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[June 20, 1967] Yours sincerely, wasting away (July 1967 Fantasy and Science Fiction)


by Gideon Marcus

When I get older, losing my hair

Age afflicts us all.  I remember once having a beautiful mop of curly hair with a line that was two inches from my brows.  Now, the front is racing toward the back, and my only compsensation is the flourishing stuff coming out my ears.

Of course, people age in different ways.  Robert Preston sang in last year's musical hit, I do! I do!–"Men of forty go to town. Women go to pot," but in my experience, it's quite the opposite. I'd like to think that I'm "entering my prime," but who knows?

Science fiction magazines are going through a midlife crisis, too.  The oldest of them, Amazing, turned 41 this year.  But is it "delightfully witty" and "wise"? Has it "stood the test of time"?  In fact, the magazine that Gernsback built is consistently the lowest rated of the SF digests, packed mostly with cheap reprints.  How about Analog, neé Astounding, rapidly approaching its Jack Benny birthday (he's eternally 39, you see)?  Well, I suppose it depends on whom you ask, but I think it's safe to say that Campbell's mag is definitely in a rut, fossilized into the features it had some fifteen years ago.

Even the newer crop has had a stormy adolescence.  Galaxy is 17.  Once a brilliant child, it is now an often insipid teenager.  If it stays this staid, it may not make it to voting age.  And how about Fantasy and Science Fiction, which just left its minority this year?  The venerable mag, the most literary of its kind, has had an unstable family life, with revolving editors through its teen years.  As a result, the wrinkles are already showing in this 18 year old.

Ed Ferman seems to be aware of his institution's aging.  Indeed, this month's issue, which begins and ends with (and devotes half its words to) the subject of growing old, seems a deliberate acknowledgement of the predicament.


by Jack Gaughan

The Day Before Forever, by Keith Laumer

Steve Dravek, late a denizen of the 20th Century, finds himself on a street near the end of the 21st.  Only shreds of memory remain, enough to give him a sense of identity, but no idea how he arrived in the future (young again, when he had been middle aged) nor why the black uniformed mooks of Eternity Incorporated (ETORP) are after him.

After being beset by "the lowest of the low" in a park, he is apprehended by "Jess", self-proclaimed "highest of the low", for purposes unknown.  Dravek uses force and wit to turn the situation around, making Jess take him to the heart of ETORP's facility on Long Island in pursuit of the truth…and himself.

Forever uses the latest gimmick everyone seems to have latched onto lately: cryonics.  That's the idea that one can be flash frozen before death in the hopes that any malady one is suffering from can be cured in the future.  Fred Pohl, editor of Galaxy and IF has gone into it in a big way, but now it's showing up here, too.

Anyway, there are more twists and turns than a new Los Angeles freeway interchange, and a lot of it gets explained in the end rather than shown as the story goes, but it's a readable potboiler, the kind Laumer can crank out in his sleep.

Three stars.

Balgrummo's Hell, by Russell Kirk

60+ years ago, Laird Balgrummo was sealed in his decaying manor house after committing an unspeakable crime against humanity and nature.  Now the world is waiting for him to shuffle off this mortal coil…save for Horgan, a greedy thief who would rob Balgrummo of his fortune of paintings while he sleeps.

Except Balgrummo sleeps not.  He lurks.

There are no surprises in this story, which reads like something out of Weird Tales' early days.  But the telling is delicious. 

My favorite story of the issue: four stars.

Alter Ego, by Hugo Correa

If you could make an identical new you, one unhindered by all of your life's wrong choices, who would be the better person?  You, or the android duplicate?

More a philosophical piece than science fiction, I found it stayed with me.  Three stars.

Encounter in the Past, by Robert Nathan

On the other hand, Nathan's story of the rediscovery of a Mesozoic human civilization doesn't make a lot of sense.  I reread the short piece a few times, and I still can't make heads or tails of it.

Two stars.

The Master's Thesis, by David Madden

Worse still is this pointless piece about a Professor Swinnard and the young man who insists on afflicting him with his master's thesis.  The story goes 'round in circles as Swinnard is increasingly disarmed and discomfited by the student's rudeness and the haste with which he finishes his project…yet I am at a loss to understand whence stems the horror, nor what the final thesis is actually about.

Am I stupid?  Is the point obvious to anyone else?

One star.

Flight Between Realities, by Doris Pitkin Buck

Buck's poem from the standpoint of an omniscient being sipping her sherry is a bit hard to parse, but seems to be of great moment.

Three stars.

The Sea Monster and the Mayor of New York City, by Gahan Wilson

On the perils to a monster's digestion due to the consumption of a fraught metropolis. 

Frivolous.  Two stars.

Twelve Point Three Six Nine, by Isaac Asimov

The Good Doctor explains the foolishness of associating significance to chance juxtapositions of numbers by creating his own, tying together the relation of the lunar and solar calendars to the Bible.

It's cute, and I found some of the historical bits interesting.  Three stars.

The Vitanuls, by John Brunner

In the early 21st Century, the birthrate has slackened.  But new births are not unknown, and as a kind of medical immortality is introduced, more and more babies are born healthy but vacant.  Void of intellect or animus.  Could there be a connection?

This story has a lot of problems.  Not only is the piece structurally flawed, telegraphing its ending from the beginning but taking forever to get there, but it also doesn't seem to understand how souls work.  Set in India, there is much reference to Hindu reincarnation and such.  But the story suggests that there is a limited number of human souls, and by cheating death, we're robbing the young of life. 

I'd always understood that, per Hinduism, animals and plants and…everything…had souls, all of which could serve in a human form.  Even if that were not the case, I think Brunner's math is off.  Yes, it's true that half of the people who've ever lived are alive today, but if the living outnumber the dead, it won't be because of immortality, but simple birthrate.  And does the store of human souls grow over time, or was it fixed, like the memory store of a mainframe, at a specific number deemed sufficient a million years ago, but now inadequate?

Two stars for this poorly thought out shock tale.

Will you still need me?  Will you still read me?

I understand summer is when magazines put out all their inferior stuff since readership is at its lowest ebbs during the dog days.  Still, if this latest issue (which scores just 2.7 on the Starometer) be any indication of where the magazine is headed, quality-wise, I have distinct concerns that it may never make it to the ripe old age of 64…


by Gahan Wilson





[March 28, 1962] Paradise Lost (April 1962 Fantasy and Science Fiction)


by Gideon Marcus

I used to call The Magazine of Fantasy and Science Fiction "dessert."  Of all the monthly sf digests, it was the cleverest, the one most willing to take risks, and the most enjoyable reading.  Over the past two years, I've noticed a slow but decided trend into the realm of "literary quality."  In other words, it's not how good the stories are, or how fun the reading – they must be experimental and erudite to have any merit.  And if you don't get the pieces, well, run off to Analog where the dumb people live.

A kind of punctuation mark has been added to this phenomenon.  Avram Davidson, that somber-writing intellectual with an encyclopedic knowledge and authorial credits that take up many sheets of paper, has taken over as editor of F&SF from Robert Mills.  Five years ago, I might have cheered.  But Davidson's path has mirrored that of the magazine he now helms: a descent into literary impenetrability.  Even his editorial prefaces to the magazine's stories are off-putting and contrived. 

I dunno.  You be the judge.

Gifts of the Gods, by Jay Williams

The premise of Gifts isn't bad: aliens come from the stars to find Earth's most advanced nation, and it turns out they're the most primitive, technologically.  It's three shades too heavy on the sermon, and it fails by its own rules (i.e. one can lambast states as a whole for not being perfectly self-actualized, but surely there are a thousand qualifying people within any given country that fulfill the ET's requirements).  But then, these aliens seem to have shown up just to rub our noses in it.  Advanced indeed.  Two stars.

The Last Element, by Hugo Correa

Editor Davidson touts Sr. Correa as a brilliant find from Chile.  Sadly, this meandering piece involving (I guess) space soldiers who are undone in their attempts to mine a psychotropic mineral from a distant planet, feels incompletely translated from the Spanish.  It reads like an Italian sf film views.  Two stars.

The End of Evan Essant… ?, by Sylvia Edwards

A cute piece, more The Twilight Zone than anything else, about a fellow who is so determined to be a nebbish that he psychosomatically disappears.  It's no great shakes, but at least it has a through line and is written in English.  Boy, my standards have dropped.  Three stars.

Shards, by Brian W. Aldiss

The editor advises that one give this story time to make sense lest you judge it prematurely.  He has a point.  This piece innovatively describes a traumatic out-of-body experience, and when you know the context, it's not bad.  On the other hand, the context is laid out with surprising artlessness especially given the effort Aldiss puts into the first part (which is only readable in hindsight).  Three stars for effort, though your meter may hover at one star through most of the actual experience.

The Kit-Katt Club, by John Shepley

Something about a young, serious boy who abandons his starlet mother's dissipated hotel life to frequent a bar with a literal menagerie of clientele.  I didn't understand this story, nor did I much like it.  Maybe I'm just bitter at being made to look foolish.  Two stars.

To Lift a Ship, by Kit Reed

One of the few bright lights of this issue is Reed's take on love, hope, greed, and despair involving two test co-pilots of a psionically driven aircraft.  I love how vividly we see through the eyes of the protagonist, and the subtlety (but not to the point of obtuseness!) with which the story unfolds.  Four stars.

Garvey's Ghost, by Robert Arthur

I haven't seen much from Arthur lately.  His stories have all been pleasant, fanciful fare and this one, about a most contrary ghost and the grandson he haunts, is more of the same.  Three stars.

Vintage Wine, by Doris Pitkin Buck

The English professor from Ohio is back, this time with a piece of 'cat'terel (as opposed to the canine variety, which is not as good) that I actually quite enjoyed.  Four stars.

Moon Fishers, by Nathalie Henneberg

Charles Henneberg was a popular French fantasist who, sadly, passed away in 1959.  His wife, with whom he collaborated, has taken it upon herself to flesh out a number of remaining outlines for publication, Damon Knight providing the translations.  She has written well before, but her talents fail her this time.  This tale of time travel, Atlanteans, and ancient Egypt fails to engage at all.  One star.

The Weighting Game, by Isaac Asimov

The Good Doctor takes on the subject of elements and how we determined their mass.  Just discovering that elements had mass was a critical step in understanding the nature of atoms.  Sadly, this article is really a highly abridged and much compromised version of his excellent book, The Search for the Elements, which came out two months ago.  I recommend you grab a copy and skip this article.  Still, substandard Asimov is still decent.  Three stars.

Test, by Theodore L. Thomas

A vignette about failing a driving test.  There's the germ of a good story here, but the ending is too abrupt and affected to work.  Two stars.

Three for the Stars, by Joseph Dickinson

This piece is noteworthy for having one of the least intelligible Davidson prefaces.  Other than that, its a rather overwrought story about a chimp sent to Mars and back, and the scars he bears of the Martians he met.  Satire or something.  Two stars.

***

This issue ends up with a lousy 2.4 star score – by far, the worst magazine of the month, and possibly the worst F&SF I've read!  It's a disappointing turn of events.  F&SF used to be the smart sf mag, and last month's issue was a surprise stand-out.  With the arrival of Davidson, F&SF seems to be careening back toward smug self-indulgence.  I see that the back cover no longer has pictures of notables heaping praise on the book.  I wonder if they're jumping ship…