by Mark Yon
Scenes from England
Hello again!
As the weather changes to Springtime, things seem to be gathering a-pace here. So, I’ll get straight to it.
First up: Science Fantasy.
Another ‘arty’ cover – though to me, being uninitiated in such matters, the photo that makes up the cover just looks out of focus. The artist is (perhaps justifiably) unknown.
The Editorial this month takes on the issue of reader’s opinions made through letters to the Editor. The Editor comments on how both gratifying and depressing it is to read the letters, those that say how good the newly reinvigorated magazine is and those that ask why the magazine is not like ‘the old days’. He then launches into the now-familiar refrain that the magazine and the genre itself has to adapt and change to survive.
Which it seems to be doing very well at the moment.
Despite his protestations that he enjoys reading them, it seems that the Editor has agreed to give a Letters Column a try. Suspect that’ll be a job passed down to the (relatively-new) Associate Editor, then!
To the stories themselves.
A Man in His Time, by Brian Aldiss
Another month, another big name. Last month it was the usually wonderful Harry Harrison, this month it is Harry’s friend and often co-collaborator, Brian Aldiss.
A Man in his Time is a time travel story, of sorts. Despite this being a hoary old cliché, Brian uses his formidable skill to write a story that takes the cliché and turns it into something new. Jack Westermark is the only survivor of an expedition to Mars but has been mysteriously found on Earth with no memory of how he got there. Over the course of the story it appears that he is living 3.3077 minutes ahead of present Earth time, an event which has considerable effect on himself and his wife and family. There’s a lot of disjointed, fractured sections to reflect Westermark’s state of mind, and put forward the idea of a non-linear temporal existence – that Jack may be living both in the present and the future at the same time, something that may be due to different planets having their own time field. By travelling to Mars it may be that he has crossed over, so to speak, into a later time, but has returned to Earth at its earlier time.
A Man in his Time is pleasingly mature in nature and the sort of thoughtful and literate story that shows the more serious side of Aldiss’s writing. The story focusses on the various consequences of the temporal event by concentrating on the psychological effects on Westermark and his family – the dislocation between Westermark and his wife and also his mother, the effect on the children and even suggests that the situation may be leading to Jack having a mental breakdown, which gives it that New Wave kudos and a story firmly placed in its time. Less 1940’s sense of wonder, more 1960’s inner musing, to bring an old cliché (dare I say it?) bang up to date. Another strong start to an issue. 4 out of 5.
The War at Foxhanger, by Keith Roberts
To lighter material now. This is another Anita story, which is an ongoing series. This time teenage witch Anita and her annoying Granny are involved in an ongoing feud with the newest member of their sisterhood, who lives at the titular Foxhanger Farm. In this story things quickly escalate and become more of a personal attack, so much so that at one point the frantic battle makes the story read like a demented version of Mickey Mouse’s The Sorcerer’s Apprentice in Fantasia.
Although Anita is involved, this tale focuses on Granny, so expect lots of writing in a strangled dialect. Nevertheless, this is up to par with previous stories and will therefore be equally loved by some readers and create annoyance in others. 3 out of 5.
The Chicken Switch, by Elleston Trevor
A story of the Space Race, set in what is presumably the near future. Scientists and astronauts are preparing for Mankind’s exploration of the Moon. The story deals with the stresses and strains on those involved, with ‘the chicken switch’ (the button pressed to bail out on the deal) always being an option. Unsurprisingly, there’s lots of angst and drama, which read easily enough.
Mr. Trevor is a seasoned writer – you may know him for his novel The Flight of the Phoenix published last year – though not an author usually known for sf, and it shows in this well written story. At times it did feel a little like something out of a soap opera, but it can’t be denied that the twist at the end was a good one. 3 out of 5.
Susan, by Alastair Bevan
Another story by Keith Roberts under his pseudonym.
Susan is a schoolgirl who is more than she seems to be in this strange little tale. It works, but reminded me too much of the first episode of Doctor Who in its telling of the effect Susan has on things at school and what happens to her on her way home. Well written but not particularly original. 3 out of 5.
The Excursion, by B. N. Ball
This is about what happens on a day excursion as part of a holiday tour to Old Sol and its planets. Its simplistic caricatures of personalities (pompous military man, stuffy academic, young woman as an ex-escort, old woman more concerned with finishing her knitting than the visit) make this at first feel like it is going to be one of those lighter efforts, but it does turn darker when the tourists inadvertently find themselves incarcerated and put on trial by an automatic defence system as suspicious aliens on restricted territory. The two styles don’t mix very well and even if this implausibility wasn’t enough, there’s even an unfortunate racial aspect, with talk of ‘Orientals’, ‘Asiatics’ and ‘Neo-Negroids’. It left me thinking that this is this issue’s weakest offering; an unbelievable adventure story of the type I thought we’d left behind. 2 out of 5.
Over and Out, by George Hay
And covering similar ground, Over and Out is a short one-idea story told through telex messages sent by someone who has been locked into their home by the computers whilst they rewrite history. It was difficult to take seriously after the story before it, but it is very short.
Like the computer’s attempt to change history, its point is quickly forgotten. 2 out of 5.
Hunt a Wild Dream (part 2), by D. R. Heywood
This story started well last month but then bizarrely stopped dead just as it was getting going. This one starts exactly where we left off – no preamble, no explanation. Hunter Cullen continues his expedition into the African savanna searching for the something rather odd. He finds it, and a strange connection between Cullen and the creature is revealed. I did say last month that this story could develop into an interesting and scary story or fizzle to nothing. Sadly, this one fizzled. Not sure why it was split but it wasn’t worth the effort. A bit of a damp squib to finish the issue. 2 out of 5 this month.
Summing up Science Fantasy
After last month’s Science Fantasy was nothing too special, this month’s was slightly better. It’s not perfect, but it generally was a good read, with some noticeable disappointments. The Aldiss is a stand-out. As Kyril said in his Editorial, “Look – we have survived where others have failed – and we are still improving.” I can’t disagree with that.
The Second Issue At Hand
This month’s New Worlds features the return of a veteran: stalwart E. C. Tubb, whose name is displayed with enthusiasm on the cover. Whilst we’re still on the circles theme for the cover, it can’t be denied that it is eye-catching.
The Editorial is a short one, extolling the merits of Anthony Boucher’s The Magazine of Fantasy and Science Fiction, presumably for those who find it hard to get copies over here. It then repeats the message already given in Science Fantasy that things are changing, then asks whether New Worlds should accept science-fictional material of a substandard quality but which is obviously science fiction or whether it would be happy to accept material less obviously science-fictional but outstanding.
Personally, I think that’s a tough call. There is a risk that by broadening its remit the magazine may lose its identity, although at the same time it might just pick up newer readers who wouldn’t have previously considered looking at the magazine. But it is, nevertheless, a gamble.
The Life Buyer (part 1 of 3), by E.C. Tubb
[Art by aTom]
So, here’s the first part of a three-part serial from a long-time SF writer who is one of ‘the old guard’, but one Moorcock has said before is one of his favourites, and is here, according to the banner, “By popular request”.
The setup is intriguing. Marcus King is a billionaire with unlimited wealth in a future world where, for the right price, most things seem possible. An assassination attempt leads detectives Markham and Delmonte to try and discover whodunnit, which becomes more complicated the more is revealed. The twist is that the pilot of the plane that flew into King’s building was wearing one of King’s products – a krown, which when fitted to your head can adapt mental and physical reactions. It has replaced drugs, anaesthetics and provides restful sleep if the wearer wishes it.
This then raises questions: Who is to blame? Why are they trying to kill King? And why is King haunted by dreams of death and decay. What do they mean and why is he getting them?
A well-written story, it shows how much things are changing in SF. This is a detective story, which is not that unusual in SF, but it is also a psychological story – the dream state and the ability to manipulate the brain makes this a tale of inner space, if you like. The pacing is great, the setup is clever, and the cliff-hanger ending left me intrigued enough to want to read more. And one of the lead characters is named ‘Marcus’ – I’m sure my fellow traveller will be pleased! A great story and a good start to the issue. 4 out of 5.
The Changing Shape of Charlie Snuff, by R. L. Mackelworth
Another odd one by Mackelworth. It’s the story of a shape-changing alien currently in human form and his connection with a young girl and an atomic scientist. The key aspect is that his shape changes depending upon the need of the person he is with – the greater the need, the more likely it is to change to what they want. A nice idea but limited in its development. It’s quite dark and deliciously cynical. 3 out of 5.
In One Sad Day, by George Collyn
This is also a story about odd creatures by another returning author. It’s a sombre piece about what seems to be an alien on a strange world whose communication with another being leads to a revelation at the end. I didn’t see the twist coming, but it is a bit of a cliché once revealed. 2 out of 5.
Death of an Earthman, by Gordon Walters
It’s good to see some fiction from this author, otherwise known as George Locke, and last seen in the January 1965 issue of New Worlds writing a non-fiction article about Space Drives.
Death of an Earthman is another detective story with a science-fictional setting. The lead character this time is a police detective who works on empathy, an issue that comes to the fore when there is a murder onboard The Seas of Deimos, the spaceship that he is travelling on. What makes the story interesting is that the key suspect is an ex-Captain of the spaceship – a man who, when he lost his captainship, also lost his arms. This is an issue as the victim appears to have been strangled! A great setup that works well, except at the end where it all falls apart in some kind of awful Flash Gordon type melodrama. As a result, this one scores between 2 and 3 out of 5, but I’m going to suggest 3 out of 5 in the end.
Third Party, by Dan Morgan
Morgan is a new name to me. This short story deals with the future of marital relationships. Harry Pierce has had an affair and as a result he and his wife Madge have had a month-long Trial Separation Period, the consequences of which are to be decided by the Marriage Integration Department. Things all get a bit Kafka-esque. Although definitely chilling, it does seem a little far-fetched. 3 out of 5.
What Next?, by Edward Mackin
And here’s a Mackin novella that many readers of the old New Worlds and Science Fantasy will appreciate, as it involves fan-favourite character, the cyberneticist Hek Belov (last seen in Science Fantasy in October 1963.) This time around, Hek is employed by Jonas Pinquil, an eccentric with lots of money and seemingly not too much of a grasp on reality. When asked to help setting up a matter transmitter with an old adversary, Meerschraft, Hek finds himself involved in a scam that goes awry. It’s a jaunty little novella that was great fun to read and not to be taken seriously at all, towards the end turning into some sort of science-fictional screwball comedy. I like Hek as a character, who for some reason makes me think of a grumpier version of Asimov’s detective, Wendell Urth. 3 out of 5.
The Flowers of the Valley, by Keith Roberts
We just can’t get away from the prolific Keith Roberts, can we? As if it wasn’t enough with him taking up almost permanent residency over at Science Fantasy, here he is in New Worlds with a strange tale about how Nature will be manufactured in the future, and at the same time deals with a fractured relationship between the botanist narrator and his partner Priscill. It’s odd, but remained with me after I finished reading it, so 3 out of 5.
Reactionary, by P. F. Woods
And lastly a story by Barrington J Bailey under his nom-de-plume.
Reactionary is about a dinner-table gathering who are drawn together to witness something seemingly impossible – something that proves that Newton’s third law of motion is wrong. It’s a slight little tale, but the last paragraph has a good little twist. 2 out of 5.
Articles and Books
There are no Articles this month, which is interesting considering the push they have been given in the last few issues. (Surely the feedback can’t have been that bad already?)
In terms of Books this month, Assistant Editor Langdon Jones points out what I suggested earlier – that Sf is changing. To illustrate this, he reviews Arthur Sellings’s The Silent Speakers and The Sundered Worlds by New Worlds’s own Editor, Michael Moorcock.
Sellings’s story is a ‘fascinating’ tale of a meeting of minds, whilst Moorcock’s is typical of ‘the outward-directed story’, all galaxies and space opera. It is full of ideas, but Langdon Jones dares to criticise the writer/editor by saying that the ideas get in the way of the story. Lastly, Richard Matheson’s A Stir of Echoes is a welcome reissue.
The Letters Pages are surprisingly brief this month – there is one (admittedly quite lengthy) letter! It is one of praise, discussing the value of magazines in the past of bringing SF to people’s attention and then pointing out New Worlds’ importance as a result. Again, it is a nice summary of where we’ve been and how things are changing.
Ratings this month for issue 147 (that’s the February 1965 issue). We have another tie, this time between John Baxter’s More Than A Man and John Hamilton’s When The Skies Fall. The winner, Arthur Sellings’ second part of The Power of Y isn’t a surprise, though.
Summing up New Worlds
Another strong issue. Particular favourites were The Life Buyer and Death of an Earthman (until the last part), although One Sad Day was a cliched low point.
Summing up overall
Another good issue for Science Fantasy, but New Worlds is again the winner this month.
And that’s it for this time. Until the next… which will include the 150th issue of New Worlds!
Dan Morgan was one of the middling mainstays of Carnell's magazines, first appearance 1952, last one before this one in 1961. His most notable contribution was probably his serial The Uninhibited, a moderately original psi novel that had its drawbacks but was still about the best serial Carnell was able to extract from his stable of homegrown contributors until James White's Open Prison. Otherwise he was distinguished from most New Worlds contributors by being a professional guitarist who wrote instructional manuals; he was photographed with John Kippax, another guitarist, with their instruments, for one of Carnell's "New Worlds Profiles" features. Maybe he was drawn back to New Worlds by the prospect of being able to write about something as racy as the future of marital relationships.
It is a weird thing that often the serials weren't memorable from Carnell but a lot of the shared universe stories have been made into really effective fix-ups. Perhaps a lot of the writers needed longer for the stories to brew?
These are two really great issues and even better to see we are getting them monthly now. Given that Pohl's magazines come out bi-monthly and I am not sure about the future of Lalli's publications it is good to have some certainty in my SF short stories.
Starting with Science Fantasy:
Even Aldiss' lesser writings (such as Pink Plastic Gods last year) are usually better than most other writers and this is definitely an interesting piece. I did find it a little hard to follow in places but I always appreciate effort put in to experiment.
I skimmed over the Anita story. Continue to not be for me.
The Chicken-Switch I personally felt to be more like a war film than a soap-opera myself. A solid effort.
I think it is impossible to read Susan and not think about Doctor Who right now. It is not terrible but, as you said, a bit unoriginal.
I am going to disagree on The Excursion. I took it to be a satire on how we get caught up in old prejudices if we are not careful and the problems of well meaning tourism being colonialist. Whether was the authors intention or not I don't know but I enjoyed it as such.
As you say Hay's piece is forgettable and little more needs to be said.
Heywood's piece is indeed pointless and even more confusing they didn't even state it was part 2 so most people will just assume it starts with the conversation,
So a solid issue for me. I continue to not really like the absurdly prolific Keith Roberts (who has provided 9 pieces for the last 5 issues of Science Fantasy) and the shorter pieces were not great but happy overall.
On to New Worlds:
Whilst I do like this cover more than some others, I am still on my "bring back the triangles!" campaign. The use of the moon image and shadowing is a nice touch.
The debate on how Science Fictional does Sci-Fi have to be is one me and my wife have regularly. I am in the camp that anything that speculates from human action and technology can be science fiction, she states that it needs to actually contain objective technology to be different. So for example I would include On The Beach and Dr Strangelove whilst she says they are not. It is an interesting debate which I am sure fans will continue to have for years to come.
I know some people around are big fans of Tubb's work but he had never really wowed me in the past. Always seemed the epitomal middling writer of Carnell's era. The Life-Buyer definitely is intriguing and represents a much better start, but it still remains to be seen if Tubb can pull if off.
The Mackleworth did little to me . Fine but a bit undercooked.
We very much disagree on Collyn's vignette. I thought it was really beautiful and poignant. My favourite piece of the issue.
Death of an Earthman I felt was pretty solid overall. Not the best work but solid. I hope we get more more ficiton from Walters because I think there is definitely an emerging talent there.
I enjoy a bit of ad absurdum satire so Morgan's piece very much appealed to me. Feels like a nice skewering of those politicians currently arguing about the terrible damage to society that will come if we liberalise divorce laws.
I never really cared much for Hek myself so didn't really have strong feelings about his return. The story is fien but not to my tastes.
And, of course more Keith Roberts (given he is also supposed to have a piece in the next New Writings I am beginning to wonder when he sleeps). As you say it is an odd little tale but it appealed to me more than most of his work.
Bailey's piece I found silly but inoffensive.
I have been reading The Sundered Worlds (I didn't use to pick up Science Fiction Adventures so had missed these stories in magazine form) and throughly enjoyed. Think it may be my favourite piece of Moorcock's I have read so far. Although having 4 more books coming out this year I will have to see if he can surpass that.
Also what is their weird thing of trying to squeeze the letters in all over the magazine? Can they not just put the advertisements in various places and leave the letter for the end instead of chopping it into 3 and placing it in a random order? On the plus side, good to hear the excellent Judith Merril will be getting a column soon.
Overall I think I preferred New Worlds this month but both were pretty strong in general. A lot of ones that didn't hit the mark for me are more down to personal taste and I know a lot of readers enjoy Hek and Anita a lot more than myself. Carry on doing great stuff British publishing!
Starting with Science Fantasy:
"Man in His Time" was quite good. An interesting premise, with depth of characterization and a sense of realism.
"The War at Foxhanger" seemed even more trivial that most Anita stories, with the "war" dissolving into nothing. And with two characters speaking in incomprehensible dialect, it was an effort to get through.
"The Chicken Switch" struck me as a weak combination of Analog and Twilight Zone. Too long for its simple twist ending.
As an American, I know nothing about Doctor Who, so "Susan" did not strike me as unoriginal. If anything, it reminded me of the People stories of Zenna Henderson, with a more somber tone. Anyway, I liked it.
"The Excursion" didn't grab me. Half another Twilight Zone allegory, half action yarn.
The less said about "Over and Out" the better. Utterly trivial.
The bizarre fashion in which "Hunt a Wild Dream" was split in half certainly didn't help a story with plenty of local color, but an arbitrary twist ending.
So, really only Aldiss and "Bevan" were worth the effort for me.
"The Changing Shape of Charlie Snuff" didn't do much for me. A one-idea story, without much to it.
"In One SAad Day" was a decent mood piece. It reminded me of Asimov's "Eyes Do More Than See," in a way.
I didn't care for "Death of an Earthman." The mystery was easy to solve, and thee science fiction elements — particularly the idea that the asteroid belt is crowded with rocks to avoid, instead of being, in reality, almost entirely empty space — were old-fashioned.
"Third Party" was OK satire, I guess. I could have done without the introductory paragraphs, which telegraphed the story's point.
"What Next?" was just a pointless farce, as far as I was concerned.
"The Flowers of the Valley" seemed underdeveloped. Tracking down the folk song mentioned in the story did little to help me appreciate it.
"Reactionary" was just a trivial joke.
So, no outstanding stories in this issue. I have to say that I preferred Science Fantasy this month.