by Victoria Silverwolf
A raft of non-SF SF
Readers of this column with long memories will recall that, at the end of 1962, we looked at major science fiction and fantasy novels and collections published as mainstream fiction. The most important such work this year was Kurt Vonnegut's novel Cat's Cradle, already discussed in detail by our own Vicki Lucas.
Another was The Man Who Fell to Earth by Walter Tevis, best known for his novel The Hustler, adapted into a major film a couple of years ago. Once again, Ms. Lucas has provided a fine analysis of this book.
The novel is obviously about the game of pool.
The movie poster doesn't seem to have much to do with pool.
Here are two more books I think should be checked out by SF fans who might have missed them:
Planet of the Apes, by Pierre Boulle
A French import offers another example of the blurred lines between science fiction and the literary mainstream. Pierre Boulle is famous for Le Pont de la Rivière Kwaï (translated into English as The Bridge over the River Kwai, and source of an award-winning movie, with a slight change in the title.)
Don't ask me how over turned into on
This year the author ventured into outer space, with his novel La Planète des singes, known in the United States as Planet of the Apes.
(My sources in the publishing world tell me that the book will be available in the United Kingdom next year, under the title Monkey Planet.)
Boulle's novel begins in the far future, with a couple traveling among the stars. They discover an old manuscript. This takes us into a flashback, set in the relatively near future. Three men journey to an Earth-like planet orbiting the star Betelgeuse. They discover that intelligent, civilized apes inhabit the world, along with naked, speechless human beings treated as lower animals. Gorillas are police and military; orangutans are priests and politicians; chimpanzees are scientists and technicians. The apes are at the same technological level as Twentieth Century Earth, with cities, automobiles, and firearms. They even smoke tobacco. The three astronauts meet different fates. It all leads up to a twist ending. The author's intent is satiric, showing the reader how little difference there is between people and other primates. The story may not be very plausible, but it captures the reader's imagination. Special notice should go to Xan Fielding, who translated both of Boulle's novels into very readable English.
Three stars.
Glide Path, by Arthur C. Clarke
We've seen how mainstream authors venture into science fiction, sometimes successfully. It doesn't often happen the other way around. This year Arthur C. Clarke proved he is just as comfortable writing about the past as he is about the future, with his novel Glide Path.
The story takes place in England during the Second World War. The protagonist is a young officer in the Royal Air Force. He is a technician, working on a program known as Ground Controlled Descent. GCD allows a pilot to land in heavy fog. Using radar, a controller on the ground talks the pilot down. The plot is episodic, involving both the new technology and daily life in the RAF. The author creates a convincing portrait of the time and place, based on his own experiences. Unlike most war novels, the book lacks scenes of battle. This may disappoint readers looking for thrilling action. The most dramatic sequence happens late in the story, when huge amounts of fuel fill the night sky with towering flames, in an attempt to burn off the fog.
Three stars.
Boulle's science fiction novel is likely to be marketed to readers of mainstream fiction, just as Clarke's war story is likely to be promoted to science fiction fans. Let us avoid relying solely on arbitrary divisions in literature, and instead keep our eyes open for good reading, no matter how it might be labelled.