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[February 28, 1966] A Bloody Return To Form (Doctor Who: The Massacre of St Bartholomew’s Eve)


By Jessica Holmes

Welcome back, everyone! We finally, finally get to move on to a new story. Jumping off the back of the behemoth that was The Daleks’ Master Plan, The Massacre of St. Bartholomew’s Eve is a breath of fresh air at just 4 episodes long.

It’s also a pure historical (goodness, I’ve missed them), and what’s more it centres on a topic I don’t know much about. It’s time to put Doctor Who’s educational value to the test.

WAR OF GOD

France, 1572. The TARDIS lands in the bustling streets of Paris. The Doctor and Steven don some local garb and head straight for the nearest tavern.

Inside, we meet several of our main characters, making for quite a convenient introduction. We’ve got the level-headed Nicholas and the hot-tempered Gaston, both Huguenots, and we also meet Simon, a Catholic with no great fondness for the bunch. It’s worth noting they’re all fictional. The script wastes little time in establishing their characters. By the time the Doctor and Steven actually get inside, I’ve got a pretty good read of the bunch. With the Huguenots not being too popular in Paris, Simon has little difficulty in convincing the landlord to spy on the Protestants.

Over a cup of wine, the Doctor and Steven make plans for their day in Paris. The Doctor plans to visit a man called Preslin, and in the meantime Steven decides to go sightseeing. Not that there’s much to see. Most of the Paris landmarks we know today haven't been built yet. Still, I suppose there’s Notre Dame.

There probably aren’t any nice little crêpe stands around yet, though.

As the Doctor leaves, he bumps into a stranger who begins to follow him. Steven attempts to go after him, but finds himself waylaid by the classic tourist blunder: not understanding foreign money. Seeing his predicament, Nicholas helpfully covers the tab and invites Steven to join him for a drink with his Huguenot friends.

Across Paris, the Doctor makes it safely to his destination. He finds an old man, an apothecary named Preslin. He is something of a conundrum for me. There is no Preslin as far as I have been able to tell. And yet, apparently this bloke has not only discovered microorganisms, but also found the link between microbes and disease. Setting aside the anachronism of the latter part, I don’t understand why this fictional character is presented as if he were actually a historically significant person. It seems to be made up for no good reason. I think it could make less historically-savvy viewers confused.

Back with Steven, the Huguenots soon meet Anne Chaplet, a runaway servant of the local Abbot, and agree to hide her.

Speaking of the Abbot, the Doctor’s asking Preslin about him right now. The (also fictional) Abbot of Amboise is by Preslin’s account a rather unpleasant character, and quite keen on throwing people into prison for heresy.

Anne tells the group after some coercion from Gaston that she overheard talk of a planned massacre of Huguenots. Unfortunately for her, the Abbot’s men know that she knows, and her life is at risk.

The Huguenots arrange for her to go to the kitchens of the (real) Admiral de Coligny, a prominent Huguenot and friend of the King. However, the landlord is making good on his promise to Simon. He listens intently as the group realise that there might be a plot brewing against Henry of Navarre, the Protestant prince who has just married the Catholic King’s sister. The Huguenots depart, leaving Steven to continue waiting for the Doctor.

The landlord tells Simon about the girl, and the newcomer Englishman, pointing Steven out to him. As Nicholas returns, Simon hides, watching as Nicholas asks the landlord to tell the Doctor, should he show up, that Steven is staying at the Admiral’s abode.

Successful, Simon can now report to his master, the Abbot.

Is it me, or does he look a bit familiar?

THE SEA BEGGAR

The Doctor fails to make an appearance at the tavern the following morning, so Steven returns to his Huguenot friends, who have a visitor: the secretary to the Abbot, Roger Colbert. He’s come to ask about Anne, the servant girl. Gaston lies to cover for her (he may be rather rude, abrasive and outright classist at times, but he does have his good moments), and sends Roger away.

However, Roger didn’t come alone. Out the window, the Huguenots spot none other than the Abbot himself! Steven finds himself in hot water with his new friends when he identifies the Abbot as the Doctor.

Under suspicion that he’s a Catholic spy, Steven takes Nicholas to find the Doctor and prove the uncanny resemblance.

Meanwhile, the Admiral meets with Marshal Tavannes (based on the real Gaspard de Saulx, sieur de Tavannes), and it quickly becomes apparent that they don’t get along well because of their religious differences.

Steven and Nicholas make it to the apothecary, but they find it empty.  A local woman tells them Preslin hasn’t lived there since he was arrested for heresy two years ago.

…Then who was the Doctor talking to?

Upon being confronted by Nicholas, who reasonably believes him to be a liar, Steven makes a run for it. Nicholas returns alone to the other Huguenots, and reports the unhappy news of Steven’s presumed treachery. However, Anne speaks out in Steven’s defence, him having only been the one to treat her with a bit of actual kindness and respect.

Refraining from referring to the working class as ‘nothings’ will do wonders for your interpersonal relations, Gaston.

Steven goes to the Abbot’s apartment, where he overhears the Marshal, Simon and Roger plotting the assassination of the ‘Sea Beggar’. Simon assumes the order comes from none other than the Queen Mother, Catherine de' Medici.

Steven hurries back to the Huguenots to warn them, narrowly avoiding the wrong end of Gaston’s sword. Operating more on testosterone than common sense, Gaston kicks Steven out, for which Nicholas scolds him. Sure, not stabbing the bloke was a nice gesture, but it might have been useful to actually try listening to what he had to say.

Anne joins Steven as he leaves, and the two decide to hide at the abandoned apothecary.

Back at the house, the Admiral arrives home. While all this has been going on, there’s been a bit of a subplot about allying with the Dutch against Spain. He thinks he may have got the King to agree to the war. However, the monarch warned him that if he goes ahead, the Admiral will go down in history as the ‘Sea Beggar’.

A weird nickname will soon be the least of his problems.

PRIEST OF DEATH

Though the war with Spain subplot does not enormously interest me, I have to tell you about it for context reasons, and also so I can make fun of characters for having silly ideas.

See, the Admiral seems to think that allying with the Dutch rebels against Spain will be just the thing to unite the country and quell the brewing civil unrest. He, a Protestant, wants to lead a majority-Catholic country into war against another strongly Catholic country. In aid of a bunch of staunch Protestants. Yes, that definitely sounds like it’ll be a really popular war.

The King’s got a worse attention span than me, though. He gets tired of the conversation and insists on changing the subject.

Steven tries to get Anne to come with him to the Abbot’s apartment. Come on, Anne, go with the nice handsome stranger. Though I wonder: how does Steven speak French? English schools are rubbish at teaching foreign languages.

The Admiral and the Marshal are on the brink of coming to blows over their religious differences (something I genuinely don’t understand and this serial doesn’t seem interested in really exploring) when the King finally sees fit to do a little bit of ruling and tells them to sit down and shut up.

Or something to that effect, anyway.

To which the Admiral responds by insulting his mother. The King likes that. She won’t bother him for the rest of the day now, so they can go and play tennis.

Sometimes I wonder how the concept of hereditary rule lasted as long as it did.

Steven finds the Abbot, and to buy some time with him he says he’s come to return Anne. He could have warned Anne first, but it does get the Abbot’s attention, and he tells the pair to wait for him while he has a meeting. Steven overhears everything, learning the location of the Admiral’s planned assassination. Before he can learn more, however, Roger spots him and informs the Abbot that Steven is the Englishman he’s been telling him about.

Steven runs back to the Huguenots to warn them, and Nicholas gets to the Admiral in the nick of time to watch him get shot. Well, it’s the thought that counts. At least he’s not dead.

Learning that the attempt has failed, the Marshal suspects that the Abbot is a traitor to the Queen.

The King isn’t happy to learn of the Admiral’s injury, though he might be more upset at having his game of tennis interrupted. It’s hard to tell from the temper tantrum.

The Admiral returns home, and Steven finally gets the chance to tell the Huguenots everything he’s learned, but he’s still convinced that the Abbot is the Doctor. Well, if that’s the case then he’s certainly very dedicated.

And also very dead.

We’d better hope that the Abbot and our Doctor are two different people, or we’ll need a new name for the programme.

What’s more, the death is being blamed on the Huguenots, stoking the tensions in the city even further. His Royal Foolishness puts the Marshal in charge of ensuring the Admiral’s safety. It comes to him as news when dear old Mumsie comes in to tell him that the Marshal was in on the plot, and so was she. Well, that’s monarchy for you. Kill your enemies before they get the chance to do the same to you.

In the streets, tensions continue to rise. The crowd are looking for someone to blame for the death of the Abbot. Steven arrives at the scene of the Abbot’s murder to find what looks like his friend (and only ride out of here) lying dead on the floor. He doesn’t have time to mourn, as the crowd turns on him when Simon spots him and points the finger. All Steven can do is run for his life.

BELL OF DOOM

Though delayed by the curfew, Steven eventually makes it back to Anne, who is very relieved to see him alive and in one piece. Together they comb over the apothecary’s shop, trying to discover where the Doctor stashed his clothes. If he can’t find the TARDIS key, Steven’s going to be stuck here. Paris doesn’t seem like a great place to live right now. Quite apart from all the religious unrest and lack of indoor plumbing, you can’t even buy a croque monsieur yet. I mean, what’s the point?

Anyway, he’d better hurry up, because the Marshal and Simon are planning to find and kill him. It’s just one thing after another for the poor bloke.

Anne finds the Doctor’s stick, but no sign of his clothes. Where could they be? Well, the obvious place.

They’re on the Doctor’s body.

The Doctor finally turns up, having been… where, exactly? On holiday? He’s not forthcoming with any answers.

Meanwhile, Gaston begins to worry about the obvious danger of the Admiral being guarded by a bunch of religious enemies. He advises that the Admiral should leave Paris, but the others refuse to consider it. To be fair the Admiral doesn’t look in any shape to travel, but I’m with Gaston on this one.

Alas, history is already written.

Upon learning that tomorrow is St. Bartholomew’s Day, the Doctor urges Steven that they mustn’t delay in returning to the TARDIS. Sending Anne off to her aunt’s house (against both Anne and Steven’s wishes), the Doctor practically drags Steven by the ear back to the ship with a hasty farewell.

He has good cause to hurry. Across the city, the Queen Mother meets with the Marshal, bearing an order signed by the King himself. The plans for tomorrow will go ahead. She tells the Marshal to disregard his list of targets. Once the killing starts, the good people of Paris will take care of things. They know who their enemies are, which is to say anyone not Catholic.

The Marshal isn’t keen on killing random innocent Protestants as well as their leaders.  It's not as if he actually does anything about it, so I can’t give him credit. He does however urge against killing Henry of Navarre for fear of provoking an all-out holy war, and the Queen Mother listens to him.

The Doctor and Steven leave Paris as the city plunges into chaos. As they leave the Doctor gives Steven a history lesson. The bloodshed spread from city to city, leaving as many as ten thousand dead in the city of Paris alone. Horrified to realise that all the Huguenot friends he made will be dead in a matter of hours, Steven’s furious with the Doctor for leaving Anne behind in the midst of all this. So furious, in fact, that he announces he’s leaving him behind wherever they next land.

The Doctor does seem to understand why this would be a deal-breaker for Steven, but he does give quite an interesting argument for his defence.

“…history sometimes gives us a terrible shock. That is because we don't quite fully understand. Why should we? After all, we're all too small to realise its final pattern. Therefore, don't try and judge it from where you stand…”

The part I find of particular interest is the Doctor’s comment on being too small to realise history’s final pattern. I find myself reminded of Ray Bradbury’s short story A Sound Of Thunder. In that story, a time-travelling tourist inadvertently causes disaster when he steps on a prehistoric butterfly, changing the entire course of Earth’s history.

Who is to say that removing Anne from her time and place wouldn’t do irreparable damage to the established course of events? I see the Doctor’s point, and his argument for non-interference.

Then again, he did take Katarina from ancient Troy, and who knows what that might have done to history? On the other hand, she did end up saving his life, sacrificing her life in the process. Perhaps that was history’s way of correcting itself. After all, she should have been long-dead by that point.

The TARDIS lands on present-day Wimbledon Common (that’s convenient!) and Steven leaves, the Doctor finding himself alone to reminisce about his companions and shatter my heart into a million tiny pieces.

“Now… they're all gone. All gone. None of them…could understand. Not even…my little Susan…or Vicki …and yes … Barbara and Chatterton… Chesterton! They were all too impatient to get back to their own time. And now… Steven. Perhaps I should go home, back to my own planet. But I can't. I can't.”

He still gets Ian’s name wrong, and something about that tugs at the heartstrings. I wonder why he can’t go home? For a few moments, the facade of the brilliant eccentric scientist falls away. We see what I think has been at the heart of the Doctor’s character for a long time, perhaps ever since Susan left: a lonely, homesick old man.

I want to give him a hug so badly.

Lest we get too sad, it’s at that moment a newcomer bursts into the TARDIS, mistaking it for a telephone box. Taken aback, the Doctor tells her that it most assuredly is not.

Steven comes running back a moment later (gee, that lasted a long time!) to tell the Doctor that a couple of coppers are coming towards the TARDIS. They'd all better get going.

The Doctor takes off in a hurry, seemingly forgetting about his guest. Then again, forgetting might have nothing to do with it. He seems more than happy to have acquired a new companion.

The woman doesn’t seem to mind being roped in to an unexpected adventure.  I suppose she forgot about the road accident she was trying to report in the first place.

The Doctor notes that this new friend, one Dorothea Chaplet (Dodo for short…and yes, I will be making fun of that) bears quite a resemblance to Susan.

Granted, I can see the resemblance, but I think the Doctor might have some issues.

Realising that Dodo has the same surname as Anne, the Doctor and Steven wonder if Dodo might in fact be her descendant. Apparently her grandfather actually was French. Well, it’s certainly possible, but I hardly think Anne was the only Chaplet in France. Plus, unless she was already married (of which there was no mention), wouldn’t any of her future children have taken her husband’s name?

The more you think about it, the less likely it gets. Nevertheless, I suppose it does relate back to the Doctor’s point about the pattern of history being impossible to see from inside events. Perhaps if they had taken Anne, Dodo might never have been born. It’s impossible to say.

Final Thoughts

The most important thing for you to know about this serial is that it’s thoroughly enjoyable. The pacing is excellent, the characterisation strong and the plot intriguing. This has been my favourite serial for quite a long time. I found myself quite impressed with Purves and Hartnell’s performances in their confrontation at the end.

Other than the bit with Preslin, the plot doesn’t contradict recorded history, and events play out as they should. I must note that it is not entirely agreed upon as to who orchestrated the massacre. However it is quite commonly attributed to Catherine de Medici, so I think that’s a reasonable stance to take for this story. There’s not really any deep exploration of the religious differences at the heart of the conflict. To be honest I’d be at a loss to tell you why the Catholics and Protestants hated each other so much. That might be a theological topic a bit too deep and nuanced to satisfactorily cover in a children’s television serial. I think the general point is that there is no point to this sort of violence.

I would have liked an actual explanation for the Doctor’s absence, as the lack of explanation makes it more glaring. Did he get to talk to the Abbot? Why does the Abbot look so much like him, is it just a bizarre coincidence? Was the man truly Preslin after all? After all, he seemed to want to help.

Looking back, it is quite a glaring flaw in the plot. As I understand it this serial was subject to some heavy rewrites, and this is where it really shows.

There is also a bit of mood whiplash at the end of the story. We go from a city gripped by religious violence to the bitter parting of Steven and the Doctor, the sadness of the Doctor alone, and then quite abruptly the comedic arrival of Dodo.

It’s a bit of a tacked-on companion introduction, and does undermine the power of the previous scene. Still, it’s only a small flaw when you step back and take a look at the whole thing. I am prepared to forgive it.

Also, it’s also a bit cheap to give Steven what feels like a proper exit and then bring him back about two minutes later. I’m in a pickle. On the one hand, Steven returning makes the previous scene seem pointless. On the other, I really like Steven and don’t want to get rid of him yet.

From a writing standpoint I have to disapprove, but from a fan standpoint I’m just glad to get more Steven.

The Massacre of St Bartholomew’s Eve comes as a welcome return to form for Doctor Who, and this viewer is eager to see what the next adventure will be.

4 out of 5 stars




[June 14th, 1964] A Whole Lot Of Heartache(Doctor Who: The Aztecs)


By Jessica Holmes

Friends and enemies, welcome back to another installment of Doctor Who. We’re diving into a pure historical serial today from the pen of John Lucarotti, concerning a fascinating Mesoamerican civilisation with quite the reputation: the Aztecs.

THE TEMPLE OF EVIL

The TARDIS lands in a burial chamber, and Barbara unleashes her inner magpie as she pokes around the grave goods, identifying the remains as belonging to an important Aztec who died around the 1430s. While admiring the grave goods, Barbara puts on a pretty bracelet she finds. That’s called stealing, Barbara. I don’t think he’s been dead long enough for it to count as archaeology.

Barbara exits the tomb onto a rather impressive set, showing us that we’re high above an Aztec city (possibly Tenochtitlan), presumably at the top of a pyramid. This is a bit curious, because as far as I’ve been able to find out, the Aztecs didn’t entomb their dead in their pyramids. Yes, I am going to continue being this pedantic through the entire review. No, I’m not sorry. You have been warned.

However, Barbara doesn’t get far before running into an Aztec priest.

The others emerge from the tomb and wonder where Barbara is. While they’re wondering, the door closes behind them, so they can't get back to the TARDIS. This does seem to happen a lot. You’d think the Doctor would get into the habit of parking in a more accessible location by now.

They’re met by a pair of priests, and in a pleasant surprise these holy men are downright friendly to the newcomers. I suppose it's too much to ask for authentic casting here. These priests are Tlotoxl, high priest of sacrifice (and also hammy acting, glorious hammy acting), and Autloc, high priest of knowledge. The Doctor is immediately suspicious of them, but the gang follow along and soon reunite with Barbara, who is a god now.

Don’t you just hate it when that happens? Put on a bit of bling and suddenly it’s all ‘hear my prayer’ and ‘please accept this sacrificial goat’.

Joking aside, the Aztec priests, having witnessed Barbara emerge from a sealed tomb with that stolen bracelet on, have come to the conclusion that Barbara is a goddess: Yetaxa.

I’m pretty certain that there is no Yetaxa in the Aztec pantheon, but who am I to argue with the chaps with the obsidian daggers?

Unable to get back to the TARDIS, the companions realise that they're going to have to keep up the ruse for as long as it takes to find a way back into the tomb, which doesn’t open from the outside.

Ian finds himself being groomed to lead the Aztec army. He is a servant of a god, after all. Who better to lead the mighty army of the Aztecs? Well, a man called Ixta, for one.

Ixta’s trained his whole life to be a warrior. He’s strong, he’s fearless, and he’s clever.

Ian is a science teacher.

They’re a little mismatched is all I’m saying.

Meanwhile, Autloc takes the Doctor to the Aztec equivalent of the old folks' home, where people in their golden years go to live out their days in peace and tranquility, doling out wisdom to any visitors. While exploring a lovely terrace garden, the Doctor takes a shine to a lady called Cameca, and the two get to talking about the architecture of the garden, and the pyramid it’s built upon.

Ian arrives to interrupt their nice little chat. He's not enjoying his time here nearly as much as the Doctor is. Why? Because there’s a drought on. You know what that means. Human sacrifice time!

To his shock, the Doctor urges him to just go along with things, both to maintain their cover, and not to interfere in the religious practices of the Aztecs. Easy for him to say, really. He’s not the one who’s going to get covered in blood.

In this sacrifice, however, Barbara sees an opportunity to flex her godly muscles. She’s a goddess, right? And everyone has to obey a goddess. Her idea is that if she can enact social change and eliminate the more disturbing aspects of Aztec society, by the time Cortez arrives they'll be perfect angels.

Perfect angels, Barbara, who will still be all but wiped out, either by the sword of the Conquistador in his lust for land and gold, or the uncaring indifference of smallpox.

I suppose her heart’s in the right place.

“You can’t change history. Not one line!”
The Doctor

Barbara doesn’t heed the Doctor’s warning, however, and when the time comes, she calls a halt to the sacrifice.

The victim, however, isn't grateful for the reprieve. By stopping the sacrifice, Barbara has denied him honour. Accounts suggest that many Aztec sacrifices weren’t just willing, they were eager for the honour of going to meet their gods.

Then again, the Aztecs did also like to sacrifice conquered enemies by the thousands. I don’t imagine they were quite so enthusiastic about the whole ordeal.

The victim, having been denied the obsidian blade, takes matters into his own hands as he flings himself off the pyramid. And lo! With death came rain.

And with this, Tlotoxl comes to an inescapable conclusion: whoever Barbara is, she’s no god. And for that, he shall destroy her.

A pretty good start to the serial, all in all, but nothing that really made me go ‘Wow!’. 3.5 out of 5.

WARRIORS OF DEATH

We pick up where we left off, and the high priest of scenery-chewing reaffirms his declaration that he shall see Barbara destroyed.

The Doctor and Barbara argue over her intervention, and how much danger it's put them in. The Doctor points out the victim wanted to be sacrificed, but Barbara wanted the Aztecs to see that the rains could come without it. The Doctor briefly loses his temper, upsetting Barbara. Realising what he’s done, he apologises for being harsh with her. I absolutely love this scene. There’s something so wonderfully human about it the emotions here. The anger, frustration, desperation, distress, remorse. It’s wonderful.

The Doctor goes off to meet with Cameca, leaving Barbara to verbally spar with Tlotoxl, who tries to trick her into revealing her lack of divinity. However, Barbara’s sharp wit parries every one of his jabs.

Meanwhile, Ian's with Ixta, and he has a trick up his sleeve; or rather, at the end of it: his thumb.

By pressing his thumb into the back of Ixta’s neck, Ian manages to knock him out cold.

I want to know both how he can do that, and how to do it myself. It’d come in handy. My brother can be quite annoying sometimes.

Ixta is humiliated, but he has one chance left to prove himself: a duel with Ian, at sunset.

Meanwhile in the garden, the Doctor enjoys the company of Cameca very much. For all his early causticness, it looks like the Doctor’s becoming a bit of a softie.

Cameca arranges for the Doctor to meet with the son of the architect who designed the pyramid. As it turns out, it’s Ixta! He agrees to meet the Doctor, and cryptically remarks “What better way to destroy your enemies than to let them destroy themselves?”

Sounds rather Sun Tzu.

Susan, meanwhile, is learning how to be a good Aztec housewife. It is not very interesting. I’m not going to even ask how she’s reading Aztec writing, let alone apparently speaking fluent Nahuatl.

Ixta tells the Doctor about his upcoming fight, but leaves out the fact that it's to be against Ian. Assuming that he wins, he’ll bring the Doctor the plans for the pyramid after the fight. In order to ensure Ixta's victory and continued assistance, the Doctor offers to help him. He gives Ixta a little concoction: a cactus spine stuck into a leaf. Impressive. The poison won't kill his opponent, but it'll slow him down.


Don’t look quite so pleased with yourself, Doctor.

When the Doctor tells Barbara what he’s been up to, he’s shocked to discover that he’s actually helped sabotage Ian’s chances of victory against Ixta. However, he’s unable to warn Ian in time, and in the heat of the fight, Ixta pricks Ian with the cactus spine.

The poison overcomes Ian, and he’s completely helpless as Tlotoxl urges Ixta to finish him off.

It looks like Barbara’s going to have to cook up a bit of divine intervention.


Just look at this costume, though. Isn’t it marvellous?

This was rather a good episode, possibly my favourite of the serial. 4 out of 5.

THE BRIDE OF SACRIFICE

Real or pretend, it’s a bad idea to mess with Aztec gods.

Sadly, Barbara doesn’t have the ability to call down bolts of lightning and start smiting people, but she finds herself the next best thing: a knife. With the dagger pressed to Tlotoxl’s throat, Barbara orders Ixta to leave Ian alone, or she’ll kill the high priest.

With Ian safe, Barbara talks with Autloc, who seems to be coming around to her way of thinking. In a few days there’s to be a sacrifice to the sun god, as there’s going to be an eclipse, and only blood will bring back the sun.

Ian wakes up from his little drug-induced nap to find Ixta standing over him with a knife, which is mildly alarming. Luckily, Ixta doesn't fancy killing him right now. He'd actually like to be friends, at least for the little while Ian has left to live. Next time, Ixta will kill him. Nice bloke.

Along comes Tlotoxl. He asks about the drawings Ixta has agreed to show the Doctor. It turns out he never had them! The secrets of the tomb died with Ixta’s father.

Back at the garden, Cameca's got some cocoa beans. The Doctor proposes that they take a cup of cocoa together. From the way she reacts, I think we're headed for a misunderstanding straight out of a romantic comedy.

…They do make a cute couple, though.

Ian sneaks up to meet Barbara and warns her that Tlotoxl is up to no good, as if she couldn’t have already guessed. In their conversation, Ian tries to convince Barbara that Autloc is the outlier among the Aztecs because he’s ‘civilised’ and not as eager for blood as the other Aztecs they’ve met. Um, what about Cameca? She seems nice and normal.

The conversation just leaves a bit of a bad taste in my mouth. Don’t get me wrong: the Aztec rulership and priesthood were incredibly cruel; it’s a big contributor to the neighbouring tribes turning on them with the arrival of Cortez. I just don’t like writing off an entire culture as Evil.

Along comes Tlotoxl, all smiles and friendliness, to offer Barbara a drink.

Barbara orders Tlotoxl to drink first. When he refuses, she flings the poison at his feet. He admits that he was trying to test her, and, furious, Barbara lets him in on her little secret. She’s not Yetaxa. She’s not any kind of goddess. But it’s her word against his, and if he tries any more funny business, she can have him killed.

Well, this has all taken a rather dark turn, hasn’t it? Let’s see what the Doctor’s up to.

The Doctor makes Cameca a nice cup of cocoa, but when Cameca delightedly says that she accepts his proposal, the look on the Doctor’s face is a joy to behold. Whoops!

Still, we can’t really blame the Doctor for this misunderstanding, and must instead shake our fists vigorously at whoever did the historical fact-checking here, because that’s not how the Aztecs proposed marriage. Marriages in Aztec society were arranged between the families of the couple-to-be, facilitated by an elderly female matchmaker.

I’m willing to forgive this outright fabrication, however, because it’s hilarious. And apparently the Aztecs did sometimes use chocolate as an aphrodisiac, so it’s not that far off.

Our two lovebirds retreat to the garden, where Cameca gives the Doctor a medallion with the seal of Yetaxa. It was given to her by Ixta’s father, who used to be in love with her. Oh my!

The Doctor shows Ian the medallion, and tells him of his suspicion that there's a tunnel linking the tomb and the garden; both have Yetaxa's seal on the walls. Oh, and he casually mentions his engagement. Ian's reaction is priceless.

The night before the ritual, Ian gets up, and sneaks off to the garden. However, he doesn’t go unnoticed.

Ian helps the Doctor pry open the seal on the garden wall, revealing a secret tunnel into the pyramid. Ian goes in to have a look, but while he’s in there, along comes Ixta, who blocks off the tunnel.

If that wasn’t bad enough, Ixta reveals another piece of information about the construction of the pyramid: these tunnels are used to carry water. A pretty impressive feat of engineering, but bad news for Ian! They’re bone dry at the moment, but not for long…

Uh oh.

This episode isn’t quite as good as the previous, but the hilarity of the accidental proposal makes up for the shortcomings. 3.5 out of 5.

THE DAY OF DARKNESS

Ian manages to lift up a slab in the ceiling and crawl through before the water takes him. Did you really think they’re going to kill off one of the main characters?

The Doctor begs Ixta to open the wall, admitting that Ian is in the tunnel. Ixta just laughs and walks off, leaving the Doctor thinking he's just got Ian killed.

On the contrary, Ian’s found his way into the tomb! He wastes no time rigging up some leather straps so that the door can be levered open from the outside.

Exiting the tomb, he runs into Barbara and the Doctor, who are very relieved to find him alive and well, if a bit dusty. All they need now is to get Susan and go, so Ian goes to look for her.

However, Tlotoxl has put Susan under Ixta's watchful eye. Ixta tells Susan that Ian is dead. We know better, but what Ixta doesn’t know can certainly hurt him, as Ian sneaks up from behind and subdues him with the old back-of-the-neck trick.

Off they go to leg it back to the TARDIS, but it seems that levering the tomb open is easier said than done. The door is just too heavy.

Ian and Susan head off to try the tunnel again, so that they can let the Doctor and Barbara through the other side.

However, on their way to the garden, they find Autloc on the floor, injured, and beside him is Ian’s club. He’s been framed! As Ian and Susan are hauled off, Autloc declares them servants of a false goddess. Our companions are fast running out of Aztec allies.

Up at the garden, the Doctor is whittling a wheel. He has an idea about making a pulley system to get the door open. The Aztecs don’t have the wheel, so he has to make his own. Cameca offers to intercede on Ian’s behalf. I like Cameca, and I like her dynamic with the Doctor. It’s a very nice relationship.

This makes it a bit confusing, then, when Cameca and the Doctor discuss the Doctor’s hopefully imminent departure. It’s rather cold and wooden, whereas their other scenes have been very warm and genuine. Maybe it was an attempt to show the pair of them putting on a brave face? I don’t know. I don’t know whether it’s the acting or the writing or what it is, but the scene doesn’t really work for me.

Autloc gives Cameca a Special Shiny Thing which basically represents all his wealth. She’s to give it to the man guarding Susan, in order to turn his head. Then, Cameca is to escort Susan up to the temple. Autloc, for his part, has a lot of thinking to do about his life choices, so he decides to leave the city and become a hermit.

We’ve all been there, Autloc.

The guard takes a while to think about the bribe, so Ian makes his mind up for him and clobbers his neck.

Cameca and Susan make a break for it, while Ian starts stripping the guard.

Cameca arrives at the tomb with Susan, and the Doctor sends her away. This farewell is a bit sadder and more sincere. Cameca only asks that the Doctor should think of her.

Let’s try not to think about what the likely consequences are for Cameca’s aid to the false goddess and her servants.

The ceremony arrives, and Tlotoxl tries to kill Barbara. However, he should have taken a closer look at the guards first, as one of them turns out to be Ian! Tlotoxl calls for Ixta’s aid, and it’s time for the ultimate showdown.

They fight atop the pyramid and unfortunately there are so many close shots that it's really hard to tell what's going on. That is, until Ixta has Ian on his back at the top of the steps. As Ixta goes to make the killing blow, Ian succeeds in throwing him off balance, sending Ixta tumbling down the deadly steps of his father’s pyramid.

Victorious, Ian rejoins the others, who have managed to get the tomb open with the Doctor’s pulley system. They all rush inside, and the Aztecs turn up too late to stop them.

Tlotoxl allows them to go. The eclipse has arrived, and the victim’s heart isn’t going to rip itself out.

Inside the tomb, Barbara is depressed about failing to save the collective soul of the Aztecs, and making Autloc doubt his faith. The Doctor tries to reassure her. She couldn’t save them all, but at least she saved Autloc.

It’s not really much comfort, is it? The sacrifices are going ahead, a good man has had his life ruined, goodness only knows what’s to become of Cameca, and in a few short decades, this civilisation will fall, and the native population of Mexico will decline over the following century by as much as 90%.

With a sense of defeat, the companions head off in the TARDIS once again, but it looks like they aren’t safe after all. The ship starts to make a funny noise, and one set of instruments says they’ve stopped, but another says they’re moving.

How can this be?

Perhaps they’ve landed on something.

Or…

In something.

Not a bad one, but lacking the intrigue of the earlier episodes, and a pretty lacklustre climax, I think I have to give this 3 out of 5.

Final Thoughts

In editing down the frankly absurd word count I had for the initial draft of this review, I found myself having to excise commentary on entire plot threads in order to get the article down to a reasonable length. It was while doing this that it occurred to me, that as I could excise these scenes from the review, a lot of them could have been taken out of the serial itself, and the story still would have made sense. There’s a fair bit of wheel-spinning (well, the Aztecs didn’t have wheels, but you know what I mean) in this serial. A lot of quite similar scenes keep popping up. Barbara talks to Autloc about human sacrifice. Tlotoxl tries to unmask Barbara as a false god. A companion is arrested, and released a scene or two later. I cut some of these out of the review because they just didn’t go anywhere.

That’s not to mention the many scenes where characters discuss in detail their plan to do something or other, then are shown doing that something or other. It just seems redundant. Just show the latter.

There’s clearly a lot of interest in Aztec culture on display here, though I do think there’s more interest in the more bloody aspects of Aztec culture and religion than there is in the more mundane side of things. That’s a bit of a shame, really, because I like seeing the aspects of a society that are often left out of the popular narrative. However, the Aztecs as depicted here are certainly interesting, so I hope that this serial prompts a young lass or lad to crack open a history book– provided that their parents let them watch the story in the first place!

That’s about all I have to say on The Aztecs. I hope you enjoyed my rambling and armchair history, and I’ll see you next month, when I’ll be reviewing the first part of the next serial of Doctor Who.

My overall rating: 3.5 out of 5 stars


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