by Rosemary Benton
Modern Man, Primitive Man (Robert Nathan's The Mallot Diaries)
The Mallot Diaries is a new science fiction drama from novelist Robert Nathan. The author, best known for his 1940 fantasy mystery novel Portrait of Jennie, is a highly prolific individual whose style primarily balances satirical allegories with poetic waxing on the transient nature of the world.
Given that he has some stories which have been categorized as supernatural/horror and generally fantastical, I was eager to pick up what I thought would be a merger of high literary talent exploring themes commonly found in popular literature. A story about modern man interacting with a species lost out of time? Now that’s a fruitful area for an author such as Nathan! What The Mallot Diaries turned out to be was far more unsettling.
First Contact
The book takes place in the present day within the remote regions of Arizona. It is written from the titular firsthand accounts of an Associate of Anthropology at Meriden College named Professor Mallot. He, along with his fellow academic Professor Osgood, Curator of the Archaeological Wing of the Museum of Natural History in Yuma, set out to look into rumors of an elusive tribe of indigenous peoples who have resisted contact with the outside world. Their inquiries with a local Apache man quickly lead them to the very people they seek. Having made contact with the tribe, they soon deduce that the people are actually the remnants of a Neanderthal group who are part of the Bear worshipers that Mallot is studying.
The elected leader of the tribe welcomes them after they provide reassurances that the purpose of their visit is neither to kill his people or "take away their god". This tribal leader, or "Jefe", declares that the two men may stay with them in order to act as historians who will document the history and culture of the People of the Bear. Things quickly get messy, however, when the internal power struggles of the tribe begin to draw the outside observers in – both due to their desire to document the People of the Bear, and because of their own weaknesses of the flesh.
The World Before Recorded History
The modern-day discovery of a lost tribe of Neanderthals is a solid enough base for a good story. Nathan does an admittedly decent job of working in the wonder and respect that his main characters feel as they begin to understand the world of their hosts. It’s refreshing to read a story in which the modern world explorers would be able to appreciate that the only real differences which separate modern humans from their primitive roots are as superficial as looks or clothing choices.
It’s pessimistic, but Nathan writes on page 73, "I often think of Professor Osgood's remark, that man has not changed in a hundred thousand years. He is still a scoundrel". To this point he again and again drives home the facts that things such as wealth, status, lust and ambition are as alive and well in the predecessors of homo sapiens as they are in modern man himself. At times these parallels come off as a little too trite, however.
The Youth Revolution
Perfect examples of this are the implications within the buildup to the children's revolution at the climax of the book. This plot thread is clearly a thinly veiled satire of today's youth culture. Under the current leadership of the tribe, children (meaning anyone under the age of 21) are not subjected to any forms of rules or consequences for their bad behavior.
The Jefe indulgently dismisses rude or violent acts as just youthful arrogance. Ultimately this lack of discipline for any crimes, from adultery to assault, results in the 109 children of the tribe taking up spears and killing the elders.
Heavy handed satire aside, by far the worst flaw of Nathan's book is the sensuality with which young girls are described and the societal sexualization of the youths in the tribe, some of whom are as young as eight years old.
As the story progresses and the anthropologists learn more about the internal politics and social structure of the tribe, both of Nathan's protagonists develop very disturbing feelings for two of the young girls, one of whom is twelve and the other is between the ages of fourteen and sixteen.
Highly Disturbing
This attraction is in part explained as being an effect of the two professors integrating into the tribe. Thirteen is the current age of consent amongst the Neanderthals and young girls and boys are not strictly forbidden from sexual exchanges, but it’s still a very disquieting turn in the story that comes into play over and over again.
The touting of pedophilia as romantic, cute and "basic human nature" frankly ruins the experience of reading The Mallot Diaries, and because of it I can’t recommend this book at all.
If Nathan was trying to write the next Lolita he has not succeeded. I have to give this book only a half star. Even with the pointed realizations about humanity which Nathan occasionally drops during the plot, the fetishization of young girls as well as the repeated attempts to write blatant pedophilia off as star crossed love makes The Mallot Diaries a book that is best avoided at all costs.
By Jason Sacks
On a much lighter note…
Sometimes it's exhilarating to read a book that seems to be positively overflowing with ideas, a book where the author seems thrilled to share a whole universe of concepts and drag an empathetic reader along in a journey that feels complex and rich, even if the book is short.
And sometimes it's just exhausting to read a book like that.
The Martian Sphinx, by Keith Woodcott
The Martian Sphinx, by journeyman science fiction author Keith Woodcott, is an exhausting book. It's full of clever moments, great excitement, and some intriguing alien races. Sadly, in this case, the whole of this brief 160-page Ace novel is not greater than the sum of its parts.
The Cork Floats to the Top
The protagonist of this novel is a graduate student named Jason Lombard, who is attending the finest college in Africa but who is ostracized due to his European birthplace. Lombard may be part of a miserable minority, but his brilliance wins the day. Despite his neurotic worries, Lombard is a genius level scientist who has thought through the deeply troubling problem of the Earth's decaying orbit around the sun.
Lombard comes across as a compelling character in the early chapters of this book, albeit in the Philip K. Dick tradition. Jason is a worrier, an outsider, a man who feels deeply ostracized from the university he's attending. It's hard not to see in Lombard echoes of the children integrating Southern elementary schools and college these days, though filtered through a different sort of personality.
I would happily have read a whole book exploring Lombard's world, with its overpopulated Europe and the advancement of the Red Chinese to the top of the world's most advanced societies. Sadly, Woodcott wanders elsewhere before exploring that theme enough to satisfy the reader's curiosity. I wish he had taken a stand to explore the problems of overpopulation, as that problem seems richly deserving of exploration in sci-fi.
The Power of Gravi
A second intriguing theme in The Martian Sphinx depicts how the world has moved beyond its dependence on fossil fuels and has learned to use a safe and endless source of power which is all around us. Gravipower sends a spaceship into space, provides all the energy the world needs, and essentially acts as a magic handwaving plot device to move the story along.
Again, the development of gravipower would alone have been enough for an entertaining book, because its effects on the book's characters is intriguing. But, again, we just don't get to spend much time considering what is essentially only a plot device.
First Contact
Instead, the heart of the book is a trip Lombard and a team of astronauts take to Mars to investigate a strange alien contraption dubbed "The Martian Sphinx." I'll get to the "Sphinx" in a paragraph or two, but first I should mention the aliens who are also questing after the object.
Two races swiftly land on Mars when the Terrans land there, and both alien races are bizarre, unique and totally fascinating in their vast differences from mankind. One race attacks the other, and the effects of the battle make up some of the most passionately written sections of the novel. Though these creatures are as different from people as insects are from us, readers are still made to feel the aliens' pain and fear. I was legitimately moved by a scene in which a number of the beings slowly die due to the battle.
In a way, their very alienness added to the pathos of those those scenes. Readers feel themselves in the boots of Lombard and his companions, struggling to make sense of the cryptic, unexplained war that lands on humanity's doorstep and the terrible toll that war takes on everyone involved. Again, this section alone might make for an intriguing novel of its own, maybe as a parable for our deepening conflict in Vietnam.
The Sphinx
Lastly, at the heart of the book but far from the center of its action is the "martian sphinx" of the book's title. An alien obelisk on our nearest planetary companion, the sphinx is a perplexing object which bespeaks of a long-lost alien civilization and seems to promise a fascinating future for humanity.
Woodcott makes the sphinx intriguing but it ultimately delivers mostly riddles rather than answers. Though that makes its name appropriate, the sphinx also deserves more than the space it receives here to begin to reveal its secrets. It's a rich enough idea for a whole series of novels, and I hope Woodcott can write those novels.
Few Riddles Answered
The Martian Sphinx is Woodcott's fourth published novel and it overflows with ideas. Sadly, perhaps due to the brevity of this book, none of those ideas pay off in fulfilling ways. It's easy to ponder how a writer like Philip K. Dick or John Brunner might explore these ideas which read similar to some of their best work. Sadly Woodcott is no Brunner and this novel just doesn't fulfill its considerable potential.
3 stars.
[I am looking forward to the interesting mail we receive in regard to Jason's last statement. I suppose Woodcott is no Brunner much like Winston P. Sanders is no Poul Anderson and Cordwainer Bird is definitely no Harlan Ellison…]
