Tag Archives: R. Glynn Jones

[May 26, 1969] Cornelius Overload! New Worlds, June 1969


by Mark Yon

Scenes from England

Hello again!

The continuing voyage of the new-new-new New Worlds continues apace. (Apologies – I’m still recovering from being told that it looks like the BBC are finally – finally! – going to show Star Trek over here starting in the Summer!)

Anyway, on to this month’s issue. 
A black and white drawing of Jerry Cornelius, staring at the reader. Black skin, white hair, black clothing, red background, , with a blue background. The head is facing towards the reader in the middle of the page.
Cover by Mal Dean

Well, that’s better!! After the succession of frankly dull covers with faces on, this is a breath of fresh air – scarily dark, vivid, startling – never has Jerry Cornelius looked more frightening. Should get casual readers interested!

Lead-In by The Publishers

The fact that we have two stories of Jerry Cornelius this month is heralded by the Lead-In, as it should.

A Cure for Cancer (Part 4 of 4) by Michael Moorcock
IMAGE: We have a black person facing a group of inviduals in the story- a bishop, a woman holding a gun, a naked woman, a woman in a catsuit, an officious looking male and a question mark.Drawing by Mal Dean

As we reach the end of the story things begin to make some sense, although to some extent the point of the story is to be confusing, I think!

It is still non-linear, almost dadaist in its narrative structure. This is a story less about plot and more about the little vignettes, scattered across different times and different universes. At times the contradictory nature of these elements add to the confusion.

Keeping it simple, Jerry manages to retrieve the gizmo he has been chasing over the last three parts and we now know that it is important because it allows the user to control multiple universes and see all the alternatives at once. As a result, characters we thought had gone now reappear – Bishop Beesley, Jerry’s brother Frank, Mitzi, and most important to Jerry, his sister Catherine.

The Cure for Cancer is perhaps most important for being an indicator of the times. It is the sort of story I think you need to read with Jimi Hendrix’s Are You Experienced?, or the Beatles’ White Album playing in the background – both artists have been mentioned in the narrative. Its thoughts on race, war (deliberately satirising Vietnam) and sexual freedom are indicative of being made for an angry, disillusioned and, perhaps most of all, young readership. 4 out of 5.

Three Events of the Same View by John G. Chapman

Another one of those anti-religious stories New Worlds likes. In the first part, Pope Honorius is imprisoned in a castle by the cardinals after declaring there is no God. In the second, a domestic scene involving a garden shed and a request to store cadavers there before an Undertakers Convention. In the third, the view is from a Commandant in a concentration camp. Nice prose, but if there’s a connection, I couldn’t see it. 3 out of 5.

Playback by Granville Hawkins

An un-named narrator uses illegal equipment to play back a recording of sex. It unfolds that the recording is of his wife, who with their children has been killed in a destroyed London by the moralistic "Calvs". As a final act of defiance, our narrator shows the unlawful recording to the public by projecting it onto a chapel wall. It doesn’t end well. An odd yet memorable story, well written, graphically depicting a dystopian future – rather like Orwell’s 1984 meets the Night of the Long Knives, with racist hangings, castrations and sex. 3 out of 5.

Babel by Alan Burns

PHOTO: Two images, split horizontally. The top half shows owls. The bottom half has two people running from left to right across the picture. One is a man dressed as a cowboy, the other a woman dressed in a black catsuit. Drawing by Mal Dean

An author on his debut here. This is a story that has paragraphs, each a different story. In other words, this is Ballard-type pastiche, which could be good, but this is filled with such stream of consciousness nonsense that it feels like a bad hallucinogenic drug trip. For example: “Men are opening the Moon. Streams of wheels have springs of space.” 2 out of 5.

Between the Tracks by Ron Pagett and Tom Veich

A story with the same events repeated over and over, but slightly different each time. Most begin with a ‘boy’ travelling along ‘the tracks’ but things are not what they seem. Allegorical tale, with nods to Bradbury’s Martian stories, I noticed. Nicely done, but I’m not sure I ‘got it’. 3 out of 5.

Spoor by Alan Passes

PHOTO: An black and white photo of ripples in water, possibly a lake. Photograph by Gabi Nasemann

A story about a man searching for Jayne in a Royal Park. Along the way a number of people around him are suddenly eaten by dangerous animals – a lion, an alligator. At the end he finds Jayne fornicating with a gorilla. I get the impression that all this is meant to be funny (“Me Tarzan, you Jane”, perhaps?), but I just found it unpleasant and meaningless. Another dream-state tale. 2 out of 5.

Flower Gathering by Langdon Jones

IMAGE: A picture of the page, showing pretty patterns of text that say THE GARLANDS OF LOVE WEAVE FOR US.
Langdon Jones’s latest piece, text written out in pretty patterns (which is rapidly becoming a prose-thing that I hate) to say THE GARLANDS OF LOVE WEAVE FOR US – or is that WEAVE FOR US THE GARLANDS OF LOVE? I guess this is an attempt to give prose a new form, but for me pretty meaningless. 1 out of 5.

Sub-Entropic Evening by Graham Charnock

IMAGE: A photograph of a man with curly hair playing a guitar whose face is obscured by a gas mask. Photograph by Gabi Nasemann

We’re back in Graham’s CRIM-world for this one. (The first was in New Worlds in November 1968, the last in the March issue three months ago.) This is a story where nothing is what it seems, another set of descriptions written as if the people are in a drug-induced, dream-like state. Jones, Dragon, Velma, and Cat live near an Arena where people seen as enemies of the state are routinely incinerated, and there’s a music concert played by musicians which can cause blindness and death in some sort of suicide pact. It’s all vivid but odd and rather unpleasant. Not a place I’d want to live in, but I guess that is the point. 3 out of 5.

The Fermament Theorem by Brian W Aldiss

A black and white drawing of four figures walking to the foreground, emerging from a desert island. The person in front is carrying a head on a pole.Drawing by Mal Dean

In which Brian Aldiss takes up the mantle to write a Jerry Cornelius story. Earlier in the year Mike Moorcock did say that the sharing of the Jerry Cornelius character was about to happen. Is it any good? It is such a confused mess of satire, social commentary and sex that readers will either think of it as a work of genius or be horrified by the unstructured elements claiming to be a story.

IMAGE: A black and white image drawn in a circle of an old man waving a white flag that has been shot in the head.Drawing by Mal Dean

I enjoyed it, even if I’m not sure I understood it all. There’s a story in there about the origin of the solar system being allied to the Moon and sex, comments on popularism and culture, not to mention lots of obscure references to people such as astronomer and science fiction writer Fred Hoyle, the Archbishop of Canterbury and author Robert Graves. In summary, Aldiss manages to take the key characteristics of a JC story – fluid sexuality, references to culture, fashion and society – and turn them into a satirical commentary – I think. What I found most interesting was that although Cornelius barely appears in the story, Aldiss has managed to write a Jerry Cornelius story in Moorcock’s style. It doesn’t feel out of place in the Jerry Cornelius series, although lighter in tone than A Cure for Cancer. I’ll give it 4 out of 5, although I accept that it could score anywhere between 2 (unstructured mess) – and 5 (work of genius!) depending on the person reading it.

Book Reviews: Use Your Vagina by J. G. Ballard

Image of the advertisement for the book as shown on the back page of New Worlds.Advertisement from the back cover for the reviewed book.

In which J. G. Ballard reviews in detail a “sexual handbook.” Wouldn’t happen in Analog!

Book Reviews: The Boy from Vietnam by M. John Harrison

More relevant, perhaps, Harrison reviews a collection of two stories, one by Aldiss and one by Ballard in a book entitled The Inner Landscape, with varying degrees of success. Harrison then claims that Aldiss is “on better form” with his collection of five novellas in Intangibles, Inc. Eric Burdick’s Old Rag Bone is a non-genre book seemingly dealing with Catholic guilt.

Lastly and in keeping with contemporary themes, Harrison reviews Norman Mailer’s Why Are We in Vietnam? reminding me that the magazine is sold in the US as well as England. The book was reviewed in more detail by Douglas Hill in the March 1968 issue of New Worlds.

Book Reviews: The Comrade from Ploor by James Cawthorn

James Cawthorn generously reviews E. E. “Doc” Smith’s Subspace Explorers as a book that “offers the kind of entertainment that made the good old days of sf what they were” (ie: not the sort of story found in New Worlds today!), Brother Assassin by Fred Saberhagen which “stretches credibility just a little” and John Brunner’s Double! Double! which has “no credibility whatsoever”. There’s also an Ace Double with Code Duello by Mack Reynolds and The Age of Ruin by John M. Faucett, a review of a new biography of Edgar Rice Burroughs by Richard A. Lupoff, World of the Starwolves—a space opera by Edmond Hamilton, and positive reviews of James H. Schmitz’s This Demon Breed and Hal Clement’s story collection, Small Changes. I was pleased to see some more traditional sf get some positive comments.

Book Reviews: The Machiavellian Method by R. Glynn Jones

R. Glynn Jones reviews a book on tyranny, which is most disconcerting for having photographs of Hitler’s teeth.

Book Reviews: Woman’s Realm by D. R. Boardman

Lastly, D. R. Boardman reviews The Tunnel by Maureen Lawrence, a “competent first novel”. Was mildly pleased to see that it has been written by an ex-academic who is local to me, but not really my sort of thing, being the story of “a bored lonely woman living a boring life”.

Summing up New Worlds

Good news: although the scores may not reflect it, this is a better issue than the last. Although not perfect, the magazine scores with the conclusion of the Moorcock serial and Brian Aldiss’s take on the character. They are recognisably similar yet different, both confusing and subversive. New readers will not have a clue, regular readers will appreciate the word play and anti-establishment satire.

On the other side of the coin, there is also lots of material by relative unknowns, the new lifeblood of the magazine. Most of it is acceptable, though rarely outstanding. For example, the Hawkins was OK, but like Obtuowicz’s story last month really was another unpleasant story without anything really new to offer, Alan Passes’ Spoor was just dreadful.

Anyway, that’s it, until next time.






[April 24, 1969] The Strange New Normal New Worlds, May 1969


by Mark Yon

Scenes from England

Hello again!

With this issue of New Worlds, number 190, we now seem to be getting back to a regular monthly schedule and the new style seems to be bedding itself down into a regular format – although this being New Worlds I suspect that they would hate any hint of things becoming routine.

Quick recap, then. Recently Charles Platt and Michael Moorcock stepped away from full-time editorial duties, leaving the magazine in the capable hands of Langdon-Jones. His first issue last month was a corker, with the first publication of a Harlan Ellison story in Britain (although to be fair I had read some of his other work published in the American magazines beforehand.) As a result, the new mantra seems to be that New Worlds even though under new management will continue to publish cutting edge, controversial material that defies borders and descriptions.

Each issue seems to continue a confounding mixture of good, bad and weird prose, not to mention poetry. Its appeal to me seems to be that I never quite know what I’m going to get next, although with the poetry I have a fairly good (or is that bad?) idea.

Anyway, on to this month’s issue. 

A picture of a head in black, with a blue background. The head is facing towards the reader in the middle with the two images either side facing outwards.Cover by Gabi Nasemann

We’re back to the odd pictures of people’s faces on the cover this month.

Lead-In by The Publishers

As is usual, information is given on the contributors. This month, Harvey Jacobs, Brian Aldiss, poet Libby Houston, science editor Dr. Christopher Evans, his secretary Jackie Wilson and a photo of author Marek Obtuowicz without any further detail.

The Moment of Eclipse by Brian W Aldiss

A black and white photo of a woman’s head but split horizontally across the eyeline to create a mirror image above.Photo by Gabi Nasemann

The Lead In tells us that Brian’s latest offering was inspired by Thomas Hardy’s Poem Inspired by a Lunar Eclipse written in 1902.

This however is a more contemporary work, about a modern film maker and his pursuit of Christiania, a woman he has met, despite the fact that she is married and with a son. So, a story of lust, combined with Aldiss’s quirky humour and his love of global places that we have read before – not to mention a parasitical worm that will frighten any devotees of Frank Herbert’s Dune!

I liked this generally – mainly because it shows Aldiss’s precise and illustrative prose without so much of the oddness exhibited in his recent Charteris stories. 3 out of 5.

The Negotiators by Harvey Jacobs

A black and white drawing of soldiers being bombed by aeroplanes.Image by Mal Dean

This story is set in Vietnam as a dialogue between two negotiators hoping to cease the conflict there. Whilst the two characters grow closer, the war continues. A story that through vivid imagery and prose, at times sexual, basically suggests that war is bad, but that love may bring peace, or at least agreement. 4 out of 5.

Article: The Responsive Environment by Charles Platt

Platt interviews Keith Albarn, an architectural artist who makes furniture and buildings that adapt and can be rebuilt to individual needs. These range from a funfair in Margate to theatre design, educational toys, and a fun palace in Girvan, Scotland.

A plan, with a key of the Girvan Fun Palace, designed by Albarn.A map of the Girvan Fun Palace, Image by Unknown

3 out of 5.

A Cure for Cancer (Part 3 of 4) by Michael Moorcock
IMAGE: A drawing of tilt-wing turboprop aeroplane taking off into the air above a clifftop. On the cliff we have a rabbit and a North American Indian on horseback shaking their fists at the rising aeroplane. On the bottom right of the picture we have Bishop Beesley on a boat also shaking his fist at the plane.
Image by Mal Dean

More fractured escapades with Jerry Cornelius. Much of this part has Jerry travelling the world in search of the missing techno-wotsit. Really though this gives Moorcock a chance to show us the world, from his own street of Ladbroke Grove, London, to trendy Soho and the King’s Road, Chelsea before going on to other places such as Las Vegas and Sumatra.

Cornelius meets his brother Frank again (last seen in the March 1966 issue of New Worlds as part of The Final Programme novel) and sister Catherine, in suspended animation, but really the story appears to mainly be a minor point whilst we examine the setting of a free world in decline. Most of these places have been bombed, London has an air-strike whilst Jerry is in it, Americans are filling the world with ‘advisors’ whilst dealing with civil riots of its own on home territory.

Things begin to make more sense and there’s a feeling that we might be drawing things to a close, as Jerry and the missing machine that he is in search of may be either the cause of the world chaos or the person most effective in having to deal with it. 4 out of 5.

Poems by Libby Houston

IMAGE: A drawing of an hourglass on a checkered ground. There is fluid coming out of the bottom of the hourglass and a fly and a beetle sat on top of it.Image by Mal Dean

First thought: What must a young woman do to get published in New Worlds magazine? Write poetry, it seems, or be married to the magazine illustrator. (That is unfair, I know. New Worlds has championed women’s writing for years now, when they can get it.)

Six short poems here, and as such – they fill up space unremarkably. (Do bear in mind that I still find most poetry uninteresting, though.) At least they’re not written by the seemingly ubiquitous D. M. Thomas this month. 2 out of 5.

the hurt by Marek Obtuowicz

PHOTO: An image of a man’s face, distorted through glass.Photo by Gabi Nasemann

A new author. Sadly, this is one of those stories designed to try and shock without any real involvement on the part of the reader and filled with symbolism that seems meaningless.

Mostly dialogue based, it is a number of conversations between Peter and his sister, Pauline. Unsurprisingly, they discuss their lives in a depressingly bleak future, a world where sex seems meaningless and crying is forbidden. Perhaps even more unsurprisingly, Pauline is a brothel-owner and Peter and Pauline have an incestuous sexual relationship.

There’s something in there about emotional hurt being caused by events in the past, but I was too bored to look at it in detail. 2 out of 5.

The Dreams of the Computer by Dr. Christopher Evans and Jackie Wilson

IMAGE: A page of the story, as set out in computer code.

Written as if a computer programme, filled with lots of “Answer Yes or No” and “Go to” statements, Dr. Evans, with the help of his secretary, responds in kind to J. G. Ballard’s prose story, How Dr. Christopher Evans Landed on the Moon in issue 187 (February 1969) of New Worlds. I liked it. There’s a nice sense of absurd humour in it, but it loses some of its impact by being not as original as the Ballard version. I am also not sure it makes sense if you’ve not seen Ballard’s original piece. 3 out of 5.

A bumper crop of reviews this month, though most are not science fiction-related.

Book Reviews: Back in the U.S.S.R. by R. Glynn Jones

R. Glynn Jones reviews Art and Revolution, a book about the work of Russian sculptor Neivestny, whose opposition to Kruschev has made him a heroic and revolutionary symbol.

Book Reviews: Twilight Crucifixion of the Beastly Black Sheep by M. John Harrison

Harrison reviews The Spook Who Sat by the Door, a polemic book about a Black CIA officer which is “an incitement to riot”, Behold the Man by Michal Moorcock (which we reviewed here when it was a serial story), The Twilight of the Vilp by Paul Ableman, which is “weary, contrived and too long”, Do Androids Dream of Electric Sheep by Philip K Dick, a novel which is “beautifully constructed yet disappointing”, and the wonderfully titled The Beastly Beatitudes of Balthazar B, which is “moderately enjoyable”.

Book Reviews: Notes on the Management of a Spoiled Identity by Bob Marsden

Marsden reviews a book on the theory of game-play, a book on psychological theories and stratagems and a book on the discrepancy between what people think a person should be and what they really are. Nothing really of interest to me there. Moving on…

Book Reviews: From Alice with Malice by James Cawthorn

At last: Cawthorn reviews what we would broadly describe as fantasy and science fiction! Black Alice will be of interest here as it is written by two New Worlds regulars, Thomas M. Disch and John T. Sladek. Perhaps unsurprisingly, it is well-received. So too a number of books by Michael Moorcock, including The Jewel in the Skull, The Ice Schooner and The Mad God’s Amulet. He then reviews a “disappointing” SF novel for younger readers, Undersea City by Frederik Pohl and Jack Williamson, and the “fairly entertaining” Twin Planets by Philip E. High. Lastly, and then rather oddly, Cawthorn reviews a book on rural uprisings in pre-Victorian England – who says New Worlds lacks diversity?

Book Reviews: Against the Juggernaut by John Clute

John Clute is a new reviewer here, although he has had fiction published in New Worlds before (A Man Must Die, November 1966.) Here he reviews a “simply godawful” book of poetry, Juggernaut by Barry McSweeney, a book by a new African writer who Clute describes as “an intelligent and urbane civil servant and diplomat, but a lame writer”, a novel about a group of Americans who translate the Oberammergau Passion Play into English and put it on in Texas as making the reviewer feel as if they had “just been forced to eat yesterday’s newspaper” and a detailed review on a book about the philosophy of Jean Paul Satre. They may not be books I would ever want to read myself, but at least the reviewer is entertaining.

Book Reviews: The Nondescript Heroes by Charles Platt

Platt reviews the autobiographical Gemini! by the recently-departed Apollo astronaut Virgil Grissom. He is disappointed by the book’s blandness and superficiality, eventually concluding that such an exciting and technological advancement is not served well by such pilots of limited expression.

An advertisement for New Worlds binders, showing the binder, both open and closed.

Summing up New Worlds

Well, if New Worlds is all about ‘cutting edge, controversial material that defies borders and descriptions’, then this issue isn’t it. In fact, it is a solid yet rather conventional issue – admittedly conventional for New Worlds. There’s no photos of naked ladies, relatively little sex (although there is some – this is New Worlds, after all!) and stories that now seem rather typical of the new style of New Worlds.

In short, it is pretty much what to expect from the magazine, which is not a bad thing, but rather unmemorable, as it is not as determined to startle as some previous editions have been.

The most memorable thing about the issue is the new reviewer John Clute, who seems to be here to stir things up a little, although I do find it amusing to see both recently-retired editors Platt and Moorcock appearing in issues writing fiction and articles. Still around and not forgotten.

Anyway, that’s it, until next time.