[November 8, 1965] You Must Be Mythtaken (Doctor Who: The Myth Makers)


By Jessica Holmes

Yes, I am quite proud of myself for that title. This month, we’re taking a trip back to a time where the line between myth, legend and fact becomes blurred. Doctor Who has a new producer in John Wiles, who has some big boots to fill, and a new writer for this serial, one Donald Cotton. Let’s dive in and see how they got on.

TEMPLE OF SECRETS

Let’s establish one thing immediately: this serial makes a number of breaks from the popular accounts of the siege of Troy. To establish a second thing, I don’t mind this. It’s a legend. There might be a kernel of truth in there somewhere, but most of it was probably made up so that it would make a good story. Well, except for the bit about fighting the river god. That definitely really happened.

The real problem here is the music. Who in the world signed off on this?! It sounds as if they fitted a below-average marching band with shock collars, gave them sheet music that had been half-eaten by a dog, then made them perform drunk with no rehearsal, and giving them an electric jolt every few seconds.

It’s just noise! I have heard more pleasant primary school music recitals.

It would perhaps be more bearable if I had something to watch, but my picture quality is very poor once again. I think it must be the weather where I live.

Inside the TARDIS, the Doctor and his companions watch the unfolding fight between Achilles and Hector on the monitor, and the Doctor makes the spiffing decision to go and ask these nice chaps where and when they’ve landed.

It’s at that point that Hector practically dares the Fates to toy with him, as he mockingly challenges Zeus himself to come down and save Achilles, who is at his mercy. So when there’s a bright light and an old man pops out of a magically appearing box, he’s more than a little taken aback, and that gives Achilles the opportunity to run him through.

Achilles mistakenly believes the Doctor to be Zeus, having appeared to him in the guise of an old beggar (which made me chortle), and the Doctor doesn’t bother to correct him.

Having learnt where he is, the Doctor attempts to return to his TARDIS, but Achilles begs him to stay, showing him the camp of Agamemnon, where the Greeks have spent the last ten years sitting outside the walls of a rather well-executed miniature model of Troy.

The Doctor and Achilles meet Odysseus (yes, THAT Odysseus), who is just a total jerk, as my American friends would put it. The Doctor has a quiet giggle to himself as Odysseus sarcastically comments that Achilles probably just chased Hector around the city until he got tired rather than facing him in honest combat.

Odysseus isn’t at all convinced that the Doctor is Zeus, and after examining his tiny ‘temple’, insists that he accompany them back to the camp. After they all leave, a Trojan patrol comes out of hiding, recovering Hector’s helmet and discovering the ‘temple’ for themselves.

Steven gets tired of waiting inside the TARDIS and goes to find the Doctor, leaving Vicki behind to rest her injured ankle, which I had forgotten all about.

In the Greek camp, Meneleus, husband of Helen (the face that launched a thousand ships, but doesn’t appear in this story) is frankly bored of this whole siege. If Paris wants Helen, he can keep her.

…I see why she left him.

Agammemnon, however, is not ready to give up, and he threatens to issue a challenge to Hector on Meneleus’ behalf.

Luckily for Meneleus, that’s when Achilles gets back and informs them that Hector’s crossed the Styx.

Odysseus arrives shortly after with the Doctor in tow. The Doctor tries to prove his divinity by revealing hidden truths, such as the fact that Agamemnon’s wife is unfaithful, but it seems just about everyone knew that except the kings, who refuse to believe it without proof.

Agamemnon finds himself in a difficult position, and decides to imprison the Doctor, unwilling to risk killing him and incurring the wrath of the gods, or releasing him and having him spill all their secrets to the Trojans.

Desc: Odysseus and Cyclops

Odysseus eavesdrops outside the tent, where he’s met by a mute spy, Cyclops. Probably no relation. Cyclops tells Odysseus, through hand gestures, that he spotted a stranger coming to the camp. Investigating, Odysseus finds Steven and takes him captive, accusing him of being a spy.

Attempting to maintain his cover, the Doctor prevents the Greeks from killing Steven on the spot, telling them that if they take him to his temple tomorrow, he’ll perform a miracle and smite the spy.

Well, they’ll be quite happy to take him to the plain, but he’d better hope for bad weather… because the TARDIS is gone.

Again.

He really does have a habit for misplacing it, doesn’t he?

Desc: an empty plain, with a disc with the image of a horse on it lying on the ground.

SMALL PROPHET, QUICK RETURN

I can’t decide whether I like this pun or whether I want to steal all of the writer’s pencils.

When the time comes for ‘Zeus’ to do some smiting, the Doctor finally caves and admits that he’s not Zeus, leading to him and Steven being captured and interrogated.

Meanwhile, the TARDIS has found its way behind the walls of Troy. Paris, Hector’s brother, is feeling rather pleased with himself for having captured a Greek shrine of some sort.

His sister Cassandra tells him to get rid of it. Naturally, he ignores her. She points out that it was unguarded, and it’s about the right size for somebody to hide inside. Has he perhaps considered it’s a trap? Doesn’t this all sound rather familiar?

Their father, King Priam, soon joins the party and attempts to prise the door open, as inside Vicki frantically searches for something to wear. For heaven’s sake, just put on a bedsheet and you’ll fit right in.

After listening to the Doctor and Steven’s true accounting of who they are and how they came to be here, Odysseus figures that they wouldn’t dare tell him such a blatantly absurd story unless they were actually telling the truth, which is questionable logic but then again none of the great thinkers have been born yet (and boy, does it show!), so perhaps we shouldn’t be too harsh. He agrees to release them on the condition that they help him take the city. Oh, and they only have two days to do it.

In Troy, Cassandra is about to burn the TARDIS as an offering to the gods when Vicki finally emerges, introducing herself as a traveller from the future. All that time in there and you couldn’t come up with any cover story at all?

Cassandra accuses her first of being a pagan goddess of the Greeks (which is confusing, as at least in The Iliad’s version of events, which is what this serial is mostly based on, the Trojans worshipped the same gods), and then of being a false prophet, though Paris points out that Cassandra doesn’t have a monopoly on reading entrails and having weird dreams.

Vicki explains that she’s not prophesying, she’s just recalling her knowledge of history, which is different. Cassandra still insists that they should kill her, while Paris argues the opposite. In the end, Priam kindly assures Vicki that she shall die when HE says so, and not a moment earlier. How very…comforting.

Oh, and the name will have to go if she’s staying. Vicki sounds far too weird for their liking, so the king re-names her Cressida. How rude.

But that name does ring a bell…

Meanwhile , the Doctor and Steven are trying to come up with ideas for breaching the city, and Steven brings up the wooden horse. The Doctor shoots the idea down, as nobody would actually be stupid enough to fall for that.

A messenger arrives to inform Odysseus that he’s been volunteered on Achilles’ behalf to go and answer a challenge from Paris, but Odysseus isn’t about to fight heel-boy’s battles. Steven volunteers to go instead, and allow Paris to take him as his prisoner so that he can search for Vicki. Odysseus thinks it’s suicide, but acknowledges that it is at least very brave.

With him gone, the Doctor keeps coming up with ideas. Tunnelling’s been tried already, but how about flight?

Steven surprises Paris as he very quietly and hesitantly calls out for Achilles, necessitating a change of loincloth on Paris’ part. He astutely observes that Steven isn’t Achilles. Lowering his voice, he admits to thinking that really this whole thing seems to have got a bit out of hand, and he doesn’t really fancy killing anyone who isn’t Achilles anyway.

Desc: A man in Greek armour fights a man in Trojan armour.

Well maybe you should have thought about that before running off with a married woman, hmm?

That said, he has a point.

He reluctantly starts fighting, and Steven has to pretend to lose, because let’s face it, Steven could eat Paris for breakfast if he were actually trying.

It’s very funny when a baffled Paris asks ‘I beg your pardon?’ and then Steven has to actually talk him into accepting his surrender, buttering him up by pretending that the Greeks tell all sorts of extraordinary tales about Paris. He sure would like to tell some of those tales within earshot of the Trojans, and gosh, wouldn’t they all be very impressed with Paris for capturing this great Greek warrior? Cough, cough. Hint, hint.

Nonplussed but a little flattered, Paris agrees to take Steven back to the city, and the pair leave, watched by Cyclops as they go.

In the city, Priam treats Vicki to a slap-up meal courtesy of his cousin Aeneas’ smuggling operation, and regales her with tales of just how much the Trojans like horses. They really, really like horses. There’s such a thing as liking horses too much, you know.

Vicki recalls a legend she once heard regarding Troy and horses, and Priam tries to press her about it. She changes the subject by asking about Troilus, the king’s youngest son. He’s rather good looking, isn’t he?

There’s a bit of a random, out-of-nowhere line on not putting too much stock into good looks, as that will only get you into trouble. Just take Paris and Helen. Paris is a nice looking bloke, popular with the ladies, and also a total cowardy-cowardy-custard. He got all taken with Helen’s beauty, and before you know it there’s a decade-long war.

‘Shame he didn’t meet a nice sensible girl like you,’ he tells Vicki. ‘It’s character that counts, not good looks.’

Ouch! Talk about a back-handed compliment.

Priam hastily apologises, insisting he didn’t mean it like that, and is about to press Vicki on what she knows of the war again when Paris marches Steven into the room, pleased as punch.

Shocked to see each other, Vicki and Steven blurt out one another’s names, and Cassandra realises at once that they must know each other.

If ‘Cressida’ knows this Greek, what more proof do they need that she’s a spy? There’s only one thing to be done with spies. They must be put to death.

Desc: A soldier in ancient Trojan armour brandishes his sword.

DEATH OF A SPY

I was quite disappointed that this episode didn’t start with a punny title. Some might consider that a good thing, though.

Tired of Cassandra’s zealotry, Paris intervenes to stop the guards dispatching Vicki and Steven. Priam is willing to believe Vicki when she says she’s not a spy, but she’ll have to prove herself. She will have to use her divine powers to aid Troy against the Greeks. If not, she’ll be burnt. In the meantime she will have to stay in the dungeons, but Priam assures her that it’s actually rather nice down there.

At least he’s affable, but I think all the men in this story have one brain cell between them and they’re playing pass-the-parcel with it.

Don't look so unimpressed, Odysseus. It's not as if you've got any better ideas.

The Doctor continues to pursue his idea for a very anachronistic flying machine. I think if you left him to his own devices for long enough he’d end up inventing the aircraft carrier several millenia early.

However, he’s not too keen on the idea of testing his invention, something Odysseus would very much like to see him do.

In the dungeons of Troy, Vicki and Steven are visited by Cyclops, who Steven tells to warn the Greeks not to attack until the day after tomorrow, so that they can buy Vicki some time. It’s then that the king’s youngest son, Troilus, visits ‘Cressida’ in her cell.

He brings her some food, and she coaxes him into sitting and talking with her.

Meanwhile, the Doctor abandons his idea of using flying machines, claiming to have made a mistake in his calculations. If you ask me, I think he was just scared of trying out his contraption.

With no better options available he finally suggests the idea of building a wooden horse. He explains the legendary plan, and Odysseus actually seems quite taken with it. So is Meneleus, once the Doctor explains to him that they’re building the horse, not looking for an actual fifty-foot-tall equine.

Maybe there is someone stupid enough to fall for it, after all.

In Vicki’s cell, she’s getting rather cosy with Troilus, and poor Steven no doubt feels very awkward as the chatting turns to outright flirting. Troilus even asks at one point whether Steven is really just Vicki’s friend or if he’s something more. Someone’s a little jealous!

When he finally leaves, Steven mocks Vicki for being so unsubtle. She retorts that she was only doing what she could to get them both out of prison. But was that really all there was to it?

Unfortunately for the pair of them, it looks like their message to delay the attack won’t reach the Greeks. Cyclops gets caught as he leaves the city, and is swiftly killed by a Trojan soldier.

The Greeks finish building their horse in an astonishingly short amount of time. Wait, where did they get the wood? There don’t seem to be any trees nearby. They’d have to travel and cut the lumber and transport it back and assemble it…and they did all that in a few hours? Yes, I’m nitpicking a fictional retelling of a pseudo-historical event that almost certainly did not happen, but it’s my job.

Desc: The head of the Trojan horse

The Doctor waits with Odysseus and his soldiers inside the horse, but the Doctor isn’t at all happy about it. In one memorable line that I am very, very surprised made it past the censors, Odysseus snaps that the Doctor is making him “…as nervous as a Bacchante at her first orgy.”

I beg your pardon?

I think you’ll find that a Bacchante is a female ROMAN follower of the ROMAN god, Bacchus. The Greek equivalent would be a Maenad, a female follower of the Greek equivalent, Dionysus.

The nonsense they’ll allow in children’s television these days!

Soon Troilus comes to Vicki in her cell and tells her that the Greeks have all left. The king thinks that she’s been a good luck charm after all, and has ordered her release. Unfortunately Steven isn’t as lucky.

The Trojans start bringing the horse into the city, much to Cassandra’s dismay. As annoying as she can be, she's the only person in the city with half a brain.

The Trojans think they’ve won… but it’s only a matter of time.

Desc:: The Trojan horse stands on a hill.

HORSE OF DESTRUCTION

The title of this episode sounds like it lost its nerve halfway to being a pun. That, or it’s just a stupid title. I know that Doctor Who likes ‘Noun of Adjective’-style titles, but ‘Horse of Destruction’ just sounds silly.

Cassandra says that the horse is a trick, an obvious trick, and the arrival of the ‘temple’ has brought nothing but bad luck, just as she said. Well, a stopped clock is right twice a day.

They notice ‘Cressida’ seems to have vanished, and Troilus goes to look for her while Cassandra sends her maidservant, Katarina.

Desc: Paris, Priam and Cassandra all look out the window.

Vicki releases Steven from the dungeon, telling him about the horse problem, and Steven wonders if his message got through. Well, chum, take a look at the great big horse standing in the town square and tell me what you think.

Perhaps it’s something in the water?

Troilus finds that his ‘Cressida’ has gone missing, and Cassandra starts screaming, yet again, about finding her and burning her. Cassandra, I like the mythical version of you, but all that screeching is giving me a headache.

Vicki returns to the palace, and they grill her on where she’s been. She manages to placate them, and the king goes with his children to investigate the horse, leaving Vicki alone with Katarina.

The Doctor grows thoroughly sick of Odysseus’ company, and finally snaps. He thoroughly tells him off, but the 'hero' pays him no mind.

Is there a Doctor in the horse?

Troilus returns for Vicki, who warns him to leave the city and find Steven (or as Troilus knows him, Diomedes) out on the plain. He takes her advice and takes his leave. Moments later, the Greeks emerge from the horse and begin dispatching the Trojan sentries. The Doctor looks on helplessly, dismayed at all the bloodshed.

Troilus doesn’t find ‘Diomedes’ out on the plane, but he does find Achilles. He doesn’t have long to wonder if ‘Cressida’ played him false before Achilles attacks. It’s a tough fight, but Achilles catches his heel on a bush and stumbles, enabling Troilus to deliver him a mortal blow. However, the dying Achilles summons the last of his strength and thrusts his sword at Troilus, gravely wounding him. So much for sending him out of harm’s way.

Desc: Achilles lies mortally wounded.At least it's more dignified than dying of an arrow to the heel.

The Greeks open the gates of Troy, letting the rest of the army inside the city. The royal family barely have time to realise what’s happening before Odysseus bursts into the palace, and they realise that all is lost.

Vicki and the Doctor find each other in the chaos, and Vicki sends Katarina to find Steven before taking the Doctor into the TARDIS to talk to him.

However, wearing the guise of a Greek soldier doesn’t do Steven any favours. He gets a nasty wound in the shoulder before Katarina finds him and brings him safely back to the Doctor.

Vicki emerges from the TARDIS. In a curious gesture she hugs the ship before turning and walking back into the city. The Doctor watches in concern as she goes, but makes no attempt to stop her.

Odysseus attempts to prevent the Doctor from leaving, but the Doctor doesn’t have to put up with his nonsense any more. As the TARDIS vanishes, Odysseus wonders if he really was a god after all.

But where’s Vicki?

Desc: Vicki and Troilus arm-in-arm.

Out on the plains, Troilus is wailing over ‘Cressida’s betrayal quite hilariously, thoroughly chewing the scenery. He settles down once she turns up and explains herself. She couldn’t just leave him and allow him to think she’d betrayed him. Besides, she belongs here now.

Excuse me? You flirt for five minutes with this guy and you decide to go and live in the Bronze Age? Vicki, that’s the teenage hormones talking. What was the Doctor thinking letting her go?

Aeneas conveniently shows up, and Troilus and Cressida go to join him in building a new Troy. I can think of a lovely spot on the Italian peninsula which should do quite nicely.

And then they kiss. How romantic.

No, I don’t buy it. I’m sorry, but I just don’t. That’s twice now that Doctor Who has written off a teen-aged companion by making her fall in love with a bloke she’s just met, This time it feels less believable than it did with Susan, for whom it made sense as an ending to her arc, but Vicki showed no signs of being ready to stop travelling. In addition, Susan and David had been through more together, whereas Vicki apparently falls in love with Troilus after one chat in a prison cell.

The Doctor is a terrible guardian. Who in any universe would think it’s a good idea to leave a teen-aged girl in a warzone? Absolutely nothing good could come of that.

However, he’s more worried about Steven right now, who has taken a turn for the worse and badly needs drugs. I suppose whatever the Doctor is a Doctor of, it’s not medicine.

Katarina, who looks to be well on her way to being Vicki's replacement in the TARDIS crew, think she’s died and that the Doctor is a god. Who does that make him, I wonder? Hades?

Desc: Katarina and the Doctor

Final Thoughts

The Myth Makers is a very enjoyable serial with many funny moments. I found myself laughing aloud in parts, having fun all the way. Donald Cotton does appear to have the knack for comic writing. With a number of cast members already established as comic actors, it’s no surprise that it turned out to be as funny as it did. Conversely, I think the serial is at its weakest when it’s trying to be more serious.

Vicki’s sendoff doesn’t make much sense to me, as it feels like too abrupt an ending for her story. I cannot speak to what may be going on behind the scenes at the BBC, but I suspect that Maureen O’Brien might have been a casualty of whatever shake-ups the new producer has in store. Only time will tell, but this has been the weakest companion departure so far. That's a real pity, as I liked Vicki a lot. She was witty, intelligent, kind, inquisitive, and just a delight to have around. O’Brien and Hartnell had excellent chemistry together. I feel quite sorry for our leading man now that all of his old long-term castmates have left.

Perhaps Katarina will be able to fill the hole Vicki left. It would be quite interesting to see how a girl from ancient Troy would react to all the weird, wonderful and horrible things out there in the Doctor’s universe.

I wonder what she’d make of a Dalek?

Text reads: Next Episode, THE NIGHTMARE BEGINS

3.5 out of 5 stars




One thought on “[November 8, 1965] You Must Be Mythtaken (Doctor Who: The Myth Makers)”

  1. I am inclined to agree with you in this serial. It seems to be a weird blending between the comedy of the Ian, Barbara and Vicki episodes like The Romans or The Chase, with the darker episodes we have seen recently. It is interesting but doesn't really work well together.

    Also Vicki's ending was awful. I think they would have been better off either have her leave with Ian and Barbara in The Chase or travelled with The Rills and Chumbleys as a kind of ambassador. It feels like they just got to the end of her contract and shoved her at the nearest man.

    A historical companion is an interesting choice. Will be curious to see how Katarina gets along seeing future events (as I assume almost all episode for her will be) and her interactions with Steven.

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