X Minus One!  (10-26-1958)

“X minus 5…4…3…2…X minus 1… Fire.

From the far horizons of the unknown come transcribed tales of new dimensions in time and space.  These are stories of the future adventures, in which you’ll live in a million could-be years on a thousand maybe-worlds.  The National Broadcasting Company, in cooperation with Galaxy Science Fiction magazine, presents:

X!  Minus!  One!”

Has it really been almost a year since X Minus One went off the air?

What?  You’ve never heard of X Minus One?

Sit down, Lucy.  I’ve got some ‘splainin’ to do. 

As you know by now, I am a big fan of Galaxy Science Fiction (except they changed their name to simply “Galaxy” earlier this year; perhaps they are trying to diversify their audience, or perhaps spine lettering costs too much per letter).  Galaxy is one of the Big Three s-f digests.  Its content ranges from decent to excellent.  So you can imagine how excited I was when NBC partnered with Galaxy to adapt some of its best stories into half-hour radio shows.  And this from the network known for the Dinah Shore show and The Great Gildersleeve!

I was lucky enough to catch the show at the beginning thanks to the ads that appeared in Galaxy.  I’m sure I’ve listened to the better part of a hundred of them.  I never missed an episode by choice (even though I was familiar with all of the stories, all of them having appeared in Galaxy’s pages before).  But, family matters sometimes took precedence, and on a few occasions, NBC switched up its broadcast schedule, leaving me rather steamed for the evening.

It is my understanding that there was another show early on in the decade with similar content, and I found out after the fact that John Campbell (editor of Astounding) tried doing his own science fiction dramatization show for a year or so, but I never caught a listen before it went off the air.

I only wish they would make more, or at least there might be some place I might listen to them all again. In case any of you find that NBC recorded them all on 33s somewhere, here are some of my favorites:

  • “Skulking Permit” by Robert Sheckley
  • “Junkyard” by Cliff Simak
  • “A Pail of Air” by Fritz Leiber
  • “Star, Bright” by Mark Clifton
  • “Hallucination Orbit” by J.McIntosh (or was it J.M’Intosh?)
  • “Saucer of Loneliness” by Ted Sturgeon
  • “Something for Nothing” by Robert Sheckley

I think that’s the order in which I heard them.  In any event, even if you can’t get your ears on the X Minus One adaptations, I’m sure you can find the written stories.  They are all worth reading.  I’m pretty sure Katherine MacLean, who I talked about a few days ago had one, too, though I don’t remember its name. 

Being unable to listen to these shows again drives home just how ephemeral broadcast entertainment really is compared to the written word.  We lament the loss of the Library at Alexandria, but we still have hundreds of surviving Classical works.  X Minus Zero is just.. gone. 

If NBC ever revives this show, I’m going to buy an old wire recorder or (since they are becoming quite affordable these days) a reel-to-reel tape recorder just so I can listen to episodes over and over.  Maybe I’ll be the modern-day Alexandria of science fiction!

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One thought on “X Minus One!  (10-26-1958)”

  1. The Katherine MacLean story adapted for X MINUS ONE that you are trying to remembe would be her “Pictures Don’t Lie” (unless they did two of hers, if so I’m not aware of another).  This is the one about the earth folk waiting to greet the friendly aliens about to land on earth, remaining in televised communication with them throughout the approach, and then . . . .

    Amusingly enough, the same story was adapted some years ago in one of EC Comics’ science fiction books — they changed the title and “spiced” up the reveal at the end, but it’s clearly the same story.  I don’t believe they acknowledged their “inspiration” in the comic, and I doubt if the author got any sort of payment from them.  But the fact that the story works equally well in straight prose, as a radio drama, and in comic art format certainly speaks to its strengths, or at least its cleverness.

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