, in response to the Population Explosion, it can enforce a ten-year ban on childbirth through mandatory provision of contraceptives to women.  At the end of the ban, it turns out that the contraceptive drug's effect was permanent, and all human women are completely sterile.

This, by the way, is the end of the story.  The rest of it involves characters talking to each other, telling tales they all know about how the world ended up in this predicament (which doesn't make for much of a story).

The whole premise is silly.  The population in this projected, not-too-distant future is 3.5 billion, same as it is now, yet resources are so scarce, they're banning the production of alcohol so as to husband their grain crops.  Somehow, the ReUN can sterilize EVERY woman on Earth, none slipping through the cracks.  And then, no one foresees or predetermines that the universal contraception has adverse effects.

In the words of Laugh-In's Joanne Worley: "Dummmmmb!"

One star.

Detour to Space, by Robin Scott Wilson


(uncredited artist)

Object 3574 is circling the Earth in a polar orbit.  Unannounced, the General is convinced it's a secret Russkie bomb.  NASA's long-hair thinks otherwise.  The majority decides to send up an Apollo to check it out.  The object is covered in green slime and pebbled with tektites, suggesting extraterrestrial origin…

There's a lot to like about this tale, especially the sting at the end of it.  Scott convincingly describes the apprehension with which we Americans greet the arrival of a new star in the heavens.  I know I scour the papers and call my Vandenberg buddies whenever anything goes up to get some insight into otherwise classified launches.

Where the story beggars credibility is the use of Apollo spacecraft, launched from Vandenberg, to intercept 3574.  You just can't do it–there's no way to get a Saturn there.  Much more likely would be to send up an Air Force Gemini (they're making them for the planned Manned Orbiting Laboratory).  But that would have killed the story.

This is what happens when you know too much about a subject, reviewing a story by someone who doesn't quite know enough… three stars.

Daisies Yet Ungrown, by Ross Rocklynne


Joe Wehrle, Jr.

After the big bombs created the time-space Rift, God told Rickert to jump through with Sears catalog robots and claim a new world 350,000 trillion light years from Earth.  But this is so far away that God's grace cannot reach, and Lucifer's tool, the newcomer Dorothy, has arrived to take his planet away from him.

This is an odd, poetic story that you, at first, think is going to be satirical, sort of a cross between Sheckley and Bunch.  Instead, it's kind of pretty and sweet, way different than I was expecting.

Three stars.

For Your Information: Jules Verne, Busy Lizzy and Hitler, by Willy Ley

This is a pretty interesting piece on attempts using a gun rather than a rocket to fire a projectile, if not into space, at least a terrific distance.  Essentially, it's like a rocket, but with the propellant on the outside.

Long story short: rockets are better.  Four stars.

Waiting Place, by Harry Harrison


(uncredited artist)

A man taking the matter transmitter home finds himself in the future version of Devil's Island, a colony for hardened criminals.  Surely, there has been some kind of malfunction, for he can remember no crime.  But the wheels of justice never make a mistake, or do they?

This would be a fairly slight tale if not for the execution.  Luckily, Harrison (who I understand has just retired from the editor helm of Fantastic and Amazing) is a master of execution.

Four stars.

The Garden of Ease, by Damon Knight


by Jack Gaughan

As expected, the first adventure of Thorinn, a human raised by trolls in a Nordic nightmare, has a sequel.  Last time, the resourceful Thorinn had been tossed into a deep well as an offering to the gods to end a ceaseless winter.  Making his way through the caves he found, Thorinn discovered a hatch that opened not onto but above a new world.  This story details what he finds below.

In an almost Oz-like setting, the people of the Vale enjoy a life of complete ease.  The grasshopper men and the doughwomen and the fancymen and the children, they eat the food that grows on trees and bushes, they frolic, they discuss, and when they want adventure, they seal themselves up in the pleasure pods for the night…or sometimes an eternity.

Thorinn is the snake in the garden, slowly poisoning the place with his foreignness and his willingness to kill.  Ultimately, he hatches an escape plan, but not before leaving his mark.

This is an interesting episode, but not as compelling or as clever as the first one.  Three stars.

Booth 13, by John Lutz

Here's a new author, or at least, new to me.  John paints a grim future in which populational ennui has settled in.  All that's left is war, the tranquilizer lysogene, and the death booths.  If life gets just a bit too monotonous, there's always a quick and easy exit–and now, people are taking it in ever-increasing numbers.

It's not badly done, but my biggest issue is not enough explanation is given as to why everyone is so melancholy.  Perhaps that's the point–if you give everyone an easy out, even the mildest inconveniences can trigger a snap decision.  Or maybe the author is simply extrapolating from the current, profound American despondency.

At the very least, I liked it better than Sales of a Deathman.

Three stars.

Goblin Reservation (Part 2 of 2), by Clifford D. Simak


by Gray Morrow

Last time, if you recall, Pete Maxwell has gone off to do research at the crystal planet, a world with the accumulated knowledge of two universes (it had lived through the last Big Crunch).  The fading intelligences of the planet offered all of its wisdom in exchange for The Artifact, a featureless black object dating back to the Jurassic period.  When Maxwell got back to Earth, he found that he'd already come back, duplicated by some quirk of matter transfer, and died.

This datum takes a back seat to bigger concerns–the Wheelers, bags of insect colonies bent on acquiring the lore of the crystal planet, have already purchased The Artifact, and once it is in their possession, plan to take over the universe.  It is up to Maxwell, his tentative ally Carol, her sabre-tooth tiger Sylvester, their Neanderthal pal Alley Oop, the Ghost, William Shakespeare, the librarian who sold The Artifact, the goblin O' Toole, and several bridge-dwelling trolls to somehow stop the transaction before it's too late.

I must say, Simak pulls off a large set of emotional tones very well.  You feel the sense of impending dread when it seems the Wheelers have clinched the deal.  The comedic scenes are genuinely amusing.  Yet, there is a grounding to the story that keeps it from being Laumerian or Anvilian lampoon.  The revelations of the true nature of the fairies, little people, banshees, and whatnot are pretty good, too, though a bit abrupt.  Perhaps they'll have more time to breathe in the novel version.

The only bit I had trouble with was The Wheelers, for whom I felt sympathy once I learned their motivation.  There's an undertone of unconscious racism where they're concerned–they're bad because they're icky, different.  When you learn what their status had been vis-à-vis the crystal planet, it all becomes a bit more unsettling.

Nevertheless, pleasant reading by a master.  Four stars.

Picking a Winner

Well.  It's obvious which story was the loser here (let's just call the Reynolds tale 'Harold Stassen').  But as to a winner, well that's a little harder.  Several of the three-stars are quite nice; my four-star to the Harrison may be arbitrary.  We can exclude the Simak because it's a serial, but it anchors this and the last issue well.

I suppose in an issue where (all but one of) the stories are good, the real winner is…us.

Happy reading!  And don't forget to write to Pohl…






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[February 4, 1968] More of the Same (March 1968 IF)

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by David Levinson

Medicine marches ahead

Last month, I wrote about the first human-to-human heart transplant by Dr. Christiaan Barnard in South Africa. It paired rather nicely with the start of the new Larry Niven serial. Niven’s serial continues, and heart transplants are still in the news.

On January 2nd, Dr. Barnard performed a second heart transplant. The patient this time was 58-year-old dentist Philip Blaiberg, receiving his new heart from 24-year-old Clive Haupt, who died of a massive cerebral hemorrhage. Mr. Blaiberg is still in the hospital as I write this, but is in good condition. Doctors aren’t sure when he’ll be able to return home, however they are hopeful.

Dr. Barnard (I.) and Philip Blaiberg (r.), probably before the surgery.

Just four days later, on the 6th, Dr. Norman Shumway performed the first successful heart transplant in the United States. Here, the recipient was 54-year-old steelworker Mike Kasparek (or Casparak, I’ve seen both in print), and the donor was 43-year-old Virginia May White, who was also the victim of a cerebral hemorrhage (sadly, while celebrating her 22nd wedding anniversary). Unfortunately, Mr. Kasperak only survived for 15 days, dying of liver failure on the 21st. Dr. Shumway has suggested that the new heart was the only functioning organ Mr. Kasparek had and said that greater care will need to be taken in the selection of prospective transplant patients.

Dr. Shumway at a press conference last fall (l.), Mike Kasperak and his wife, Ferne (r.)

Same old song

It’s business as usual in this month’s IF. We’ve got familiar faces giving us what we expect (good and bad), a newish name starting to show up in the American magazines, and our first time author.

This unpleasing collage is for Harlan’s new story. Art by Wenzel

Sunbeam Caress, by David Redd

Long ago, in an effort to control the weather, humanity caused the sun to become overactive. This wiped out civilization, killed off many species, and mutated others. Now, the ants rule the Earth, having merged to become the Racemind. They have bred many species back from extinction and telepathically control many to serve them. When strange crystal beings and others made purely of light begin to raid their farms and take over their slaves, the ants realize they have ignored the rest of the world for too long.

Part of the scouting party investigating the crystal entities. Art by Virgil Finlay

Imagine if J. G. Ballard wrote a 1920s-type, far-future fate of the Earth story. I have a fairly low tolerance for Ballard’s style, but Redd makes it work. This is a good story, with caveats. It’s a bit too long, and more importantly it’s hampered by not having any actual characters. If that Ballard-pulp combination sounds interesting, or if you like Ballard’s strange ecology stories, you’ll probably like this.

A high three stars.

Worlds to Kill, by Harlan Ellison

Jared is the preeminent mercenary leader in the galaxy, the man planetary governments seek out when they want to conquer the worlds of other star systems. He’s incredibly expensive, and worth it. But he’ll only take certain jobs. That’s because he’s actually working toward a personal goal, aided by the Machine, a computer he designed and built himself early in his career.

Jared consults the Machine. Art by Gaughan

This story has a more traditional structure than a lot of what Harlan’s written of late, but don’t let that fool you. It’s all Ellison: dark, sad, maybe a little more hopeful than usual.

Four stars.

Deadlier Specie, by David A. Kyle

Gregory MacKenzie is an exobiologist on Mars. He’s been kidnapped by aliens so that they can learn how humans think before a meeting with the chief diplomat from the U. N.

There’s almost a good story here. Unfortunately, it’s full of questionable puns and, worse still, ends with an implied sexist joke.

Two stars.

Caterpillar Express, by Robert A. Margroff

In a North America fractured by war, Bondman Y is investigating the disappearance of several trains (which are pulled by giant Venusian caterpillars). He’ll have to join forces with his counterparts from unfriendly nations to survive.

Y discovers the culprits behind the hijackings. Art by Vaughn Bodé

For some reason, Fred Pohl seems to like Margroff’s work, but I’ve never been impressed. This story hasn’t changed my mind. Dumb jokes, dumb plot. ‘Nuff said.

Two stars.

At Nycon #3, by Lin Carter

After a month’s absence, Our Man in Fandom delivers his report on the Worldcon in New York last year. Or at least the first half of it. This is mostly name-dropping. If you’re interested in the Worldcon, you’re better off reading the Journey’s con report. It’s more informative and has pictures.

Barely three stars, entirely for somewhat engaging writing.

Squatter’s Rights, by Hank Davis

An alien intelligence has an important message for humanity.

Just some vague atmosphere. Art by Gaughan

There’s not much to say about the story from this month’s new author. It shows some talent, it’s a little different, and it’s short.

Three stars.

Slowboat Cargo (Part 2 of 3), by Larry Niven

On the planet Plateau, Matt Keller has become involved with the Sons of Earth, who hope to overthrow the rule of the crew and become more than a labor force and source of organs. When the group was arrested, Matt managed to escape thanks to his strange ability to make people forget he exists. Meanwhile, a mysterious new technology has arrived from Earth via unmanned ramjet. As the last installment ended, Matt had entered the Hospital in the hope of setting the others free.

Matt stages a massive jailbreak, but only a handful—those close enough to him to benefit from his special ability—escape. This group includes Harry Kane, the group’s leader. He leads them to a house he expects to be empty so they can plan further. Intermingled with the escape, we follow chief policeman Jesus Pietro Castro as he leads the capture of the others.

The scene then shifts to planetary leader Millard Parlette, as he prepares to give a speech to the crew about the latest gift from Earth. This is just three and a half pages of exposition. But after the speech Parlette coincidentally goes to the house where Matt and the others are hiding. This allows him to make contact with Kane and begin working out an accord. Meanwhile, Matt and another of the rebels have infiltrated the Hospital again, but with different goals. This leads to them splitting up. To be concluded.

Matt leaves a message. Art by Adkins

There’s a lot of action this month, interspersed with nearly Heinlein-ian levels of political philosophy. Niven isn’t nearly as gifted at the latter as Heinlein, but it’s still an interesting exploration of the effects of a new technology on a society. The large chunk of exposition from Parlette’s notes is less successful. Watching him cut chunks of the speech because his listeners should know the information is a slight improvement over the cliched “As you know, Bob…” of old, but it’s still clunky. It also left me wondering how much of the speech notes are actually Niven’s notes for the novel.

A solid, slightly above average three stars.

Summing up

Fred Pohl opens this issue with another editorial rant against the New Wave. He seems to have decided that the movement is one of style over substance, while he’s more concerned with story, only liking stylistic experimentation if the story calls for it. I don’t know how he then justifies that Bob Sheckley acid trip last month, and his protests that the Redd in this issue isn’t New Wave ring a bit hollow to me. In any case, it looks as though we shouldn’t expect any real innovations in IF in the months to come.

A new Silverberg novel. That could be interesting. It might even be innovative.






[May 2, 1967] The Call of Duty (June 1967 IF)


by David Levinson

[L]et us to the end dare to do our duty as we understand it.
– Abraham Lincoln, Address to the Wisconsin State Agricultural Society

A duty to a higher power

On April 28th, heavyweight boxing champion Muhammad Ali (whom many papers insist on calling by his former name, Cassius Clay) refused induction into the United States Army. In a matter of hours, the New York State Athletic Commission revoked his boxing license, and the World Boxing Association stripped him of his title. For those paying attention, Ali’s refusal came as no surprise. He had been classified as 1-Y (fit for service only in times of national emergency) due to his poor performance on the qualifying test, but when the army lowered its standards last year, he became subject to reclassification as 1-A. The draft board in Louisville Kentucky did so, and he appealed, seeking exemption as a Muslim minister (often incorrectly reported as conscientious objector status). The board denied the appeal in January, and Ali vowed to go to court. After moving to Houston, Texas, the champ again sought reclassification and was again denied.

Muhammad Ali is escorted from the induction center in Houston, Texas.

When called up, Ali appeared as ordered at the Houston induction center and participated in all the pre-induction activities. But when called to step forward for induction, he refused. He was taken aside and the consequences were explained, but he once again refused. After that, he signed a statement indicating his refusal and was escorted outside. He didn’t address the reporters and television cameras waiting for him, but handed out copies of a four-page statement indicating that he is aware of the penalties he faces, but that accepting induction is inconsistent with his “consciousness as a Muslim minister and [his] own personal convictions.” The case has been referred to the U. S. Attorney. If convicted, Mr. Ali faces a maximum of 5 years in prison and a $10,000 fine.

A sense of duty

Like Muhammad Ali, almost everyone in this month’s IF is motivated by strong beliefs: their duty to king and country, humanity at large, or their own personal beliefs and obligations.

Uncle Martin and Tim (from My Favorite Martian) seem to have had a falling out. Actually, this is supposedly from Spaceman!
Art by Wenzel.

Wizard’s World, by Andre Norton

Hunted for being an Esper, Craike decides death is preferable to capture and hurls himself from a cliff. And finds himself in another world, one where people like him are seen as wizards who maintain order for the feudal lords and will not tolerate unregulated Espers. He soon falls afoul of these Black Hoods by rescuing an attractive young woman who was being punished for being outside of the established system.

Takya and Craike set a trap for the Black Hoods. Art by Gray Morrow

We’ve all read this story a hundred times. Man from our world or one reasonably close finds himself mysteriously transported to another world, where he uses his knowledge and different way of thinking to upset the bad social order and get the girl. From John Carter to Lord Kalvan, the template has few variations. Norton’s typical strong writing lifts this above the usual fare, but she offers us nothing new. And there are bits that bother me. For all her power and maturity, Takya is clearly meant to be a young teen, who spends the whole story clad only in her hair. Then at the end, the wooing she expects from Craike borders on rape, however consensual it may be.

Three stars, strictly for being well-written.

Berserker’s Prey, by Fred Saberhagen

Gilberto Klee was working on a youth farm when he was captured in a berserker raid. Now aboard a human ship converted to berserker use, he meets other prisoners, one of whom is sure he can fly the ship if only they can destroy the berserker brain piloting it. Because human captives are suffering from dietary deficiencies, the berserkers order Gil to grow something to end the problem. He suggests a fast-growing squash, though the others disdain him for aiding their captors. Is Gil trying to be viewed as “goodlife” or is there something else going on?

As fellow Journey writer Victoria Silverwolf recently noted, Saberhagen is able to return to this setting over and over again without repeating himself. Perhaps that’s because most of these stories, like this one, tend to be character pieces with the action secondary to the plot. The tight focus on Gil’s internal thoughts without giving away the ending is extremely well done. The ending is also quite symbolic for the overall struggle against the great killing machines.

A very high three stars.

All True Believers, by Howard L. Morris

Not quite two years after thwarting the invasion of Briden by the Freunch under Naflon (see Not by Sea), Sir Hubert Wulf-Leigh (Wilfly) stumbles upon a new Freunch plot: a simultaneous rising in Cullenland and a landing by the Pantlerist pretender in Celtland. Once again, his brilliant mind – aided by a regrettable lack of wine – is up to the challenge.

A strand-gleaner makes an important discovery. Art by Virgil Finlay

The previous story by this author, though readable, was a little too long and tried much too hard to be funny. Morris has largely corrected those problems, though he’s stuck with the ridiculous place names. This piece is clearly based on British fears during the Napoleonic Wars of an Irish rebellion and an attempt by the Stewart pretender to claim the throne and is really no more plausible here than it was in reality. Also the Finlay art seems to be repurposed from Treasure Island or something and doesn’t fit at all. Still, it's all an improvement.

Three stars.

The N3F and Others, by Lin Carter

After looking at a number of less successful attempts at creating national fan clubs last month, Carter looks first at the strange story of the Cosmic Circle and then the more successful National Fantasy Fan Federation. The N3F has lasted a quarter century at this point, but Carter seems ambivalent. In his opinion, it and its extensive membership list offer a reasonable first step and a way to meet fans near you and around the country, but he feels that the organization doesn’t really do anything in fandom. Nevertheless, it seems to be a good introduction for those without a local club in their vicinity.

Three stars.

The Castaways, by Jack B. Lawson

A handful of people are on their way to Smith’s World in suspended animation aboard an automated spaceship when an unexpected nova sends the ship off course. They’re able to find a habitable world, but it’s one without any other people. Can the end products of 6,000 years of civilization survive in a primitive setting?

While the writing is strong on a line-by-line basis, the story itself is so bleak and pessimistic I can’t bring myself to like it.

A very well-written two stars.

Spaceman! (Part 2 of 3), by Keith Laumer

Seeking shelter from a blizzard, Billy Danger accidentally stowed away on a spaceship, ultimately finding himself marooned with the beautiful Lady Raire and a collie-sized cat named Eureka. Raire was taken away by strange, dwarfish aliens, and Billy had to wait for rescue. Billy then spends a few years working his way up the ladder to Chief Power Engineer and also working his way towards Raire’s home planet near the galactic core. He learns that the aliens who took Raire are known as the H’eeaq. After several (mis)adventures, he finds himself in possession of a stolen spaceship and the assistance of a H’eeaq named Srat.

They begin scouring the scattered worlds of the Galactic Zenith, looking for those who took Raire. On the verge of giving up, he finds Raire enslaved and buys both her and another human. Staggering drunkenly back to his ship after finalizing his purchases, Billy watches as the ship takes off with Raire aboard and then finds himself arrested for illegally manumitting a slave. When he wakes up, he discovers that he has been implanted with a control device. Billy is now a slave. To be concluded.

Billy meets Srat for the first time. Poor Srat. Art by Castellon

This installment reminded me a lot of Earthblood, especially the protagonist rising through the ranks as he travels and moves ever closer to a seemingly impossible goal. While Rosel George Brown’s steadying influence there gave us moments of introspection, Laumer alone is free to indulge in wild adventure and action. He also has a tendency to rely too much on coincidence to move the plot along. It’s still an enjoyable read, though.

Three stars.

Family Loyalty, by Stan Elliott

A series of letters between Joe Seaworthy, who is emigrating off-world, and his cousin and former employee Harry Aimes, who senses a chance to get himself out of a bind.

Here is this month’s new author. The first letter feels very unnatural, although there are reasons for that. Things improve after that, and Elliott does a pretty good job of telling us a lot about the world without direct exposition.

A low three stars.

Driftglass, by Samuel R. Delany

Cal Svenson is an amphiman, someone who has been surgically altered so that they can live and breathe underwater. Eighteen years ago, he was severely injured while trying to lay a power cable in an oceanic trench known as the Slash. Unable to work due to a paralyzed leg and torn swim membranes, he has a pension and a house on the Brazilian coast provided by the company he worked for. He spends his days searching for driftglass (also called sea glass) and chatting with his friend Juao, a local fisherman. Encountering a young amphiman woman, Cal learns that the company is planning to try laying a cable in the Slash again the next day. Juao’s two children, Cal’s godchildren, have been accepted into the amphiman program and must leave for Brasilia the next day as well. Cal has to sort out his feelings about both of these things and their consequences.

Cal is injured. Art by Gaughan

Simple. Beautiful. Subtle. Delany writes with a maturity far beyond his 25 years. This story alone is worth your 50¢.

Five stars.

An example of some sea glass

Summing up

That’s another month in the books. Mostly fair to middlin’, but two of the shorter works stand out. The Saberhagen is very good, even if it doesn’t quite deserve a fourth star, and Driftglass is amazing. I expect to see it on all the awards lists. I’m nominating it for a Galactic Star right now, with not even half the year gone.

This is presumably the Riverworld story promised for Worlds of Tomorrow. The lack of other information suggests that Fred is scrambling to deal with the loss of a magazine.






[January 2, 1967] Different perspectives (February 1967 IF)


by David Levinson

We all know the adage about walking a mile in someone else’s shoes. Trying to see the world through others’ eyes is a good way to understand them, and that can help ease tensions and make it easier to find compromises. Of course, it’s also possible to come up with some pretty ridiculous ideas about the way other people think.

Failures of diplomacy

At the end of 1965, I wrote about the troubles in the British colony of Rhodesia. The white minority government refuses to consider the idea of granting equal rights or a role in government to Black Rhodesians. Early in December, British Prime Minister Harold Wilson, Rhodesian Prime minister Ian Smith, and ousted Rhodesian Governor General Humphrey Gibbs met aboard the HMS Tiger to try to hash out a solution. Smith left with a proposal he seemed willing to accept, but rejected it out of hand as soon as he returned to Salisbury. In response on December 16th, the United Nations Security Council approved an oil embargo and economic sanctions against Rhodesia 11-0, with France, the Soviet Union, Mali and Bulgaria abstaining. Four days later, Wilson withdrew all offers and announced that the United Kingdom would only accept a Black majority government. On the 22nd, as the trade ban was about to go into effect, Smith declared that the U. N. had forced Rhodesia out of British control and out of the British Commonwealth, making the country an independent republic by default.

Bechuanaland to Rhodesia's south may have peacefully become Botswana last year, but it seems that most of southern Africa is ready to go up in flames. While dealing with the condemnation of the rest of the world, the Smith government is also fighting two Black nationalist movements. Meanwhile, armed resistance is developing against South Africa’s illegal control of South West Africa, and armed independence movements are appearing in the Portuguese overseas provinces of Angola and Mozambique (formerly Portuguese West and East Africa respectively). If any of these embers becomes a conflagration, it’s hard to see how this won’t also spill over into South Africa as well.


Wilson returns with what looked like an acceptable deal, but Smith swiftly vetoed it.

Through alien eyes

John Campbell supposedly said he wanted someone to write an alien that “thinks as well as a man, but not like a man.” At least one author in this month’s IF makes a pretty good attempt at doing so. Others at least offer characters trying to understand how aliens (and in one case a door) think.


At least they aren’t even pretending this illustrates something in the magazine. Art by Wenzel

The Soft Weapon, by Larry Niven

A dozen years after the discovery that the galactic core is exploding, the mad (not because of his manic-depression, but because he’s courageous) puppeteer Nessus has hired Jason and Anne-Marie Papandreou, who operate the passenger ship Court Jester, to take him to see the Outsiders in deep space. While concluding his unspecified business, Nessus has also purchased a stasis box, an item potentially containing a piece of technology from the long-gone Slaver empire. On the way back, Jay decides to make a detour to Beta Lyrae, hoping the sight will snap Nessus out of his funk.

There, they fall into the clutches of the kzinti Chuft-Captain and the crew of the Traitor’s Claw. Among other things, the box proves to contain a strange device which can change its shape. Some of the settings include a rocket booster and a talking computer, but the device also seems capable of converting matter to usable energy with perfect efficiency. It’s up to Jay to use what he thinks the device is in order to escape with his wife and client and keep a dangerous technology from winding up in the hands of kzinti.


Jay discovers a hidden setting. Art by Gaughan

Niven has given us insight into the kzinti mind before and goes into greater detail here. We also get his speculation on what might be valued in a society of sentients descended from herbivores. The action is done fairly well, we have a female character who isn’t just motivation for the protagonist, and the story flows quite well. This might be the best thing Niven has written yet.

A high four stars.

Gods of Dark and Light, by Bruce McAllister

Gregory Shawn is a member of a religious movement which has come to V-Planet-14 to live according to their own rules. Things aren’t going well. Most of the story consists of Gregory’s prayers as the harsh conditions test and shape the group’s faith. These are interspersed with the prayers of one of the native life forms.

There isn’t much to say about this one. I think McAllister has something he’s trying to say, but it’s not entirely clear. The whole thing is very dark.

Two stars.

Forest in the Sky, by Keith Laumer

The Terran Mission to the planet Zoon is having trouble finding the natives. It turns out the Groaci have beaten the CDT to the punch, though they aren’t doing any better. Once again, it’s Retief to the rescue.


The Terran Mission sets off to look for the local government. Art by Castellon

I noted back in October that Laumer seemed to be having fun with Retief again. That still seems to be the case, but while this is more than just going through the motions, it’s still the same old formula. If you’re new to Retief, this is probably a lot of fun. Otherwise it’s palatable, but more of the same.

A low three stars.

The Fan Awards, by Lin Carter

This month, Our Man in Fandom takes a look at the Hugos. Carter traces the development of the award and tells us a bit about who Hugo was. Next month, he promises to talk about some of the Hugo winners and to look at the new Nebula Awards from the Science Fiction Writers of America.

Three stars.

The Iron Thorn (Part 2 of 4), by Algis Budrys

Hunting his first Amsir, Honor White Jackson learns that his prey is an intelligent being with better technology than his own people have. Eventually, he decides to defect to the Amsir and is taken to their home, a deep bowl filled with dense air and greenery. A vision of his people’s paradise. But paradise it is not. The food of the Amsir is poisonous to humans, and Jackson faces death by starvation. His only hope is to find a way into the Thorn Thing, a short metal tower with a locked door at the top of a ladder. The door instantly destroys any Amsir attempting to go through it after issuing a warning in an unknown language. The only one who can get close is Ahmuls, who is deformed in such a way that he resembles humans more than he does Amsir. If the door likes humans, then presumably there’s something Jackson can eat on the other side. As this installment ends, Jackson convinces the door to open and dives through, followed by Ahmuls and the spears of the Amsir.

To be continued.


Jackson enters the Thorn Thing. Art by Gray Morrow

This story certainly moves fast. Nothing feels as rushed as it did in the first part, but Budrys isn’t wasting any time. I have some suspicions about what’s going on. Much of that will probably be resolved next month, though I have no idea how it will all be wound up.

Three stars.

Confession, by Robert Ray

Father Hume sits on his veranda, waiting for the oppressive heat of an Australian afternoon in the back of beyond to dissipate. He closes his eyes for a moment, but must have nodded off, since there is suddenly a stranger in his back garden. A stranger who would like the Father to hear his confession, but can’t wait until church tomorrow. What Father Hume hears will change his life and, hopefully, the world.

On first reading, this seemed like the sort of story you read, don’t mind and then forget. As I’ve thought about it, though, some other aspects have occurred to me. I can’t really say anything without giving the whole story away and ruining its impact, but it’s a little better than I first credited it.

A solid three stars.

The Evil Ones, by Richard Wilson

Wally Hengsen beat a murder charge with an insanity plea. Now, he’s biding his time until his organization can bust him out. When an alien spaceship lands on the grounds of the rest home, he starts looking for an angle to play, but a reminder of events in New Guinea during the War sets him on a different path.


Hengsen wonders if he really does belong in an asylum. Art by Vaughn Bodé

This is a decent story. It sags in a couple of places, and Hengsen’s change of heart relies so much on a flashback that it feels a little out of place. On the other hand, it does finish strongly, which is probably enough.

Three stars.

The Dangers of Deepspace, by Mather H. Walker

A colonel of the Deepspace service is interviewing a volunteer and seems to be doing his best to discourage the young man from signing up.

Here we have this month’s first-time author. The whole thing is very obvious, doesn’t entirely make sense and isn’t worth your time. The nicest thing I can say is that the prose is serviceable.

Barely two stars.

A Beachhead for Gree, by C. C. MacApp

Steve Duke and friends go behind enemy lines. They make contact with the locals, use a ruse to infiltrate an enemy base and thwart Gree’s plans.


This time the locals are humanoids who can build wings for themselves. Art by Burns.

I’m going to make several carbons of that summary and whenever a Gree story appears, I’ll just cut one out and paste it into my manuscript. Will this interminable series never end?

Two stars.

Summing up

No matter how you look at it, this month’s IF is par for the course. One really good story, some decent stuff and some junk. And as good as it’s been so far, the serial needs to start paying off next month. At least we have the special Hugo edition to look forward to next month. The authors are good, but will they offer up their best stuff?


No mention of Frank Herbert this time. Hmmmm.






[November 12, 1966] A Family Tradition (December 1966 Galaxy)


by Gideon Marcus

Identical cousins

My brother Louis and I diverge quite a lot.  He's an observant Jew, I'm an atheist.  He served in World War 2 (drafted into the Navy), I did not.  He's an affluent pawnbroker.  I'm a writer of questionable success.

But where we differ the most is the subjects of our avocational devotion.  Lou loves opera.  Specifically operas written in 1812 between October and November.  I kid, but his musical tastes are really quite narrow; his radio knob never turns from the FM classical stations.  I am far more catholic in my interests, enjoying everything from classical, to the swing of my teen years, to the brand new sounds.

Also, Lou hates science fiction.

Interestingly, his son David (thus, my nephew), loves SF as much as I do.  Must be this newfangled "generation gap" we're starting to hear about. 

For the last 15 years or so, he and I have swapped recommendations, and he's even lent me some of his magazines.  Our tastes are not identical.  He recently canceled his subscription to The Magazine of Fantasy and Science Fiction, and he is a big fan of Analog.  But we have some strong overlap, particularly where it comes to Galaxy.  In fact, that picture is him in his San Pedro home enjoying this month's issue.

I am thankful that my own daughter, David's first cousin, is also a devoted science fiction fan.  I'd hate to have to throw her out of the house before her eighteenth birthday.

Kidding, again!  I'd surely wait for her to be of age before disowning her.

But, that's not anything we have to worry about, for we are all one big happy family of fen, and we all dug the December 1966 Galaxy — read on and see why!


by Paul E. Wenzel

The issue at hand


by Virgil Finlay

Door to Anywhere, by Poul Anderson

Humanity has developed teleportation technology, and Mars has become a hub for galactic exploration.  But a recent jaunt to the edge of the known universe caused the destruction of several portals and the loss of a senator's brother-in-law.  Now the politician has arrived on the Red Planet to investigate.

When Poul Anderson sets his mind to it, he can write.  Not only is this an effective story, with the mystery disclosed one layer at a time, but it is technically interesting.  It's the first depiction of teleportation I've read that takes relative velocities into consideration.  A trip to a nearby star could require hops to a dozen intermediaries across the galaxy, or multiple galaxies, to ensure the difference in relative momenta is not too great.  I also appreciated the political discussion over the virtues and peril of building a teleporter too close to the Earth.

Where the story falters to some degree is its characterization: Anderson is still in the Kowalski, Yamamoto, Singh habit of defining players by their nationality — and women are strangely absent.  Also, the Hoylean/Hubblean fusion of cosmological theories seems like a lot of gobbledegook.

Nevertheless, it's a riveting read.  Definitely four stars.

Children in Hiding, by John Brunner

I'm told there are two John Brunners.  One is the brilliant Englishman who produced Listen…the Stars! and The Whole Man, both Star-winners and Hugo nominees.  The other is the American who produces schlock.

The latter wrote Children in Hiding.  The premise: the children on a colony world are born healthy but never develop mental capacities beyond that of infants.  A terran troubleshooter is brought in to fix the problem.  He does, but not to the benefit of the colony.

There's a lot of angry dialogue and excessive use of exclamation points, and the end is just stupid.  I'll give the piece two stars because both Brunners write coherently, but all in all, it's a disappointing story.

The Modern Penitentiary, by Hayden Howard


by Jack Gaughan

Ah, and now we have another story of the Esks, a race of Eskimo/alien hybrids that spawn children every month.  Children that mature in five years.  Throughout the series, we've seen the Esks explode in population, exhausting their environment and crowding out the real Eskimos.  In this, they are facilitated by the do-gooder Canadians, who refuse to see the Esks for the meance they are.  Instead, they give the Esks food, relocate them to other areas, etc.

Only one man, Dr. West (who always conjures up the Lovecraft character), knows the truth.  When no one listened to his Cassandra cry, he tried to sterilize them with a disease (last story).  The plan backfired, killing 23 actual Eskimos.  For this, he was imprisoned in the nicest cell ever, complete with a therapeutic nurse-lover.  Modern Penitentiary details West's attempts to escape, as well as his rather difficult-to-read sexual adventures.

These installments stand less and less on their own, and they become more implausible every time.  Thankfully, we've only one left. 

Two stars.

For Your Information: The Sound of the Meteors, by Willy Ley

I really dug this article, all about whether or not one can hear a meteor.  It was timely, too, as I read it right before our trip out to the desert to stargaze last weekend.

Four stars (and enjoy these pictures of Borrego Springs!)

At the Bottom of a Hole, by Larry Niven


by Hector Castellon

The latest Niven story is another set on Mars, a locale we've visited in Eye of the Octopus and How the Heroes DieHole takes place a good seventy years after the last story.  A smuggler on the run from Belter cops tries to take refuge on Mars at the old base.  He finds the crew long dead, murdered when someone, or several someones, slashed their bubble.  Was it Martians?

The story also features the return of Luke Garner and Lit Schaeffer from World of Ptavvs, tying Mars to that universe.  Along with this month's A Relic of the Empire, which ties Ptavvs in with The Warriors (featuring the Kzinti) and the Beowulf Schaeffer stories set several centuries hence, it appears Niven has knit together six hundred years of future history to play in.  Fun stuff!

Four stars.

Decoy System, by Robin Scott

This is a Mack Reynoldsy thriller featuring an American agent's meeting with his Soviet counterpart.  Some third party has been sabotaging both the US and USSR's early warning systems so that they will indicate massive nuclear strikes.  Aliens are determined to be the culprit.  An era of peace and cooperation ensues.

Of course, it was all a Yankee plot.  I think I'd have liked this story if I hadn't read the premise before (and seen it as recently as The Architects of Fear).  It feels a lot like an Analog story.  Also, it's a lot of buildup for an ending that is obvious early on.

Two stars.

The Palace of Love (Part 2 of 3), by Jack Vance


by Gray Morrow

Last time, if you'll recall, I hadn't been overly enamored with Jack Vance's latest novel, a direct sequel to The Star King.  Kirth Gersen, a rich and supertalented assassin, is on the hunt for Viole Falushe, one of the "Demon Kings" of crime who murdered his parents.  The prior installment took us to Earth, where Gersen, disguised as a reporter (working for a paper he has purchased), investigates Falushe's childhood home.  Back then, he was known as Vogel Filschner.  His best friend and inspiration, before he went into kidnapping and slaving, was the poet, Garnath. 

It is the houseboat-dwelling, nigh-incomprehensible Garnath, who provides Gersen his opportunity to meet and kill Falushe.  Along the way, he becomes increasingly entangled with Garnath's ward, "Zan Zu of Eridu", who is an exact likeness of Falushe's childhood infatuation. 

The first two thirds, in which Gersen plays a cat and mouse game with Falushe, is riveting.  The final section, which sees Falushe invite Gershen to his private sanctum ("The Palace of Love") in the far reaches of space, is heavy on description but light on interest. 

Still, I'd give this section four stars.  It'll be up to the last installment to determine if the whole affair ends up on the three or four star side of the ledger.

Primary Education of the Camiroi, by R. A. Lafferty

Last up, an obtuse piece on the differences in educational policy and success between two planets.  It's supposed to be whimsical (when isn't the word applied to Lafferty?), but it's mostly tired.

Two stars.

Summing up

Finishing up at 3.1 stars, I'd say Fred Pohl has done his job to keep Galaxy on our subscription lists for another year at least.  And I do mean our — you have to count me in, too!



[Speaking of stories you and your family will enjoy, Sirena, the second book in The Kitra Saga, is out!  Fun for adults, young and old.

Buy a copy…you'll be supporting me and getting a great read at the same time!]



[July 12, 1966] Cool It! (August 1966 Worlds of Tomorrow)


by Victoria Silverwolf

The Long, Hot Summer

There has been intense heat in many major cities in the eastern United States this month, particularly over the Independence Day weekend. On Sunday, July 3, New York City reached an all-time high for that date with a temperature of 107 degrees. Newark wasn't far behind, at 105 degrees, and Philadelphia was close, with 104.


And Long Island, too.

Cold, Cold Heart

As if editor Frederik Pohl wanted to help us forget about the blistering heat wave, the latest issue of Worlds of Tomorrow is centered around a topic that is literally chilling.


Cover art by Paul E. Wenzel.

Before we step into the freezer, however, let's take a look at the lead story, mistakenly called a Complete Short Novel on the title page, although even the magazine's table of contents admits that it's just a novelette.

Heavenly Host, by Emil Petaja


Illustrations by Jack Gaughan.

Our hero's name is Kirk. If what I read in the trade papers is correct, that is also the name of the main character in the upcoming science fiction television series Star Trek. I assume that's just a coincidence. I guess Kirk is a good, manly name.

Anyway, this Kirk serves aboard a spaceship. He's a bit of a rebel, and winds up punching the tyrannical captain of the vessel. He's thrown into the brig, but manages to escape in a sort of lifeboat. (The implication is that the captain and the ship's cook kind of encouraged him to get away.)

This seems to be a case of jumping out of the frying pan and landing in the fire. (Pardon the corny metaphor. The heat must be getting to me.) Kirk winds up on a planet that is covered with a tangle of stinky vines. He manages to survive by eating the smelly plant and drinking rainwater, but life is hardly pleasant. There are holes here and there in the vines, so Kirk goes down to take a look around.


Exploring the world below.

After narrowly escaping being devoured by a giant worm, Kirk discovers that there's a wondrous Utopia under the odoriferous flora. He meets a beautiful woman, dancing gracefully, who quickly starts smooching on him and takes him on a boat ride.


A self-propelled gondola is the best way to travel in style.

At this point, the reader figures that the woman is just a figment of Kirk's imagination. Her name is Sombra, Spanish for shadow, which seems at first to be another hint that she's a phantom. Besides that, we already know that Kirk has imaginary conversations with his wise Mexican grandfather. However, she and the lovely community wherein she dwells turn out to be quite real.


Is this the Emerald City of Oz?

It seems that a bunch of colonists landed on the planet long ago, and managed to create a society without want, the population devoting all its time to artistic endeavors. This seemingly impossible task, they say, was done with the help of a benign deity called Hur. Kirk and Sombra are in love, of course, and he's eager to marry her, but things change when he gets his first look at the god responsible for this paradise.


Kirk meets Hur.

This is a strange story. It starts off as a tale of survival, becomes something of a wish-fulfillment fantasy, adds a touch of horror, and ends in an ambiguous fashion. I wouldn't call it boring, but I never believed anything that was happening. (One major quibble occurs to me: the people in the utopian city claim that they depend on folks like Kirk showing up to avoid inbreeding. Am I supposed to believe that people randomly land on this seemingly worthless planet frequently?)

Two stars.

Immortality Through Freezing, by Long John Nebel, et al.

This is actually an abridged transcript of a panel discussion broadcast on a New York City radio station. The topic is the possibility of freezing people at the moment of death and reviving them in the future, when medical technology will be able to cure their ailments and bring them back to life.

Besides the host, radio personality Long John Nebel, the group included Frederik Pohl, editor of this very magazine; R. C. W. Ettinger, who wrote a book on the subject, an excerpt from which appeared in the second issue of Worlds of Tomorrow; Joseph Lo Presti, an ophthalmologist; Shirley Herz, a public relations consultant; and the famous pianist/comedian Victor Borge.

That's an oddly mixed group of folks, and I wonder if they just happened to grab whoever was hanging around the radio station at the time. In any case, the guests discuss the definition of death and whether extreme cold could keep people in a state of suspended animation. This is nothing new to science fiction fans, and it pretty much just rehashes the previous article I mentioned. At least the subject matter might help you feel a little cooler and beat the heat.

Two stars.

Deliver the Man!, by Ray E. Banks


Illustrations by Norman Nodel

A starship is on its way to a conference of various alien civilizations. It seems that Earth is considered as something of a backwater, worthy only of being conquered. The ambassador aboard the vessel must reach the meeting on time and manage to convince the extraterrestrials otherwise.

Complicating matters is the fact that Martian colonists, now the enemies of Earth, attack the ship while it's on its way. A space battle follows.


A female warrior in a dogfight in space.

Our hero comes to the rescue of an inexperienced pilot, saving her bacon when she faces two opponents at once. She is hurt but survives the skirmish, only to face further challenges aboard the vessel.


Injured in battle.

There's a planet that insists the ship wait around while they celebrate an anniversary, so that the ambassador will be much too late to save Earth from destruction. The captain stays behind, allowing the vessel to sneak away, although he knows this will mean his death when the deception is discovered. An unpleasant fellow takes command, leading to a love triangle that ends in tragedy.


A crime of passion.

As if that weren't enough trouble, there's the possibility that an alien spy, disguised as a human being, is aboard the ship, intending to sabotage the mission. More deaths follow.


Another murder aboard ship.

All seems hopeless by the end, until our hero steps up and does what has to be done. The conclusion involves the ship's navigator, an eccentric woman who also serves as the hero's love interest.


The enigmatic navigator.

There's certainly enough action going on to satisfy readers looking for slam-bang adventure. The hero has so many obstacles in his way that it almost becomes ludicrous. You also have to assume that starship officers are going to act in completely irrational ways out of sexual jealousy.

Although partly depicted as objects of lust, it was nice to see women aboard the ship in important positions. The navigator, in particular, is an interesting character, although you'll probably figure out what role she plays in the plot.

Two stars.

The Most Delicious Foe, by Lawrence S. Todd


Illustrations by the author.

Our hero runs a business that will perform just about any service for the right fee. (I was reminded of Robert A. Heinlein's 1941 story "–We Also Walk Dogs". Proofreader, please note that the dash and quotation marks are part of the story's title.)

His latest job is to stop a war between two alien species. Each one wants to eat the other. The reptilian aliens just think the centipede-like aliens are tasty, while the centipede-like aliens savor the experience of imagining the lives of the reptiles while devouring them.


Two reptilian aliens read the news. Yes, the text states that they wear tam-o'-shanters.

Our hero has to figure out a way to please the appetites of both species in order to prevent wholesale slaughter.


Who is having whom for dinner?

As you can tell, this is a silly story, apparently intended as a comedy, although nothing particularly funny happens. The author is much better known as a cartoonist and illustrator, and he might want to stick to that line of work in the future.

Two stars.

Tom Swift and the Syndicate, by Sam Moskowitz

The indefatigable historian of all things related to science fiction delves into the subject of children's adventure books of the late nineteenth and early twentieth centuries. As the title suggests, the main focus is on the countless stories of Tom Swift and his amazing inventions. However, the article also includes many other endless series, such as Nancy Drew and the Hardy Boys. The bulk of these were plotted by a single man and actually written by a bunch of authors under house names. The Tom Swift, Jr., series continues to this day.

As usual, the author possesses an absolutely astounding amount of information about the subject. Also as usual, the resulting essay is less than compelling.

Two stars.

Homogenized Planet, by Allen Danzif


Illustrations by Dan Adkins.

One of the members of an exploration team on Mars goes off for several days, much longer than he could possibly survive with his limited air supply. Incredibly, he comes back just fine. In fact, he can survive in the extremely thin Martian atmosphere without any problems.

The other folks sedate him and strap him down during the voyage back to Earth. I guess they don't want to take the chance that he's really a Martian shapeshifter or something. Despite their precautions, things start to go wrong. People change from one person into another, or disappear entirely.


An eerie transformation.

At this point, you might think of John W. Campbell, Jr.'s 1938 novella Who Goes There?, with its shapeshifting alien. (Not so much the 1951 movie The Thing from Another World, which eliminated the shapeshifting. On the other hand, I was reminded of the 1958 film It! The Terror from Beyond Space.)

However, things turn out quite differently than expected, and the mood changes drastically. When we finally find out what's really going on, the premise is of some interest, but it requires pages and pages of exposition. The story really grinds down to a halt during its last section.

Two stars.

Island of Light, by Lawrence A. Perkins


Illustrations by Arkin. I have not been able to discover the artist's last name. Could it possibly be Alan Arkin, the star of this year's hit comedy The Russians Are Coming, The Russians Are Coming? He's had a couple of stories published in Galaxy.

In the near future, a city in the northwestern part of the United States takes drastic measures against crime. There is only one way to get into the place, which has expanded so greatly that it takes up part of three states. The normal activities of everyone in the city are recorded, so that computers can predict their whereabouts at any particular time with reasonable accuracy. There are many other methods used to ensure that it is nearly impossible to get away with a crime.


Citizens of Utopia?

A detective from outside the city arrives to observe the local crimefighters. A woman is beaten and robbed, left alive but in a coma. The investigation demonstrates the city's unusual methods, and reveals something about the visiting detective.

The premise is an interesting and provocative one, raising many questions about the proper way to balance freedom and security. Frankly, this story came as something of a relief after all those outer space adventures. The biggest flaw is that it's full of long expository speeches, as the local detective explains things to his guest.

Three stars.

We're Havin' a Heat Wave

Well, that was a disappointing issue, not doing much to take my mind off the hot weather. Perhaps the best way to use it would be to flap the pages against your face to cool down. Either that, or read it while sitting in a room made nice and comfortable by modern technology.


You don't really need to wear a snowsuit while running an air conditioner.



Tune in to KGJ, our radio station, for the coolest and the hottest hits!




[September 18, 1964] Split Personality (October 1964 IF)

[Don't miss your chance to get your copy of Rediscovery: Science Fiction by Women (1958-1963), some of the best science fiction of the Silver Age.  If you like the Journey, you'll love this book (and you'll be helping us out, too!)


by Gideon Marcus

Which one is it?

It's election season, and the commercials are already out in force.  Maybe it's just my neighborhood, but it seems that LBJ is crowding the airwaves a lot more than Barry Goldwater at this point.  One effective ad notes several times the GOP candidate has made mutually contradictory statements and asks "How is a Republican supposed to note on his ballot which Barry he's voting for?"

This piece is a pretty low blow.  Make no mistake — there's no way I'm voting for a reactionary this November, but if there's one thing one can say for Barry, he's consistent.  I'd rather see some positive messaging.  Lord knows LBJ has plenty of successes to run on.

But while Goldwater's split personality may all be a Madison Avenue construct, the schizophrenic nature of IF, Worlds of Science Fiction magazine is very real.  IF has always been Galaxy's experimental little sister, the place where the more offbeat stories, the lesser known writers are featured.  As a result, it is the more variable mag, with higher highs and lower lows, often within the same issue. 

This dual nature is perfectly represented in microcosm with the latest October 1964 issue:


by Paul E. Wenzel (note the obscured "September 1964")

The first thing you might notice is that the issue was clearly intended to have a September date.  IF went to a monthly schedule in August (after years as a bi-monthly), but there was trouble at the printers, and things got delayed.

When the issue finally came, it was very much a mixed bag, with trouble appearing right from the start:

The Castle of Light, by Keith Laumer


by Jack Gaughan

Within the pages of IF, Keith Laumer's name is inextricably linked with that of his creation, Retief, that sardonic super-spy in diplomat's clothing.  What began as a more tongue-in-cheek version of Harrison's "Stainless Steel Rat" is becoming a tired series of retreads.  This particular story involves an invasion by the squamous Groaci, who take legal possession of a planet by landing 50,000 troops in cities abandoned by the native populace during a global religious ceremony.  The piece rambles, and the jokes — like the characters — are flatter than usual.

Two stars.

Mad Man, by R. A. Lafferty

The ever-whimsical Lafferty offers up a piece about androids who only attain genius capability when given their daily dose of anger enzyme.  Said extraction is provided by a group of human individuals kept thoroughly miserable through poor working conditions and constant aggravation by paid actors.  But when one android develops a kinship for her donor, the formerly angry man's heart melts, and his biochemistry becomes useless.  Can a replacement be found?

I imagine some will like this story.  I found it contrived, cruel, and rather pointless.

Two stars.

Gremmie's Reef, by Hayden Howard


by Virgil Finlay

In which a teenage surfer is delighted to find a perfect wave break on a formerly unpromising beach, thanks to a new reef.  Turns out the reef is an alien biological probe, and as might be expected, it's not a friendly one.

The surfing scenes are nicely rendered, but the third-person omniscient viewpoint, the shrieky characters, and the Twilight Zone ending all suggested a young novice of a writer.  Imagine my surprise when I checked my notes and found that Hayden Howard has been writing for more than a decade, and I've even covered one of his stories before!

Nice try, but it's another two.

Rescue Mission, by Kit Reed

Science teacher goes on sabbatical to the mountains and finds his cottage besieged with bugs.  Turns out they are the servants of Mavna, the alien beauty who resides one cottage over, and she is using the crawlies to send the prof a message: (paraphrased) "Help me fend off these three oafs I'm staying with so I can sacrifice myself for the operation of our interstellar matter transmitter!"

Reed, an author I'm quite fond of, has written exclusively for F&SF since she started half a decade ago.  This rather silly piece would fit better in that magazine.  That it wasn't published there is not surprising — it's probably the weakest story Reed has produced.

Two stars.

Monster Tracks, by Robert E. Margroff

The last piece of short fiction in the issue is by a genuinely new author, about a boy raised in a post-apocalyptic world ravaged by aliens.  They came in "peace", disguised as tourists, bringing gifts and cute pets, but it was all a ploy.  Their gifts were bombs, their luggage was guns, and their pets are poison.  Our young protagonist is almost taken in by a cute rabbit-like creature before being saved by his savvy uncle.

Not much to this one.  Two stars.

Farnham's Freehold (Part 3 of 3), by Robert A. Heinlein


by Jack Gaughan

"Where's the split?" I hear you ask.  So far, this issue has been a solid disappointment — how could it be a mixed bag?

Well, editor Fred Pohl got a ringer.

Robert Heinlein is one of the masters of the field with dozens of classic titles to his name.  To be sure, his record has been tarnished a bit lately by such substandard works as Stranger in a Strange Land and Podkayne of Mars.  Moreover, the first installment of his latest serial, Farnham's Freehold, got off to a stultifying start.

But then it got better.  In Part 1, Hubert Farnham and his family (including his house-servant and his side-girlfriend) are whisked thousands of years into the future thanks to a new Russkie bomb.  That first bit reads like a cross between a libertarian screed and the Boy Scout Handbook.  But in Part 2, we meet the inheritors of the atomically ravaged Earth, the dark-skinned peoples of Africa and India.  Hugh and co. are made privileged slaves — except for Joseph, Hugh's servant.  His Black skin makes him a de facto member of the ruling caste, and he is afforded the privileges thereof.  We learn a lot about the new society, and this section is genuinely interesting.

Part 3 more-or-less sticks the landing.  It is all about Hugh's attempt to escape his gilded cage along with mistress Barbara and their newly born twin sons.  While his first attempts end in failure (and this part is not unlike the middle section of Have Spacesuit Will Travel — thrilling but ultimately pointless), Hugh's kindly master ends up sending him and his family back in time to just before the Bomb goes off, and they have a second chance at life.

It's a thrilling page-turner, and I liked the central message: decadence and depravity have nothing to do with color or national origin.  It all boils down to Lord Acton's dictum, "Power corrupts".  I especially appreciated that the story recognized the unequal status of Joseph, and does not condemn him for throwing his lot in with America's new rulers.  Whatever loyalty Joe had to Hugh, he has found his Earthly paradise — unfair to others, perhaps, but wasn't that just after a lifetime of discrimination?  Hugh is dismayed, but not surprised.  After all, whatever his libertarian aspirations, he was part of the problem.

I'd give this last part five stars except that the ending is awfully abrupt.  All told, I think the novel earns an aggregate of 3.75 stars and, if you can get through the beginning, suggests a return to form of the author.

Making Whole

This latest issue of IF reminds me of Analog a few years back, when the serials were generally good and the other material sub-par (I note with bemusement that while Heinlein's Farnham would fit stylistically in Analog, the editor of said mag would never allow a storyline where the Whites are slaves…) When all is computed, the magazine actually scores above the 3-star middle, which tells you how good the second half is compared to the first.

In any event, the vice of a split-personality magazine is also its virtue: if one can always count on one or more stories not being very good, one can also expect at least one nugget of gold. 

And wasn't my entire state founded on the search for such nuggets?


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[February 17, 1964] Breaking Taboos (April 1964 Worlds of Tomorrow)

[Due to an oversight (clearly!), Galactic Journey was not included on Locus' Awards Ballot this year.  If you're a fan of the Journey, we be grateful if you'd fill us in under Fanzine!]


by Victoria Silverwolf

Until a decade or so ago, science fiction rarely dealt with erotic themes in an open way.  That began to change with Phillip José Farmer's famous story The Lovers (1952), which deals with a love affair between a man and a female humanoid.  Her alien reproductive system, described in detail, is the key to the plot.

Equally groundbreaking was The World Well Lost (1953) by Theodore Sturgeon.  This gentle, beautifully written story depicts homosexuality in a sympathetic way.

SF writers are now free to look inside the bedroom.  But are they ready to peer into the bathroom?  The lead novella in the latest issue of Worlds of Tomorrow represents a first step inside.


Cover by Paul E. Wenzel

The Dark Light-Years, by Brian W. Aldiss

By sheer chance, humans and aliens arrive at almost the same time on an uninhabited world.  The aliens look like hippopotamuses with six limbs and two heads.  The humans kill most of the aliens at first sight, taking two prisoners.  (Right away, we know that the author is going to depict the human species as violent and xenophobic.) Not only are the aliens repulsive to human eyes, their behavior is offensive in the extreme.

(Sensitive readers may wish to skip the rest of this review.)

The aliens live in their own excrement, considering this the most important part of their culture and religion.  All attempts to communicate with the aliens fail, partly due to the disgust they elicit from their captors.

The plot is more complicated than I've made it sound, starting with a man who has lived on the aliens' home world for many years.  A long flashback describes the first encounter between the two species.

The point of view shifts to that of the aliens, and we learn their history.  The climax returns to the beginning, and ends in tragedy. 

This sounds like a very grim story, but it's also full of satire and dark humor.  The author offers a couple of scatological puns.  It would be easy to dismiss this as a schoolchild writing naughty words on a blackboard, but the intent is more serious than that.  Despite a jumpy narrative technique, the story powerfully portrays the impossibility of understanding between radically different beings.

Four stars.

Package Deal, by James Stamers

A married couple retire to another planet.  Their alien hosts provide what they need in the form of boxes that change into everything from booze to houses.  Things don't work out well.

That's all there is to the plot.  The absurd concept is played for laughs, and doesn't achieve any.  The two women in the story are a fat, nagging shrew and a teasing sexpot.

One star.

The Apprentice God, by Miriam Allen DeFord

In free verse, the author describes how a tentacled being accidentally damaged a tiny world while studying it.  The knowledge that it contained sentient creatures leads to profound remorse.  Although the outcome of the poem is inevitable, the style is elegant and stately.

Three stars.

The Urban Hell, by Tom Purdom

This article describes the ways in which large cities might exist in the future, and compares this to science fiction's visions of tomorrow's metropolises.  Giant residential skyscrapers surrounded by parks?  Horizontal cities designed for automobiles?  Downtowns consisting of low buildings, with a mixture of houses, shops, and factories?  All of these ideas are presented in an interesting and informative way.

Four stars.

Name of the Snake, by R. A. Lafferty

A Catholic priest journeys to a planet of aliens who claim to be without sin.  (I wonder if this is a response to James Blish's 1958 novel A Case of Conscience, which has the same theme.) He admits they lack human vices, but discovers they have new evils of their own.

The author manages to create a serious theological fable that is also full of wit.  The ending, in particular, makes use of a cliché from magazine cartoons in a new and meaningful way.

Four stars.

Under the Gaddyl, by C. C. MacApp

Alien invaders have ruled Earth for many years.  Most human beings are slaves.  A privileged few are free, allowed to struggle for survival in primitive conditions.  When escaped slaves steal an alien weapon, even free humans are in danger.  The hero and his family make a hazardous journey to escape the vengeful aliens.  Mutant humans show up at one point.  They play an important role in the story, but seemed forced into the plot.

This is a typical science fiction adventure story.  It is competently told and holds the reader's attention, but there is little new to be found here. 

Three stars.

Summing Up

Publishing a story that is certain to offend many readers shows boldness on the part of editor Frederik Pohl.  The other contents of the magazine are far less daring, although most of them are worth reading.

Those of you with sharp eyes will notice that Day of the Egg by Allen Kim Lang, announced on the front cover, does not appear.  That's not the only error.  My copy has many of the pages in the wrong order, making reading a chore.  I hope the habits of the aliens in the Aldiss piece didn't shock the designers and printers into forgetting how to do their jobs.