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[November 14, 1969] To Experiment or Not To Experiment, That is the Question. (The New S. F. & Vision of Tomorrow #2)

November 14, 2024 Kris Vyas-Myall Leave a comment

By Mx Kris Vyas-Myall

Among musicians right now, there seems to be a split around whether to look towards an experimental future or an idealized past for their inspiration.

Both in pop music and SF, nudity and sex remain sources of controversy.

The most explicit examples of Futurism come from two recent singles, Zager and Evans’ In the Year 2525 and David Bowie’s Space Oddity. But there is also the debut album from King Crimson, featuring the song 21st Century Schizoid Man, The Moody Blues’ space inspired LP, and Pink Floyd performed a new piece recently in honour of the Moon Landing. In addition, the music industry is pushing what is acceptable sexually whether that be in artwork, such as the Blind Faith cover above, or interesting choices of sounds on pop songs.

Did the Kinks have a point about preserving village greens?

On the other hand, at this time last month 4 of the top 5 singles were all country influenced songs, from Bobbie Gentry, Creedence Clearwater Revival, Johnny Cash and Bob Dylan. Now, there has always been some country influence in the charts (as shown by Jim Reeves having 7 posthumous top 20 singles and counting) but it is certainly reaching a new level when the Beach Boys and Rolling Stones are both trying it out. In addition, folk is also growing, often with a nostalgic edge, in such songs as Fairport Convention’s Who Knows Where the Time Goes or Donovan’s Atlantis.

These differences can also be seen in SF and, perhaps, there is no clearer division than that which can be observed between the two publications I am reviewing today.

The New S.F., ed. by Langdon Jones

Cover by Colin Mier

An introduction by Michael Moorcock

Who else would you choose but Moorcock to introduce this selection of New Wave authors? Here he talks about how the “new SF writers” or “New Worlds group” have moved beyond spaceships and monsters to do more person-centric poetic pieces.

Fourteen Stations on the Northern Line by Giles Gordon

Fourteen different men observe an unnamed woman to different degrees of lechery as she walks up a hill. She fails to notice them as she has other things on her mind.

If it was not in this collection, it would probably not be considered SF, more akin to a Joyce than a Gernsback, only approaching the latter with the surrealism of the mind.

Moorcock’s introduction notes this as an example of a “compacted novel”, one that could be extended to a traditional novel but that would blunt the impact significantly. I cannot determine if I wanted this to be longer, shorter or reworked, but something is amiss. The metaphor, though obvious, is a good one (what passenger on a train pays attention to the small commuter stations?) and the difference in the inner lives of the observer and observed make a solid basis. But it left me wanting something better from it.

Three Stars

The Peking Junction by Michael Moorcock

A Jerry Cornelius story from his creator. In this episode, Europe has been devastated by American bombs (of course Europe still supports their allies in this action) and our dandified spy goes to China to deal with a downed American plane. His mission is complicated by the fact that he falls in love with one of the Chinese generals.

One interesting element here is Moorcock explicitly calls out the connection between Cornelius and his other tales:

Having been Elric, Asquiol, Minos, Aquilinus, Clovis Marca, now and forever he was Jerry Cornelius of the noble price, proud prince of ruins, boss of the circuits. Faustaff, Muldoon, the eternal champion…

There was always a suggestion of this previously, and The Blood Red Game (Science Fiction Adventures, 1963) and A Cure for Cancer both feature multiple universes, but I believe this is the first time we get it confirmed that this is not simply a case of repeated motifs.

Looking at it in this manner, we see the biting contemporary satire evolving into a more epic struggle and Moorcock’s other heroes as more than just throwaway fantasy figures. Rather there is a degree of tragedy in them having to deal with these various forces of order and chaos, making horrific choices for, what they hope, is the greater good (which rarely ends well).

A High Four Stars

Fast Car Wash by George MacBeth

A car gets cleaned… that is the entire story.

Moorcock calls this a readymade poem. I am assuming forthcoming are also a transcription of microwave instructions and George MacBeth’s shopping list.

One star

The Anxiety in the Eyes of the Cricket by James Sallis

Another Jerry Cornelius story, who is seemingly becoming to the New Wave what the Cthulhu tales have become to SF horror. This vignette apparently takes place shortly after the end of The Peking Junction (although Moorcock indicates this is better read as an alternative version) as JC returns to England a broken man. He stays in the house of his friend Michael, a man who predicted the apocalyptic future. They spend their time drinking and having sex between watching devastation from their window and discussing the nature of guilt.

A much quieter tale and more introspective than the other Cornelius tales with a good dose of metafiction (if Michael is not surnamed Moorcock, I will eat my hat) added in. It is also incredibly bleak, with cities burning, Britain used as America’s crematorium, and Cornelius a broken man now simply looking for his missing family. But it is all the more powerful for it.

Five Stars

The New Science Fiction: A Conversation between J. G. Ballard & George MacBeth

This is the transcription of part of a discussion on BBC Radio 3 (formerly the Third Programme) last year titled The New Surrealism. In this extract, J. G. Ballard explains why he moved away from linear storytelling.

I missed this on its broadcast and I am very pleased it was reproduced here. Ballard manages to explain eloquently what he is trying to achieve in his stories and it has given me an increased appreciation for his work. Two sections I want to call out here as particularly incisive:

…one has many layers, many levels of experience going on at the same time. On one level might be the world of public events, Cape Kennedy, Vietnam, political life, on another level the immediate personal environment, the rooms we occupy, the postures we assume. On a third level, the inner world of the mind. All these levels are, as far as I can see them, equally fictional, and it is where these levels interact that one gets the only kind of inner reality that in fact exists nowadays.

…Burroughs’s narrative techniques… [are] an immediately recognisable reflection of the way life is actually experienced, that we live in quantified non-linear terms – we switch on television sets, switch them off half an hour later, speak on the telephone, read magazines, dream, and so forth. We don’t live our lives in linear terms in the sense that Victorians did.

Recommended for fans and confused readers alike.

Five Stars

So Far from Prague by Brian W. Aldiss

Another of Aldiss’ tales of Europeans in India. This time Slansky, a Czech filmmaker, is staying in a Das’ hotel outside Delhi when he hears of the Soviet invasion, He wants to get back home to help resist the attack, Das thinks they should be concentrating on their joint film project on the nature of time. Things get even more complicated when Slansky discovers there is a Russian guest in the room below his.

Interestingly, this manages a similar feel to Sallis’ piece even though it is contemporary rather than apocalyptic and could only be considered SFnal in the broadest sense. Here it is an exploration of the age-old argument of whether art can or should be apolitical, with this sense of gloom and despair. An important reminder that worlds are being blown up outside our window, not just in our magazines.

Four Stars

Direction by Charles Platt

An unnamed man has an argument at home. In response he gets drunk in a pub and then wanders around London in an inebriated haze.

Another piece where I am not sure the point of it, nor what it is doing in an SF anthology. There are some interesting writing techniques but that is all I can see to recommend it.

A low two stars

Postatomic by Michael Butterworth

We are told of four impossible beings, who may or may not be the same character across different time periods.

Not sure what its purpose is but it is certainly evocative.

Three Stars

For Thomas Tompion by Michael Moorcock

Moorcock completes his trilogy of entries with a four-line poem, addressed to the father of English clock-making.

Simple but well done for what it is.

Three stars

A Science Fiction Story for Joni Mitchell by Maxim Jakubowski

A science fiction writer has grown dissatisfied with the genre; instead he wants to write neo-psychedelic pop songs and tales of drug journeys. However, he has a deadline to hit, and the adventures of Coit Kid vs. the Subliminal Police don’t write themselves. Anyway, there is no chance of his other ideas intruding on a good old-fashioned science fiction story, is there?

A hilarious take on writing, modern pop music and science fiction cliches. It is done in a series of cut up pieces but logical rather than disparate. The whole exercise is delicious and I am going to be remembering many of the lines for some time.

Five Stars

The Communicants by John Sladek

This novella is a fragmented narrative, telling of a disparate set of people who work at Drum Inc., a technology company which provides a wide variety of services over phone lines and dreams of superseding Bell as the national monopoly.

Members of this organisation include Marilyn, who keeps getting mysterious calls that simply say “Marilyn, he loves you”, Sam Kravon, who is being driven mad by his job in Estimates, Phil Wang, the Art Director who is sure people are questioning his loyalty to the US, Ray, a cripple who is being constantly shuffled between departments, and David, who believes reality is refrangible.

At the same time, there are hints of experiments going on within the company that are of interest to the CIA.

Partially this is an extension of his multiple-choice form tales from New Worlds, with these regularly interrupting the text. And partially this is an experiment of split narratives, with the narrative like a butterfly flitting between different stories with such regularity that I wondered if I could use a flow chart.

Whilst it is an interesting experiment, it goes on for far too long (at almost 70 pages, far longer than anything else in this collection) and the whole is less than the sum of its parts.

Three Stars

Seeking a Suitable Donor by D. M. Thomas

An organ donor before their surgery contemplates his journey to this point.

The strange alignment of the text doesn’t add much to this tale of familiar themes but a perfectly reasonable example.

Three Stars

The Holland of the Mind by Pamela Zoline

Graham, Jessica and their child Rachel take a holiday from the US to Amsterdam in 1963. However, visiting the Venice of the North is not going to help them outrun their problems.

This is a tricky one to review. On the one hand it is beautifully written but shocking look at depression and the breakdown of a marriage, counterpointing the history of the Netherlands with their personal situation.

On the other, it is barely SFnal. There is one moment towards the end which could be taken as such. But it could also be taken as metaphorical and\or natural phenomena. As such I was partially disappointed. It reminded me somewhat of Morris’ travelogue Venice.

However, I adore Morris’ writing. As such I am happy to give it the benefit of the doubt and judge it as a piece of literary short fiction. On those grounds it is brilliant.

Five Stars

Quincunx by Thomas M. Disch

As the name suggests, this is made up of five vignettes:

• Chrysanthemums: Mr. Candolle ponders the meaning of chrysanthemums in hospital rooms
• Representation: The narrator speaks of his lost love Judith
• The Death of Lurleen Wallace: A circular tale of princes, presidential campaigns and books
• Mate: A letter from former lovers which also deals with a correspondence chess match
• The Assumption: Miss Lockesly teaches her class about death

I am not sure though what shape we are meant to form. To some extent they are all about endings in different ways but no consensus is reached nor are they particularly profound.

Two Stars

Thus ends this experiment of a book, one which I have rated all over the place. To change a famous quote, there is a thin line between genius and drivel. This anthology erases it.

Vision of Tomorrow #2

Cover Illustration: Gerard Alfo Quinn

Issue #2 has finally arrived. No explanation is given for the delay other than “circumstances beyond our control”. Whatever the reason, we shall now dive into the contents:

Quarry by E. C. Tubb

Illustrated by Gerard Alfo Quinn

Quelto Daruti is a prisoner of the Federation. he decides to make use of an obscure law. The Quarry-Hunt. He is to be hunted across the harsh landscape of Zen to sanctuary. If he can make it alive, he will be pardoned, but the only person who ever managed it before died of their wounds soon afterwards.

Durati however has two advantages the authorities do not know about. Firstly, he is a telepath. Secondly, the Terran league are very interested in his survival

Yes, it is yet another spin on The Most Dangerous Game, but a pretty good one. Stylistically it can be heavy at times, but this is made up for when it is action packed.

Just sneaks in at four stars.

Strictly Legal by Douglas Fulthorpe

Illustrated by James

The intelligent spider-creatures of Proxima Centauri claim ownership of Earth’s Moon, on the grounds that it detached from one of their planets when it was molten. At first everyone assumes this is a joke. However, it turns out they are in deadly earnest, and the legal implications of the case will have devastating consequences.

This is a slippery slope argument delivered with all the subtlety of a brick through a window. The style is readable enough, but it requires so many “what-ifs” to make the idea work, I am not surprised everyone inside this piece of fiction assumes it is all a joke.

Two Stars

Moonchip by John Rankine

Millenia ago a small piece of metal fell to Earth. It has now been mined and ended up part of a car, one that is involved in a strangely high number of fatal accidents. But that is just coincidence, right?

I found this to be a dull and violent tale with little purpose. Maybe if you enjoy hoary old horror stories or car-based fiction it will appeal to you, but not to me.

One Star

A Judge of Men by Michael G. Coney

Illustrated by Eddie Jones

Scott travels with the trader Bancroft to the planet Karumba, the only source of Shroom (a kind of puff ball that can be woven) in the galaxy. The Shroom harvest is lessening as the planet gets colder and Karumbans may face extinction. However, having seen how humans treat animals in zoos, they refuse to allow any scientific help from humanity. Bancroft is willing to respect the Kamburans' wishes, the young ambitious Scott, however, is determined to solve the mysteries of this world, no matter what anyone else may think.

This did not go in the direction I expected. This started out seeming like it was merely going to be an experiment in xenobiology and the effects of planetary tilt but it went into much deeper territory around what it means to be a person, respect for native belief systems and the responsibility of ethical science.

My only complaint is it was too short to address all of the areas it touched on properly. I would love to see it expanded into one-half of an Ace Double.

A high four stars

Frozen Assets by Dan Morgan

Larry is a used air-car salesman who, with his fiancée Olivia is determined to find a way to get rich quick according to their realist philosophy. The first scheme involves being married to a wealthy divorcee but it turns out the pre-nuptial agreement states that Olivia won’t get any money from accidental death until after five years.

Larry then discovers there is a cure for cirrhosis of the liver, a condition his rich uncle Frank was cryogenically frozen with. He hopes to revive Frank and take control of his estate, however Frank is not quite as witless as Larry supposes.

This is the kind of story I dislike. It requires the setting up of a series of silly rules people follow, explaining them as they go along. In addition, it wends all over the place, barely sticking in one place for more than a moment.

One star

The Impatient Dreamers 2: Aims and Objects by Walter Gillings

Filling in the gap between installments 1 and 3, we learn of Gillings' efforts to show that there is a strong enough market for science fiction in Britain to support a magazine.

This series continues to be excellent and contains a lot of fascinating details. Such as that Britain at this time didn’t have specialist fiction magazines at all and that Len Kippin just would hand out leaflets wherever he saw SF on sale.

Five Stars

Echo by William F. Temple

Illustrated by B. M. Finch

The Saurian Venusians have taken over the body of Richard Gaunt by use of a temporary echo of the personality of Narvel. They intend to steal the secrets of Organic Materials Inc., however, it turns out that being a human is harder than it seems.

I actually covered this last year in Famous, and I was planning to just reprint my review from there. However, curiosity got the better of me and I decided to look for any changes. I was taken aback that it was almost entirely rewritten. The plot remains identical but the prose is almost a complete overhaul. To compare one of the more similar sections:

Famous version:

Being a mammal, without previous experience, was to me a series of surprises, mostly unpleasant.
Gaunt, I knew, had the social habit of drinking whiskey. I first drank whiskey on the Pacific with a couple of engineers from Minneapolis.
After a while, I remarked with some concern. “Darn, it, the grav-motors are failing.”
This sometimes happened on space trips, and until they were repaired everyone had to endure free fall. I’d felt the beginning of free fall coming on; at least, I felt I was beginning to float. And I said so.
The two men looked at me strangely, then at each other.
“One whiskey on the rocks and he’s floating,” laughed one.

And the Vision version:

I became a Tyro mammal among experienced mammals.
My deficiencies first began to show on the spaceship to Earth. On the passenger list I was Richard Gaunt. I was Gaunt, physically. I did my best to act like him personally.
I knew he had this social habit of drinking whisky. I gave it a whirl at the bar with an engineer from Minneapolis.
After two whiskies, I remarked, ‘What’s gone wrong with the grav-motors?’
My companion looked at me strangely.
‘They seem okay to me. Sure I’s not the whisky hitting you? This special space brew is potent, you know, if you’re not used to it.’

Now, the scene being depicted has the same purpose: Narvel giving an example of not being used to certain human situations with impersonating Gaunt by his lack of familiarity with Whisky causing him to think there is an issue with the grav-motors. But the feel is completely changed. The prior version is concentrating on feelings and giving it a more comedic sense. The new version is more cerebral and philosophical about the nature of identity.

I still have a number of problems with the text but the changes make it clearer to me what he is trying to do. As such it jumps up a little bit in my ratings.

A low three stars

Undercover Weapon by Jack Wodhams

Illustrated by James

The Fiberphut fabric disintegrator was developed as a means of removing bandages without damaging the skin underneath. When the army look to test its possible military applications, Lt. Cladwell makes his own duplicate model at home. He and his brother-in-law are determined to make a fortune from this device…along with many amorous encounters along the way.

This is the kind of unfunny sex comedy that seem to be growing in popularity at the cinema these days. I don’t like it there and I don’t like it here. I am a little surprised to see this included given last month’s stated “no pornography” policy, but I guess as nothing is described it is considered “good clean fun” by Harbottle. I, on the other hand, find it lecherous and dull.

One Star

Dancing Gerontius by Lee Harding

Illustrated by A. Vince

The elderly on welfare are generally kept in a dream-like state in specialist facilities. However, annually they participate in Year Day, where a combination of drugs and advanced machinery allow them to participate in a period of bacchanalian hedonism. We follow Berensen’s experiences as he is crowned King for the day.

An evocative piece that did not go in the direction I expected it to. Quite haunting by the end.

Four Stars

Minos by Maurice Whitta

Illustrated by Eddie Jones

The final piece is by a new writer to me. The colony-ship Launcelot crash lands on Amor VII, killing almost ¾ of the occupants, including all the women. Another ship primarily composed of women also makes landfall, but contact is lost. From the Guinevere there start emerging minotaur like creatures that attack the men of Launcelot, what could have happened?

This whole piece is kind of a muddle, smelling to me of new author problems. The concepts are good and the point an interesting one. At the same time the action sequences are well written. The problem is structural. For such a small piece too much time is spent in irrelevant sections and the more poignant parts are rushed.

It is not bad though and I hope that Mr. Whitta can sort the issues out in the future.

A low Three Stars

Story rankings from issue 1, my main surprise is seeing the fascinating Lem below the woeful Coney, but each to their own.

Fantasy Review

Illustrated by Philip Harbottle

Ken Slater reviews Timepiece by Brian N. Ball (which he did not enjoy) and Harry Harrison’s Deathworld 3 (which he did). We then have a new reviewer, Kathryn Buckley, covering Stand on Zanzibar in a highly complementary manner. Perhaps trying to balance coverage of the New Wave along with the Good Old Stuff?

Best of Both Worlds?

Additional illustration by Eddie Jones

In both my SF and my music, I am generally drawn towards the future facing experimental works, preferring Colosseum and Chip Delany over The Band and Edgar Rice Burroughs. But I also appreciate both have their advantages and place.

Doing a Sunday afternoon of gardening is wonderful accompanied by some Neil Young or Townes van Zandt. Just as an adventurous tale of daring-do might not be as accomplished as one of Ballard’s cut up stories, it can be a more fun and easy read.

So, whilst neither is perfect, with both the above publications showing successes and failures, I like to think that science fiction is big enough to have both our swashes buckled and our minds expanded.

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Magazine, Science Fiction/Fantasy

[August 28, 1969] Aussie-British Publishing (Vision of Tomorrow #1)

August 28, 2024 Kris Vyas-Myall 1 Comment

Join us on August 29 at 7pm Pacific Daylight Time for the first edition of Science Fiction Theater—every week, we'll broadcast an excellent show or two, accompanied by fanzine readings and, of course, with commercials!

By Mx Kris Vyas-Myall

In general, there is a certain patriarchal attitude us Brits have towards the Commonwealth. We assume we will be the mother country that will be investing in and helping out the former colonies. Yet recent evidence suggests the opposite is true. And now we see it in publishing with the plan to rescue The Sun newspaper by 37-year-old Australian entrepreneur Rupert Murdoch.

Australian press-magnate, Rupert Murdoch

Back in 1964, the Daily Herald was Britain’s 4th biggest selling newspaper, with a specific interest in advancing the trade union movement. However, it was still losing money as its readership were generally older and of lower income—not the audiences advertisers wanted. The paper was folded and replaced by The Sun, designed to appeal to the “steak-eating weekenders” of the aspirational working class. However, this did not end up reviving its fortunes and International Publishing Corporation was losing £2m a year on the paper. As such they have declared they need to sell or shutter it by January 1970.

Also in 1964, Rupert Murdoch, having inherited News Ltd. from his father in 1954, launched Australia’s first national newspaper, The Australian, to compete with the established state papers. He got the local papers he controlled to move away from “stodgy” local news items, into human interest and television interests. This all led to the company’s profits rising from £30k to £1.2m. But he continues to have ambitious plans for expansion.

Having already beaten out Paul Maxwell to take over the weekly News of the World at the start of the year, the acquisition of The Sun will mean he has a daily publication under his belt. What he will do with it remains to be seen but sensationalism may be the order of the day. His News of the World has already attracted controversy by publishing extracts from Christine Keeler’s memoirs.

Whatever the fate of these papers, another collaboration has interested me. That between Australian publisher Ronald E. Graham, and British editor Philip Harbottle. United by their love of John Russell Fearn, they have put out a new Science Fiction magazine, Vision of Tomorrow.

Vision of Tomorrow #1

Cover by James

In spite of initial reports, this will not contain any John Russell Fearn reprints (a secondary magazine may be produced for that purpose in the future) rather “Vision” is dedicated only to publishing new stories by British and Australian authors, along with new translations of European authors.

In contrast to the semi-professional style of Alien Worlds or the arthouse feel of New Worlds, this feels like a traditional professional magazine. One that could sit in the racks happily beside Analog and Galaxy, albeit a 64 page slick, rather than the advertised 196 page pocket book. But what is inside?

The New Science Fiction by Philip Harbottle

In his editorial for the magazine, Harbottle sets out his stall. He declares that this magazine will deal with humanity trying to adapt to the increasing pace of change. Personally I think this sounds rather similar to what Gold was attempting in Galaxy in the 50s.

Swords for a Guide by Kenneth Bulmer

Illustrated by G. Alfo Quinn

As the sole member of the Kenneth Bulmer Fan Club [Not quite true—Jason Sacks likes him, too! (ed.)], I was excited to see he would be leading the magazine. Here Jeffrey Updike Grant is a Captain in the Guides, a kind of Galactic Administration military force, but one trained only to use weapons equivalent to the technological level of the alien planets they are on. When he is stationed on New Bangor, an uprising takes the Guides by surprise.

After a distress call is sent out, it is answered by local freetraders (read smugglers) who have no truck with the rules on technological advances. Whilst they initially push the Bangorians back, they are eventually overpowered and their atomic weaponry ends up in the hands of the natives. With the natives now aware that the Guides are not from this world and in possession of advanced weaponry, the chances of survival for the Terrans are slim. Their only hope is to travel down river to the largest settlement, with the natives hunting them.

Illustrated by G. Alfo Quinn

Whilst I usually enjoy Bulmer’s work, this is not his standard fare, more a Victorian Boys-Own adventure, with lots of action and heavy descriptions, but not much depth. There is possibly some critique of colonialism at the end, but this work primarily seems designed to appeal to those that lament the loss of a “sense of wonder” in SF today. I am not one of those people.

Two Stars

When in Doubt – Destroy! by William F. Temple

Illustrated by G. Alfo Quinn

Pathfinders Cordell & Marston are surveying the Pluto-esque Scylla-8, awaiting a much-delayed supply ship. Instead, a robot named Mark 1105 appears. It tells them it has captured their ship along with a previous survey mission, and they will be imprisoned, without food or water, until they answer its questions about humanity.

This has a great moody sense of doom penetrating throughout and it has interesting ideas about psychology. Unfortunately, I found it let down a bit by using a very old and silly cliché to battle a robot.

Three Stars

Anchor Man by Jack Wodhams

Tirk and Ken are members of the experimental EPD, where psychic impressions of objects and people are used to investigate police cases. Mary Pantici, a prostitute, is found murdered in a sound proofed flat with no witnesses and the EPD is brought in for the first time on a case like this. Ken is indeed able to get an impression of the murderer. However, his gift leads him to the conclusion that the killer is a police officer, one who has mental abilities of his own.

Given Wodhams’ regular sales to Analog, and the centrality of ESP to the tale, I can’t help but wonder if this was meant for Campbell but was rejected because of the grimmer elements. Whatever its origin this is a reasonable update of the occult detective story, well told but with a bit of a limp denouement for me.

Three stars

The Vault by Damien Broderick

Dr delFord, a logician, is awoken at 3am and taken on a secret flight. His old friend Gellner reveals to him that, under the lunar crater Tycho, an ancient buried computer complex has been discovered.

Much of it seems to have been destroyed in a nuclear attack; however, they are able to deduce from a map the location of two other alien bases. One at the bottom of the Atlantic and one under Ayres Rock. It is to the latter one that delFord is flown. The titular Vault inside Uluru does not allow any electronic equipment in and so far has resulted in the deaths of 173 people trying to enter it.

With a new protective suit, delFord has one hour to try to work a way in, discover all he can and make it out alive.

It has become fashionable of late to claim every piece of mythology or construction project before 1945 is secretly the work of aliens (see, for example, Chariots of the Gods?). This sits within that genre. Not bad per se, but I feel that it could easily be made into an unremarkable episode of Star Trek or Doctor Who.

Three Stars

Sixth Sense by Michael G. Coney

Uncredited illustration

This short story comes from a new writer who recently debuted in the pages of New Writings. Jack Garner is a publican who possesses a sixth sense others don’t. He recalls a summer three years before when a quarrelling family came to stay and how he made use of his unusual ability to help them.

The actual plot is fairly thin, being the kind of tale you would read as the text feature in an adventure comic, padded out with mind-reading sections. In addition, there are leering descriptions of a 14-year-old girl’s body from the point of view of our 37-year-old narrator. Less than this got Mr. Hedges branded a pervert by the local community in an episode of Please, Sir!.

One Star

Consumer Report by Lee Harding

Uncredited illustration

Previously one of Carnell’s crew, he wrote one of my favourite short stories of the decade, The Liberators, but I haven’t seen anything from him in a few years.

Crossing the spaces between galaxies the self-proclaimed Lords of their universe come on a mission of conquest, but they find only dead planets. What could have caused this?

Thankfully, this is not one of those awful John Brunner vignettes we usually see in Galaxy. Instead, Harding gives us a serviceable but unremarkable piece of space horror.

Three stars

Are You There, Mr. Jones? by Stanislaw Lem

This is a work from a leading Polish SF writer (translated by Peter Roberts) representing his first appearance in English. It tells of the legal case of Mr. Jones, a race car driver who has replaced parts of his body with cybernetics following various accidents. He has been unable to pay his debt for them and, indeed, claims they are faulty so he should not have to. However, a previous court ruled he could not have them removed as it would kill him.

As such the Cybernetics Company tries a new tact, arguing that as so much of him is replaced, he is no longer human and they are merely recovering their property.

I have heard from continental friends that Lem is already well liked in Germany and France, and this showed me why. This is only a short vignette but addresses fundamental questions in a concise and amusing manner.

Four Stars

The Impatient Dreamers Part 1: First Encounters by Walter Gillings

The editor of the first British SF magazine begins a history of 20th Century British Science Fiction. A largely auto-biographical piece, this opening section tells of the early days of British fandom in the 20s and 30s, talking of the influence of imported American magazines, short lived fandom, Edgar Rice Burroughs books, BBC Radio dramas and the film Metropolis. An interesting and pleasant introduction to an era before I was born.

Four Stars

The Shape of Things To Come

Coming next time

In spite of Harbottle’s introduction discussing the New Science Fiction, this is quite a traditional selection of stories, although generally solid ones. It is certainly no worse than we see from If or Analog and the one weak piece being from a new author I hope we can see more of.

As such, I am excited to see more of this collaborative exercise. Bring on the second issue.

One final illustration from G. Alfo Quinn

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Magazine, Science Fiction/Fantasy

[December 4, 1967] Devaluation (New Writings in SF-11 & Beyond Infinity December 1967)

December 4, 2022 Kris Vyas-Myall 4 Comments

by Mx. Kris Vyas-Myall

With so much news about social reforms or issues in Rhodesia and Aden, it is easy to forget that the economy was one of the main issues that led to Wilson’s election as Prime Minister, in particular dealing with the trade deficit.

For almost a decade now Britain has been importing more than it has been exporting. With this many British consumers are choosing foreign made goods over domestic ones causing problems for local industry, not a good look for a country that was once dubbed “The Workshop of the World.”

The reasons for this date back a long way. From early adoption of manufacturing and overreliance on imperial exploitation, to the spending of Post-War American aid on military ventures (instead of the intended economic strengthening). However, one of the biggest is the value of the pound.

Whilst other countries trying to recover after the Second World War, such as Japan, had their currency set low, Britain strived to keep its value high. It has even become a point of national pride to have the Sterling as a major player in international trade, and devaluing had been something that had to be avoided at all costs.

Wilson and Callaghan, probably not as happy any more

However, world events have continued to put trade and the currency under strain. With the Arab-Israeli war, the fighting in Aden and failure to join the EEC, it was seen by Wilson as a necessary act. Whilst the economic impact will likely come later, the political impact has already been major. The chancellor, Jim Callaghan, has resigned and there have been attacks from all ends of the political spectrum that this is a breach of trust.

As I read this month’s stories in the anthology "New Writings in SF 11" and magazine "Beyond Infinity", I could not help but wonder if there was some devaluation going on here as well. The quality I was getting for my money seemed to decline as I read on:

New Writings in SF 11

Dobson’s hardback release was delayed, meaning we get the Corgi paperback (and their much prettier cover) first this time.

In another change the theme here is much broader, with imaginative looks at humanity’s future.

The Wall to End the World by Vincent King

Following his brilliant Defence Mechanism, Vincent King gives us another spectacular tale. Five thousand years earlier, the ancients built the Wall, a thousand-mile circle to protect the ordinary people in the City and the Teachers in their Citadel. Our narrator is an officer of the Wall, determined to protect it from all invaders. When he discovers the return of the ancient ones and the appearance of a new star in the sky, he knows the prophecy of the end is coming true.

In a beautiful and cleverly written 25 pages, King gives a deeper more complex world brimming with science fictional concepts than most writers manage in an entire novel series. There is fascinating mix of old & new technologies, with looking screens and robots mentioned in the same breath as horses and crossbows. But it is never ponderous or boring. Throughout it races along like the best adventure stories.

Five stars, only because I can’t give it a sixth!

Catharsis by John Rackham

Professor Caine is on the verge of a major breakthrough in particle physics, when he starts getting terrible headaches. After he checks into Dr. Halleweg’s clinic he discovers he only has 48 hours left to live.

A more experimental story than I would expect from Rackham with limited SFnal content. It is solid but feels like it is aiming for the current New Worlds style without really getting there.

Three Stars

Shock Treatment by Lee Harding

Pietro struggles to keep his memories and personality intact as he searches for The Great Engine of the world.

This is the kind of slow atmospheric apocalypse that seemed to fill the British magazines after Aldiss’ Greybeard was published. Not bad but nothing new.

Three Stars

Bright Are the Stars That Shine, Dark Is the Sky by Dennis Etchison

Space travel has failed to provide a suitable home for humanity and has been abandoned. With Los Angeles’ population reaching twenty million the old city is being torn down to provide enough housing for everyone. This vignette follows a young boy and an ex-spacer night watchman as they visit The Museum of Space Science and Technology before it is destroyed.

This is a lovely melancholy tale of the loss of innocence and the danger of losing hope in the future. Simple but memorable.

Four Stars

There Was This Fella… by Douglas R. Mason

Alf Pearson has a problem: he keeps jumping between planes of reality. His doctors think he is just highly suggestible, but what is real?

I felt this concept was already used to better effect in de Camp’s Wheels of If. I am not sure if I missed something important or if it was all just a bit hollow.

Two Stars

For What Purpose? by W. T. Webb

After an explosion at the Grenville Power Station, Tom Berkley finds himself in Marginburg: town like Grenville but tinged with bizarre touches, such as the sky being patched up with newspaper, an enormous house with no windows, and regular raids from pirates. How did he get here? And can he get back home?

This one is tough to know what to make of, because much of it has the surrealism of Lucy in the Sky with Diamonds and then it ends in a manner that could either be read as genius or nonsense. I will be generous and choose the former.

Four Stars (or Suit-of-Armour Newsprint in Marginburg).

Flight of a Plastic Bee by John Rankine

Paul Karadoc is sent to investigate Station K, repository of secure knowledge in orbit around planet Earth, populated by artificially prolonged humans known as Biomechs. Information has been leaking out of the station and it is up to Karadoc to discover how and why.

This is the second tale from Mr. Mason and an even weaker one, I found it dull and often incomprehensible. Even Doctor Who’s Cyberman adventures do a better job of exploring some of these themes.

One Star

Dead to the World by H. A. Hargreaves

I have been reliably informed this is the same Hargreaves who wrote Tee Vee Man 4 years ago, just with a different first initial, possibly a typographical error. Talking of mistakes, this is the story of Joe Schultz, a man accidentally declared dead in a future where administration is primarily run by computers.

This starts out as an interesting Kafkaesque tale, but soon descends into pure silliness.

Two Stars

The Helmet of Hades by Jack Wodhams

On the planet Albermarle, the inhabitants have been turned blind by the farmer Galig as part of a plot to rule over it as the only sighted adult. Marshal and Cresswell work to resist him.

Wodhams is not an author who has appeared in New Writings before but seems to have done quite well for himself writing mediocre tales for Campbell. Unfortunately, this is even more disappointing. It doesn’t seem to make a real attempt to understand blind people or communities, is overlong and the concept had a better treatment from Wells decades ago.

One Star

Beyond Infinity Dec. 1967

With the continued disappearance of SF magazines from the market and others turning to reprints, any time a new publication appears, I am keen to give this new magazine a try.

It opens with a strong editorial from Doug Stapleton, saying you will not see a “wild, Bondian adventure on the outer rim of the universe” within. Instead, he says, this is more devoted to “What-if-ness”, tales of the strange and uncanny.

Perhaps that is why they chose to print the contents in a randomised order?

Anyway, let’s explore these “other dimensions”:

Of Human Heritage by Wade Hampton

Years ago, a ship full of pioneers crashed onto an unknown planet and no Earth ships have found them. As the last of the original colonists, Old Pendennis, lies dying, he worries whether or not the future generations will be able to maintain their humanity.

This is not a bad tale. It is well written, with a nice narrative style and strong ending, but it also feels like a missed opportunity to me, as it could easily have explored some much deeper themes.

Three Stars

Communication Problem by John Christopher

In 2049 instantaneous warp travel between nearby stars has become safe and routine, that is unless you are travelling after Burns Night with a Scottish duty officer. When the Wayfarer lands inside a sub-electronic storm the ship is forced to crash on to a planet, the last survivor of the crew is rescued by The Mori, but why can the two species not communicate?

This feels like a story intended for Analog that was rejected. We have lots of dull explanations of engineering, aliens being baffled by humans, even mentions of ESP. I do get the sense from some of Christopher’s writing he isn’t all too keen on the other nations of The United Kingdom, and this tale is obviously no exception. Maybe the anti-Scottishness was too much for a Campbell?

One Star (and a big apology to my friends north of the border)

Whirligig! by John Brunner

Of late Brunner seems to be returning to some of his creations from the 50s. We recently got a serial set in his future Empire, and a sequel to Imprint of Chaos. Now it is the turn of his strange jazz troupe, Tommy Caxton and the Solid Six.

This gives us one side of a conversation, as Caxton tries to convince his record label to include Gumshoe Stumble as their next single.

Unfortunately, this is no Traveller in Black. Instead it is a series of run on sentences with barely any SFnal content (at least that I could understand). I know I am in no position to critique another’s grammar but I found it near unreadable. But it is also true that I don’t get jazz.

One Star

Talk to Me, Sweetheart by Ben Bova

Finishing the trilogy of big names, we get Bova giving us another space-flavoured tale. Here an astronaut in orbit is losing control and only the woman’s voice on the other end of the communicator can help him.

Basically this is the opening scene of A Matter of Life and Death transferred to space, albeit with a different ending, one most readers will see coming from eight miles high.

Two stars

5-4-3-2- by James McKimmey

Christopher Raamsgaard has been hit hard by the death of his business partner and has been working incredibly hard. Is this why he has started doing everything backwards? Or is something stranger going on?

Mr. McKimmey seems to be returning to SF, with two sales to Pohl’s magazines recently. However, just like those, this is not a good piece. Hoary, dull, silly, it would have been a space filler a decade ago.

One Star

The Deadly Image by McHugh Ferris

Emile Varner creates a robotic recreation of Lincoln and puts on a hugely successful show where people can experience his last night at Ford’s Theatre. But is history doomed to repeat itself?

Pointless piece of filler barely moving on from the current Mr. Lincoln Speaks attraction.

One Star

Revenge at the TV Corral! by J. de Jarnette Wilkes

Ken Dexter was the star of the major TV western, Western Marshal. Now he has been killed off and replaced by Bill Todd. When his wife also left him for Todd that was the last straw and he goes to murder them.

This is an odd story, that seems to be attempting some sort of metafiction, but never really works for me.

Two stars for effort.

The 13th Chair by Michael Quentin Lanz

Wes Pepper’s syndicated column is extremely popular but, with a huge libel suit against him and twelve deaths resulting from his distortion, his publisher want rid of him. But Mr. Pepper is not so easily got rid of.

A nasty story without much depth and the feel of Weird Tales.

Two Stars

Upon Reflection by Gilmore Barrington

Wilbur Trimble hates his wife and wants to kill her. Perhaps the Christian carnival that has come to town will provide an opportunity.

A bad horror story about a terrible man.

One star

Mommy, Mommy, You're a Robot by Dexter Carnes

Stevie Bellamy is an ordinary kid during the day, but at night he dreams of travelling from Omicron and that his mother is actually a robot. Do I even need to say where this is going? Unoriginal, poorly put together and speckled with random racist language.

One Star

Greetings, Friend! by Dorothy Stapleton and Douglas Stapleton

The Ecknode crashes on an unknown planet without any hope of escape. Suddenly he sees another craft come across the sky, is it his chance of escape?

It is ironic, given his introduction, that the editor gives us the most traditional science fiction story. Whilst not a “Bondian adventure” it is a dull old-fashioned first contact story that wouldn’t be out of place in '40s Astounding.

One Star

The New Way by Christopher Anvil

Burr Macon is Chief of Crime Documents, here helping deal with a prisoner who has confessed to murder. He gets to experience a new form of punishment and rehabilitation instead of the death penalty, reliving his victim’s experience.

If the last story felt like '40s Astounding, this was pure '50s Galaxy. Unfortunately, Anvil is not William Tenn or Robert Sheckley, and the whole thing feels rote. At least it is competent, which is more than I can say for most of this magazine.

Two Stars

The DNE?

END between a series of overlapping circles, reflected horizontally — Odd ending image used throughout Beyond Infinity

Whilst there were some good stories at the start of New Writings and a reasonable one at the start of Beyond Infinity, there was a decline throughout. Hopefully this devaluation can stop and not continue into subsequent issues.

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Book, Science Fiction/Fantasy

[August 16, 1965] New Writings in S-F 5

August 16, 2020 Kris Vyas-Myall Leave a comment

by Mx. Kris Vyas-Myall

A Holiday From Politics

With Parliament in recess, most of the politics today involces sniping backwards and forwards between Mr. Wilson and Mr. Heath from their holiday destination. So I am going to take a break from Parliament for a while to celebrate some of the great culture coming out from Britain right now.

British cinema continues to produce a variety of different pieces whether they be period comedies like Those Magnificent Men in Their Flying Machines, serious dramas like The Hill, science fiction like Dr Who and the Daleks, or the controversial The Knack …and How to Get It.

Irene Shrubik, producer of Out of this World

Launched just last year, BBC2 is already proving its worth as a channel, where we currently have a rerun of last year's fabulous version of The Count of Monte Cristo and a modernisation of Theseus and the Minotaur, The Legend of Death. The best looks to come however with Irene Shrubik producing a new followup series to Out of this World for the channel, Out of The Unknown.

A lot of new bands now seem to be more willing to experiment with complex sounds. The Yardbirds are the most visible example of this, but there are others coming on the scene such as Rey Anton and the Peppermint Men and The Pretty Things.

The Royal Shakespeare company continue to produce innovative plays, with two young radio playwrights, Clive Barker and David Wright, creating Strike!. A play that will explore the years between the end of the First World War and the General Strike using film, music and dance of the time.

Self Portrait With Nude by Dame Laura Knight — One of Dame Laura Knight's most famous pieces, Self-Portrait With Nude, 1913

This year will mark the first time a female artist is to get a large scale retrospective at the Royal Academy with around 260 pieces by the trailblazing Dame Laura Knight to be on display.

Whilst contemporaneously Pop Art is all the rage. With David Hockney as a leading figure, but other such as Eduardo Paolozzi, Richard Hamilton and Peter Blake, still being much buzzed about.

Best of British

And, at last, the book review at the heart of this article.

British science fiction and fantasy is going through something of a renaissance right now. With New Worlds and Science Fantasy going monthly, New Writings remaining quarterly and other anthologies like The Fourth Ghost Book and Weird Shadows from Beyond coming out, I believe we may have more SFF short fiction coming out than ever before.

Thankfully this does not seem to have resulted in poor quality publications, with the most recent New Writings being one of the best anthologies I have read.

New Writings in SF5 ed. by John Carnell

We are now on to the second year of these quarterly anthologies and this marks a slight uptick in quality. Whilst the authors are still a combination of Carnell’s old favourites and some new hands to the British magazine, there are no reprints this time around and it feels like there is a willingness to push the boundaries a little more and publish fewer old fashioned problem stories.

Potential by Donald Malcolm

In the opening story, John Edward Maxwell, director of D.R.E.A.M. (Dream Research Establishment) in London, is conducting research to discover whether increasing the quantity of dreaming did indeed increase the volunteers’ mental ability to work better. However, the dreams of one of the volunteers, MacLean, seem to contain strange mathematical formula and Maxwell wants to find out why.

This is a good mix of solid science fiction and the more experimental touches of the new wave. Whilst it does meander a little in the middle the story is engaging and the ending is a very interesting choice.

Four Stars

The Liberators by Lee Harding

Long ago a machine called The City was determined to do everything it could to ensure the survival of the race that once inhabited it, and those dreamers inside had come to believe that their only purpose was to serve the machine. Then, one day, from outside came a being called The Poet, who convinced them there could be another way…

This is a truly staggering story told in a fractured non-linear style. Lee Harding manages to evoke an amazing atmosphere through his use of lyrical prose. Right from the first sentence:

“They tumbled blindly through the endless twilight of the tunnel under The World, pallid little creatures with faces like a polished pebbles washed smooth by time, and pursued by a growing sense of guilt.”

I was absolutely enraptured. The first classic to come out of the New Writings collections.

Five Stars

Takeover Bid by John Baxter

Bill Fraser is brought in to investigate what has gone wrong with a new force field test that has apparently destroyed the mind of the test subject. Throughout this story we get an interesting investigation that sets up a really fascinating problem and asks a lot of philosophical question. What could be a really pedestrian idea, Baxter manages to make something new.

On particularly notable feature that raises this up is the presence of Col. Talura. He is a member of the Arunta people, and marks the first instance I can recall reading of an Aboriginal Australian who is not shown as a stereotype.

Four Stars

Acclimatization by David Stringer

It wouldn’t be a British science fiction publication without a story from Keith Roberts! Thankfully this one is better than the last under this pseudonym. In this piece we largely follow the thoughts of one man, Gerry, a spacer who is suffering from melancholy as he returns to Earth.

This is a really powerful piece about what the future of space exploration could look like to the people who take part in it. Simple idea beautifully done.

A strong four stars

The Expanding Man by R. W. Mackleworth

Algie Ryan encounters a man in park, who calls himself Smith, and they discuss Ryan’s encounter with another mysterious stranger.

I have read this a few times and I am not entirely sure what the point is meant to be. Mackleworth does it well but it feels a bit hollow, particularly compared to the strong stories that came before it.

Two stars.

Treasure Hunt by Joseph Green

Dr. Soames finds himself catapulted into a strange fairyland style environment, but a voice tells him he is merely a mental pattern implanted on another mind. Whoever has brought him there is told he is needed to find the fresh laid egg of a firebird, the most beautiful object in the galaxy.

This is a thoroughly readable blend of fantasy and science fiction which has interesting things to say about life and death.

Three Stars

Sunout by Eric C. Williams

Having appeared in the July New Worlds and the August Science Fantasy, Williams manages to complete the hat trick of the British SF field in a very short period of time.

In his longest piece to date, he produces a tale with a very literal title. A group of scientists discover the sun is going to go out very shortly. However, trying to get anyone in power to be willing to talk to them proves to be an immense challenge.

Combines two of the most recent trends in science fiction, the dark absurdist satire and apocalyptic fiction, rather well. This is no Doctor Strangelove but still likely to give you a grim chuckle nonetheless.

Three Stars

Outro

On the whole, the latest New Writings is an excellent anthology this time around. The first half is stronger than the second but, even then, there is only one vignette that did not work for me. Hopefully this upswing will continue and it can become the norm, not the exception.

And I'll see you later this month with another exciting anthology!

[Want to visit London of 1965? Don't miss this lovely tour prepared by Fellow Traveler, Fiona!]

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[July 26, 1963] Ups and Downs… New Worlds, August 1963]

July 26, 2018 Mark Yon 4 Comments

[P.S. Did you take our super short survey yet? There could be free beer/coffee in it for you!]

by Mark Yon

The coldness of Winter now seems a long way off. Can it be that I was almost up to my neck in snow a mere five months ago? Looking at my small garden, in full bloom, it is hard to believe the weather heralded a possible New Ice Age, and now we’re sweltering.

Such warmer weather (and an impending summer vacation!) leads me to more positive thoughts. This may also help with the reading of a new issue of New Worlds!

There seem to be some changes this month, beginning with the cover.

While a new cover is to be appreciated, it seems to be a change for expediency rather than for any artistic merit, though, at least you can tell from this that New Worlds is a science-fiction magazine, I found the new style made the type difficult to read, which rather defeats the cover’s purpose of attracting readers.

This attempt at change is also reflected in the story titles, which are now, annoyingly, all written in lower case letters.

Speaking For Myself, by Mr. Robert Presslie

In his attempt to discuss “What is wrong with Science Fiction today?” , regular New Worlds writer and now guest editor Mr. Presslie tries to relate to s-f from the perspective of the world-outside-genre by looking at a current British newspaper. His point? There the most heated debate of the day is not the importance of Telstar’s satellite successor, Relay; instead many pages are dedicated to an injury sustained by an English cricketer.

This then leads to the conclusion that the wonders of science are of little interest to the layperson when given more mundane, more human things to relate to, and further ,that the same can be said for Science Fiction. It’s a fair point, but nothing really new. I’m still of the view that, for many s-f readers, it is exactly because the genre does not appeal to the masses that makes s-f attractive.

To the stories themselves.

To Conquer Chaos (Part 1 of 3) , by Mr. John Brunner

The return of a New Worlds stalwart after a gap (at least under his own name) is to be heralded, particularly as Mr. Brunner seems to be making waves across the Atlantic and, like his contemporaries Mr. Aldiss and Mr. J.G. Ballard, is appearing less over here in Britain.

In Chaos, Mr. Brunner describes life on the edge of the ‘Barrenland’, some sort of post-apocalyptic wasteland that seems to be the border between Order and Chaos. Though the plot reads like a Fantasy, the account made me think it was rather Analog-esque, with all the trappings of a once-technological civilization in decay.

To Conquer Chaos is a good solid tale, a bit slow to start but likable in its execution, competent without being flashy or deliberately obtuse. One of the more memorable serials of late, even if it is really nothing particularly new. Mr. Michael Moorcock has trod similar ground recently with his Elric Fantasy stories and across the pond Mr. Poul Anderson and others have been telling such stories for a while now. 4 out of 5 so far.

The Lonely City, by Mr. Lee Harding

This is predominantly a mood piece about the passage of time and the consequential technological obsolescence. Whilst the story is full of implausibilities (why does the main character bother turning up on a boat, for example?) it does create a certain mood. Reminded me a little of Mr. J.G. Ballard’s The Drowned World, which I suspect Mr. Harding was trying to emulate. Here the title tells us all we need to know, really.

I think I quite liked this one by the end. 3 out of 5.

Foreign Body, by Mr. David Rome

I see that Mr. Rome is appearing in the US magazines this month as well, as fellow Traveller John Boston has pointed out in his review of this month’s Amazing. This one’s an attempt at a lighter story, but clearly still trying to curry favour with a known (ie: science-fiction-loving) audience – it's about an author whose royalty cheques are put into his letter box, yet they never seem to arrive. It’s a nice idea but the story doesn’t know how to end. Any tale that ends with an editor commenting on the crummyness of a submitted story is asking for trouble. I much preferred the story in Amazing .

3 out of 5.

Natural Defense, by Mr. P.F. Woods

Here’s another author who seems to have spent his time in the other magazines recently. This is Mr. P.F. Woods’s first publication in New Worlds since July last year. Natural Defense starts well as a First Contact story, but the solution to the problem that this unusual meeting creates is, frankly, laughable. 2 out of 5.

The Disposal Unit Man, by Mr. David Alexander

Another dud. Mr. Alexander’s story is an overexcited piece based on a flimsy idea, namely that in the future city residents are often culled by, you guessed it, The Disposal Unit Man. Future social mobility in action, but uncompellingly presented. 2 out of 5.

The Shtarman, by Mr. John Ashcroft.

Just reading the title of this novelette made me grimace at what I expected would be another weak attempt at humour. I was pleased to find that it wasn’t. Admittedly, the beginning wasn’t great – the first few pages made me believe that I’d wandered into some grotesque James Joyce-ian stereotype – but once the plot settled, this tale of alien telepathy did well to place a science-fictional theme logically within a modern setting. For that reason, it reminded me of those recent bestsellers by Mr. John Wyndham. That title needs changing, though! 4 out of 5.

Book Reviews, by Mr. Leslie Flood and Mr John Carnell.

The section seems to be much bigger this month. In this issue’s selection, short story collections The 4th Dimensional Nightmare by Mr. J.G. Ballard, Best SF 5 edited by Mr. Edmund Crispin, and the ‘remarkable’ Tales of Ten Worlds by Mr. Arthur C. Clarke are all reviewed by Mr. Flood.

American paperbacks of Mr. Clarke’s A Fall of Moondust, Star Surgeon by Mr. James White and a slew of books by Mr. Sam Moskowitz are reviewed by Mr. Carnell.

The book reviews, both for the British and the International releases, show me that there’s much out there to enjoy, even when the actual contents of this magazine pale by comparison.

Despite comments in last month’s issue saying that there would be a report of The First International S-F Film Festival , by Mr. John Carnell this month, clearly it was not written in time. Perhaps Mr. Carnell was too busy writing book reviews or having too good a time in Trieste to bother to write a report – or it was felt that it wasn’t worth the effort.

On balance, the August issue of New Worlds is more good than bad – I liked the Brunner serial, and the Ashcroft novelette was a pleasant surprise – but some of the other material was dire.

As much as the magazine is to be applauded for pushing the boundaries of the genre, there is still too much new material that fails to be both original and good. Mr. Carnell has lofty ambitions but seems to lack the money or the quality of material to meet the challenge. I do feel that without significant revenue (in other words, subscriptions), the magazine is struggling to purchase quality stories that would make a new reader curious or maintain the interest of an old regular.

How much longer can this go on?

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Magazine

[March 26, 1963] The Wind of Change: New Worlds, April 1963

March 26, 2018 Mark Yon 2 Comments

[While you're reading this article, why not tune in to KGJ, Radio Galactic Journey, playing all the current hits: pop, rock, soul, folk, jazz, country — you might just hear a song from the album released by a new British band: The Beatles!]

by Mark Yon

It’s the end of March, and with the arrival of Spring, at last, the long, long Winter of 1962-63 has cleared. All in about a fortnight. I can’t tell you what a joy it is to feel warmth outside the house, even if the snow has now turned to rain and damp. Many meteorologists are claiming that ‘The Big Freeze’ is the coldest on record, which it certainly felt like.

I’m not sorry to see Winter go. Hopefully now normal routines can be resumed, if a little damper than usual.

Whilst I try and dry out, let’s look at this month’s New Worlds.

Play With Feeling, by Mr. Michael Moorcock

This month’s Guest Editor is one of my personal-favourite authors at the moment, but not for science fiction. I really like his Fantasy stories of Elric, the albino warrior with a blood-lust, but Mr. Moorcock has been steadily building up a reputation in science-fiction as well. Perhaps more relevant here is that he is also one of the advocates, like Mr. Brian Aldiss and Mr. J. G. Ballard, of the so-called “New Wave” of writers who are determined to rewrite the conventions of science fiction.

It may therefore not be a surprise that Mr. Moorcock uses this opportunity to explain his viewpoint and set out his stall, so to speak. It’s done well, and I expect that this Introduction may be a rallying call to others. The ongoing debate in this magazine continues, but Mr. Moorcock gives a convincing case for change.

To the stories. There’s a lot of one-word titles this month, and,
like last month, a mixture of space exploration, strange aliens and espionage stories…

Window On The Moon, by Mr E. C. Tubb

Here’s my first surprise of the issue. After the movement of the serial to the back of the issue in the last few months, here it’s the first story we read. It’s also the return of a once- New Worlds regular, Mr. E. C. Tubb. Window On the Moon is a rip-roaring, hyper-sexed tale of ‘Brits-in-Space’, with a snap-inspection, a British espionage agent and a bio-computer.

Much in the breathless style of old Tubb tales, Window On the Moon has more than a touch of Mr. Arthur C. Clarke about it, which in my opinion is not a bad thing! Admittedly it is rather more sexual than Mr. Clarke’s work and also what I remember of Mr. Tubb’s usual material, although I rather suspect that the reason for this will be explained in later issues. Certainly, after the bombast of last month’s serial, it is a pleasure to read something that just does what it needs to do. But is it memorable? Almost a four out of five, but, in the end, a three out of five. [The Journey does not give half-stars for shorts… (Ed.)]

Quest, by Mr. Lee Harding

The return of Mr. Harding gives us a story of one man’s search to find something ‘real’ in an increasingly artificial world, although it is never clear exactly why there is this need. It reminded me of Mr. Philip K. Dick’s stories about the nature of identity and artificiality. There’s a twist at the end, which isn’t as original as it would like to be, but the story was an enjoyable read. Three out of five.

Dossier, by Mr. John Rackham

From another New Worlds regular, Mr. Rackham’s tale this time is a variant of the old ‘superhuman’ idea, with the key character using his superior powers of deduction to retrieve an important scientist captured by an enemy. It’s an exciting story, but I felt that the story hindered for being a retread. Three out of five.

Compensation, by Mr. James Inglis

Continuing this month’s issue trend of one-word titles, Mr. Inglis’s story is one of very different aliens meeting. When an Earth expedition meets the Thorm, the interspecies communication is more than the humans expected, or hoped for. The story ends with a pleasingly positive revelation, which suggests the uplift of the human race — but the ending felt a little insipid. Three out of five points.

Adaptation, by Mr. Roy Robinson

We finish this month’s fiction with a novelette from an author new to me, but who was actually last in New Worlds in 1959. An expedition team are sent to a new planet to trial conditions before the colonists arrive, and there find a rapidly adapting species that challenges their presence. A story that was more engaging than I thought it would be, the escalating events had a great sense of peril throughout until an ending that seemed appropriate. Four out of five — my favourite story of the issue.

At the back of the issue The Book Review from Mr. Leslie Flood returns this month, with reviews of Mr. J.G. Ballard’s The Drowned World (“local boy done good”) and the “thoroughly enjoyable, non-cerebral” entertainment of Mr. Poul Anderson’s After Doomsday.

In summary, the editorship of Mr Moorcock has produced a much-needed breath of fresh air this month. An issue with less filler than of late. This may be the sign of a change. The serial and novelette in particular seem stronger and generally better overall, combining aspects of the traditional with the ‘New Wave’.

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55 years ago: Science Fact and Fiction